Perfect Victims is an urgent affirmation of the Palestinian condition of resistance and refusal―an ode to the steadfastness of a nation. Palestine is a microcosm of the on fire, stubborn, fragmented, dignified. While a settler colonial state continues to inflict devastating violence, fundamental truths are deliberately obscured—the perpetrators are coddled while the victims are blamed and placed on trial. Why must Palestinians prove their humanity? And what are the implications of such an infuriatingly impossible task? With fearless prose and lyrical precision, Mohammed El-Kurd refuses a life spent in cross-examination. Rather than asking the oppressed to perform a perfect victimhood, El-Kurd asks friends and foes alike to look Palestinians in the eye, forgoing both deference and condemnation. How we see Palestine reveals how we see each other; how we see everything else. Masterfully combining candid testimony, history, and reportage, Perfect Victims presents a powerfully simple dignity for the Palestinian.

In the first in Tessa Dare's captivating Castles Ever After series, a mysterious fortress is the setting for an unlikely love . . . As the daughter of a famed author, Isolde Ophelia Goodnight grew up on tales of brave knights and fair maidens. She never doubted romance would be in her future, too. The storybooks offered endless possibilities. And as she grew older, Izzy crossed them off. One by one by one. Ugly duckling turned swan? Abducted by handsome highwayman? Rescued from drudgery by charming prince? No, no, and… Heh. Now Izzy’s given up yearning for romance. She’ll settle for a roof over her head. What fairy tales are left over for an impoverished twenty-six year-old woman who’s never even been kissed? This one.

Seven friends throw a 1920s-themed party, where it's all pretend--until one of them is murdered. One of Us Is Lying meets Knives Out in this killer locked-room mystery. Someone brought a knife to the party. To celebrate the end of high school, Izzy Morales joins her ride-or-die Kassidy and five friends on a 1920s-themed getaway at the glamorous Ashwood Manor. There, Izzy and her friends party in vintage dresses and expensive diamonds--until Kassidy's boyfriend turns up dead. Murdered, investigators declare when they arrive at the scene, and now every party guest is a suspect. There's the girlfriend, in love. The other girl, in despair. The old friend, forlorn. The new friend, distressed. The brooding enigma. And then, there's Izzy--the girl who brought the knife. To find the killer, everyone must undergo a grueling interrogation, all while locked in an estate where, suddenly, the greatest luxury is innocence.

The lonely, rockbound island of Tsunojima is notorious as the site of a series of bloody unsolved murders. Some even say it’s haunted. One thing’s for sure: it’s the perfect destination for the K-University Mystery Club’s annual trip. But when the first club member turns up dead, the remaining amateur sleuths realise they will need all of their murder-mystery expertise to get off the island alive. As the party are picked off one by one, the survivors grow desperate and paranoid, turning on each other. Will anyone be able to untangle the murderer’s fiendish plan before it’s too late?

For fans of Before the Coffee Gets Cold, What You Are Looking for Is In the Library, and Days at the Morisaki Bookshop comes an enchanting novel that will linger in your heart long after the last page is turned. As the last petal falls, the final page is turned… Welcome to The Cherry Blossom Bookshop, a haven for book lovers that only appears during the fleeting cherry blossom season. Nestled amidst the bloom of delicate petals, you’ll find a sanctuary for those burdened by regrets and past sorrows. Here, Sakura, the mysterious young owner, and her wise calico cat, Kobako, patiently await the arrival of souls in need of solace and healing. Told over four seasons, each visitor to the bookshop holds a book that bridges their past and present, guiding them towards understanding and acceptance. Within the antique charm of the shop and the soothing aroma of freshly brewed coffee, Sakura and Kobako help their guests confront their lingering sadness through the power of stories, enabling them to move forward with renewed hope.

The internationally acclaimed, New York Times bestselling author returns to the magnificent universe he constructed in his bestselling novels The Shadow of the Wind, The Angel’s Game, and The Prisoner of Heaven in this riveting series finale—a heart-pounding thriller and nail-biting work of suspense which introduces a sexy, seductive new heroine whose investigation shines a light on the dark history of Franco’s Spain In this unforgettable final volume of Ruiz Zafón’s cycle of novels set in the universe of the Cemetery of Forgotten Books, beautiful and enigmatic Alicia Gris, with the help of the Sempere family, uncovers one of the most shocking conspiracies in all Spanish history. Nine-year-old Alicia lost her parents during the Spanish Civil War when the Nacionales (the fascists) savagely bombed Barcelona in 1938. Twenty years later, she still carries the emotional and physical scars of that violent and terrifying time. Weary of her work as investigator for Spain’s secret police in Madrid, a job she has held for more than a decade, the twenty-nine-year old plans to move on. At the insistence of her boss, Leandro Montalvo, she remains to solve one last case: the mysterious disappearance of Spain’s Minister of Culture, Mauricio Valls. With her partner, the intimidating policeman Juan Manuel Vargas, Alicia discovers a possible clue—a rare book by the author Victor Mataix hidden in Valls’ office in his Madrid mansion. Valls was the director of the notorious Montjuic Prison in Barcelona during World War II where several writers were imprisoned, including David Martín and Victor Mataix. Traveling to Barcelona on the trail of these writers, Alicia and Vargas meet with several booksellers, including Juan Sempere, who knew her parents. As Alicia and Vargas come closer to finding Valls, they uncover a tangled web of kidnappings and murders tied to the Franco regime, whose corruption is more widespread and horrifying than anyone imagined. Alicia’s courageous and uncompromising search for the truth puts her life in peril. Only with the help of a circle of devoted friends will she emerge from the dark labyrinths of Barcelona and its history into the light of the future. In this haunting new novel, Carlos Ruiz Zafón proves yet again that he is a masterful storyteller and pays homage to the world of books, to his ingenious creation of the Cemetery of Forgotten Books, and to that magical bridge between literature and our lives.

Winner of the 2023 PROSE Award for Excellence in Biological and Life Sciences and the 2023 Chautauqua Prize! N amed a New York Times Notable Book and a Best Book of the Year by The Economist , Oprah Daily, BookPage, Book Riot, the New York Public Library, and more! In The Song of the Cell , the extraordinary author of the Pulitzer Prize–winning The Emperor of All Maladies and the #1 New York Times bestseller The Gene “blends cutting-edge research, impeccable scholarship, intrepid reporting, and gorgeous prose into an encyclopedic study that reads like a literary page-turner” ( Oprah Daily ). Mukherjee begins this magnificent story in the late 1600s, when a distinguished English polymath, Robert Hooke, and an eccentric Dutch cloth-merchant, Antonie van Leeuwenhoek looked down their handmade microscopes. What they saw introduced a radical concept that swept through biology and medicine, touching virtually every aspect of the two sciences, and altering both forever. It was the fact that complex living organisms are assemblages of tiny, self-contained, self-regulating units. Our organs, our physiology, our selves—hearts, blood, brains—are built from these compartments. Hooke christened them “ cells. ” The discovery of cells—and the reframing of the human body as a cellular ecosystem—announced the birth of a new kind of medicine based on the therapeutic manipulations of cells. A hip fracture, a cardiac arrest, Alzheimer’s dementia, AIDS, pneumonia, lung cancer, kidney failure, arthritis, COVID pneumonia—all could be reconceived as the results of cells, or systems of cells, functioning abnormally. And all could be perceived as loci of cellular therapies. Filled with writing so vivid, lucid, and suspenseful that complex science becomes thrilling, The Song of the Cell tells the story of how scientists discovered cells, began to understand them, and are now using that knowledge to create new humans. Told in six parts, and laced with Mukherjee’s own experience as a researcher, a doctor, and a prolific reader, The Song of the Cell is both panoramic and intimate—a masterpiece on what it means to be human. “In an account both lyrical and capacious, Mukherjee takes us through an evolution of human from the seventeenth-century discovery that humans are made up of cells to our cutting-edge technologies for manipulating and deploying cells for therapeutic purposes” ( The New Yorker).

Three women in three different eras encounter danger and witchcraft in this eerie multigenerational horror saga from the New York Times bestselling author of Mexican Gothic.“Back then, when I was a young woman, there were still witches”: That was how Nana Alba always began the stories she told her great-granddaughter Minerva—stories that have stayed with Minerva all her life. Perhaps that’s why Minerva has become a graduate student focused on the history of horror literature and is researching the life of Beatrice Tremblay, an obscure author of macabre tales.In the course of assembling her thesis, Minerva uncovers information that reveals that Tremblay’s most famous novel, The Vanishing, was inspired by a true Decades earlier, during the Great Depression, Tremblay attended the same university where Minerva is now studying and became obsessed with her beautiful and otherworldly roommate, who then disappeared under mysterious circumstances.As Minerva descends ever deeper into Tremblay’s manuscript, she begins to sense that the malign force that stalked Tremblay and the missing girl might still walk the halls of the campus. These disturbing events also echo the stories Nana Alba told about her girlhood in 1900s Mexico, where she had a terrifying encounter with a witch.Minerva suspects that the same shadow that darkened the lives of her great-grandmother and Beatrice Tremblay is now threatening her own in 1990s Massachusetts. An academic career can be a punishing pursuit, but it might turn outright deadly when witchcraft is involved.

Winner of the 2023 PROSE Award for Excellence in Biological and Life Sciences and the 2023 Chautauqua Prize! N amed a New York Times Notable Book and a Best Book of the Year by The Economist , Oprah Daily, BookPage, Book Riot, the New York Public Library, and more! In The Song of the Cell , the extraordinary author of the Pulitzer Prize–winning The Emperor of All Maladies and the #1 New York Times bestseller The Gene “blends cutting-edge research, impeccable scholarship, intrepid reporting, and gorgeous prose into an encyclopedic study that reads like a literary page-turner” ( Oprah Daily ). Mukherjee begins this magnificent story in the late 1600s, when a distinguished English polymath, Robert Hooke, and an eccentric Dutch cloth-merchant, Antonie van Leeuwenhoek looked down their handmade microscopes. What they saw introduced a radical concept that swept through biology and medicine, touching virtually every aspect of the two sciences, and altering both forever. It was the fact that complex living organisms are assemblages of tiny, self-contained, self-regulating units. Our organs, our physiology, our selves—hearts, blood, brains—are built from these compartments. Hooke christened them “ cells. ” The discovery of cells—and the reframing of the human body as a cellular ecosystem—announced the birth of a new kind of medicine based on the therapeutic manipulations of cells. A hip fracture, a cardiac arrest, Alzheimer’s dementia, AIDS, pneumonia, lung cancer, kidney failure, arthritis, COVID pneumonia—all could be reconceived as the results of cells, or systems of cells, functioning abnormally. And all could be perceived as loci of cellular therapies. Filled with writing so vivid, lucid, and suspenseful that complex science becomes thrilling, The Song of the Cell tells the story of how scientists discovered cells, began to understand them, and are now using that knowledge to create new humans. Told in six parts, and laced with Mukherjee’s own experience as a researcher, a doctor, and a prolific reader, The Song of the Cell is both panoramic and intimate—a masterpiece on what it means to be human. “In an account both lyrical and capacious, Mukherjee takes us through an evolution of human from the seventeenth-century discovery that humans are made up of cells to our cutting-edge technologies for manipulating and deploying cells for therapeutic purposes” ( The New Yorker).

The newest edition is here. Another alternate cover can be found here. Emma Woodhouse is one of Austen's most captivating and vivid characters. Beautiful, spoilt, vain and irrepressibly witty, Emma organizes the lives of the inhabitants of her sleepy little village and plays matchmaker with devastating effect.