Miranda’s disbelief turns to fear in a split second when a meteor knocks the moon closer to the earth. How should her family prepare for the future when worldwide tsunamis wipe out the coasts, earthquakes rock the continents, and volcanic ash blocks out the sun? As summer turns to Arctic winter, Miranda, her two brothers, and their mother retreat to the unexpected safe haven of their sunroom, where they subsist on stockpiled food and limited water in the warmth of a wood-burning stove. Told in journal entries, this is the heart-pounding story of Miranda’s struggle to hold on to the most important resource of all--hope--in an increasingly desperate and unfamiliar world.

Spensa's world has been under attack for decades. Now pilots are the heroes of what's left of the human race, and becoming one has always been Spensa's dream. Since she was a little girl, she has imagined soaring skyward and proving her bravery. But her fate is intertwined with that of her father's—a pilot himself who was killed years ago when he abruptly deserted his team, leaving Spensa the daughter of a coward, her chances of attending Flight School slim to none. No one will let Spensa forget what her father did, yet fate works in mysterious ways. Flight school might be a long shot, but she is determined to fly. And an accidental discovery in a long-forgotten cavern might just provide her with a way to claim the stars.

In deep retirement in the English countryside, an eighty-nine-year-old man, vaguely recollected by locals as a once-famous detective, is more concerned with his beekeeping than with his fellow man. Into his life wanders Linus Steinman, nine years old and mute, who has escaped from Nazi Germany with his sole companion: an African gray parrot. What is the meaning of the mysterious string of German numbers the bird spews out - a top secret SS code? The keys to a series of Swiss bank accounts perhaps? Or something more sinister? Is the solution to this last case - the real explanation of the mysterious boy and his parrot - beyond even the reach of the once-famed sleuth? A short, suspenseful tale of compassion and wit that reimagines the classic nineteenth-century detective story.

Shirley Jackson’s beloved gothic tale of a peculiar girl named Merricat and her family’s dark secret Taking readers deep into a labyrinth of dark neurosis, We Have Always Lived in the Castle is a deliciously unsettling novel about a perverse, isolated, and possibly murderous family and the struggle that ensues when a cousin arrives at their estate. This edition features a new introduction by Jonathan Lethem.

Evie and Her Nightmares has descriptive copy which is not yet available from the Publisher.

#1 New York Times bestselling author Brandon Sanderson brings us deeper into the Cosmere universe with a rollicking, riveting tale that will appeal to fans of The Princess Bride. The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave her simple life behind and make her own place sailing a sea where a single drop of water can mean instant death?

The South Korean runaway bestseller, debut author Baek Se-Hee’s intimate therapy memoir—think Crying in H Mart meets Maybe You Should Talk to Someone. PSYCHIATRIST: So how can I help you? ME: I don’t know, I’m—what’s the word—depressed? Do I have to go into detail? Baek Sehee is a successful young social media director at a publishing house when she begins seeing a psychiatrist about her—what to call it?—depression? She feels persistently low, anxious, endlessly self-doubting, but also highly judgmental of others. She hides her feelings well at work and with friends; adept at performing the calmness, even ease, her lifestyle demands. The effort is exhausting, overwhelming, and keeps her from forming deep relationships. This can't be normal. But if she's so hopeless, why can she always summon a yen for her favorite street food: the hot, spicy rice cake, tteokbokki? Is this just what life is like? Recording her dialogues with her psychiatrist over a 12-week period, Baek begins to disentangle the feedback loops, knee-jerk reactions, and harmful behaviors that keep her locked in a cycle of self-abuse. Part memoir, part self-help book, I Want to Die but I Want to Eat Tteokbokki is a book to keep close and to reach for in times of darkness. It will appeal to anyone who has ever felt alone or unjustified in their everyday despair.

“I got you to look after me, and you got me to look after you, and that's why.” They are an unlikely pair: George is "small and quick and dark of face"; Lennie, a man of tremendous size, has the mind of a young child. Yet they have formed a "family," clinging together in the face of loneliness and alienation. Laborers in California's dusty vegetable fields, they hustle work when they can, living a hand-to-mouth existence. But George and Lennie have a plan: to own an acre of land and a shack they can call their own. While the powerlessness of the laboring class is a recurring theme in Steinbeck's work of the late 1930s, he narrowed his focus when composing Of Mice and Men, creating an intimate portrait of two men facing a world marked by petty tyranny, misunderstanding, jealousy, and callousness. But though the scope is narrow, the theme is universal: a friendship and a shared dream that makes an individual's existence meaningful. A unique perspective on life's hardships, this story has achieved the status of timeless classic due to its remarkable success as a novel, a Broadway play, and three acclaimed films.

Jean Hanff Korelitz’s The Plot is a psychologically suspenseful novel about a story too good not to steal, and the writer who steals it. Jacob Finch Bonner was once a promising young novelist with a respectably published first book. Today, he’s teaching in a third-rate MFA program and struggling to maintain what’s left of his self-respect; he hasn’t written—let alone published—anything decent in years. When Evan Parker, his most arrogant student, announces he doesn’t need Jake’s help because the plot of his book in progress is a sure thing, Jake is prepared to dismiss the boast as typical amateur narcissism. But then . . . he hears the plot. Jake returns to the downward trajectory of his own career and braces himself for the supernova publication of Evan Parker’s first novel: but it never comes. When he discovers that his former student has died, presumably without ever completing his book, Jake does what any self-respecting writer would do with a story like that—a story that absolutely needs to be told. In a few short years, all of Evan Parker’s predictions have come true, but Jake is the author enjoying the wave. He is wealthy, famous, praised and read all over the world. But at the height of his glorious new life, an e-mail arrives, the first salvo in a terrifying, anonymous campaign: You are a thief, it says. As Jake struggles to understand his antagonist and hide the truth from his readers and his publishers, he begins to learn more about his late student, and what he discovers both amazes and terrifies him. Who was Evan Parker, and how did he get the idea for his “sure thing” of a novel? What is the real story behind the plot, and who stole it from whom?