She knows not what the curse may be... 'The Lady of Shalott' is a lyrical ballad by the 19th-century English poet Alfred Tennyson. Inspired by the short prose text 'La Damigella di Scalot' from the 13th-century, it tells the tragic story of Elaine of Astolat, a young noblewoman stranded in a tower up the river from Camelot. It is one of Tennyson's most famous and memorable works, with its lucid medieval romanticism, as well as enigmatic symbolism. Alfred Tennyson (1809–1892), invariably known as Alfred Lord Tennyson, was born in Somersby, UK. At the age of 18, he published his first book, 'Poems by Two Brothers' with his brother, later followed by 'Poems Chiefly Lyrical' (1830). In 1850, Tennyson was appointed Poet Laureate and married his childhood friend, Emily Sellwood. In 1884, as a great favorite of both Queen Victoria and Prince Albert, he was given the title of Baron Tennyson of Aldworth, the first Englishman to be granted such a high rank solely for his literary faculty. Tennyson continued to write poetry throughout his life. He died in 1892 at the age of 83, to be then buried in Westminster Abbey.

A phantasmagoric poem about two girls seduced by lewd goblin men serving up forbidden fruits provides a lush and startling look into the depths of the Victorian psyche, accompanied by the original illustrations.

It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.

Woman or man? This internationally acclaimed novel looks at the world through the eyes of Jess Goldberg, a masculine girl growing up in the "Ozzie and Harriet" McCarthy era and coming out as a young butch lesbian in the pre-Stonewall gay drag bars of a blue-collar town. Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.

“Birlikte kadın olmak yetmiyordu. Biz farklıydık. Birlikte gey-kızlar olmak yetmiyordu. Biz farklıydık. Birlikte Siyah olmak yetmiyordu. Biz farklıydık. Birlikte Siyah kadınlar olmak yetmiyordu. Biz farklıydık. Birlikte Siyah dykelar olmak yetmiyordu. Biz farklıydık.” Audre, bu kitapta kendi öyküsünü bir şiir misali duygulara dokunarak ilmek ilmek işliyor. Kitap boyunca sadece küçük siyah bir kızın savaşçı bir kadına nasıl dönüştüğüne tanıklık etmekle kalmıyor, aynı zamanda Audre’nin yolculuğunda adeta ona yoldaşlık ediyoruz. Yazarın şair üslubu insanı sarıp sarmalayan yumuşacık bir mitolojik öykü okuduğumuz hissi yaratsa da, anlattığı sıradan ama keskin duyguların aslında ne kadar sert bir gerçekliğin ifadesi olduğuyla karşı karşıya bırakıyor bizi. Zami, çocukluk ve gençlikte kristalleşen özgün farkımızı içimize akıtan bir hikaye, büyüme ve mücadelenin, dahası bahisdışı olmanın, her seferinde yeniden ayağa kalkıp yola devam etme gücünün hikayesi.

In this graphic memoir, Alison Bechdel charts her fraught relationship with her late father.Distant and exacting, Bruce Bechdel was an English teacher and director of the town funeral home, which Alison and her family referred to as the Fun Home. It was not until college that Alison, who had recently come out as a lesbian, discovered that her father was also gay. A few weeks after this revelation, he was dead, leaving a legacy of mystery for his daughter to resolve.

The celebrated and highly versatile writer Leila Sebbar was born in French colonial Algeria but has lived nearly her entire adult life in France, where she is recognized as a major voice on the penetrating effects of colonialism in contemporary society. The dramatic contrast between her past and present is the subject of the nine autobiographical essays collected in this volume. Written between 1978 and 2006, they trace a journey that began in Aflou, Algeria, where her father ran a schoolhouse, and continued to France, where Sebbar traveled, alone, as a graduate student before eventually realizing her powerful creative vision. The pieces collected in this book capture an array of experiences, sensations, and sentiments surrounding the French colonial presence in Algeria and offer an intimate and prismatic reflection on Sebbar's bicultural upbringing as the child of an Algerian father and French mother. Sebbar paints an unflinching portrait of her original disconnection from her father's Arabic language and culture, depicting her struggle to revive a cultural heritage that her family had deliberately obscured and to convey the vibrant yet muted Arabic of her father and of Algeria. Looking back from numerous vantage points throughout her life, she presents the complicated and divisive dynamics of being raised "between two shores"--the colonized and the colonizer. CARAF Books: Caribbean and African Literature Translated from French

At the center of this invigorating novel are two unlikely friends, Archie Jones and Samad Iqbal. Hapless veterans of World War II, Archie and Samad and their families become agents of England’s irrevocable transformation. A second marriage to Clara Bowden, a beautiful, albeit tooth-challenged, Jamaican half his age, quite literally gives Archie a second lease on life, and produces Irie, a knowing child whose personality doesn’t quite match her name (Jamaican for “no problem”). Samad’s late-in-life arranged marriage (he had to wait for his bride to be born), produces twin sons whose separate paths confound Iqbal’s every effort to direct them, and a renewed, if selective, submission to his Islamic faith. Set against London’s racial and cultural tapestry, venturing across the former empire and into the past as it barrels toward the future, White Teeth revels in the ecstatic hodgepodge of modern life, flirting with disaster, confounding expectations, and embracing the comedy of daily existence.