Harvard Public Health Magazine,  Best Public Health Books and Journalism of 2022 The definitive social history of tuberculosis, from its origins as a haunting mystery to its modern reemergence that now threatens populations around the world. It killed novelist George Orwell, Eleanor Roosevelt, and millions of others – rich and poor. Desmond Tutu, Amitabh Bachchan, and Nelson Mandela survived it, just.  For centuries, tuberculosis has ravaged cities and plagued the human body.  In  Phantom Plague , Vidya Krishnan, traces the history of tuberculosis from the slums of 19th-century New York to modern Mumbai. In a narrative spanning century, Krishnan shows how superstition and folk-remedies, made way for scientific understanding of TB, such that it was controlled and cured in the West.  The cure was never available to black and brown nations. And the tuberculosis bacillus showed a remarkable ability to adapt – so that at the very moment it could have been extinguished as a threat to humanity, it found a way back, aided by authoritarian government, toxic kindness of philanthropists, science denialism and medical apartheid. Krishnan’s original reporting paints a granular portrait of the post-antibiotic era as a new, aggressive, drug resistant strain of TB takes over. Phantom Plague is an urgent, riveting and fascinating narrative that deftly exposes the weakest links in our battle against this ancient foe. 

"Using the techniques of both the fabulist and the polemicist, Parsipur continues her protest against traditional Persian gender relations in this charming, powerful novella." —Publishers Weekly This modern literary masterpiece follows the interwoven destinies of five women—including a wealthy middle-aged housewife, a prostitute, and a schoolteacher—as they arrive by different paths to live together in an abundant garden on the outskirts of Tehran. Drawing on elements of Islamic mysticism and recent Iranian history, this unforgettable novel depicts women escaping the narrow confines of family and society, and imagines their future living in a world without men.

An enthralling sapphic retelling of Swan Lake, for fans of Allison Saft and V.E Schwab.Magic has long been outlawed in Auréal. Odile has always known she’d be the one to restore it.Raised by a sorcerer, Odile has spent years preparing for the heist of a lifetime. It’s perfectly simple. Impersonate a princess, infiltrate the palace, steal the king's enchanted crown and restore magic to the kingdom.But when the King is unexpectedly murdered, she’s forced to recruit the help of Marie d'Odette, the real princess, and the two begin to unravel a web of lies and deceit that leaves Odile uncertain of who to trust.Soon though Odile must decide – her mission or the girl she’s falling for?The fate of the Kingdom depends on her making the right choice. . .

Imagine being born into a world where everything about you--the shape of your nose, the look of your hair, the place of your birth--designates you as an undesirable, an inferior, a menace, no better than a cockroach, something to be driven away and ultimately exterminated. Imagine being thousands of miles away while your family and friends are brutally and methodically slaughtered. Imagine being entrusted by your parents with the mission of leaving everything you know and finding some way to survive, in the name of your family and your people. Scholastique Mukasonga's Cockroaches is the story of growing up a Tutsi in Hutu-dominated Rwanda--the story of a happy child, a loving family, all wiped out in the genocide of 1994. A vivid, bitterwsweet depiction of family life and bond in a time of immense hardship, it is also a story of incredible endurance, and the duty to remember that loss and those lost while somehow carrying on. Sweet, funny, wrenching, and deeply moving, Cockroaches is a window onto an unforgettable world of love, grief, and horror.

Imagine being born into a world where everything about you--the shape of your nose, the look of your hair, the place of your birth--designates you as an undesirable, an inferior, a menace, no better than a cockroach, something to be driven away and ultimately exterminated. Imagine being thousands of miles away while your family and friends are brutally and methodically slaughtered. Imagine being entrusted by your parents with the mission of leaving everything you know and finding some way to survive, in the name of your family and your people. Scholastique Mukasonga's Cockroaches is the story of growing up a Tutsi in Hutu-dominated Rwanda--the story of a happy child, a loving family, all wiped out in the genocide of 1994. A vivid, bitterwsweet depiction of family life and bond in a time of immense hardship, it is also a story of incredible endurance, and the duty to remember that loss and those lost while somehow carrying on. Sweet, funny, wrenching, and deeply moving, Cockroaches is a window onto an unforgettable world of love, grief, and horror.

From New York Times bestselling horror writer Stephen Graham Jones comes a “viciously clever” (The New York Times Book Review) classic slasher story with a twist—perfect for fans of Adam Cesare and Grady Hendrix. 1989, Lamesa, Texas. A small town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, and shared sense of unfairness of being on the outside through the slasher horror Jones loves, but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this “playful, self-aware, and remarkably gory horror novel” (The New York Times).

The decisiveness of the short period of colonialism and its negative consequences for Africa spring mainly from the fact that Africa lost power. Power is the ultimate determinant in human society, being basic to the relations within any group and between groups. It implies the ability to defend one's interests and if necessary to impose one’s will by any means available. In relations between peoples, the question of power determines maneuverability in bargaining, the extent to which a people survive as a physical and cultural entity. When one society finds itself forced to relinquish power entirely to another society, that in itself is a form of underdevelopment. Before a bomb ended his life in the summer of 1980, Walter Rodney had created a powerful legacy. This pivotal work, How Europe Underdeveloped Africa, had already brought a new perspective to the question of underdevelopment in Africa. his Marxist analysis went far beyond the heretofore accepted approach in the study of Third World underdevelopment. How Europe Underdeveloped Africa is an excellent introductory study for the student who wishes to better understand the dynamics of Africa’s contemporary relations with the West.

From the acclaimed author of Vagabonds!: an audacious and eye-opening exploration of cross-generational queer life in Nigeria. What makes a family? How is it defined and by whom? Is freedom for everyone? In Necessary Fiction, Eloghosa Osunde poses these provocative questions and many more while exploring the paths and dreams, hopes and fears of more than two dozen characters who are staking out lives for themselves in contemporary Nigeria.  Across Lagos, one of Africa's largest urban areas and one of the world's most dynamic cities, Osunde’s characters seek out love for self and their chosen partners, even as they risk ruining relationships with parents, spouses, family, and friends. As the novel unfolds, a rolling cast vibrantly active, stubbornly alive, brazenly flawed. These characters grapple with desire, fear, time, death, and God, forming and breaking unexpected connections; in the process unveiling how they know each other, have loved each other, and had their hearts broken in that pursuit.  As they work to establish themselves in the city's lively worlds of art, music, entertainment, and creative commerce, we meet their collective and individual attempts to reckon with the necessary fiction they carry for survival.

For readers of Caste and Radical Dharma, an urgent call to action to end caste apartheid, grounded in Dalit feminist abolition and engaged Buddhism. “Dalit” is the name that we chose for ourselves when Brahminism declared us “untouchable.” Dalit means broken. Broken by suffering. Broken by caste: the world’s oldest, longest-running dominator system…yet although “Dalit” means broken, it also means resilient. Despite its ban more than 70 years ago, caste is thriving. Every 15 minutes, a crime is perpetrated against a Dalit person. The average age of death for Dalit women is just 39. And the wreckages of caste are replicated here in the U.S., too—erupting online with rape and death threats, showing up at work, and forcing countless Dalits to live in fear of being outed. Dalit American activist Thenmozhi Soundararajan puts forth a call to awaken and act, not just for readers in South Asia, but all around the world. She ties Dalit oppression to fights for liberation among Black, Indigenous, Latinx, femme, and Queer communities, examining caste from a feminist, abolitionist, and Dalit Buddhist perspective—and laying bare the grief, trauma, rage, and stolen futures enacted by Brahminical social structures on the caste-oppressed. Soundararajan’s work includes embodiment exercises, reflections, and meditations to help readers explore their own relationship to caste and marginalization—and to step into their power as healing activists and changemakers. She offers skills for cultivating wellness within dynamics of false separation, sharing how both oppressor and oppressed can heal the wounds of caste and transform collective suffering. Incisive and urgent, The Trauma of Caste is an activating beacon of healing and liberation, written by one of the world’s most needed voices in the fight to end caste apartheid.

Demons clash with inheritance claims as secrets unfold and violence is unleashed over twelve harrowing hours trapped in a house with the worst thing family. When Papi Ramon, the patriarch of the wealthy Abreu family dies, he gives the family one last message in the “One of you is el bacà, the demon that I made a deal with. Get rid of them or you will be damned.” Xiomara, the uncontested favorite of Papi Ramon (and therefore the least liked in the family), watches as everyone dismisses this as the joke of a senile old man and demands the lawyer obtain the previous will Papi wrote. While the lawyer drives back to his office, a storm breaks out, forcing the entire family—Xiomara’s aunts and uncles and cousins—to remain in the house. And the words of Papi’s will hangs over their heads even heavier than the rain clouds. Over the course of the night, scandal after scandal is revealed to the public about the family. Suddenly a tense few hours of surviving her family turns into a vicious night of recrimination, violence, accusations…and murder. Xiomara is faced with an impossible uproot a demon and somehow kill it or excise the ghosts that linger within her own family. And the clock is ticking...