Leonora Carrington (1917–2011), the distinguished British-born Surrealist painter who made her home in Mexico City, was also a writer of extraordinary imagination and charm, and The Hearing Trumpet is perhaps her best loved book. It tells the story of 92-year-old Marian Leatherby, who is given the gift of a hearing trumpet only to discover that her family has been plotting to have her committed to an institution. But this is an institution where the buildings are shaped like birthday cakes and igloos, where the Winking Abbess and the Queen Bee reign, and where the gateway to the underworld is wide open. It is also the scene of a mysterious murder. Occult twin to Alice in Wonderland, The Hearing Trumpet is a classic of fantastic literature that has been translated and celebrated throughout the world.

The national bestseller: A medieval murder mystery full of the wonders of the time―and lessons for our own time―by a master storyteller. The time is the fourteenth century. The place is a small town in rural England, and the setting a snow-laden winter. A small troupe of actors accompanied by Nicholas Barber, a young renegade priest, prepare to play the drama of their lives. Breaking the longstanding tradition of only performing religious plays, the groups leader, Martin, wants them to enact the murder that is foremost in the townspeoples minds. A young boy has been found dead, and a mute-and-deaf girl has been arrested and stands to be hanged for the murder. As members of the troupe delve deeper into the circumstances of the murder, they find themselves entering a political and class feud that may undo them. Intriguing and suspenseful, Morality Play is an exquisite work that captivates by its power, while opening up the distant past as new to the reader.

An awe-inspiring tour of bat world by the world’s leading expert With nearly 1500 species, bats account for more than twenty percent of mammalian species. The most successful and most diverse group of mammals, bats come in different sizes, shapes, and colors, from the tiny bumblebee bat to the giant golden-crowned flying fox. Some bats eat fruit and nectar; others eat frogs, scorpions or fish. Vampire bats feed on blood. Bats are the only mammals that can fly; their fingers have elongated through evolution to become wings with a unique super-flexible skin membrane stretched between them. Their robust immune system is one of the reasons for their extreme longevity. A tiny bat can live for forty years. Yossi Yovel, an ecologist and a neurobiologist, is passionate about deciphering the secrets of bats, including using AI to decipher their communication. In The Genius Bat he brings to vivid life these amazing creatures as well as the obsessive and sometime eccentric people who study them–bat scientists. From muddy rainforests, to star-covered night deserts, from guest houses in Thailand, to museum drawers full of fossils in New York, this is an eye-opening and entertaining account of a might mammal.

The national bestselling author of A Thousand Ships returns with a fascinating, eye-opening take on the remarkable women at the heart of classical stories Greek mythology from Helen of Troy to Pandora and the Amazons to Medea. The tellers of Greek myths--historically men--have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil--like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world's suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over. In Pandora's Jar, the broadcaster, writer, stand-up comedian, and passionate classicist turns the tables, putting the women of the Greek myths on an equal footing with the men. With wit, humor, and savvy, Haynes revolutionizes our understanding of epic poems, stories, and plays, resurrecting them from a woman's perspective and tracing the origins of their mythic female characters. She looks at women such as Jocasta, Oedipus' mother-turned-lover-and-wife (turned Freudian sticking point), at once the cleverest person in the story and yet often unnoticed. She considers Helen of Troy, whose marriage to Paris "caused" the Trojan war--a somewhat uneven response to her decision to leave her husband for another man. She demonstrates how the vilified Medea was like an ancient Beyonce--getting her revenge on the man who hurt and betrayed her, if by extreme measures. And she turns her eye to Medusa, the original monstered woman, whose stare turned men to stone, but who wasn't always a monster, and had her hair turned to snakes as punishment for being raped. Pandora's Jar brings nuance and care to the millennia-old myths and legends and asks the question: Why are we so quick to villainize these women in the first place--and so eager to accept the stories we've been told?

The national bestseller: A medieval murder mystery full of the wonders of the time―and lessons for our own time―by a master storyteller. The time is the fourteenth century. The place is a small town in rural England, and the setting a snow-laden winter. A small troupe of actors accompanied by Nicholas Barber, a young renegade priest, prepare to play the drama of their lives. Breaking the longstanding tradition of only performing religious plays, the groups leader, Martin, wants them to enact the murder that is foremost in the townspeoples minds. A young boy has been found dead, and a mute-and-deaf girl has been arrested and stands to be hanged for the murder. As members of the troupe delve deeper into the circumstances of the murder, they find themselves entering a political and class feud that may undo them. Intriguing and suspenseful, Morality Play is an exquisite work that captivates by its power, while opening up the distant past as new to the reader.

Created by an Irish clergyman, Melmoth is one of the most fiendish characters in literature. In a satanic bargain, Melmoth exchanges his soul for immortality. The story of his tortured wanderings through the centuries is pieced together through those who have been implored by Melmoth to take over his pact with the devil. Influenced by the Gothic romances of the late 18th century, Maturin's diabolic tale raised the genre to a new and macabre pitch. Its many admirers include Poe, Balzac, Oscar Wilde and Baudelaire.

For centuries, the mysterious dark-robed figure has roamed the globe, searching for those whose complicity and cowardice have fed into the rapids of history’s darkest waters—and now, in Sarah Perry’s breathtaking follow-up to The Essex Serpent, it is heading in our direction. It has been years since Helen Franklin left England. In Prague, working as a translator, she has found a home of sorts—or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore. As such superstition has it, Melmoth travels through the ages, dooming those she persuades to join her to a damnation of timeless, itinerant solitude. To Helen it all seems the stuff of unenlightened fantasy. But, unaware, as she wanders the cobblestone streets Helen is being watched. And then Karel disappears. . . .

For centuries, the mysterious dark-robed figure has roamed the globe, searching for those whose complicity and cowardice have fed into the rapids of history’s darkest waters—and now, in Sarah Perry’s breathtaking follow-up to The Essex Serpent, it is heading in our direction. It has been years since Helen Franklin left England. In Prague, working as a translator, she has found a home of sorts—or, at least, refuge. That changes when her friend Karel discovers a mysterious letter in the library, a strange confession and a curious warning that speaks of Melmoth the Witness, a dark legend found in obscure fairy tales and antique village lore. As such superstition has it, Melmoth travels through the ages, dooming those she persuades to join her to a damnation of timeless, itinerant solitude. To Helen it all seems the stuff of unenlightened fantasy. But, unaware, as she wanders the cobblestone streets Helen is being watched. And then Karel disappears. . . .

A subversive historical novel set during the French Revolution, inspired by a young peasant boy turned showman, said to have been tormented and driven to murder by an all-consuming appetite. 1798, France. Nuns move along the dark corridors of a Versailles hospital where the young Sister Perpetué has been tasked with sitting with the patient who must always be watched. The man, gaunt, with his sallow skin and distended belly, is dying: they say he ate a golden fork, and that it’s killing him from the inside. But that’s not all—he is rumored to have done monstrous things in his attempts to sate an insatiable appetite… an appetite they say tortures him still. Born in an impoverished village to a widowed young mother, Tarare was once overflowing with quiet affection: for the Baby Jesus and the many Saints, for his mother, for the plants and little creatures in the woods and fields around their house. He spends his days alone, observing the delicate charms of the countryside. But his world is not a gentle one—and soon, life as he knew it is violently upended. Tarare is pitched down a chaotic path through revolutionary France, left to the mercy of strangers, and increasingly, bottomlessly, ravenous. This exhilarating, disquieting novel paints a richly imagined life for The Great Tarare, The Glutton of Lyon in 18th-century France: a world of desire, hunger and poverty; hope, chaos and survival. As in her cult hit The Manningtree Witches, Blakemore showcases her stunning lyricism and deep compassion for characters pushed to the edge of society in The Glutton, her most unputdownable work yet.