Flannery O'Connor was working on Everything That Rises Must Converge at the time of her death. This collection is an exquisite legacy from a genius of the American short story, in which she scrutinizes territory familiar to her readers: race, faith, and morality. The stories encompass the comic and the tragic, the beautiful and the grotesque; each carries her highly individual stamp and could have been written by no one else.

"I am the fiery life of divine substance, I blaze above the beauty of the fields, I shine in the waters, I burn in sun, moon and stars" - Hildegard of Bingen (1098 - 1179) The middle ages are seen as a bloodthirsty time of Vikings, saints and kings: a patriarchal society which oppressed and excluded women. But when we dig a little deeper into the truth, we can see that the 'dark' ages were anything but. Oxford and BBC historian Janina Ramirez has uncovered countless influential women's names struck out of historical records, with the word FEMINA annotated beside them. As gatekeepers of the past ordered books to be burnt, artworks to be destroyed, and new versions of myths, legends and historical documents to be produced, our view of history has been manipulated. Only now, through a careful examination of the artefacts, writings and possessions they left behind, are the influential and multifaceted lives of women emerging. Femina goes beyond the official records to uncover the true impact of women like Jadwiga, the only female King in Europe, Margery Kempe, who exploited her image and story to ensure her notoriety, and the Loftus Princess, whose existence gives us clues about the beginnings of Christianity in England. See the medieval world with fresh eyes and discover why these remarkable women were removed from our collective memories.

In her Introduction to an edition of "Agnes Grey," Barbara A. Suess writes "Bronte provides a portrait of the governess that is as sympathetic as her fictional indictment of the shallow, selfish moneyed class is biting." Anne Bronte relies on her own personal involvement in her duties as a home teacher to bring Agnes Grey to life. Agnes, a rector's daughter, must take employment as a governess to help her family make financial ends meet. But her situations with the spoiled, self-obsessed Bloomfield children and later with the ruthless Murray family forces her into a lonely, humiliating experience that is a wearying one extraordinarily blossoming into a romantic relationship with the local vicar, Edward Weston. Agnes' concern for her family brings her to these unfortunate trials where she suffers stupid and egotistic proprietors and their over-indulged progeny. She was not able to foresee the hardships she would have to undergo along with the class snobbery to which she was also subjected. And yet a career as a governess was the only "respectable" job available to an unmarried woman in Victorian England. Bronte's simple and uncomplicated rendition of these sordid affairs made circumstances surrounding such brutish conditions authentic enough to necessitate investigation and improvement.