From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.

From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.

EDITORIAL REVIEWS A People Magazine Best Book of April 2024 | “The Most Anticipated Crime Fiction of 2024” CrimeReads | Spring 2024 Preview Mysteries & Thrillers Top 10 Publishers Weekly | Publishers Marketplace 2024 BuzzBook | “Readers’ Most Anticipated Mysteries & Thrillers of 2024” Goodreads | “New Debut Novels to Check Out This Season” Goodreads | “The Best Mysteries and Thrillers of 2024” BookBub | “Our Most Anticipated Crime Fiction Novels of 2024” Novel Suspects | "18 Most Anticipated Books of 2024” BiblioLifestyle | "The Best (And Most Anticipated) Mystery and Thriller Books of 2024" Elle Magazine "A dizzying thriller that centers around mental illness, generational trauma, and how much we really know even those closest to us." —People "With unflinching determination, Nguyen keeps readers pinned to the page in this dark, devastating psychological horror." —Elle “[A] razor sharp debut…Here, complications from untreated mental illness drive the unreliable narrator trope for a swirly, tangled hair-raiser…As sinister as it is emotional, You Know What You Did explores mother-daughter relationships and generational trauma with taut, captivating prose and a touch of horror.” —Seattle Times "A twisty, horror-filled thriller... [an] incredibly compelling debut” —Booklist (*Starred Review*) "[An] exhilarating debut...Braiding together hair-raising psychological suspense and poignant study of war’s intergenerational trauma, Nguyen adds depth to the familiar setup of the unreliable, mentally ill heroine. Lisa Unger and Tess Gerritsen fans, take note." —Publishers Weekly "The descriptions of Annie’s OCD...and her struggles to control it are particularly visceral...[An] exploration of generational trauma and mental illness...There is healing to be had in the journey and the ending.” —Kirkus Reviews “This book knocked the wind out of me. On top of its razor sharp twists and visceral scares, You Know What You Did taps into the true horror experienced by so many refugees and war survivors, and the way that trauma lives on through generations. Don’t miss this brilliant thriller from a powerful new voice.” —Ana Reyes, New York Times bestselling author of The House in the Pines “An exciting, complex thriller that takes the reader on a thoroughly disturbing journey through the mind of a protagonist who may or may not be the villain...You Know What You Did will keep you on the edge of your seat until the final page.” —S.A. Cosby, New York Times bestselling author of Razorblade Tears and All the Sinners Bleed DESCRIPTION  In this heart-pounding debut thriller for fans of Lisa Jewell and Celeste Ng, a first-generation Vietnamese American artist must confront nightmares past and present… Annie “Anh Le” Shaw grew up poor but seems to have it all now: a dream career, a stunning home, and a devoted husband and daughter. When Annie’s mother, a Vietnam War refugee, dies suddenly one night, Annie’s carefully curated life begins to unravel. Her obsessive-compulsive disorder, which she thought she’d vanquished years ago, comes roaring back—but this time, the disturbing fixations swirling around in Annie’s brain might actually be coming true. AUTHOR NOTE Personality-wise, I'm not much like my main character Annie Shaw. However, we do have one big thing in common: we're both recovering from obsessive compulsive disorder. Through Annie, I describe some of my lived experience with disgust-driven, contamination-based OCD. The imagery is raw and vivid—and very necessary to realistically portray how this chronic disorder can affect people's everyday lives, how it can make you feel like a prisoner in your own body. To learn more about OCD symptoms, treatments, and resources, visit the website of the International OCD Foundation (IOCDF dot org). —K.T. Nguyen

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. The bloody messes don't bother her, not when she's already witnessed the most horrific thing possible: her sister being pushed in front of a train. Before fleeing the scene, the murderer whispered two words: bat eater. Months pass, the killer is never caught, and Cora can barely keep herself together. She pushes away all feelings, disregards the bite marks that appear on her coffee table, and won't take her aunt's advice to prepare for the Hungry Ghost Festival, when the gates of hell open. Cora tries to ignore the rising dread in her stomach, even when she and her weird co-workers begin finding bat carcasses at their crime scene clean-ups. But Cora can't ignore the fact that all their recent clean-ups have been the bodies of East Asian women. Soon Cora will learn: you can't just ignore hungry ghosts.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. The bloody messes don't bother her, not when she's already witnessed the most horrific thing possible: her sister being pushed in front of a train. Before fleeing the scene, the murderer whispered two words: bat eater. Months pass, the killer is never caught, and Cora can barely keep herself together. She pushes away all feelings, disregards the bite marks that appear on her coffee table, and won't take her aunt's advice to prepare for the Hungry Ghost Festival, when the gates of hell open. Cora tries to ignore the rising dread in her stomach, even when she and her weird co-workers begin finding bat carcasses at their crime scene clean-ups. But Cora can't ignore the fact that all their recent clean-ups have been the bodies of East Asian women. Soon Cora will learn: you can't just ignore hungry ghosts.

Shailee Thompson’s HOW TO KILL A GUY IN TEN DATES, a horror romance in which a woman gets caught in the middle of a killing spree at a speed dating event and must find a way to use her encyclopedic knowledge of the horror genre to make it as a real-life final girl.