All I can tell you is what I remember, in the words that I have. Hayley tends to her bees and follows the rules in the only world she has ever known. Until she witnesses the impossible: a drip from the ceiling. A drip? It doesn't make sense. Yet she hears it, catches it. Tastes it. Curiosity is a hook. What starts as a drip leads to a lie, a death, a boy, a beast, and too many awful questions.

You can find the redesigned cover of this edition HERE. At the centre of this novel is the passionate love between Catherine Earnshaw and Heathcliff - recounted with such emotional intensity that a plain tale of the Yorkshire moors acquires the depth and simplicity of ancient tragedy. This best-selling Norton Critical Edition is based on the 1847 first edition of the novel. For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations. New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of Wuthering Heights as well as the evolution of the 1850 edition, prose and poetry selections by the author, four reviews of the novel, and poetry selections by the author, four reviews of the novel, and Edward Chitham's insightful and informative chronology of the creative process behind the beloved work. Five major critical interpretations of Wuthering Heights are included, three of them new to the Fourth Edition. A Stuart Daley considers the importance of chronology in the novel. J. Hillis Miller examines Wuthering Heights's problems of genre and critical reputation. Sandra M. Gilbert assesses the role of Victorian Christianity plays in the novel, while Martha Nussbaum traces the novel's romanticism. Finally, Lin Haire-Sargeant scrutinizes the role of Heathcliff in film adaptations of Wuthering Heights. A Chronology and updated Selected Bibliography are also included.

A story about a dangerously curious young undergraduate whose rebelliousness leads her to discover a shocking secret involving an exclusive circle of students . . . and the dark truth beneath her school’s promise of prestige.You are in the house and the house is in the woods.You are in the house and the house is in you . . . Catherine House is a school of higher learning like no other. Hidden deep in the woods of rural Pennsylvania, this crucible of reformist liberal arts study with its experimental curriculum, wildly selective admissions policy, and formidable endowment, has produced some of the world’s best minds: prize-winning authors, artists, inventors, Supreme Court justices, presidents. For those lucky few selected, tuition, room, and board are free. But acceptance comes with a price. Students are required to give the House three years—summers included—completely removed from the outside world. Family, friends, television, music, even their clothing must be left behind. In return, the school promises its graduates a future of sublime power and prestige, and that they can become anything or anyone they desire.Among this year’s incoming class is Ines, who expects to trade blurry nights of parties, pills, cruel friends, and dangerous men for rigorous intellectual discipline—only to discover an environment of sanctioned revelry. The school’s enigmatic director, Viktória, encourages the students to explore, to expand their minds, to find themselves and their place within the formidable black iron gates of Catherine. For Ines, Catherine is the closest thing to a home she’s ever had, and her serious, timid roommate, Baby, soon becomes an unlikely friend. Yet the House’s strange protocols make this refuge, with its worn velvet and weathered leather, feel increasingly like a gilded prison. And when Baby’s obsessive desire for acceptance ends in tragedy, Ines begins to suspect that the school—in all its shabby splendor, hallowed history, advanced theories, and controlled decadence—might be hiding a dangerous agenda that is connected to a secretive, tightly knit group of students selected to study its most promising and mysterious curriculum.

Step into a world where... Little girls dressed up as women dance for an audience of adult men. A pornographic deepfake image or video of you exists on the internet and you just don’t know it yet. Men create ‘perfect’ AI girlfriends who live in their pocket – customised to every last detail, from breast size to eye colour and personality, only lacking the ability to say no. This isn’t an image of the future. Sex robots, chatbots and the metaverse are here and spreading fast. A new wave of AI-powered technologies, with misogyny baked into their design, is putting women everywhere in danger. In The New Age of Sexism, Sunday Times bestselling author and campaigner Laura Bates takes the reader deep into the heart of this strange new world. She travels to cyber brothels and visits schools gripped by an epidemic of online sexual abuse, showing how every aspect of our lives – from education to work, sex to entertainment – is being infiltrated by ever-evolving technologies that are changing the way we live and love forever. This rising tide, despite all its potential for good, is a wild west where women’s rights and safety are being sacrificed at the altar of profitability.Gripping and eye-opening, The New Age of Sexism exposes a phenomenon we can’t afford to ignore any longer. Our future is on the line. We need to act now, before it is too late.