Alternate cover edition of ISBN 0553213695 / 9780553213690 "As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." With it's startling, bizarre, yet surprisingly funny first opening, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."

The brilliant, bestselling, landmark novel that tells the story of the Buendia family, and chronicles the irreconcilable conflict between the desire for solitude and the need for love—in rich, imaginative prose that has come to define an entire genre known as "magical realism."

A bold and brilliant short work by the author of the Goldsmiths Prize-winning CuddyNovember, 1971. Berlin, Germany. Opening night. Klaus Kinski, Germany's most controversial actor, steps into the spotlight to a crowd of thousands. After years of making movies abroad, he has returned to the stage for a much-publicized one-man performance about Jesus Christ. As the crowd turn on him and violence is threatened, it is also very nearly his last. After this week, he will never perform on stage again. Exactly fifty years later, a hypochondriac writer, housebound by winter snowstorms, becomes fixated with video footage of Kinski at his most manic. In this forensic analysis, he strays into the darker corners of modern culture, and finally begins to understand the compulsive urge that drives artists to the edge of sanity in their pursuit of perfection. Jesus Christ Kinski is a novel about a film about a performance about Jesus. It is a daring act of literary ventriloquism, a meditation on censorship, creativity, loneliness – and just how far our tolerance is tested by bad people who make great art.Praise for Benjamin Myers'One of our finest, and most deftly imaginative, writers' i news 'Radical and gorgeous' Max Porter'A writer of extraordinary and incandescent talent' Alex Preston

A bold and brilliant short work by the author of the Goldsmiths Prize-winning CuddyNovember, 1971. Berlin, Germany. Opening night. Klaus Kinski, Germany's most controversial actor, steps into the spotlight to a crowd of thousands. After years of making movies abroad, he has returned to the stage for a much-publicized one-man performance about Jesus Christ. As the crowd turn on him and violence is threatened, it is also very nearly his last. After this week, he will never perform on stage again. Exactly fifty years later, a hypochondriac writer, housebound by winter snowstorms, becomes fixated with video footage of Kinski at his most manic. In this forensic analysis, he strays into the darker corners of modern culture, and finally begins to understand the compulsive urge that drives artists to the edge of sanity in their pursuit of perfection. Jesus Christ Kinski is a novel about a film about a performance about Jesus. It is a daring act of literary ventriloquism, a meditation on censorship, creativity, loneliness – and just how far our tolerance is tested by bad people who make great art.Praise for Benjamin Myers'One of our finest, and most deftly imaginative, writers' i news 'Radical and gorgeous' Max Porter'A writer of extraordinary and incandescent talent' Alex Preston

Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he?

Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he?