Debut author Shen Tao introduces readers to the lush, deadly world of The Poet Empress, a sweeping, epic and intimate fantasy perfect for fans of The Serpent & the Wings of Night, The Song of Achilles and She Who Became the Sun.In the waning years of the Azalea Dynasty, the emperor is dying, the land consumed by famine, and poetry magic lost to all except the powerful.Wei Yin is desperate. After the fifth death of a sibling, with her family and village on the brink of starvation, she will do anything to save those she loves.Even offer herself as concubine to the cruel heir of the beautiful and brutal Azalea House.But in a twist of fate, the palace stands on the knife-edge of civil war with Wei trapped in its center…at the side of a violent prince.To survive, Wei must harden her heart, rely on her wit, and become dangerous herself. Even if it means becoming a poet in a world where women are forbidden to read—and composing the most powerful spell of all. A ballad of death...and love.The Poet Empress is an epic fantasy that explores darker themes, subjects, and scenes that may not be suitable for all readers. Please see the author's content note at the beginning of the book.

An alternate cover for this ISBN can be found here. It's Carnival time, and the Carribean-colonized planet of Toussaint is celebrating with music, dance and pageantry. Masked "Midnight Robbers" waylay revelers with brandished weapons and spellbinding words. But to young Tan-Tan, the Robber Queen is simply a favourite costume to wear at the festival--until her power-corrupted father commits an unforgivable crime. Suddenly, both father and daughter are thrust into the brutal world of New Half-Way Tree. Here monstrous creatures from folklore are real, and the humans are violent outcasts in the wilds. Here Tan-Tan must reach into the heart of myth--and become the Robber Queen herself. For only the Robber Queen's legendary powers can save her life...and set her free.

Brown's account of her life at the highest levels of the Black Panther party's hierarchy. More than a journey through a turbulent time in American history, this is the story of a black woman's battle to define herself.

An enlightening linguistic journey through a thousand years of feminist language--and what we can learn from the vivid vocabulary English once had for women's bodies, experiences, and sexuality So many of the words we use to articulate the experiences women share feel awkward or alien. Medical terms are scrupulously accurate but antiseptic. Slang and obscenities have shock value, yet they perpetuate taboos. Where are the plain, honest words for the experiences that women encounter in their daily lives? Mother Tongue is a historical investigation of feminist language and thought, from the dawn of Old English to the present day. Dr. Jenni Nuttall guides readers through the evolution of words we have used to describe female bodies, menstruation, women's sexuality, the consequences of male violence, childbirth, women's paid and unpaid work, and gender. Along the way, she challenges our modern language's ability to insightfully articulate women's shared experiences by examining the long-forgotten words once used in English for female sexual and reproductive organs. Nuttall also tells the story of words like womb and breast, whose meanings have changed over time, as well as how anatomical words such as hysteria and hysterical came to have such loaded legacies. Inspired by today's heated debates about words like womxn and menstruators--and also by more personal conversations between her and her teenage daughter--Nuttall describes the profound transformation of the English language. In the process, she unearths some surprisingly progressive thinking that challenges our assumptions about the past--and, in some cases, puts our twenty-first-century society to shame.

From Atlantic critic and Pulitzer Prize finalist Sophie Gilbert, a blazing critique of how early-aughts pop culture turned women and girls against each other—and themselves—with disastrous consequencesWhat happened to feminism in the 21st century? This question feels increasingly urgent after a period of reactionary cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert, a staff writer at The Atlantic and finalist for the Pulitzer Prize in criticism, provides one answer, identifying an inflection point in the late 1990s and early 2000s when the energy of third-wave and “riot girrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Gilbert mines the darker side of nostalgia, training her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. And what she recounts is harrowing, from the leering aesthetic of American Apparel ads and explicit music videos to a burgeoning internet culture vicious towards women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the explosion of internet porn, tracing its widespread influence as it began to pervade our collective consciousness. Gilbert paints a devastating picture of an era when a distinctly American confluence of excess, materialism, and power-worship collided with the culture’s reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and how it continues to shape our world today.

History has it that the role of women in Nazi Germany was to be the perfect Hausfrau, produce the next Aryan generation and be a loyal cheerleader for the Führer. Then they became the Trümmerfrauen, or Rubble Women, as they cleared and tidied their ruined country to get it back on its feet. They were Germany's heroines. The few women tried and convicted after the war were simply the evil aberrations - the camp guards, the female Nazi elite - that proved this rule. However, Wendy Lower's research into the very ordinary women who went out to the Nazi Eastern Front reveals an altogether different story. For ambitious young women, the emerging Nazi empire represented a kind of Wild East of career and matrimonial opportunity. Over half a million of them set off for these new lands, where most of the worst crimes of the Reich would occur. Through the interwoven biographies of thirteen women, the reader follows the transformation of young nurses, teachers, secretaries and wives who start out in Weimar and Nazi Germany as ambitious idealists and end up as witnesses, accomplices and perpetrators of the genocide in Ukraine, Poland and Belarus. Hitler's Furies presents overwhelming evidence that the women in these territories actively participated in the mass murder - and some became killers. In the case of women like Erna Petri, who brought her family to her husband's impressive Polish SS estate, we find brutality as chilling as any in history. Hitler's Furies is indelible proof that we have not known what we need to know about the role of women in the Nazi killing fields - or about how it could have been hidden for seventy years. It shows that genocide is women's business as well as men's and that, in ignoring women's culpability, we have ignored the reality of the Holocaust.

A FUN AND FEARLESS ANTHOLOGY OF FEMINIST TALES, to celebrate Virago's 50th birthday, featuring NEW AND ORIGINAL STORIES by Margaret Atwood, Susie Boyt, Eleanor Crewes, Emma Donoghue, Stella Duffy, Linda Grant, Claire Kohda, CN Lester, Kirsty Logan, Caroline O'Donoghue, Chibundu Onuzo, Helen Oyeyemi, Rachel Seiffert, Kamila Shamsie and Ali Smith - introduced by Sandi Toksvig. DRAGON. TYGRESS. SHE-DEVIL. HUSSY. SIREN. WENCH. HARRIDAN. MUCKRAKER. SPITFIRE. VITUPERATOR. CHURAIL. TERMAGANT. FURY. WARRIOR. VIRAGO. For centuries past, and all across the world, there are words that have defined and decried us. Words that raise our hackles, fire up our blood; words that tell a story. In this blazing cauldron of a book, fifteen bestselling, award-winning writers have taken up their pens and reclaimed these words, creating an entertaining and irresistible collection of feminist tales for our time.

Theo Silva. Rowdy bull rider. Notorious ladies’ man. Scorching hot trouble wrapped up in a drool-worthy package. And he’s looking at me like I might be his next meal. But I’m almost free of my toxic marriage and have sworn off men entirely. So all I see when I look back is temptation served up with a heaping side of heartbreak. The man is hard to trust—and even harder to resist. Make that impossible. Because Theo is persistent. And no matter how hard I try to freeze him out, he melts my icy exterior and pulls apart all my defenses. Over a drink in a small town bar, I blurt out my deepest, darkest secrets. Then I spend the singular hottest night of my life with him. He worships my body. He makes me blush. I come alive beneath his hands. Then I tell him to forget it ever happened. I want simple, and with him it all feels complicated. It was supposed to be a one-time thing. A secret. But that little plus sign is going to make this secret impossible to keep.

Theo Silva. Rowdy bull rider. Notorious ladies’ man. Scorching hot trouble wrapped up in a drool-worthy package. And he’s looking at me like I might be his next meal. But I’m almost free of my toxic marriage and have sworn off men entirely. So all I see when I look back is temptation served up with a heaping side of heartbreak. The man is hard to trust—and even harder to resist. Make that impossible. Because Theo is persistent. And no matter how hard I try to freeze him out, he melts my icy exterior and pulls apart all my defenses. Over a drink in a small town bar, I blurt out my deepest, darkest secrets. Then I spend the singular hottest night of my life with him. He worships my body. He makes me blush. I come alive beneath his hands. Then I tell him to forget it ever happened. I want simple, and with him it all feels complicated. It was supposed to be a one-time thing. A secret. But that little plus sign is going to make this secret impossible to keep.

A unique, full-color compendium that celebrates and explores the enduring power and allure of the world’s most iconic lip shade, jam-packed with entertaining stories, anecdotes, little-known facts, quotes, and more than 100 gorgeous images culled from fine art, photography, and beauty and fashion editorial and advertising. “Pour yourself a drink, put on some lipstick, and pull yourself together.” — Elizabeth Taylor Lipstick is the one makeup item most women can’t live without—and the most iconic shade is red. Exuding power, sensuality, allure, and mystery, red lips have been a constant of fashion for more than 5,000 years, beginning with Mesopotamian women around 3500 B.C. Throughout the ages, red lipstick has been a signature look worn by royalty, celebrities, and real women across cultures and geography. In fact, nearly all women own a tube of red lipstick, whether it’s the favorite shade they’ve been wearing devotedly for years, or as beauty boost they use for special occasions. Filled with a show-stopping selection of images and distinctively packaged—the size of a clutch, with a jacket printed with a matte, velvet, red finish— Red Lipstick is the only cultural history of this makeup essential available. Granted unprecedented access to experts and the archives of revered brands like Chanel and Elizabeth Arden, beauty writer Rachel Felder explores the origins and allure of red lipstick and illuminates its association with aristocracy, sex appeal, illicit sexuality, rebellion, power, glamour, fame, and beauty. She also spotlights the fascinating array of women who have worn it through the ages, including monarchs, suffragettes, flappers, working women in World War II, first ladies, political leaders, geishas, Hollywood sirens, rock and rollers, fashionistas, and more. Inside this enthralling book, you’ll discover why red lipstick makes women more attractive to others (and the science behind it); tips on choosing the most perfect shade of crimson; and a wealth of anecdotes, quotations, select literary excerpts, and trivia, such as the shade Carolyn Bessette Kennedy wore on her wedding day. Red Lipstick is packed with a museum’s worth of fine art, including both Man Ray’s photograph “Red Badge of Courage” and infamous painting “Les Amoreaux;” lush, rarely seen vintage magazine advertisements from stalwart brands like Guerlain and Dior; illustrations by renowned fashion illustrators such as René Gruau, Daisy Villeneuve, and Bil Donovan; artists Dante Gabriel Rossetti, Edgar Degas, Ernst Ludwig Kirchner, Wayne Thiebaud, and Walt Kuhn; and images of famous red lipstick wearers including Cleopatra, Queen Elizabeth II, Coco Chanel, Grace Kelly, Marilyn Monroe, Audrey Hepburn, Madonna, Diana Vreeland, Rihanna, Paloma Picasso, and many others. With its captivating, chic design, beautiful selection of visuals, and engaging, entertaining text, Red Lipstick is a classic, like the perfect red lip shade itself.

She’s the one that got away. He’s the one that never let her go. From the bestselling author of Done and Dusted and Swift and Saddled, the next book in the Rebel Blue Ranch series, a small town romance in which past lovers get a second chance to rediscover what they lost. Camille Ashwood had always loved a plan. Her latest was her best yet. She was going to get married so she could secure her daughter’s future, get her overbearing parents off her back, and finally start building her own life in small town Meadowlark, Wyoming. Easy, right? But when her groom doesn’t show up to the wedding, Cam’s life is turned upside down—she doesn’t even have a place to live. That is, until she finds out the house she’s loved since high school is available to rent. There’s only one problem: the neighbor. Dusty Tucker has spent nearly all of his adult life running. Running from what, though? More like who: Cam Ashwood. But ever since he returned home last year, the girl who was his first, well, everything has become a woman seemingly determined to keep him at arm’s length. And he was okay with that—at least, that’s what he kept telling himself. She was getting married, after all. But now she’s single and living next door. Dusty wants to show her that they can be friends, and that he can stay put. Despite her best attempts to stay far away from Dusty Tucker, Cam realizes that being close to him is like slipping on her favorite jeans. Easy. Comfortable. That is until past wounds start to open and feelings—both old and new—wreak havoc. Nearly ten years after they first met, Dusty and Cam begin to wonder if their first love can also be their last. And this time, will it be forever?