The internationally bestselling author of the “brilliant, gripping must-read” (Glamour) Try Not to Breathe brings suspenseful thrills in this unputdownable novel following three women as they face an incoming nuclear attack. Nuclear missile threat to South England. 59 minutes until impact. Seek immediate shelter. This is not a test. Carrie is a young mother desperate to reunite with her daughter. Frankie, newly pregnant, faces a romantic vacation that takes a terrifying turn. Then there’s the enigmatic older woman determined to protect her teenage daughter, Bunny, no matter what. Across South England, these three women must navigate survival amidst chaos when the country receives a nuclear bomb alert. With only 59 minutes before mass destruction, will they make it to their loved ones in time?

State Road 177 runs along the Suwannee River, between Fargo, Georgia, and the Okefenokee Swamp. Drive that route from east to west, and you’ll cross six bridges. Take it from west to east, and you might find seven. But you’d better hope not. Titus and Melanie Bell leave their hotel in Fargo for a second honeymoon canoeing the Okefenokee Swamp. But shortly before they reach their destination, they draw up to a halt at the edge of a rickety bridge with old stone pilings, with room for only one car . . . When, much later, a tow-truck arrives, the driver finds Titus lying in the middle of the road, but Melanie is nowhere to be found.

In this lyrical, wildly inventive horror novel interwoven with Japanese mythology, two people living centuries apart discover a door between their worlds.October, 2026: Lee Turner doesn’t remember how or why he killed his college roommate. The details are blurred and bloody. All he knows is he has to flee New York and go to the one place that might offer refuge—his father’s new home in Japan, a house hidden by sword ferns and wild ginger. But something is terribly wrong with the no animals will come near it, the bedroom window isn't always a window, and a woman with a sword appears in the yard when night falls.October, 1877: Sen is a young samurai in exile, hiding from the imperial soldiers in a house behind the sword ferns. A monster came home from war wearing her father’s face, but Sen would do anything to please him, even turn her sword on her own mother. She knows the soldiers will soon slaughter her whole family when she sees a terrible a young foreign man who appears outside her window.One of these people is a ghost, and one of these stories is a lie.Something is hiding beneath the house of sword ferns, and Lee and Sen will soon wish they never unburied it.

Sydney, May 2021. Ashraf is an academic whose career and personal life are in freefall. Hannah is a young journalist struggling to honour the voices of her community. When a Year 12 student from a local Islamic college is arrested for protesting a university's ties to an Israeli weapons manufacturer, Ashraf sees an opportunity to exploit his personal connection to the situation for professional redemption. Meanwhile Hannah, who is juggling the demands of new motherhood and family trauma, fights racism in the newsroom. As Israel's bombardment of Gaza intensifies into the final weeks of Ramadan, Ashraf and Hannah must reckon with their choices, values and places in their communities. Will they be prepared to make sacrifices in the pursuit of what is right? With a focus on two of today's most contested fields, academia and the media, Discipline tallies the price we all pay when those with privilege choose to remain silent.

Based on a real-life seventeenth century Danish witch trial, The Wax Child tells in vivid prose the story of Christenze Kruckow, a noblewoman long pursued by a scandal of sorcery. People whisper that in her wake one finds illness, death, and unsettling behaviour by pigs and cats. Some even say she once fashioned out of wax a child, an instrument of the most sinister magic. Christenze will flee the rumours to Aalborg, that great city of seawater and mist. But even there suspicion and fear rule, and once a rumour of witchcraft has taken hold, it can prove hard to shake…

State Road 177 runs along the Suwannee River, between Fargo, Georgia, and the Okefenokee Swamp. Drive that route from east to west, and you’ll cross six bridges. Take it from west to east, and you might find seven. But you’d better hope not. Titus and Melanie Bell leave their hotel in Fargo for a second honeymoon canoeing the Okefenokee Swamp. But shortly before they reach their destination, they draw up to a halt at the edge of a rickety bridge with old stone pilings, with room for only one car . . . When, much later, a tow-truck arrives, the driver finds Titus lying in the middle of the road, but Melanie is nowhere to be found.

From New York Times bestselling author Kelley Armstrong comes a nail-biting supernatural horror about a haunted lakeside property and twisted family secrets. When Samantha Payne’s grandfather dies, she figures she won’t even get a mention in the will. After all, she hasn’t seen him in fourteen years, not since her father took his own life after being accused of murdering a child at their lakefront cottage. Her grandfather always insisted her father was innocent, despite Sam having caught him burying the child’s body, his clothing streaked with blood. But when she does attend the reading of the will at the behest of her aunt, she discovers that her grandfather left her the very valuable lakefront property where the family cottage sits. There’s one catch: Sam needs to stay in the cottage for a month. To finally face the fact she was wrong and her father was innocent, in her grandfather's words. Traveling to Paynes Hollow, Sam is faced with the realities of her childhood and the secrets kept hidden in the shadows of her memories. When her aunt goes missing a couple days into their stay, Sam begins to question everything again. Plagued by nightmares and paranoia, she begins hearing sounds in the forest and seeing shapes crawling from the water as the rippling waves of the lake promise something unspeakably dark lurking just below their surface.

Odette and Cecilia are young women, living between their grand homes in Hampstead and the imposing, ancient Herne House in Suffolk. Though Odette's artist mother Lydia keeps a tight grasp on her, she and her beloved Cecilia are mostly left free to roam, to learn and to love.But when Lydia inexplicably sickens and dies, a dark veil falls. As the funeral rites are performed, Odette's aunt, the cold and implacable Claudine, increasingly takes charge of the household, while her father retreats to his study. Odette, lost in grief, disappears into the shadows.But as Claudine is announced as Odette's new stepmother, a sinister presence in the house makes itself known. To her horror, Odette realises that despite her death, Lydia never really left. And now she wants revenge . . .Inspired by Hamlet, the ultimate revenge tragedy, Rottenheart is the stunning new sapphic gothic horror novel from Kat Dunn, the lauded author of Hungerstone and Bitterthorn. Set in the 1890s, this a story of love and grief, mothers and daughters, death and madness.

From New York Times bestselling author Kelley Armstrong comes a nail-biting supernatural horror about a haunted lakeside property and twisted family secrets. When Samantha Payne’s grandfather dies, she figures she won’t even get a mention in the will. After all, she hasn’t seen him in fourteen years, not since her father took his own life after being accused of murdering a child at their lakefront cottage. Her grandfather always insisted her father was innocent, despite Sam having caught him burying the child’s body, his clothing streaked with blood. But when she does attend the reading of the will at the behest of her aunt, she discovers that her grandfather left her the very valuable lakefront property where the family cottage sits. There’s one catch: Sam needs to stay in the cottage for a month. To finally face the fact she was wrong and her father was innocent, in her grandfather's words. Traveling to Paynes Hollow, Sam is faced with the realities of her childhood and the secrets kept hidden in the shadows of her memories. When her aunt goes missing a couple days into their stay, Sam begins to question everything again. Plagued by nightmares and paranoia, she begins hearing sounds in the forest and seeing shapes crawling from the water as the rippling waves of the lake promise something unspeakably dark lurking just below their surface.

From the celebrated author of Ghost Music and Braised Pork, a bewitching and atmospheric novel following two sisters in an isolated village as the sun begins to diminish above them In Five Poems Lake, a small village surrounded by impenetrable deserts, the sun is slowly disappearing overhead. A young woman keeps one apprehensive eye on the sky above as she tends the pharmacy of traditional medicine that belonged to her great grandfather. She has few customers, and even fewer her older sister Dong Ji, her last living relative, works at a wellness parlor across town for those who can afford it—which, during these strange and difficult days, is not many. Five Poems Lake had fallen on hard times long before the sun began shrinking, but now, every few days, a new sliver disappears. As the temperature drops and the lake freezes over, the population of the town realizes that they will soon die—if not of the cold and starvation, then of despair. When the Beacons begin to appear—ordinary people with heads replaced by searing, blinding light, like miniature suns—the town’s residents wonder if they may hold the answer to their salvation, or if they are just another sign of impending ruin. Soon, a photograph found in the possessions of their father, who disappeared mysteriously twelve years ago, will offer another clue in the mystery of the Beacons, and Dong Ji and her sister wonder if they may finally learn what happened to their father. With a richly surreal sensibility that has earned comparisons to the work of Haruki Murakami, and anchored by searching curiosity and wisdom, in Sunbirth An Yu honors the unique relationship held between sisters and asks how much we can ever know about the deepest mysteries of the world.

From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.

This masterpiece of science (and mathematical) fiction is a delightfully unique and highly entertaining satire that has charmed readers for more than 100 years. The work of English clergyman, educator and Shakespearean scholar Edwin A. Abbott (1838-1926), it describes the journeys of A. Square [sic – ed.], a mathematician and resident of the two-dimensional Flatland, where women-thin, straight lines-are the lowliest of shapes, and where men may have any number of sides, depending on their social status.Through strange occurrences that bring him into contact with a host of geometric forms, Square has adventures in Spaceland (three dimensions), Lineland (one dimension) and Pointland (no dimensions) and ultimately entertains thoughts of visiting a land of four dimensions—a revolutionary idea for which he is returned to his two-dimensional world. Charmingly illustrated by the author, Flatland is not only fascinating reading, it is still a first-rate fictional introduction to the concept of the multiple dimensions of space. "Instructive, entertaining, and stimulating to the imagination." — Mathematics Teacher.

L'hypocrisie du couple dénoncée par la confession d'un crime échappant au accusations.

In this haunting and surreal novel, the narrator and a man known as the warden search for an elusive girl in a frozen, seemingly post-nuclear, apocalyptic landscape. The country has been invaded and is being governed by a secret organization. There is destruction everywhere; great walls of ice overrun the world. Together with the narrator, the reader is swept into a hallucinatory quest for this strange and fragile creature with albino hair. Acclaimed upon its 1967 publication as the best science fiction book of the year, this extraordinary and innovative novel has subsequently been recognized as a major work of literature in its own right.

‘The best case I've read for putting an upper limit on the accumulation of wealth’ Richard WilkinsonNo-one deserves to be a millionaire. Not even you. We all notice when the poor get when there are more rough sleepers and food bank queues start to grow. But if the rich become richer, there is nothing much to see in public and, for most of us, daily life doesn't change. Or at least, not immediately.In this astonishing, eye-opening intervention, world-leading philosopher and economist Ingrid Robeyns exposes the true extent of our wealth problem, which has spent the past fifty years silently spiralling out of control. In moral, political, economic, social, environmental and psychological terms, she shows, extreme wealth is not only unjustifiable but harmful to us all - the rich included.In place of our current system, Robeyns offers a breathtakingly clear limitarianism. The answer to so many of the problems posed by neoliberal capitalism - and the opportunity for a vastly better world - lies in placing a hard limit on the wealth that any one person can accumulate. Because nobody deserves to be a millionaire. Not even you.

An eye-opening reckoning with the care economy, from its roots in racial capitalism to its exponential growth as a new site of profit and extraction. Since the earliest days of the pandemic, care work has been thrust into the national spotlight. The notion of care seems simple enough. Care is about nurturing, feeding, nursing, assisting, and loving human beings. It is “the work that makes all other work possible.” But as historian Premilla Nadasen argues, we have only begun to understand the massive role it plays in our lives and our economy.  Nadasen traces the rise of the care economy, from its roots in slavery, where there was no clear division between production and social reproduction, to the present care crisis, experienced acutely by more and more Americans. Today’s care economy, Nadasen shows, is an institutionalized, hierarchical system in which some people’s pain translates into other people’s profit. Yet this is also a story of resistance. Low-wage workers, immigrants, and women of color in movements from Wages for Housework and Welfare Rights to the Movement for Black Lives have continued to fight for and practice collective care. These groups help us envision how, given the challenges before us, we can create a caring world as part of a radical future.

A toxic ideology rules the world - of extreme competition and individualism. It misrepresents human nature, destroying hope and common purpose. Only a positive vision can replace it, a new story that re-engages people in politics and lights a path to a better world. George Monbiot shows how new findings in psychology, neuroscience and evolutionary biology cast human nature in a radically different light: as the supreme altruists and cooperators. He shows how we can build on these findings to create a new politics: a “politics of belonging.” Both democracy and economic life can be radically reorganized from the bottom up, enabling us to take back control and overthrow the forces that have thwarted our ambitions for a better society. Urgent, and passionate, Out of the Wreckage provides the hope and clarity required to change the world.