Dr. Cliff Miyashiro arrives in the Arctic Circle to continue his recently deceased daughter's research, only to discover a virus, newly unearthed from melting permafrost. The plague unleashed reshapes life on earth for generations. Yet even while struggling to counter this destructive force, humanity stubbornly persists in myriad moving and ever inventive ways. Among those adjusting to this new normal are an aspiring comedian, employed by a theme park designed for terminally ill children, who falls in love with a mother trying desperately to keep her son alive; a scientist who, having failed to save his own son from the plague, gets a second chance at fatherhood when one of his test subjects-a pig-develops human speech; a man who, after recovering from his own coma, plans a block party for his neighbours who have also woken up to find that they alone have survived their families; and a widowed painter and her teenaged granddaughter who must set off on cosmic quest to locate a new home planet. From funerary skyscrapers to hotels for the dead, How High We Go in the Dark follows a cast of intricately linked characters spanning hundreds of years as humanity endeavours to restore the delicate balance of the world. This is a story of unshakable hope that crosses literary lines to give us a world rebuilding itself through an endless capacity for love, resilience and reinvention. Wonderful and disquieting, dreamlike and all too possible.

Alternative cover edition of ASIN B0949Q75S9 To solve any murder, you must first know your victim . . . THE DETECTIVE DS George Cross has unique and unmatchable talents. He uses a combination of logic, determination and, often, pedantry to get answers where others have failed for families who have long given up hope. So when a ravaged body is found in a local demolition site, it's up to Cross to piece together the truth from whatever fragments he can find. THE VICTIM Cross has little to go on, but from the faint tan lines on the ravaged body, and strange scars on his forearms, an identity gradually a male amateur cyclist; a reliance on performance-enhancing drugs. But what happened that led to this man's death? How did he end up here? And, most importantly, who is he? THE FAMILY In the face of ever-mounting challenges, including budget cuts and unreliable witnesses, Cross must first work out who the man is to have any chance of solving the murder. But in searching for this man's identity, Cross will come up against a lot that he is unfamiliar with – jealousy, ambition and a family tearing itself apart . . .

Alternative cover edition of ASIN B0949Q75S9 To solve any murder, you must first know your victim . . . THE DETECTIVE DS George Cross has unique and unmatchable talents. He uses a combination of logic, determination and, often, pedantry to get answers where others have failed for families who have long given up hope. So when a ravaged body is found in a local demolition site, it's up to Cross to piece together the truth from whatever fragments he can find. THE VICTIM Cross has little to go on, but from the faint tan lines on the ravaged body, and strange scars on his forearms, an identity gradually a male amateur cyclist; a reliance on performance-enhancing drugs. But what happened that led to this man's death? How did he end up here? And, most importantly, who is he? THE FAMILY In the face of ever-mounting challenges, including budget cuts and unreliable witnesses, Cross must first work out who the man is to have any chance of solving the murder. But in searching for this man's identity, Cross will come up against a lot that he is unfamiliar with – jealousy, ambition and a family tearing itself apart . . .

In their neglected, decaying family estate on the cliffs of the northern Cornish coast, two Anglo-Catholic brothers grow up in parasitic isolation during a time marked by the decay of English nobility. The elder, Alexander, is equal parts devout and sadistic, lording over Francis, the younger, as his tormentor and God. Oscillating between dreamlike fragments from their insular childhood to their final, sharp descent to madness in 1928, Thorngale is a chilling gothic horror tale of obsessive love and fatal devotion, written with the cutting, claustrophobic spiral of an ever tightening concertina wire.

John Berger’s Classic Text on Art Ways of Seeing is one of the most stimulating and the most influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times a critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures." By now he has. "Berger has the ability to cut right through the mystification of the professional art critics . . . He is a liberator of images: and once we have allowed the paintings to work on us directly, we are in a much better position to make a meaningful evaluation" —Peter Fuller, Arts Review "The influence of the series and the book . . . was enormous . . . It opened up for general attention to areas of cultural study that are now commonplace" —Geoff Dyer in Ways of Telling.

From the bestselling author of Strange Houses and Strange Pictures comes a mesmerizing novel of eleven strange buildings and one terrible secret. A lonely hut in the woods. A murder house. A hidden chamber. A mysterious shrine. A home in flames. A nightmarish prison. . . . Each of the buildings in this book tells a chilling story. Each one is part of a puzzle. Look closely . . . and you'll see that everything is connected. All leading to a revelation so horrifying you won't want to believe it. Millions have become addicted to solving Uketsu's dark mysteries. Strange Buildings is the strangest, and darkest, of them all.

From the bestselling author of Strange Houses and Strange Pictures comes a mesmerizing novel of eleven strange buildings and one terrible secret. A lonely hut in the woods. A murder house. A hidden chamber. A mysterious shrine. A home in flames. A nightmarish prison. . . . Each of the buildings in this book tells a chilling story. Each one is part of a puzzle. Look closely . . . and you'll see that everything is connected. All leading to a revelation so horrifying you won't want to believe it. Millions have become addicted to solving Uketsu's dark mysteries. Strange Buildings is the strangest, and darkest, of them all.

Dr. Cliff Miyashiro arrives in the Arctic Circle to continue his recently deceased daughter's research, only to discover a virus, newly unearthed from melting permafrost. The plague unleashed reshapes life on earth for generations. Yet even while struggling to counter this destructive force, humanity stubbornly persists in myriad moving and ever inventive ways. Among those adjusting to this new normal are an aspiring comedian, employed by a theme park designed for terminally ill children, who falls in love with a mother trying desperately to keep her son alive; a scientist who, having failed to save his own son from the plague, gets a second chance at fatherhood when one of his test subjects-a pig-develops human speech; a man who, after recovering from his own coma, plans a block party for his neighbours who have also woken up to find that they alone have survived their families; and a widowed painter and her teenaged granddaughter who must set off on cosmic quest to locate a new home planet. From funerary skyscrapers to hotels for the dead, How High We Go in the Dark follows a cast of intricately linked characters spanning hundreds of years as humanity endeavours to restore the delicate balance of the world. This is a story of unshakable hope that crosses literary lines to give us a world rebuilding itself through an endless capacity for love, resilience and reinvention. Wonderful and disquieting, dreamlike and all too possible.

Magic has made the city of Tiran an industrial utopia, but magic has a cost—and the collectors have come calling. An orphan since the age of four, Sciona has always had more to prove than her fellow students. For twenty years, she has devoted every waking moment to the study of magic, fueled by a mad desire to achieve the impossible: to be the first woman ever admitted to the High Magistry. When she finally claws her way up the ranks to become a highmage, however, she finds that her challenges have just begun. Her new colleagues will stop at nothing to let her know she is unwelcome, beginning with giving her a janitor instead of a qualified lab assistant. What neither Sciona nor her peers realize is that her taciturn assistant was once more than a janitor; before he mopped floors for the mages, Thomil was a nomadic hunter from beyond Tiran’s magical barrier. Ten years have passed since he survived the perilous crossing that killed his family. But working for a highmage, he sees the opportunity to finally understand the forces that decimated his tribe, drove him from his homeland, and keep the Tiranish in power. Through their fractious relationship, mage and outsider uncover an ancient secret that could change the course of magic forever—if it doesn’t get them killed first. Sciona has defined her life by the pursuit of truth, but how much is one truth worth with the fate of civilization in the balance? A standalone dark academia brimming with mystery, tragedy, and the damning echoes of the past. For fans of Leigh Bardugo, V. E. Schwab, and Fullmetal Alchemist. (Content warnings for gore, sexual assault, and suicidal ideation)

A stirring meditation on Black performance in America from the New York Times bestselling author of Go Ahead in the Rain At the March on Washington in 1963, Josephine Baker was fifty-seven years old, well beyond her most prolific days. But in her speech she was in a mood to consider her life, her legacy, her departure from the country she was now triumphantly returning to. “I was a devil in other countries, and I was a little devil in America, too,” she told the crowd. Inspired by these few words, Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Each moment in every performance he examines—whether it’s the twenty-seven seconds in “Gimme Shelter” in which Merry Clayton wails the words “rape, murder,” a schoolyard fistfight, a dance marathon, or the instant in a game of spades right after the cards are dealt—has layers of resonance in Black and white cultures, the politics of American empire, and Abdurraqib’s own personal history of love, grief, and performance. Abdurraqib writes prose brimming with jubilation and pain, infused with the lyricism and rhythm of the musicians he loves. With care and generosity, he explains the poignancy of performances big and small, each one feeling intensely familiar and vital, both timeless and desperately urgent. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space—from midcentury Paris to the moon, and back down again to a cramped living room in Columbus, Ohio.

Elizabeth Richmond is almost too quiet to be believed, with no friends, no parents, and a job that leaves her strangely unnoticed. But soon she starts to behave in ways she can neither control nor understand, to the increasing horror of her doctor, and the humiliation of her self-centred aunt. As a tormented Elizabeth becomes two people, then three, then four, each wilder and more wicked than the last, a battle of wills threatens to destroy the girl and all who surround her. The Bird's Nest is a macabre journey into who we are, and how close we sometimes come to the brink of madness.

“Remarkable . . . deeply  inventive . . . Thorton has imagined Argentina truly; his  inspired fable troubles and feeds our own intriguing imagining.”— Los Angeles Times Imagining Argentina is set in the dark days of the late 1970's, when thousands of Argentineans disappeared without a trace into the general's prison cells and torture chambers. When Carlos Ruweda's wife is suddenly taken from him, he discovers a magical In waking dreams, he had clear visions of the fates of “the disappeared.” But he cannot “imagine” what has happened to his own wife. Driven to near madness, his mind cannot be taken imagination, stories, and the mystical secrets of the human spirit. Praise for Imagining Argentina “A harrowing, brilliant  novel.” — The New Yorker “A  powerful new novel . . . Thorton seems to have wedded  his study of such writers as Borges and Marquez with thy his own instinctive gift for metaphor, and  in doing so, created his own brand of magical realism”— The New York Times “ Imagining Argentina  is a slim volume filled with beautiful writing. It is an exciting adventure story. It is a haunting love story. And it is a story for all  time.” — Detroit Free Press “The writing is crystalline, the  metaphors compelling . . . Its central theme is universal.” — The Philadelphia Inquirer “In a time when much North American fiction is contained by crabbed realism, Thorton takes for his material one of the bleaker recent instances of human cruelty, sees in it the enduring nobility of the human spirit and imagines a book that celebrates that spirit.” — The Washington Post Book World  “A powerful first  novel and a manifesto for the memorializing power of literature.” — The New York Times Book Review “A  profoundly hopeful book.” — The Cleveland Plain Dealer