A wildly inventive spin on the supernatural thriller, about a woman working as a nanny for a young boy with strange and disturbing secrets. Mallory Quinn is fresh out of rehab when she takes a job as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy. Mallory immediately loves it. She has her own living space, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman’s lifeless body. Then, Teddy’s artwork becomes increasingly sinister, and his stick figures quickly evolve into lifelike sketches well beyond the ability of any five-year-old. Mallory begins to wonder if these are glimpses of a long-unsolved murder, perhaps relayed by a supernatural force. Knowing just how crazy it all sounds, Mallory nevertheless sets out to decipher the images and save Teddy before it’s too late.

A wildly inventive spin on the supernatural thriller, about a woman working as a nanny for a young boy with strange and disturbing secrets. Mallory Quinn is fresh out of rehab when she takes a job as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy. Mallory immediately loves it. She has her own living space, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman’s lifeless body. Then, Teddy’s artwork becomes increasingly sinister, and his stick figures quickly evolve into lifelike sketches well beyond the ability of any five-year-old. Mallory begins to wonder if these are glimpses of a long-unsolved murder, perhaps relayed by a supernatural force. Knowing just how crazy it all sounds, Mallory nevertheless sets out to decipher the images and save Teddy before it’s too late.

Alex Armstrong has changed everything about herself—her name, her appearance, her backstory. She’s no longer the terrified teenager a rapt audience saw on television, emerging in handcuffs from the quiet suburban home the night her family was massacred. That girl, Alexandra Quinlan, nicknamed Empty Eyes by the media, was accused of the killings, fought to clear her name, and later took the stand during her highly publicized defamation lawsuit that captured the attention of the nation. It’s been ten years since, and Alex hasn’t stopped searching for answers about the night her family was killed, even as she continues to hide her real identity from true crime fanatics and grasping reporters still desperate to locate her. As a legal investigator, she works tirelessly to secure justice for others, too. People like Matthew Claymore, who’s under suspicion in the disappearance of his girlfriend, a student journalist named Laura McAllister. Laura was about to break a major story about rape and cover-ups on her college campus. Alex believes Matthew is innocent, and unearths stunning revelations about the university’s faculty, fraternity members, and powerful parents willing to do anything to protect their children. Most shocking of all—as Alex digs into Laura’s disappearance, she realizes there are unexpected connections to the murder of her own family. For as different as the crimes may seem, they each hinge on one sinister truth: no one is quite who they seem to be . . .

Sinner. Villain. Wicked. The Prince of Envy has never claimed to be a saint. But when a cryptic note arrives, signaling the beginning of a deadly game, he knows it will take more than a hint of sin to win and save his falling demon court. Riddles, hexed objects, anonymous players, nothing will stand in his way, though none of his meticulous plans prepare him for her, the frustrating artist who ignites his sin like no other… Virtuous. Darling. Liar. The trouble with scoundrels and blackguards is that they haven’t a modicum of honor, a fact Miss Camilla Antonius learns after one desperate mistake allows Waverly Green’s most notorious rake to blackmail her. To avoid a ruinous scandal, Camilla is forced to enter a devil’s bargain with Envy, little expecting his game will awaken her true nature . . . Together, Envy and Camilla must embark on a perilous journey through the Underworld—from glittering demon courts to the sultry vampire realm and beyond—while trying to avoid the most dangerous trap of all: falling in love.

Alex Armstrong has changed everything about herself—her name, her appearance, her backstory. She’s no longer the terrified teenager a rapt audience saw on television, emerging in handcuffs from the quiet suburban home the night her family was massacred. That girl, Alexandra Quinlan, nicknamed Empty Eyes by the media, was accused of the killings, fought to clear her name, and later took the stand during her highly publicized defamation lawsuit that captured the attention of the nation. It’s been ten years since, and Alex hasn’t stopped searching for answers about the night her family was killed, even as she continues to hide her real identity from true crime fanatics and grasping reporters still desperate to locate her. As a legal investigator, she works tirelessly to secure justice for others, too. People like Matthew Claymore, who’s under suspicion in the disappearance of his girlfriend, a student journalist named Laura McAllister. Laura was about to break a major story about rape and cover-ups on her college campus. Alex believes Matthew is innocent, and unearths stunning revelations about the university’s faculty, fraternity members, and powerful parents willing to do anything to protect their children. Most shocking of all—as Alex digs into Laura’s disappearance, she realizes there are unexpected connections to the murder of her own family. For as different as the crimes may seem, they each hinge on one sinister truth: no one is quite who they seem to be . . .