In this exquisite speculative novel set in a world where white people no longer exist, college professor Charlie Brunton receives a call from his estranged daughter Sidney, setting off a chain of events as they journey across a truly “post-racial” America in search of answers. One day, a cataclysmic event occurs: all of the white people in America walk into the nearest body of water. A year later, Charles Brunton is a Black man living in an entirely new world. Having served time in prison for a wrongful conviction, he’s now a professor of electric and solar power systems at Howard University when he receives a call from someone he wasn’t even sure existed: his daughter Sidney, a nineteen-year-old who watched her white mother and step-family drown themselves in the lake behind their house. Traumatized by the event, and terrified of the outside world, Sidney has spent a year in isolation in Wisconsin. Desperate for help, she turns to the father she never met, a man she has always resented. Sidney and Charlie meet for the first time as they embark on a journey across America headed for Alabama, where Sidney believes she may still have some family left. But neither Sidney or Charlie is prepared for this new world and how they see themselves in it. When they enter the Kingdom of Alabama, everything Charlie and Sidney thought they knew about themselves, and the world, will be turned upside down. Brimming with heart and humor, Cebo Campbell’s astonishing debut novel is about the power of community and connection, about healing and self-actualization, and a reckoning with what it means to be Black in America, in both their world and ours.

In South Africa, the future looks promising. Personal robots are making life easier for the working class. The government is harnessing renewable energy to provide infrastructure for the poor. And in the bustling coastal town of Port Elizabeth, the economy is booming thanks to the genetic engineering industry which has found a welcome home there. Yes--the days to come are looking very good for South Africans. That is, if they can survive the present challenges: A new hallucinogenic drug sweeping the country . . . An emerging AI uprising . . . And an ancient demigoddess hellbent on regaining her former status by preying on the blood and sweat (but mostly blood) of every human she encounters. It's up to a young Zulu girl powerful enough to destroy her entire township, a queer teen plagued with the ability to control minds, a pop diva with serious daddy issues, and a politician with even more serious mommy issues to band together to ensure there's a future left to worry about.

Odd-mannered, obsessive, withdrawn, Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, as they accuse, she'd be powerful enough to tear down the walls around her until nothing remained of her world, save for stories told around the cookfire. Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human. When the autopsy of Matilda's sovereign reveals a surprising link between his death and her mother's suicide some quarter-century before, Aster retraces her mother's footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she's willing to fight for it.

A multiverse-hopping outsider discovers a secret that threatens her home world and her fragile place in it--a stunning sci-fi debut that's both a cross-dimensional adventure and a powerful examination of identity, privilege, and belonging. CARA IS DEAD ON THREE HUNDRED AND SEVENTY-FOUR WORLDS. The multiverse business is booming, but there's just one catch: no one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying--from diseases, from turf wars, from vendettas they couldn't outrun. But on this earth, Cara's survived. And she's reaping the benefits, thanks to the well-heeled Wiley City scientists who ID'd her as an outlier and plucked her from the dirt. Now she's got a new job collecting offworld data, a path to citizenship, and a near-perfect Wiley City accent. Now she can pretend she's always lived in the city she grew up staring at from the outside, even if she feels like a fraud on either side of its walls. But when one of her eight remaining doppelgangers dies under mysterious circumstances, Cara is plunged into a new world with an old secret. What she discovers will connect her past and future in ways she never could have imagined--and reveal her own role in a plot that endangers not just her world, but the entire multiverse.

A queer, Caribbean, anti-colonial sci-fi novella in which a betrayed captain seeks revenge on the interplanetary empire that subjugated her people for generations. Virika Sameroo lives in colonized space under the Æerbot Empire, much like her ancestors before her in the British West Indies. After years of working hard to rise through the ranks of the empire’s merchant marine, she’s finally become first lieutenant on an interstellar cargo vessel. When her captain dies under suspicious circumstances, Virika is arrested for murder and charged with treason despite her lifelong loyalty to the empire. Her conviction and subsequent imprisonment set her on a path to justice, determined to take down the evil empire that wronged her, all while the fate of her people hangs in the balance.

Mission : séduire l'ennemi. Mais quelle est la vraie menace quand les sentiments s'en mêlent ? Ruby vit sa vie comme ses missions : sans attaches. Même avec Diamond, son partenaire du FBI, elle refuse tout engagement malgré leurs nuits passionnées et des sentiments évidents. Mais une nouvelle mission déterminante va bouleverser leur équilibre. Les États-Unis soupçonnent l’existence d’un programme secret russe : des agents formés depuis l’enfance pour s’infiltrer dans la société américaine. Leur cible : Noa, un de ces espions présumés qu’ils doivent démasquer par tous les moyens. Ruby accepte de le séduire, certaine de pouvoir garder le contrôle. Sauf qu’il se pourrait bien que Noa trouble ses certitudes. Tiraillée entre deux hommes, deux loyautés, Ruby plonge dans un jeu dangereux où les apparences sont trompeuses… Avertissement : Blood Vipers est un romantic suspense qui s’adresse à un public averti. Il peut aborder des thèmes assez sombres. S’il vous plaît, prenez le temps de lire la liste des thèmes sensibles ci-dessous afin de profiter du texte de la façon la plus responsable possible : scènes intimes explicites ; deuil ; usage d’armes à feu ;violences sexistes et sexuelles ; référence à la maltraitance infantile.

Snarky and romantic, I Hope This Doesn't Find You is Never Have I Ever meets To All the Boys if Lara Jean wrote hate emails instead of love letters. Sadie Wen is perfect on paper: school captain, valedictorian, and a "pleasure to have in class." It’s not easy, but she has a trick to keep her model-student smile plastered on her face at all times: she channels all her frustrations into her email drafts. She'd never send them of course -- she'd rather die than hurt anyone's feelings -- but it's a relief to let loose on her power-hungry English teacher or a freeloading classmate taking credit for Sadie's work. All her most vehemently worded emails are directed at her infuriating cocaptain, Julius Gong, whose arrogance and competitive streak have irked Sadie since they were kids. "You're attention starved and self-obsessed and unbearably vain . . . I really hope your comb breaks and you run out of whatever expensive hair products you've been using to make your hair appear deceptively soft..." Sadie doesn't have to hold back in her emails, because nobody will ever read them... that is, until they're accidentally sent out. Overnight, Sadie’s carefully crafted, conflict-free life is turned upside down. It's her worst nightmare -- now everyone at school knows what she really thinks of them, and they're not afraid to tell her what they really think of her either. But amidst the chaos, there's one person growing to appreciate the "real" Sadie -- Julius, the only boy she's sworn to hate...