Bibliolyra commented on a List
Men Writing Women (pos)
There will be no one breasting boobily anywhere here.
Some criteria:
Letās hold male authors to a higher standard because it is possible.
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Bibliolyra commented on addlcrnt's review of Emma
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Bibliolyra commented on Bibliolyra's review of Emma
Published in 1815 I reread this for my chronological reading project, one publication for each year of the 19th century.
"I am going to take a heroine whom no one but myself will much like." - Jane Austen about Emma.
I enjoyed this reread and my opinion of it hasn't changed much since the last time. I like Emma even though she is...
...kind of stupid, spoiled and a bit full of herself. She meddles in other people's lives without any consideration of what their individual situation in life is and what the consequences might be. But she's also endearing and caring, she truly believes that her actions are for the benefit of others. That's why she's so sympathetic despite all her flaws.
I also love the fact that Austen lets this heroine talk with so much conviction and self-confidence, but letting the reader see through it and understand the reality of Emma's situation before she does. She thinks she knows the world and that she's smarter and wiser beyond her years, but in reality she is quite immature and has a very biased and contradictive view of her own social class. She criticizes someone for attaching great importance on social status and then in the same breath labels the same person as socially inferior to herself. She's also blind to the matters of the heart when it comes to herself when she's playing match-maker for her social circle and therefore keeping herself occupied and clueless about her own love life.
I was quite surprised to find out that there was some criticism about the lack of story in Emma. Here are some quotes by Austen's contemporaries...
Anglos-Irish novelist Maria Edgeworth, to whom Austen had sent a complimentary copy, wrote: "There was no story in it, except that Miss Emma found that the man whom she designed for Harriet's lover was an admirer of her own ā & he was affronted at being refused by Emma & Harriet wore the willow ā and smooth, thin water-gruel is according to Emma's father's opinion a very good thing & it is very difficult to make a cook understand what you mean by smooth, thin water-gruel!!"
Scottish novelist Susan Edmonstone Ferrier wrote in 1816: "I have been reading Emma, which is excellent; there is no story whatever, and the heroine is not better than other people; but the characters are all true to life and the style so piquant, that it does not require the adventitious aids of mystery and adventure."
Scottish novelist Sir Walter Scott wrote in 1815: "The author's knowledge of the world, and the peculiar tact with which she presents characters that the reader cannot fail to recognize, reminds us something of the merits of the Flemish school of painting. The subjects are not often elegant, and certainly never grand: but they are finished up to nature, and with a precision which delights the reader."
Bibliolyra commented on a post from the Pagebound Club forum
do guys also get the absolute ick when theres lots of grammar/spelling/punctuation errors in books? and do u continue reading or notš
Bibliolyra commented on a post from the Pagebound Club forum
Ha s anyone seen the recent R.F. Kuang controversy? I'm not extensively informed but I do know she introduced an Israeli character in her most recent book Taipei story, I'm not sure how to feel about the author and wether or not to support her, or if it's even her fault at all, would love to hear some opinions on the matter
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Bibliolyra commented on Steerpike7's update
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At first an entertaining and funny read, at the end it surprisingly pulled at my heartstrings and made me shed a few tears.
The first half or 1/3 of the play can be a bit slow but it steadily picks up the pace and develops into a riveting and poignant story. Cyrano de Bergerac is quite charming and witty, and has a lot of feeling and empathy in his heart, but ultimately he lets himself be led by his own insecurities and denies himself and as a result others their happy ending. I'm curious now to read up on the real-life figure this story was based on.
I was already familiar with Cyrano de Bergerac because I watched an adaptation of this play in my teens, a film with GĆ©rard Depardieu. Naturally I pictured him while reading this play. š I also watched a few movies over the years which drew inspiration from Cyrano de Bergerac, the love whisperer trope. The 1987 film Roxanne, a romantic comedy starring Steve Martin and Daryl Hannah, which I remember enjoying back then. There a few more that I can't recall by name, but suffice it to say that it inspired many movies in one way or another.
Bibliolyra commented on a post from the Pagebound Club forum
Sorry, it got a little bit longer than planned š I can't keep it short apparently. I promise there are questions at the end of it for a discussion.
When I was in my mid-teens I watched the film Ever After, which is a non-fantasy retelling of the Cinderella story. At that point I had been reading a lot of dystopian classics (Nineteen Eighty-Four, Brave New World, Fahrenheit 451, The Handmaid's Tale...) and was very into the genre. So, when the main character Danielle mentioned Utopia and was gushing throughout the film that it was her favourite and most reread book, it made me prick up my ears. I was already familiar with the term "utopian", but when I found out that Thomas More coined the term with his 1516 publication, I was even more intrigued to check out the book. So I went to the library and borrowed Utopia, read it very interestedly, even though some of the references in it were lost on me due to my lack of knowledge regarding the relevant historical era and politics. I was still very happy to have read the book. There was something very satisfying about reading something a fictional character that I liked enjoyed as well.
A similar thing happened to me a few years earlier, when I was about 12 years old. Baz Luhrman's Romeo+Juliet had come out and back then I was a huge fan of Leonardo di Caprio and I also really liked Claire Danes (because I loved the tv show My So-called Life back then). So, of course I had to watch it...and I loved it, so much that I rewatched it several times afterwards. I loved not only the artistry of the cinematography and soundtrack, but also the language. At that point I had of course heard the name Shakespeare before, but I had never read any of his works. So, off I went to the library, with the intention of reading Romeo and Juliet. Unfortunately someone had already borrowed it. In my determined desire to read Shakespeare and not to leave empty-handed, I picked up one of the available Shakespeare works, choosing the title that sounded the most appealing to me. So I took home Othello and read it. First adult book that made me cry.
I also read Catcher in the Rye when I was about 13 just because I read in a magazine an interview with Winona Ryder where she mentioned it was her favourite book. She had been one of my favourite actresses for a few years by then, and I was so curious to see what made her choose that book and what it was about. Naturally, I went to the library and picked it up and read it š You see a pattern here?
I was oftentimes inspired by other people or characters mentioning books. I always read the foreword and afterword of a book, and everytime someone quoted or described a book in an interesting way, I would go get it and read it. But I feel like during my teenage years, I was inspired a lot by books mentioned in films or tv shows. I just couldn't help myself. I needed to satisfy my curiosity.
Have you ever been influenced by characters in film or other media to read a certain book? And what's your favourite memory of discovering a book through film or sth similar? Or what is an unusual way that made you discover certain works of literature?