Solid Susan Mallery Women's Fiction (With A Touch Of Romance). With Susan Mallery, you know pretty well exactly what you're going to get. She basically has two styles, with a few wrinkles per style, and once you know which style and which wrinkle you're in... well, if you enjoy reading a lot of variations on the same thing and are looking for the kinds of books that are essentially the reading equivalent of TV you can simply zone out and enjoy and know you're not going to hit anything too complex or disturbing... Mallery is an author you're going to love. Which long time fans will already know, but the above explanation was more for those newer to her or perhaps who haven't read her books at all.

With this particular iteration, again, we're more on the women's fiction side, but even on this side of Mallery's writing, romance is never far from the scene - indeed, it will always be close enough that technically the books can be (and generally are) marketed as romance tales, even when the women's fiction side is actually more dominant in the overall story (as it is here).

Overall, I thought this was actually perhaps a touch more standout than typical Mallery, more dealing with the specifics at hand here that can't be discussed too much without going into spoiler territory. But she absolutely nails the women's fiction side, showing strong growth in each of her four central characters - not always easy to do with so many moving parts. So if you're looking for a solid escape this holiday season - and have some time to invest in this near almost 370 page book - well, here's yet another solid option.

Very much recommended.

Don't Let Your Opinions Of Over The Top Gender Reveals, Guns, or Multi-Perspective Stories Fool You - This Is A Solid Book. Seriously, this is one of those books where the opening scene has a lot of ick for a lot of people - me included, to an extent. Indeed, I delayed reading this book for a week in part because of the very inciting incident literally listed in the first sentence of the description as of publication day earlier this week as I write this review. (Yes, I've had it as an Advance Review Copy for months and yes, I'm officially running behind. Apologies.)

You see, while I have exactly zero problems with guns and enjoy a good Tannerite explosion from time to time (on video, never experienced one in person), the over the top gender reveal and thus making a pregnancy a central point of this story... that was the ick for me.

And I was wrong.

Yes, the opening scene is complex and more than a bit confusing and perhaps even accurately labeled as hard to follow.

But the story opens up from there and becomes much easier to understand, even as it revolves around small town and family secrets and decades long mysteries all coming to a head.

Gudenkauf creates here a truly layered story with many things going on at the same time, in the mold of some of the best soap operas - and yet with a fair degree more danger involved.

Overall truly a fun book once one gets beyond the chaotic opening scene, one that plays very well within genre norms without really pushing the boundaries too hard. In other words, a perfectly comfortable read for genre fans that works well enough for those looking to see whether they enjoy this genre.

Very much recommended.

The New God Of Science Fiction Exposes New And Unexpected Abilities. Straight up, I'm writing this review as one of the very first people to read this book beyond Jeremy and his long time editor, Kane Gilmour, and I'm targeting this review as much to Jeremy's long time fans in his Facebook group, the Tribe, as I am to more general readers who possibly haven't ever even heard of Robinson.

With this book, Robinson - who first came to my attention with several intricate, detailed, and spot on allegories of Biblical events wrapped up as kick ass science fiction action - manages to craft a romance subplot here that is rather spicy -jalapeno level, if not habanero. And yet he manages to do this in service to his overall kickass science fiction action thriller. So even if the romance side gets you into the door here - and it really is both completely unexpected from Robinson and yet at least as well done as most any romance book I've ever read, and better than many of them - know that Robinson never strays far from his roots, even with this new ability.

Another new ability - and I say this next one as someone who literally has a tattoo of an image Robinson created on one of the arms he is using to type this very review - is the particularly poignant quotability deep in this book. As in, Ender's Game level quotability and profoundness in a couple of key sections in particular. Quotes I WISH I could share publicly, but can't until after this book releases almost six months to the day after I finished reading it.

The final new ability is perhaps the most interesting of all - this is the first book I've ever read from Robinson where even I - who absolutely LOATHES the very concept of a "trigger warning" - point blank told Robinson and Gilmour that they may want to consider adding one to this particular text. As one of the reasons I detest them so very much is the simple fact that they are always spoilers, no matter how generally they are crafted, unfortunately the only thing I can note here is that in two sections in particular, both in the front half of the book and both effectively side by side, Robinson brings into this tale certain real-word tragedies that he has never before brought into any of his books, tragedies that are so dark that they tend to be blights nearly any time they are even mentioned at all. (To be clear, Robinson uses them in a responsible manner that adds depth to the characters involved without glorifying - indeed, while explicitly condemning - the tragedies at hand.)

These are all depths of storytelling that Robinson has never plumbed so deeply or so well, that despite being one of the earliest readers to have read his books at all and having been a reader of his works for nearly two decades now (since MySpace!), I had never really known him to show. That he is adding these kinds of abilities into his storytelling now, this deep into his career and as he beings to approach his 100th novel (and may have even already broken that?), shows remarkable advancement that very few authors ever really display - which only serves to make Robinson stand out (in great ways) all the more.

And then, yes, the kickass scifi action that is Robinson's bread and butter. You're never getting far from it in this book, and yes, Robinson's more recent pop culture referencing and frequent use of all manner of cussing is equally prevalent throughout our action here. Long time fans or those just looking for a fun few hours of distraction from the so-called "real" world will find here exactly what Robinson has always done so very well - crafting an exciting and pulse pounding scifi thriller that will allow you to think if you so choose, but which also works perfectly well with all "thinking" turned off and just sitting back and enjoying the show.

Further, this is also Robinson showing some of the very profound thoughts he sometimes buries to greater or lesser degrees - this time barely buried at all, IF at all. Surely to get cancelled or crucified over some of the things his characters say in nearly every book he writes, this one is no different. I can tell you that even knowing Robinson as long as I have, even having shared a couple of meals over the years directly at his side... even I can't tell you his actual political or religious beliefs. So before you think to one star this book over those comments... know that yes, we, Robinson's long time fans, see them... and those reviews say far more about you than about him. :D

Overall quite possibly Robinson's best yet - which is not said lightly, in part due to said tattoo ;) - that also seems to possibly be leading... somewhere beyond this particular book. Will it? We shall see...

Very much recommended.

Solid Sophomore Southern Suspense. This is a tale that builds on its predecessor, Broken Bayou, in an unexpected direction for readers of Broken Bayou - one of the secondary, yet essential, characters gets her own tale here. Which would be expected in the romance genre, but in mystery/ suspense is far less common.

And yet Moorhead absolutely makes this work. There's enough of the Bayou here that there are at least a few spoilers from that book, but not so much that you absolutely have to have read it first, and thus new readers (who don't mind a few minor ish spoilers) can come into this book without stressing about not having read Bayou first. (Though you should read Bayou too, as it is an excellent tale in its own right.)

Yet there is also quite the tale to be told here, and as deep as Willa's tale was in the Bayou... this tale may even run a touch deeper. It certainly expands its world a touch, if only in that certain players have larger connections than just Ms. Meade's home town. And yet as someone who grew up in and around similar connections - which I can't really detail at all without revealing who some of the players in this tale are - this struck me as perhaps a touch too real in some aspects. Clearly, Moorhead has some similar life experiences of her own to get it this spot on.

Truly an excellent small town Southern mystery tale that manages to raise a lot of real world emotions without ever getting preachy about any actual real world issue, which is perhaps one of Moorhead's great strengths as a storyteller, at least as shown in this series.

Very much recommended.

Interesting - Yet Long - Provocative Look At Actual AI. This is one of those scifi tales that in 2025 feels like it could be a year or two from being reality, that indeed there are very likely companies working on exactly the kind of tech used in this tale - and indeed, there are and have been. I know for a fact that one of the Computer Science part time professors at Kennesaw State University was working on immersive computer simulated therapy as far back as 2000, when I started there as a 16yo kid. (Hi Dr. North! :D)

The tale told here is suspenseful yet reasonably realistic while still clearly being fiction. (We hope?) In its more suspense elements in the front half of the book, it works particularly well.

Where it starts going off the rails a touch - and becoming ever less realistic, while also maintaining a fairly stunning amount of realism in how things actually play out, to a degree - is more with the events of the second half. Indeed, there is one seemingly rather long section that seems like it could have been cut entirely and a few - rather than seemingly a few hundred - pages used to cover that part of the tale, similar to the 80 page "Galt's Speech" in Atlas Shrugged, except more actually integral to the story here, which is where the "yet long" bit in the title of this review comes in to play. Even through this section though, there is a touch of an homage to The Odyssey, which is unclear if was the intent or not - but cool either way.

Overall, I'd say this is one of Riddle's better works as a whole. You've got the near future scifi. You've got the almost domestic thriller level suspense in the front half in particular -which I've never really seen Riddle even attempt, and thus shows a fair amount of growth as a writer. You've got enough of a romance tale here that technically this satisfies all known RWA rules to be ruled a "romance novel". You've got a few different homages to classic tales from Crichton (Disclosure in particular) to Homer. And yet you've also got an 800+ page book whose halves wouldn't work quite as well - at least as written here - as separate books, and where another 200-300 pages to make a trilogy could be excessively long to boot, making this feel like the perfect way to present this particular story even if the one book feels (and is) long.

Very much recommended.

Intriguing Academic Analysis Of 250 Years Of American History Through One Central Lens. With about 16% bibliography, Rosen here crafts a well wriiten - if perhaps dryly academic in styling - narrative that serves as both history (particularly of the actual events while Hamilton and Jefferson were both alive) and filter to history (as American history progresses through 2024).

On the actual history end, Rosen is perhaps at his best, seemingly almost bringing us into the rooms where these discussions and their resultant divisions first happen. On the historical filter end, Rosen does a solid job of keeping his filter intact while examining different periods of American history from its earliest days and first insurrections (the Whiskey Rebellion, among others) through the Jan 6, 2021 "insurrection" (used in quotes here because even this text shows how dramatically different they were). And yes, we get stops at Jackson and his Indian Removal, the obligatory Civil War look, several other key points in American history. All through this lens of how various leaders chose to interpret the writings and philosophies of both Hamilton and Jefferson.

Overall it really is a fascinating look that both illuminates key ideas in new ways and works well with other books and their own filters to give a more complete view of both the American Founding and the resultant 250 years of American history. Thus, it is absolutely one that every American should read and consider, and it may well be something that even those outside the United States could learn valuable lessons about either their own countries or perhaps just the American mindset which frequently flips between Hamiltonian and Jeffersonian ideals.

Very much recommended.

Possibly Explosive Soviet-Side History Of WWII. The central tenet of Hellbeck's narrative here is rather simplistic: Yes, Hitler hated Jews. But he really hated Communist Jews, and believed that the Soviets were just dumb rubes being controlled by said Communist Jews. This, according to Hellbeck, explains everything from the infamous (and disastrous, for both Germany and the Soviet Union) Operation Barbarossa to why, where, and when the most infamous of the death camps - all located in former Soviet controlled territory after Barbarossa pushed so far into Russia - all came to be, and much more.

Admittedly, as an American and an American who happens to be a grandson of two different men who both fought in the Ardennes Offensive/ Battle Of The Bulge, I've been fascinated by WWII all my life. I grew up hearing that one grandfather had been there - I found out at his death that he actually had earned the most medals of anyone in his small exurban (at the time) Atlanta town. The other died weeks after my birth, and I learned decades later - when I finally got his service records - that his Division had been the first on the American side to liberate a concentration camp.

Thus, WWII is as much a part of me and my blood as it is for Hellbeck, simply on opposite sides of the fight against Germany. Well, maybe more for Hellbeck, a Distinguished Professor of History at Rutgers specializing in Soviet history, as he both chose and found a way to make studying WWII his occupation, while I remain a professional software engineer and "hobbyist" prolific book reviewer.

Beyond his central premise above, Hellbeck does as good a job as any - and better than many - of presenting both his case and his evidence. Clocking in at roughly 26% bibliography (as measured from where the Acknowledgement section begins, at least in my Advance Review Copy), this is both a fairly hefty tome at over 550 pages and a well researched one, with over 150 of those pages being source documentation.

By shifting the focus from Jews generally to specifically Soviet Jews, this narrative could become explosive, potentially even nuclear level explosive. And yet, even while focusing on Soviet Jews and Soviet citizenry more generally, Hellbeck actually presents a more balanced approach to the history than those who focus exclusively on Jews generally (and erase the extra hatred Hitler directed at Soviet Jews specifically) or those who focus on Soviets generally (and whitewash the Jewish nature of Hitler's specific targets, as Hellbeck brings the case that the Soviet Union did throughout their existence).

WWII as a whole and even the history of the Holocaust specifically is such a large topic that I fail to see how anyone can truly grasp all that happened and why, and thus I appreciate histories such as this one that bring a side of the discussion that we often miss, particularly in the West. While others with more specific knowledge about specific events may have more harsh criticism of particular points or perhaps even the entire narrative here, it fits in enough with my own existing knowledge that the text here provides a lot of information I didn't previously know, yet seems plausible given what I did know prior to encountering this book.

And yes, utterly, absolutely, horrific - no matter who was doing the killing or why. (As you'll see here, Hellbeck doesn't excuse Soviet actions against the Jews either.)

Overall truly a fascinating look at the war from an angle I hadn't often considered, and for that reason alone it would be a worthy read. That it was so well documented and read so easily was a bonus.

Very much recommended.

Christmas Love Angle. Let me be crystal clear as someone more trained in mathematics than most who happens to work in a field that is technically a sub-discipline of mathematics: For three (or more, really) straight people, there can never be a true love triangle. There can only be a love angle. A triangle, by definition, has three sides and three intersecting points. For a romantic love triangle to exist, at least one person involved must be romantically attracted to both of the other two - even if unrequited. With three straight people, no matter the combination of either gender, it will thus never happen. Thus, this book is about a love angle, not a love "triangle", as all of our central characters here are straight.

Now, possible (likely) pedantry aside, this was still a fun Kristen Bailey Christmas book. A bit spicier than a Sarah Morgan Christmas book, with far more sexual innuendo (but you knew that from the title, or should have :D), with quite a bit more comedy, and really at least as much heart to it as Morgan's annual tales.

Now Jeff, why do you bring up another author in this review? Well, because in both cases they're both United Kingdom based, with tales primarily based on that side of the "pond" and are fairly consistent in releasing a Christmas book every year, generally within a few weeks of each other. Meaning I tend to read them pretty close and indeed read this one barely ten days after reading Morgan's latest, so it is fresh on my mind. :)

Overall this book hit about as expected - meaning I had a great time and think most readers will too, but if you're one that doesn't like cussing or jalapeno (at least) level spice (to be clear, this is nowhere near ghost level, even habanero is debatable, which is why I went with jalapeno)... maybe stick with Morgan's books. But hey, if you prefer the occasional fuck - both in word and in deed - Bailey is going to be right up your alley bringing her version of... well, Big Nick Energy. :D (Ok, it had to be done once I realized I was kinda walking myself into that one. :D)

I would say that long time fans of Bailey will enjoy this one, and also that if you're new to Bailey, this is a fun book that is fairly typical of her overall style, even as she writes a few books every year - not just her annual Christmas book. As someone who has been reading her stuff for a few years now, I can honestly say that they're all fun and if you enjoy this one and are new to Bailey, you're going to have a fun time reading through her back catalog.

As always, read the book for yourself and let us know what you think by leaving your own review wherever you see this one. Even if you think I'm completely wrong in my thoughts on this book, feel free to call me out in your review if you think I need it. Overall, more reviews reach more readers and help sell more books, so please, help both me and you and help Bailey continue to be able to write more books for us. :)

Very much recommended.

A (Jewish) Christmas Tale. Seriously, if it wasn't clear from the description, that is exactly what you're getting here: a retelling of the Dickens classic, reimagined with a Jewish couple during Hannukah (and with the genders reversed) rather than a Christian couple at Christmas. Yes, the lower level details are more significantly different, but at a very high level, this is what you're getting here.

Which means it is far from a romcom. So don't delude yourself there. Even though Meltzer has written romcoms, this is absolutely a romantic drama, in line with its base tale. Yes, there is comedy here, enough to keep the overall heavy nature of the tale from being too heavy, but it isn't really the core of this tale.

As a retelling, Meltzer really gets the overall spirit of the original quite well, making this an excellent read no matter your religious faith or what you do for December-ish (not technically winter all over the world, if we're truly trying to be as "inclusive" as possible ;) ) holidays. The re-envisioning of it to fit with a Hannukah theme is actually done really well... perhaps until the very ending. Without going into spoiler territory, let's just go ahead and insert my "read the book and write your own review wherever you see this one" spiel here and let everyone know what you think about that. I personally think it works well enough, but I could see a lot of genuine and fair debate on that particular point.

Now, with all of this said, I actually had a bit of a personal connection with this book, and I'm absolutely going into more overt religious discussion in this paragraph than I normally do, so feel free to skip it if you feel you must. I promise to keep all of this type of commentary within this paragraph, but to be true to my own experience with the book I must discuss it. You see, while I can't reveal what the personal connection is without going into spoiler territory - and to be clear, my own experience here wasn't exactly the same in particulars, only fairly similar in end effect - what I really need to discuss here is how the religious aspect hit. Because what struck me, as a near lifeiong Christian who grew up in the Southern Baptist Church before finding the more Anabaptist-type Christian traditions as an adult and more closely identifying with them now, is the absolute despair this couple felt due to their religion offering no real hope in that particular circumstance. And while despair is an absolutely normal human reaction in it - which Meltzer absolutely nailed, by the way - as a Christian, there is always hope there. Enough to put a blindingly golden lining on even the darkest clouds, and sometimes the only thing a Christian can really cling to in those situations. Again, this was something I actually lived in a very similar circumstance, so I had to speak up at least a bit here.

Meltzer makes it a point with most everything she does in her public life to celebrate all things Jewish, and certainly in her writings, and she absolutely nails it here - at least so far as a Son of the South who has only casually known a few different Jews throughout his life can tell, at least. An actual Jewish person may have a very different take on how well Meltzer celebrates that particular culture and religion. But this is my review of this book, and from my view, I stand by what I said. Whether it be an Adam Sandler-esque romp through the entire Hannukah celebration (and yes, at times it does get up to Sandler level funny) or the much more intensely personal dramatic moments of a boy and a girl falling in love... and falling in love again..., Meltzer here proves that she isn't a one trick pony only writing Jewish romcoms, that she really has the chops to accentuate Jewish tales across the two largest romance sub genres and do each remarkably well.

Overall a truly worthy holiday read no matter your own practices during the season, and one that shouldn't be missed.

Very much recommended.

Strong Penultimate Book In Series Brings In New Elements. This entire series of Lane combining both her historical side and her romance side have been truly excellent, and this one is no different there. What makes this one different from the rest of the series is that this one actually takes place comfortably outside the shadow of WWII... and is perhaps one of the more powerful books in the series because of this. Indeed, while it can sometimes be hard for modern audiences nearly a century removed from wartime horrors and tribulations to fully understand all that is happening inside a WWII setting, no matter how good the storyteller is, in bringing the story out of that particular shadow and in using a tragedy that is still rare but at least more relatable than total war, Lane makes this particular tale perhaps all that much easier to fully understand the depth of the tragedy here.

Once again, both historical and contemporary elements are done well and perhaps here blended even more seamlessly than the other books, due to the precise nature of what is happening within this one. Foodies will love the restaurant talk of having our FMC be a chef, and indeed her entire story is richly layered with all too relatable drama for far too many. Even the MMC, while not given remotely equal screen time, manages to have the main point of his backstory developed enough to be quite the gut punch when it is fully revealed.

Perhaps most exciting for fans who have been with this standalone-yet-interconnected-ish series since the beginning is the stinger in the epilogue here. On a scale ranging from "makes you not want the next tale at all to Infinity War's "I need the next tale RIGHT TBIS FUCKING SECOND!!!!!!!!!!!!!", this one ends not far off Infinity War's level of build. With no release date given for the next book!

Which just means you have time to either read this book (if you've already been following along) or the entire series (if you haven't) before the finale comes seemingly at some point in 2026. (Pure somewhat educated guess there.) When you read them, make sure to write your own reviews wherever you see this one. I clearly think this book and the entire series are truly excellent, and I'd love to see what you think too.

Very much recommended.

Atypical Romance Offers Solid Trilogy Conclusion. This is a very atypical romance that some could potentially see as problematic... and others could possibly very easily feel all too seen in. And that all centers on our FMC here.

In the characterization of her rigidity of habit and how completely clueless she is socially, Evans here presents one version of a condition not named in the description, so it would be a spoiler to reveal here. To this writer, living in the real world with the same condition, the characterization here is perhaps a touch stereotypical... and yet while my own life and romances therein have been wildly different than portrayed here... I'm also aware enough of others living with this to know that there are indeed very likely some, perhaps many, who will feel quite seen in this characterization and indeed perhaps find hope that they too can find a love as portrayed herein.

Other irritations - and truly, these are simply irritations that your mileage will absolutely vary on - are that the author for some reason or another seems to have written "Disney" and then hit Replace All on the manuscript with a fictional name - that is how blatant the descriptions of the company are to real life, yet with the fictional name for the company. There are a few different reasons I can think of even off the top of my head that an author may choose to do this, but it was an irritant every time I encountered it and it did take away from the story a touch... which is unfortunate, given how critical it is at one point.

The other irritant is far more minor in its presentation... and yet it is also one I know many readers will want to be aware of, as it can be a deal breaker for some: without actually diving into spoiler territory, let's just say there is a certain surprise in the epilogue that at least was hinted at briefly in the earlier text that it could potentially be a possibility in this exact situation, so at least it wasn't a situation of the book before that moment either never mentioning this at all or even outright saying this wasn't wanted at all.

To be clear though, this really was a solid romance of a very atypical form, between someone who thought he was going to be a priest and thus never have a romantic relationship and someone for whom relationships had always been rather difficult. Indeed, it is these exact two characterizations coming together that actually make this story as strong as it is, as it offers hope to so very many who perhaps are in similar boats of being on the verge of hopelessness for their own potential romances.

Another thing that was done quite well here is the integration of many elements of the Catholic faith, perhaps obvious with a potential priest as the MMC and with the author being so openly Catholic herself. Still, this is one element where at least some readers will want to be aware of up front and can make your own decision to thus read this book or not based on your own thoughts on the Catholic Church. Once again, I'm simply asking you, now that you've read this far into my own review, to simply leave this book be if you're going to give it one star just because it features Catholicism and shows it so favorably or, more actually, normally.

The non-romance drama with the Brighthead Crafters is done very well once again, and this is where the trilogy conclusion comes to bear with both humor and heart, as is to typical of Evans.

Ultimately this really is a quite strong, if also very atypical, romance and a solid conclusion to this trilogy. So pick all three books up, read them, and leave a review for each wherever you find this review. Let us all know what you think - even if you think I'm a complete moron in my thoughts about these books, feel free to tag me anywhere and let me know! I'm just excited that you're actually reading them, no matter what you think of them. :)

Very much recommended.

Tom Clancy Of Space. Except Hadfield Has Been There. One of the things that struck me most about this book were the several sequences that were so technically detailed and explaining the almost microsecond by microsecond events that were taking place that it honestly felt like Clancy's infamous pages upon pages of the first nanoseconds of a thermonuclear detonation in The Sum Of All Fears... except Hadfield's passages here were nowhere near as long, despite being very similarly exacting and detailed.

Outside of these passages, what we get here is a seeming conclusion to an alt-history trilogy based in and around the time of the Apollo missions, here specifically the Apollo-Soyuz mission.

Using his experiences as everything from a fighter test pilot to NASA pilot to NASA liaison at the Roscosmos HQ to being Commander of the International Space Station (all detailed in his excellent memoir An Astronaut's Guide To Earth), Hadfield brings the reader into Low Earth Orbit as only an astronaut who has been there - and been there several times - can. The launch sequences rattle and jostle with real power as though you yourself are there in the capsule awaiting ignition of the then-most powerful rocket humanity had ever built - one controlled by a fraction of the computing power (and in particular a fraction of the lines of code) of whatever device you're reading this review on. Pick your favorite movie showing such a sequence, and here Hadfield has its literary equal if not better. The precise details of NASA and Roscosmos procedures - even technically in the era before Hadfield actually joined NASA - are here, at least at the public or at minimum now outdated levels.

Indeed, the alternate history of this tale actually works as well as it does - and introduces another level of similarity to both Clancy and similar military technothriller author Dale Brown - specifically because the real history details are buttoned up so solidly. Hadfield is able to create a world so similar to our own that it feels just as real... even as certain elements play out seemingly as they only ever do in action books of various forms.

Truly breathtaking in many ways, this is one of those books that will have you checking your own heart's health as it races with the action at times, but also giving some space to slow down and take a breather as other elements are setting up.

Indeed, if there is one criticism of this book, it is perhaps that one particular inclusion of one particular side tale may arguably be a touch too much and could have likely been left on the editing room floor with no hindrance at all to the tale told here, but even there it is interesting enough and wouldn't have spared enough pages to make the book feel any shorter.

At slightly over 400 pages, this is one of those books that both feels it and at the same time almost doesn't, as there is just so much action here. Indeed, we get well into the 90% range of this text before the final moments of the action... and yet the conclusion doesn't feel rushed at all. Truly well done, beginning to end.

Very much recommended.

Another Solid Sarah Morgan Christmas Tale. The sun rises in the East. The grass is green. Some politician in your country is being an idiot. Some celebrity said something stupid. Baby animals doing cute things in short videos. The clock showing the same numbers twice every day. The tide comes in and goes away. Ohio State Football being severely overrated. Some things you can just count on, day after day, year after year. They just seem like they're always going to be there, longer than the pyramids of Egypt.

Sarah Morgan writing a 300 ish page Christmas novel that feels like a warm blanket at a cozy fireside with the beverage of your choice on the table beside you and your cat (or dog, if you prefer) curled up at your feet is one of those things, and here, she doesn't disappoint at all.

As usual, there is at least a touch of drama. A touch of romance. But at its heart is a family coming together for Christmas, and as usual yes, there is at least an element of a road trip involved for some of them.

Indeed, about the only thing to turn anyone off from this book or any of Morgan's other Christmas romances is that she isn't exactly a warm glass of milk level spice author. More of a jalapeno or so, maybe up to a habanero at certain key moments, but never more than once or twice or so per book. And even then, absent those scenes... yeah, about as spicy as a good eggnog. One where it is blended so well that you get all the flavors of the bourbon and rum and cognac without any burn whatsoever.

Seriously, if you're looking for a Christmas romance author that you can just buy every year and not have to worry about quality or consistency and just know you're going to get an enjoyable tale long enough to really sink into and spend a few hours with... Sarah Morgan absolutely belongs at the top of that list, and this book, her 2025 entrant here, is no different.

Very much recommended.

All Too Real. I've been reading Bleeker's books since her debut, WRECKAGE, many years ago now. I even finally got a chance to meet her IRL at Walt Disney World last year when we both randomly happened to be there. (For what its worth, I'm there frequently, living just 2.5 hrs away. In fact, the reason I'm writing this review less than 24 hrs before this book comes out rather than last week is because I was at Disney yet again late last week.) All of Bleeker's books have been great, and this one is no exception. Several have hit close to home, either because of her Southern roots showing through or just because we're similar in age and thus have seen a lot of the same events from similar generational views or for some other random reason.

This one is no different there. Something that despite knowing each other for several years now and despite how public I am about my admiration of one of my grandfathers in particular, I'm not as public about is that I actually lost three of the four grandparents I knew in my life - my natural maternal grandmother and grandfather and my maternal step grandfather - to dementia long before we lost their actual bodies. Yes, that includes the WWII hero grandfather that I knew as a simple Southern farmer the last 20 years of his life. The one that I could not bear to see in the nursing home losing his mind, so chose to stay away and preserve those memories of that strong southern farmer I had known before that point.

So yeah, this book, partially about a daughter's experience with her mother who is now suffering dementia hit as all too real, particularly when it came to one particular interaction deeper in the text that is a spoiler to reveal.

Bleeker hits all the perfect notes here, particularly for someone in a more... challenging... relationship with her parents before the dementia strikes. All the anger, the fear, the desperation, the longing, the heartbreak... it is all there and captured so well, and yet done in an overall women's fiction tale that never gets too dark or heavy, instead turning to different issues in other relationships both new and old to more fully flesh out the overall story.

The addition of the historical fiction timeline also works quite well here, as we get to see the grandmother and grandfather in their prime, including several of their own life changing experiences before kids came into the picture.

As someone who has long sought the memories of his grandparents lost long ago to first dementia and then death, the historical timeline - and its intersection with the present day timeline, which was executed to near breathtaking (and very dusty room) perfection - was truly remarkable.

This is one that I could very easily see recommending to my mom and "second mom" - one of my mom's oldest sisters - as they could most likely identify with this particular tale even more strongly than I did, having done so much of the caregiving for their parents in those years, including frequent nursing home visits. As this is an unfortunately far too common occurrence in the US these days... Bleeker could well have the biggest hit of her career to date on her hands, if that particular community starts spreading this book.

With apologies for making this review have so much of me in it. But, two things here: 1) Every review should always be about the reader's experience with the book, and thus I needed to explain my history to explain my experience with this text and 2) my own history here really is far too common these days, at least at the very high "grandson of someone who developed dementia" level, and thus I really do think that explaining that these types of readers in particular will find much here actually does help further a review's primary purpose: to help authors sell books. So even though so much of me is interwoven here, I think it actually both works and, for me, is necessary here. But maybe I'm blinded by narcissism or some such here and am an absolute idiot. You should read this book for yourself and absolutely feel free to call me out when you write your own review if you think that is the case. Let us know your experience with this book, even if it differs dramatically from my own. Between all of us, we can begin to get a more clear picture of exactly what this book is and is not, and that is always a beautiful thing to behold.

Very much recommended.

In The Running For Best Book Of 2025. I've read some strong books this year, even a couple this month alone. This is easily right up there in contention for the best of the best. But it could very well be a "me" thing, to a degree.

You see, while this book is all about the roughly 450 mile Camino de Santiago in Spain (and specifically its traditional "French Way"), it also has the vibes of the stories of a far longer trail I am much more familiar with and somewhat connected to - the nearly 2200 mile long Appalachian Trail that begins in the mountains I grew up in the foothills of in northern Georgia outside Atlanta and ends in the wilds of Maine. Many years ago (enough to constitute a few decades ago), I too intended to strike out on my own to conquer that particular trail, as it represented the ultimate challenge to me at the time. Life happened and instead of spending the latter half of my 18th year hiking, I was already deep into my collegiate career and indeed that very summer taking steps that would allow me to come into my own and find myself within the college ecosystem as much as the Trail would have allowed me to do the same within its ecosystem. All these years later, I still hear the call of the Appalachian Trail at times... but I'm now a middle aged fat ass that would take a significant training investment to even last the approach to the trail at Springer Mountain in Georgia. These days, I couldn't even make it up trails I did hike all those years ago at the beginning of that approach.

But back to Redfearn's book, now that you know that bit of history about me.

With part of this book being set in 1997 and featuring a then-17 year old character setting out on this adventure as an escape from a rural setting for... reasons... and with the history above happening in my own life circa 1997 at its peak (when I was just 14 years old), you can very easily see how easily I found myself identifying with one of our two female lead characters. I'd never heard of the Camino de Santiago until I saw Redfearn mentioning it on social media (presumably around the time she began actively working on this book) along with another author (Boo Walker, iirc, who spent time living in Spain) also mentioning this trail at some point. But the way Redfearn describes it here, in both the practical and the near mystical, is truly eerily similar to the tales of the Appalachian Trail.

Redfearn does indeed note that she did actually walk this trail, and that experience shines through vividly in this tale. (Including one particular character being based on a person she actually encountered on the trail... but read the book and its Author's note to find out what happened there. ;) ) She really does a truly phenomenal job of highlighting both the hard realities of a trek of hundreds of miles, both logistically and on the human body, while at the same time showing just how transformative such an endeavor is on the human psyche and just how much it truly changes lives.

Read this book. Absorb this book. Feel the magic of Redfearn's words and how transformative this undertaking clearly was for her as she creates this fictional version of the Camino that even as fiction is yet also all too real.

Then write your own review of it. Let the rest of us know how you felt about it. (Though yes, I will absolutely condemn you to a day of minor irritation if you 1 or 2 star this book over some bullshit personal hangup like "it mentioned AI!!!", but still, I absolutely want to see your own reaction to this book even if it is that level of bullshit... mostly so I can see how many others saw the same magic here I did. :) )

After you've written your review... maybe consider going for even a mile hike in a local park. Get out in nature and the sun. I know I've been inspired here to make it a point to begin moving more and get away from my desk more, and hey, audiobooks exist in part for exactly that. ;)

Very much recommended.

Solid Slow Burn Romance. This is one of those romances where both people come into it with some pretty hefty emotional baggage - that each is very cognizant of their own and knows they need to work on, thus providing most of the actual drama here. Those looking for external drama/ suspense will only find the barest touch, deep in the text, and thus this may not be the book for you if that is something you must have.

For those looking for a more laid back "I've gone through hell and need to heal myself, but this person is extremely interesting" type romance, this is much closer to that kind of feel, and I think you'll like it quite a bit. It is the third book in a series and possibly the finale of a trilogy, but it also works decently well as a standalone, so long as you don't mind previous characters showing up and thus knowing that prior couples from other romance novels actually (shockingly! -note the dripping sarcasm there) wound up together.

The presence of a minor yet recurring (and somewhat essential, at least in the endgame) non-binary character is one of those things that some will actively buy the book specifically because it has this kind of character, and others will actively avoid this book for exactly the same reasons. You do you, no judgement at all here - unless you one star the book because of this character. That, I absolutely condemn you to some minor irritation for a day over. After all, I've now warned you about this, and you chose to read the book anyway.

Regardless of what you thought though, please do leave a review wherever you see this one after reading the book yourself. I'd love to hear what you think.

Oh, and a note about the "spice level": Apparently Sullivan is known for closed-door romances, and this is exactly that. Things get a touch more interesting than basic kissing, so I think I'd rate this somewhere around a poblano pepper or so. It may cause some heart palpitations for some and yet be quite bland indeed for others, but for most it will work well enough to provide a solid flavor without being overwhelming.

Very much recommended.

Perfect Blend Of Travel And Psychological Thriller. Quite simply, this book is amazing. It stumbles out of the gate perhaps a step or two first establishing Ava - and this could well have been a me problem here - but once we get to Greece (where the vast majority of the book takes place), it really opens up and becomes exactly what I said in the title here: a perfect blend of travel and psychological thriller.

The Greek island setting is used superbly and makes you wish you could be there... and the vivid descriptions make you think you are. (Which is awesome as fall turns to winter and we all long for our next summery vacation. :D) This is one of those books where the setting really does come into its own and really helps accentuate the story, and that is always awesome to see.

And the story itself... wow. There's a lot going on here, and yet Dunnett manages to make this tale as much about self discovery as in solving the mystery of what the hell is going on on this island... and that is exactly what makes the book work as well as it does. The mystery/ suspense elements here are great on their own, but it really is the self discovery aspects that really make them pop, and when combined with the strong setting really set this book apart.

This book is perfect for readers new to Dunnett... and at least a worthy disctraction for his fans who are almost foaming at the mouth with excitement waiting for his next Detective Susan Sands thriller due to how the previous book - the last book Dunnett released before this one - left off. And yes, you should absolutely join us in reading that series too so that you can be as vocal as we are in demanding the next book there. Because I'm living proof that peer pressure on authors eventually gets you what you want... but that's a whole other story. ;)

Very much recommended.

A Mullet Of Christmas Romance Not Even Until The Middle, Then Hockey Romance In The Back. In total, this book absolutely works. Now, it won't be for the "clean" / "sweet" crowd - if the fucking cussing in Chapter 2 doesn't throw you out, the habanero spice not much later will. But for those who don't mind a dude that cusses like a ... well, an athlete... and who want the spice... hey, this may be exactly what you're after as a whole book.

Now, there are reasons I titled this book a "mullet" and I mention that it works "as a whole book". And those reasons all center around the fact that it feels almost like a merger between a 140 ish page Christmas novella and a 180 ish page Hockey short novel, with enough of a merger that it works... but also because of what it actually is, isn't going to be fully want many (either direction, Christmas or Hockey) really want.

Now, some people can absolutely rock mullets and absolutely make them work. Here, I think Sullivan actually does a reasonable job of exactly that. maybe not quite a David Bowie mullet, but certainly a Billy Ray Cyrus Achy Breaky Heart mullet. (Which, to be clear, as a not-quite-10yo Son of the South in that era, all of my friends wanted to sport that particular mullet there for a minute.)

Basically, as long as you come into this book expecting a spicy romance more generally, I think you're going to enjoy this book. If you come in expecting it to be 100% either one of its main components... you're likely not going to enjoy it as much. I do think you'll enjoy whichever component you're here for, and based on the cover I expect that will be the Christmas "novella" that doesn't quite hit the 50% mark of this text. But if Hockey romance isn't your thing... that just-over-half won't be as compelling to you.

All I ask here is that if this review makes you want to read this book, go in knowing what I've told you... and don't 1 star or 2 star this tale because it has cussing or because it is a bit spicy or because it isn't fully one trope or another. Judge it, as I have, on its totality, and still discuss in your review what issues you may have had with it. PLEASE discuss the cussing and the spice, if you enjoyed it or if you had a problem with it. Not everyone will see this review. But don't 1 or 2 star the book just because of those things.

Overall, a solid enough mullet of a romance story, and I for one will be continuing to read Ms. Sullivan's books to see where she goes next.

Recommended.

Beautiful Anti-Jaws. In a sense, this book is the anti-Jaws intended to take everything ugly about Jaws (including its New England setting, sorry Yankees) and make it more vivid and beautiful, with a far stronger emotional component to boot.

Now, admittedly I haven't read the Peter Benchley original book (yet), but this year is the 50th anniversary of the movie that effectively created the Summer Blockbuster out of thin air, and yes, I've seen the movie more than a few times (and ridden the former ride at Universal Orlando, may it rest in peace). Stupid Harry Potter. (No, Rowling is awesome. I just hate that Universal decided to rip out Jaws to insert a new HP land. Almost as much as I hate that they took away Dueling Dragons in Islands of Adventure to put in Hagrid's rollercoaster.) Wait. Wait. Back to the Ackerman's book.

Seriously though, Ackerman flipped the script from New England (boo! hiss!) to the beautiful Hawaiian waters (yay!), gave us a compelling and complicated shark scientist lead character, truly makes us see the beauty of both Hawaii (as she always does in her books) and sharks, ...

Wait. She makes us see the beauty in sharks? Those apex predators who are nothing but man eating living torpedos that lurk silently and randomly attack humans? Yeah, well, Ackerman actually has solid in-story rebuttals to all of that, and she works it in without being preachy but instead having her characters truly be in awe of the majesty of the sharks and seeking to understand them.

Combining elements of real-world Hawaiian anti-"mainlander" racism and magical realism to great effect both comedically and in key moments in the story, Ackerman brings in elements of Hawaiian culture in this book I'd never seen her bring in before, and looking at her catalog, I've now read 75% of it - the last six of her nine published books. (And I'm fairly sure I have the other three on my Kindle as I type this review.)

Indeed, it is the magical realism elements here that perhaps shine the brightest in the biggest moments of the book and help elevate the book from "just a Jaws clone" to more of a "Moana-esque epic celebration of family and culture".

Or maybe I'm just completely seeing all of this wrong and being an absolute idiot here. Once this book releases less than two weeks into 2026, make sure to read it for yourself and write your own review. Feel free to call me out on anything you feel I got wrong here. As long as you're actually writing a review, I'll gladly take the hit. :)

Very much recommended.

Intriguing 'What If'? Particularly with the author's note at the end, where Ackerman notes that her motivation for this book was to try to resolve the mystery behind Mrs. Stanford's death, this book feels most like a phenomenal book most of y'all have never heard of - The Last At-Bat Of Shoeless Joe by Granville Wyche Burgess. The key difference being that Ackerman admits she created a character to blame the death on, while Burgess actively dug into the scandal and claims to have unearthed new real-world evidence that definitively exonerates Shoeless Joe Jackson of the Black Sox scandal.

This noted, for what this book actually is, it will absolutely put you back into Mrs. Stanford's last days both in California and in Hawaii, where all of Ackerman's books (at least every one I've ever read, including her January 2026 release The Shark House (review will be written shortly after I finish writing this one)) are set. The story is full of Ackerman's usual attention to detail of the specific time period of Hawaiian history that her central mystery actually took place in, and really makes the reader long for the Hawaii of old rather than the hyper-touristy destination it can be at times and in places today. (Which is only going to get worse with Carnival Cruise Line resuming cruises from Los Angeles to the Hawaiian islands in the coming years.)

One of the more interesting things about this tale that I've never seen Ackerman do is the addition of the novelist character and the discussions on writing novels... which always seem like the author inserting meta-commentary about their own views and practices, even when they're actively creating a character they actively oppose with every fiber of their being. (As Dale Brown once somewhat infamously did in Warrior Class with the introduction of President Thomas Nathaniel Thorn over 20 years ago now.)

Between the turn of the 20th century timeline and the 21st century timeline, there really are two compelling stories that do in fact eventually sync up to some degree... and the damn cat nearly steals every scene it is in. Seriously, this cat will make even dog lovers want to at least consider have a cat adopt them.

Overall truly a strong book of its type, one that will absolutely leave you questioning the official narrative of Mrs. Stanford's death - even with the introduction of the fictionalized killer.

Very much recommended.