Surprising And Unexpected Yet Powerful. Following Weinstein on social media, I know she was writing this book shortly after the Hamas attacks on Israel in late 2023. As I finished reading this text (that I've had on my Kindle for a couple of months or so even now), Hamas had been parading the caskets of several babies they had murdered earlier in the day. Given that the Surfside Condo collapse in Miami a few years ago now - where Weinstein's family personally knew a few of the victims - clearly contributed quite a bit of emotional heft to the book she was writing at the time, I expected the same to be true here, as Weinstein is quite vocal (yet, to be clear, not preachy) about her Jewish faith and support of the State of Israel. (Haters, go the fuck away. While I've only known Weinstein online to date, she is truly a great person in my own interactions with her, no matter what your own political beliefs may be - and we *do* disagree quite substantially politically.) So that is the background I approached this story with, my own "baggage" I brought into the Drift, even as I generally approach each and every book with a blank slate - and indeed knew *nothing* about this book beyond its title and that Weinstein had written it when I agreed to read and review it, and even when reading it this remained all that I knew (plus that it releases next week so I needed to hurry up with the reading and reviewing!). What I actually found here was, as I noted in the title of the review, quite surprising and unexpected - for some reason I expected at least one blatantly Jewish character, if not every single protagonist in the book, to be honest, along with a much more blatantly Jewish plot, along the lines of say Jean Meltzer's books... even though I know from prior reading that this isn't really Weinstein's style. What I *actually* got here was a powerful tale of several flawed duos within families - mostly husbands and wives going trying to work through some level of trauma within their relationship, but also a powerful story (that takes a more prominent role later in the text) between a mother and her daughter. While there are a total of ten main characters and the story *is* told from multiple perspectives (yes, I know there are readers who don't like that either - if you're at least willing to try it, this is a *really* good one to try with), Weinstein (and, perhaps, her editors) made the smart choice of limiting our number of perspectives to just a few, and never both halves of any of the five duos. This helps both story cohesion and progression, as even with chapter based perspective switches, at least this way we aren't getting first person views of both sides of the dynamic in question. And the traumas that are happening here... even without being explicitly tied into anything overly "real-world", they're at the same time all too real. I don't want to detail them here due to spoiler potential, but I will note that Weinstein truly shines here in just how real and relatable she manages to make pretty well everything about all of these interweaving secrets and dynamics, and the pacing is done particularly well such that some surprises are tossed in early, others are late and seemingly out of nowhere (yet fit perfectly), and still others are teased well with what becomes for me at least a perfectly satisfactory payoff. Overall truly a powerful and well written story, exactly what Weinstein is known for, and one that will have the room quite dusty at several different points - you've been warned about that too, now. ;) This is one that will leave you with that beautiful "wow, what did I just read" feeling (in the best possible ways) and will hopefully show you a path through even your own struggles. Very much recommended.

Perfect Escapism. Even as certain elements of this book are damn near torn from the headlines of the past several weeks - for the record, *long* after Di Maio had completed writing this book, as I've had it myself for nearly four months already - this book really is pure, damn near perfect, escapism. For most people. For those in at least one sadly far too common situation - one my own grandmother experienced during the period detailed in this book - it could potentially be triggering. Yet even in this, Di Maio provides a solid set of escapism, and even in this, there is ultimately purpose in the story beyond "you can survive". Instead, the vast majority of this tale focuses primarily on one particular lady and the situations she finds herself in during the early 1960s as she attempts a career as a Pan Am stewardess. We see in detail the exacting standards of the position and the more-intense-than-one-may-realize training they underwent. We see the (then) exotic locales that are still wildly different than what most Americans today are accustomed to - and yet those locations have also been increasingly "Americanized" and generally commercialized over the ensuing decades, to the point that this book really hits the nostalgic appeal of the locations in the eras portrayed and, as the text takes place nearly entirely in the early 1960s, largely glosses over all that they have become. Our other primary narrator from this period is another view of the trials women went through in this period, and here Di Maio does a particularly superb job of showing that looks can indeed be deceiving, and sometimes one must actively seek out the real truth in matters. Our final perspective - yes, this is technically multi-perspective, but there really are just the three - is a modern day person looking back on the halcyon days portrayed in the rest of the story. It is through her eyes that we see both all that was, story wise, and... even a glimpse of Di Maio herself, as she notes in the Author Note. (No, not even spoiling that here, although that particular tale sounds pretty fucking awesome. :) ) Ultimately this is one of those books that does a truly phenomenal job of providing maximal escapism through exotic travel in a long-gone era... and it is one that is going to tug your heart strings quite a bit at times, both making your heart race from a variety of situations and in making the room quite dusty indeed at points. For those who may have worried where Di Maio was or if she was coming back at all or if she could come back and stay just as good as she once was, with her last major release being almost exactly three years to the day before the publication date of this book... I'll tell you now: I've now read over half of Di Maio's major releases, first encountering her with 2019's The Beautiful Strangers, and at least of the books I've read from her... this may well be the best one yet. Very much recommended.

Editing Miscues Mar Otherwise Solid Suspense Story. The story told in this book really is quite solid. It may not work for *everyone*, but I found it enjoyable and it seemed to fit well enough with the characters as portrayed that nothing was so far "out there" as to be too distracting. There are several twists and turns and while I realized the link possibly before the author meant me to - or possibly much later than Ray meant me to, due to the aforementioned editing miscues - it wasn't anything that harmed my enjoyment of the tale. More of a "I know something you don't know" to hold over the main character until she finally realizes it herself. But the editing miscues. Ugh. Not enough to deduct a star over, because it isn't really an "objective-ish" issue, but it absolutely marred my enjoyment of reading this book. Specifically, the way the timeline bounced around with little warning and with even less differentiation. Nothing about the way the text was formatted or the way these jumps into the past were written gave any indication beyond the "x time earlier" at the beginning of the chapter, and while that can (and has) worked in other books... for some reason it just *didn't* here, and I'm not overly sure why. It could absolutely be a "me" thing though, so read this book and see for yourself - and write your own review so I can have a more complete picture of whether or not this *is* a "me" thing. :) Ultimately a solid story that shows promise for this author's continued career, but I do hope the editing issues can be resolved (or shown at least to be just a "me" problem). Very much recommended.

Not For Everyone. Read It Anyway. This is one of those tales that with its focus on a distinct type of character - namely, elderly residents of a care home - and with its use of multiple perspectives to tell its tale won't be something everyone likes. Well, not everyone likes [insert your personal favorite book here], so read this one anyway and maybe see some things from perspectives you might never have considered before. To me, Glass creates her characters well - yes, they are all old and have some stereotypical elder shenanigans, but they're also all truly complex characters with their own secrets and motivations and connections, and this winds up working well to drive the narrative, particularly as we get deeper into the overall story here. Ultimately a satisfying thriller that sits comfortably within its genre as far as overall story goes, and with the particular characters employed helps it to stand out a bit from the literal millions of other books within this general space. If you enjoy thrillers at all, this is absolutely one you should check out. And even if you don't generally enjoy thrillers, this is still an interesting one to try out to see if you may be more open to the genre than you thought. Very much recommended.