When everything is lost, it’s our stories that survive. How do we weather the end of things? Cloud Cuckoo Land brings together an unforgettable cast of dreamers and outsiders from past, present and future to offer a vision of survival against all odds. Constantinople, 1453: An orphaned seamstress and a cursed boy with a love for animals risk everything on opposite sides of a city wall to protect the people they love. Idaho, 2020: An impoverished, idealistic kid seeks revenge on a world that’s crumbling around him. Can he go through with it when a gentle old man stands between him and his plans? Unknown, Sometime in the Future: With her tiny community in peril, Konstance is the last hope for the human race. To find a way forward, she must look to the oldest stories of all for guidance. Bound together by a single ancient text, these tales interweave to form a tapestry of solace and resilience and a celebration of storytelling itself. Like its predecessor All the Light We Cannot See, Anthony Doerr’s new novel is a tale of hope and of profound human connection.

"The ruthless, remarkable world you’ve been waiting for." —Chloe Gong, #1 New York Times-bestselling author of These Violent Delights "A twisty, dark academia fantasy . . . I was hooked from the very first page." —Marie Lu, #1 New York Times-bestselling author of Skyhunter This limited deluxe edition is printed with gorgeous stained edges, stunning foil on the case, and striking printed endpapers! A desperate girl at a cutthroat magical academy faces a choice between life and death: become an assassin for the enchanted elite or watch her decaying body draw its last breath. For fans of Leigh Bardugo, Brandon Sanderson, Lev Grossman, and R.F. Kuang. Anabelle Gage is trapped in a male body, and it’s rotting from the inside out. In Caimor, where the magical elite buy and swap designer bodies like clothes, Ana can’t afford to escape her tattered form. When she fails the entrance exam to the prestigious Paragon Academy, her last hope of earning a new body implodes. As the clock ticks down to her last breath, she’s forced to use her illusion magic to steal a healthy chassis—before her own kills her. But Ana is caught by none other than the headmaster of Paragon Academy, who poses a brutal ultimatum: face execution for her crime or become a mercenary at his command. Revolt brews in Caimor's smog-choked underworld, and the wealthy and powerful will stop at nothing to take down the rebels and the infamous dark witch at their helm, the Black Wraith. With no choice but to accept, Ana will steal, fight, and kill her way to salvation. But her survival depends on a dangerous band of renegades: an impulsive assassin, a brooding bombmaker, and an alluring exile who might just spell her ruin. As Ana is drawn into a tangled web of secrets, the line between villain and hero shatters—and Ana must decide which side is worth dying for.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

One in five people in the United States lives with a disability. Some disabilities are visible, others less apparent—but all are underrepresented in media and popular culture. Now, just in time for the thirtieth anniversary of the Americans with Disabilities Act, activist Alice Wong brings together this urgent, galvanizing collection of contemporary essays by disabled people. From Harriet McBryde Johnson’s account of her debate with Peter Singer over her own personhood to original pieces by authors like Keah Brown and Haben Girma; from blog posts, manifestos, and eulogies to Congressional testimonies, and beyond: this anthology gives a glimpse into the rich complexity of the disabled experience, highlighting the passions, talents, and everyday lives of this community. It invites readers to question their own understandings. It celebrates and documents disability culture in the now. It looks to the future and the past with hope and love.

(Alternate cover edition of ISBN 1551527251 / 9781551527253.) "You're gonna need a rock and a whole lotta medicine" is a mantra that Jonny Appleseed, a young Two-Spirit/Indigiqueer, repeats to himself in this vivid and utterly compelling novel. Off the reserve and trying to find ways to live and love in the big city, Jonny becomes a cybersex worker who fetishizes himself in order to make a living. Self-ordained as an NDN glitter princess, Jonny has one week before he must return to the "rez," and his former life, to attend the funeral of his stepfather. The next seven days are like a fevered dream: stories of love, trauma, sex, kinship, ambition, and the heartbreaking recollection of his beloved kokum (grandmother). Jonny's world is a series of breakages, appendages, and linkages--and as he goes through the motions of preparing to return home, he learns how to put together the pieces of his life. Jonny Appleseed is a unique, shattering vision of Indigenous life, full of grit, glitter, and dreams.