On a New England morning in the late 1980s, a group of young cousins wander deep into the woods on their family’s property, drawn in by uncanny visions and the disappearance of one of their own—but the farther they go, the stranger their surroundings become.Lingering at the edge of a family party, a troop of cousins loses track of the youngest child among them. With their parents preoccupied with bickering about decades-old crises, the children decide they must set out to investigate themselves—to the rickety chicken coop, the barn and its two troublesome horses, and into the woods that once comprised their late grandmother’s property. The more the children search, and the deeper they walk, the more threatening the woods become and the more lost they are, caught between their aunt’s home in the present day, their parents’ childhood home just through the trees, and the memory of the house their grandmother grew up in. Soon, what began as a quest for answers gives way to a journey that undermines everything they’ve been told about who they are, where they came from, and what they deserve. Disquieting and delightful, Idle Grounds is a rich exploration of the interior lives of children and a gripping meditation on birthright, decline, and weight of family history. A fable of the distortions of privilege and the impossibility of keeping secrets hidden, this is a novel about straying from home—only to come back unraveled, unsettled, and irrevocably changed.

A woman must learn to take life by the throat after a night out leads to irrevocable changes in this juicy, thrilling novel from the USA Today bestselling author of Such Sharp Teeth and Black Sheep. Sloane Parker is dreading her birthday. She doesn’t need a reminder she’s getting older, or that she’s feeling indifferent about her own life. Her husband surprises her with a birthday weekend getaway—not with him, but with Sloane’s longtime best friend, troublemaker extraordinaire Naomi. Sloane anticipates a weekend of wine tastings and cozy robes and strategic avoidance of issues she’d rather not confront, like her husband’s repeated infidelity. But when they arrive at their rental cottage, it becomes clear Naomi has something else in mind. She wants Sloane to stop letting things happen to her, for Sloane to really live. So Naomi orchestrates a wild night out with a group of mysterious strangers, only for it to take a horrifying turn that changes Sloane’s and Naomi’s lives literally forever. The friends are forced to come to terms with some pretty eternal consequences in this bloody, seductive novel about how it’s never too late to find satisfaction, even though it might taste different than expected.

Author of THE MEMORY EATER and THE VALLEY AND THE FLOOD Rebecca Mahoney's THRALL, in which a college student is infected by a vampire and teams up with the women on campus determined to stop him, including a radio host and an infuriating (and beguiling) archery champion, to break free of his control before she fully turns, to Olivia Zavitson at Hyperion Avenue, for publication in spring 2026, by Kari Sutherland at kt literary (world).

“Reading this book is a joy... much to say about the trans journey and will undoubtedly become a standard for those in need of guidance. ” — The Washington Post "Sante’s bold devotion to complexity and clarity makes this an exemplary memoir. It is a clarion call to live one’s most authentic life.” — The Boston Globe “Not to be missed, I Heard Her Call My Name is a powerful example of self-reflection and a vibrant exploration of the modern dynamics of gender and identity.” — Lit Hub’s Most Anticipated Books of 2024 An iconic writer’s lapidary memoir of a life spent pursuing a dream of artistic truth while evading the truth of her own gender identity, until, finally, she turned to face who she really was For a long time, Lucy Sante felt unsure of her place. Born in Belgium, the only child of conservative working-class Catholic parents who transplanted their little family to the United States, she felt at home only when she moved to New York City in the early 1970s and found her people among a band of fellow bohemians. Some would die young, to drugs and AIDS, and some would become jarringly famous. Sante flirted with both fates, on her way to building an estimable career as a writer. But she still felt like her life a performance. She was presenting a façade, even to herself. Sante’s memoir braids together two threads of personal narrative: the arc of her life, and her recent step-by-step transition to a place of inner and outer alignment. Sante brings a loving irony to her account of her unsteady first steps; there was much she found she still needed to learn about being a woman after some sixty years cloaked in a man’s identity, in a man’s world. A marvel of grace and empathy, I Heard Her Call My Name parses with great sensitivity many issues that touch our lives deeply, of gender identity and far beyond.

From national bestselling author Ashley Winstead comes a buzzy, bloody new thriller about success, sisterhood, and demanding justice…by any means necessary. What’s a girl got to do to get some fame, a few million record sales, and justice for murder? Ten years ago, aspiring singer-actress Scout Sage lost the only thing that mattered: her sister, Georgia. Ever since Georgia’s mysterious death at a Hollywood party, Scout’s done her best to honor her memory, clawing her way through the industry and collecting a network of climbers along the way, fellow hot girls in stilettos with cutthroat ambition, a new Hollywood order. But when a slew of targeted murders makes headlines across LA, all pointing to Scout as the killer, she turns overnight from a mid-tier pop star into the world’s most famous (alleged) murderer. Now everything she’s worked to build—including the justice she wants for Georgia—will fall apart unless Scout can prove she’s not guilty. Meanwhile, the young and unusual detective assigned to her case, herself no stranger to tragedy, begins to unearth secrets not even Scout knows, let alone her millions of new fans. Particularly about the ways Georgia’s death connects to an even older pattern of crimes long hushed over in Hollywood—an old reign of terror that, if brought to light, could be the fuel that ignites a reckoning the world over.

She thought she was in a romance. Fate threw her into a thriller. Will happily-ever-after still be on the cards when fiction and reality blur for Roxie? When Roxie makes a tongue-in-cheek wish to live out the plot of her favorite author’s next novel, she has romance in mind—namely, the sweet, safe, swoon-worthy storylines Anna Matthews is known for. It should be a dream come true when her wish is granted and she finds herself swept into a first date with a handsome stranger who seems designed to take her breath away. Except for one little hiccup: That handsome stranger tries to take her breath away. Literally. With a knife. The thing is, Roxie may be the new Anna Matthews protagonist—but this time, Anna is writing a crime thriller. Thrown into a perilous genre she’s never read, Roxie is desperate for help. So when her escape takes her straight into the path of Grant Hoffman, an anxious English professor with a convenient love of crime novels, she decides that kidnapping a grown man is a small price to pay for her own survival. Together, Roxie and Grant navigate a madcap story in which the lines between fiction and reality blur. They’ll find out if they have what it takes to make it to The End—or maybe even Happily Ever After.

'Secrets don't stay secret for long in publishing' Six authors. One private island. Seventy-two hours to write the ending that will change their lives. ‘This is a house of novelists, not murderers. You dream up crimes. You don’t commit them.’ ‘But a writer has. And so, who better than a writer to catch them?’ World famous author Arthur Fletch is dead. His final novel, the most anticipated book in history, remains unfinished. But the ending won’t write itself. Fletch’s publisher, Merriweather Press, has invited six authors to Fletch’s private island in Scotland. Authors whose books have never had the big marketing budgets or publicity opportunities. In other words, midlist. And they’re about to be presented with the opportunity of a lifetime. Whoever writes a worthy ending will receive one million dollars, and a further one million dollars for a new three-book contract. They have just seventy-two hours, with no access to the outside world, just a typewriter and a blank page. All they have to do is write… Starting is often the hardest part. But getting to the end could be murder. ‘Smart, original and completely addictive…The Ending Writes Itself is both a great locked-room thriller and a brilliant satire on the publishing industry. An absolute must-read’ Karin Slaughter

From the devious author of Mrs. March comes a gruesome and gleeful new novel that probes the psyche of a bloodthirsty governess. Winifred Notty arrives at Ensor House prepared to play the perfect Victorian governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But the longer Winifred spends within the estate’s dreary confines, and the more she learns of the perversions and pathetic preoccupations of the Pounds family, the more trouble she has sticking to her plan. Whether creeping across the moonlit lawns in her undergarments or gently tormenting the house staff, Winifred struggles at every turn to stifle the horrid compulsions of her past. When her chillingly dark imagination breaches the feeble boundary of reality on Christmas morning, Winifred is finally ready to deliver on her generous gifts. Wielding her signature sardonic wit and a penchant for the gorgeously macabre, Virginia Feito returns with a vengeance in Victorian Psycho.

For fans of You, Again, One Day, and People We Meet on Vacation.After a post-graduation drive from Iowa City to NYC, Teddy and Marin have both had enough of each other to last the rest of their lives. But that doesn’t stop their paths from crossing over eight rocky years, punctuated by chance encounters and transatlantic visits, on a journey that eventually brings them right back to where it all started.

A rash of grisly serial murders plagued Seattle until the infamous "Beacon Hill Butcher" was finally hunted down and killed by police chief Edward Shank in 1985. Now, some thirty years later, Shank, retired and widowed, is giving up his large rambling Victorian house to his grandson Matt, whom he helped raise. Settling back into his childhood home and doing some renovations in the backyard to make the house feel like his own, Matt, a young up-and-coming chef and restaurateur, stumbles upon a locked crate he’s never seen before. Curious, he picks the padlock and makes a discovery so gruesome it will forever haunt him… Faced with this deep dark family secret, Matt must decide whether to keep what he knows buried in the past, go to the police, or take matters into his own hands. Meanwhile Matt’s girlfriend, Sam, has always suspected that her mother was murdered by the Beacon Hill Butcher—two years after the supposed Butcher was gunned down. As she pursues leads that will prove her right, Sam heads right into the path of Matt’s terrible secret.