From the author of Love at First Set, a new irresistible enemies-to-lovers, grumpy/sunshine queer romcom for fans of Delilah Green Doesn’t Care, about a wedding-obsessed city girl who inherits a horse farm from her estranged late aunt, and clashes with the cocky, unfairly hot farrier who thinks she’s going to run the barn into the ground. Molly has always loved weddings, ever since she was a little girl, and for nearly as long she’s dreamed of starting her own wedding planning company. But that dream has remained stubbornly out of reach, and between Molly’s first job as a barista, her second at a call center, and her crushing student loans, it seems farther away than ever. The absolute last thing she needs is to inherit a run-down, struggling horse barn, courtesy of her estranged late aunt. Molly is so ill-equipped to run the barn, it’s laughable. She certainly doesn’t know how to save it, no matter how much faith everyone who loved her aunt has that she will. But maybe her aunt left Molly a blessing in disguise—if she can sell the land, the profits could be the small-business seed money miracle she’s been waiting for. Doesn’t matter if she’s starting to love the mismatched family this barn brought together, and feeling closer to the aunt she never got a chance to know. The real snag in her plan is the woman who took care of Molly’s aunt in her last days, and still lives and works on the property as a farrier: Shani. Judgmental, grouchy Shani, who thinks she’s so morally superior because she hasn’t given up on the crumbling barn while Molly wants to “destroy” everything her aunt built; who’s really good with the horses, and always comes whenever Molly calls her in a panic; and is actually kind of thoughtful, and obnoxiously hot, and unfailingly loyal…and oh no, has Shani become an entirely different kind of problem? One Molly can’t possibly solve, no matter how much her heart wants to?

A harrowing, edge-of-your-seat psychological thriller about a queer homeless teen who, in a bid for safety, assumes the identity of a boy who went missing ten years ago...only to find that his new home is anything but a safe haven—from All That's Left in the World author Erik J. Brown! Perfect for fans of Karen McManus, Holly Jackson, and Ryan La Sala. When a runaway teen is arrested for shoplifting, he's desperate not to be sent back to the hyper-religious parents he knows will never accept him. While at the police station, he notices a resemblance to the aged-up photos of Nate Beaumont, a child who went missing ten years ago—and, in a moment of desperation, he takes Nate’s identity in hopes that it will help him make a quick getaway. Before he can run again, Nate’s family arrives and welcomes him home to a life he never had. As "Nate" watches and waits for his chance to run, he finds that the Beaumonts are nurturing and loving, very different from his own parents. But soon unsettling things start to happen—vandalism, alarms going off in the middle of the night—and it becomes clear that someone knows "Nate" isn't who he says he is...and that the real Nate wasn't kidnapped, but murdered. As he starts to unravel the mystery, he gets ever closer to the devil he may know—and learns he might be their next victim.

From World Fantasy Award-winning author Tasha Suri comes The Isle in the Silver Sea, a heart-shattering standalone romantasy of sapphic longing, medieval folklore and a love that spans the centuries. In an England fuelled by stories, the knight and the witch are fated to fall in love and doom each other over and over, the same tale retold over hundreds of lifetimes. Simran is a witch of the woods. Vina is a knight of the Queen’s court. When the two women begin to fall for each other, how can they surrender to their desires, when to give in is to destroy each other?  As they seek a way to break the cycle, a mysterious assassin begins targeting tales like theirs. To survive, the two will need to write a story stronger than the one that fate has given to them.But what tale is stronger than The Knight and the Witch?

From an incendiary new talent, a contemporary queer folktale about a mother and daughter living in the woods, for fans of Angela Carter, Margaret Atwood, and Julia Armfield. “Deliciously dark and shockingly bold—someone needs to make this into a film right now! Lucy Rose is one to watch. This is one of my favorite debuts in a long time.”—Kirsty Logan, author of Now She is Witch and Things We Say in the Dark A FOLK TALE. A HORROR STORY. A LOVE STORY. AN ENCHANTMENT. Margot and Mama have lived by the forest ever since Margot can remember. When Margot is not at school, they spend quiet days together in their cottage, waiting for strangers to knock on their door. Strays, Mama calls them. People who have strayed too far from the road. Mama loves the strays. She feeds them wine, keeps them warm. Then she picks apart their bodies and toasts them off with some vegetable oil. But Mama’s want is stronger than her hunger sometimes, and when a beautiful, white-toothed stray named Eden turns up in the heart of a snowstorm, Margot must confront the shifting dynamics of her family, untangle her own desires, and make her own bid for freedom. With this gothic coming-of-age tale, debut novelist Lucy Rose explores how women swallow their anger, desire, and animal instincts—and wrings the relationship between mother and daughter until blood drips from it.

PRE-ORDER WE CALL THEM WITCHES NOW, THE HORROR STEEPED IN PAGAN FOLKLORE AND A SAPPHIC ROMANCE SET IN A POST-APOCOLYPTIC WORLD FULL OF HUNGRY ELDRITCH CREATURES . . . -- Most people have been devoured by the eldritch creatures, but Sara and her family have been fighting for survival, armed with their knowledge of folklore and pagan rituals - the only weapon that seems to work against these monsters. And then a young woman, Parsley, comes out of nowhere into Sara's life. Found in their garden, they have no idea where she is from. Sara and Parsley begin to fall in love, but disaster strikes when Sara’s brother Noah is taken by the creatures. They set out to find him, across a landscape of merciless terror, haunted by death. But can Parsley truly be trusted in a world where humanity is as scarse as humans themselves?

A sapphic contemporary romance with a speculative element in which two high school rivals begrudgingly reunite as adults to investigate the disappearance of their former theater teacher and end up traveling through a series of alternate realities together, forcing them to find the answer to a question they’d never admit to being curious about—in what world would the two of them ever be in love with each other?