A bestseller in Korea, a biting, fast-paced vampire murder mystery exploring queer love and the consequences of loneliness.When four isolated elderly people commit suicide back-to-back at the same hospital by jumping out of the sixth-floor window, Su-Yeon doesn’t understand why she’s the only one at her precinct that seems to care. Dismissing the case as a series of unfortunate events due to the patients’ loneliness, the police force doesn't engage. But Su-Yeon doesn’t have the privilege of looking her dearest friend, Grandma Eun-Shim, lives on the sixth floor, and Su-Yeon is terrified that something will happen to her next.As Su-Yeon begins her investigation alone, she runs into a mysterious woman named Wanda at the crime scene. Wanda, hot on the trail of her ex-lover, Lily, gives Su-Yeon the answer to her a vampire did it. Su-Yeon is skeptical at first, but then a fifth victim jumps from the window and her investigation reveals the body was completely drained of blood. Desperate to discover the cause of the deaths, Su-Yeon considers Wanda’s explanation—that something supernatural is involved.The Midnight Shift is a gripping mystery, overflowing with commentary about societal isolation and loneliness, the sharp knife of grief, and the effects of marginalization, perfect for readers of Cursed Bunny; Woman, Eating; and A Certain Hunger.

The world-renowned classic that has enthralled and delighted millions of readers with its timeless tales of gods and heroes. Edith Hamilton's Mythology succeeds like no other book in bringing to life for the modern reader the Greek, Roman, and Norse myths that are the keystone of Western culture--the stories of gods and heroes that have inspired human creativity from antiquity to the present. We meet the Greek gods on Olympus and Norse gods in Valhalla. We follow the drama of the Trojan War and the wanderings of Odysseus. We hear the tales of Jason and the Golden Fleece, Cupid and Psyche, and mighty King Midas. We discover the origins of the names of the constellations. And we recognize reference points for countless works of art, literature, and cultural inquiry--from Freud's Oedipus complex to Wagner's Ring Cycle of operas to Eugene O'Neill's Mourning Becomes Electra. Praised throughout the world for its authority and lucidity, Mythology is Edith Hamilton's masterpiece--the standard by which all other books on mythology are measured.

The New York Times bestselling Mortal Instruments continues—and so do the thrills and danger for Jace, Clary, and Simon. What price is too high to pay, even for love? When Jace and Clary meet again, Clary is horrified to discover that the demon Lilith’s magic has bound her beloved Jace together with her evil brother Sebastian, and that Jace has become a servant of evil. The Clave is out to destroy Sebastian, but there is no way to harm one boy without destroying the other. As Alec, Magnus, Simon, and Isabelle wheedle and bargain with Seelies, demons, and the merciless Iron Sisters to try to save Jace, Clary plays a dangerous game of her own. The price of losing is not just her own life, but Jace’s soul. She’s willing to do anything for Jace, but can she still trust him? Or is he truly lost? Love. Blood. Betrayal. Revenge. Darkness threatens to claim the Shadowhunters in the harrowing fifth book of the Mortal Instruments series.

Dive into the breakneck conclusion to the Slavic folklore-inspired Witch's Compendium of Monsters series, which began with Foul Days With her magic reclaimed and her role in the community of Chernograd restored, Kosara’s life should finally be back to normal—but, of course, things can’t possibly be that simple. She is now in possession of twelve witch’s shadows, which belonged to a series of young, magically powerful women lured into the deadly marriage with the Zmey that Kosara only narrowly escaped as a young woman. Holding them may grant her unprecedented power, but that doesn’t mean they’re always willing to do her bidding. Across the wall in Belograd, Asen chases the only lead on his latest case, one of several unsolved witch murders, even against the orders of his direct superior and the mayor. He’s convinced the smuggling kingpin Konstantin Karaivanov is behind them, and follows his trail to an underground monster auction—which leads him right back to Chernograd. There, sinister events follow one after snow falls in midsummer, a witch with two shadows is found dead, monsters that should only appear during the Foul Days have been sighted, and cracks appear in the sky that only Kosara seems able to see. The barrier between worlds thins... and Kosara can’t help but feel her actions are the cause.

Dive into the breakneck conclusion to the Slavic folklore-inspired Witch's Compendium of Monsters series, which began with Foul Days With her magic reclaimed and her role in the community of Chernograd restored, Kosara’s life should finally be back to normal—but, of course, things can’t possibly be that simple. She is now in possession of twelve witch’s shadows, which belonged to a series of young, magically powerful women lured into the deadly marriage with the Zmey that Kosara only narrowly escaped as a young woman. Holding them may grant her unprecedented power, but that doesn’t mean they’re always willing to do her bidding. Across the wall in Belograd, Asen chases the only lead on his latest case, one of several unsolved witch murders, even against the orders of his direct superior and the mayor. He’s convinced the smuggling kingpin Konstantin Karaivanov is behind them, and follows his trail to an underground monster auction—which leads him right back to Chernograd. There, sinister events follow one after snow falls in midsummer, a witch with two shadows is found dead, monsters that should only appear during the Foul Days have been sighted, and cracks appear in the sky that only Kosara seems able to see. The barrier between worlds thins... and Kosara can’t help but feel her actions are the cause.

The Witcher meets Naomi Novik in this fast-paced fantasy rooted in Slavic folklore, from an assured new voice in genre As a witch in the walled city of Chernograd, Kosara has plenty of practice taming rusalkas, fighting kikimoras, and brewing lycanthrope repellent. There’s only one monster Kosara can’t defeat: her ex the Zmey, known as the Tsar of Monsters. She’s defied him one too many times, and now he’s hunting her. Betrayed to him by someone close to her, Kosara’s only hope is to trade her shadow―the source of her powers―for illegal passage across the Wall to Belograd, where monsters can’t follow. Life in Belograd should be sweet, but Kosara soon develops a fast-acting version of the deadly wasting sickness that stalks shadowless witches―and only reclaiming her magic can cure her. To trace her shadow, she’ll have to team up with the suspiciously honorable detective investigating the death of the smuggler who brought her across the Wall. Even worse than working with the cops is that all the clues point in a single direction: one of the Zmey’s monsters has found a crack in the Wall, and Kosara’s magic is now in the Zmey’s hands. The clock is ticking, the hunt is on, and Kosara’s priorities should be clear―but is she the hunter or the hunted? And in a city where everyone is out for themselves, who can Kosara trust to assist her in outwitting the man―the Monster―she’s never been able to escape alone?

An ordinary family man, geologist, and Mormon, Soren Johansson has always believed he’ll be reunited with his loved ones after death in an eternal hereafter. Then, he dies. Soren wakes to find himself cast by a God he has never heard of into a Hell whose dimensions he can barely grasp: a vast library he can only escape from by finding the book that contains the story of his life. In this haunting existential novella, author, philosopher, and ecologist Steven L. Peck explores a subversive vision of eternity, taking the reader on a journey through the afterlife of a world where everything everyone believed in turns out to be wrong.

One fateful night in Sparta, a young slave girl encounters a mysterious, grey-eyed princess. Melantho and Penelope, though from different worlds, are instantly connected. But betrayal soon tears them apart.Years later, on Ithaca's rocky shores, Melantho is sent to serve Princess Penelope and her new husband, Prince Odysseus. Hardened by slavery, Melantho vows to stay distant from Penelope. Yet, the undeniable pull between them proves stronger than ever.As war ignites Greece, Odysseus and Ithaca's men are called away and, in their absence, Melantho finds a new world opening up before her – one where women rule, where family can be found, and where love is finally given the space to bloom.But all wars eventually end and as Troy falls, Penelope and Melantho must face the King’s return and decide how far they will go to protect what matters most to them.

Diagnosed by her physician husband with a “temporary nervous depression—a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper. In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design. With nothing else to occupy her mind, the woman resolves to unlock the mystery of the wallpaper. Her quest, however, leads not to the truth, but into the darkest depths of madness. A condemnation of the patriarchy, The Yellow Wallpaper explores with terrifying economy the oppression, grave misunderstanding, and willful dismissal of women in late nineteenth-century society. First published in January 1892 in The New England Magazine. Excerpt: Out of another I get a lovely view of the bay and a little private wharf belonging to the estate. There is a beautiful shaded lane that runs down there from the house. I always fancy I see people walking in these numerous paths and arbors, but John has cautioned me not to give way to fancy in the least. He says that with my imaginative power and habit of story-making a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency. So I try.

A young family moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

In this lyrical, wildly inventive horror novel interwoven with Japanese mythology, two people living centuries apart discover a door between their worlds.October, 2026: Lee Turner doesn’t remember how or why he killed his college roommate. The details are blurred and bloody. All he knows is he has to flee New York and go to the one place that might offer refuge—his father’s new home in Japan, a house hidden by sword ferns and wild ginger. But something is terribly wrong with the no animals will come near it, the bedroom window isn't always a window, and a woman with a sword appears in the yard when night falls.October, 1877: Sen is a young samurai in exile, hiding from the imperial soldiers in a house behind the sword ferns. A monster came home from war wearing her father’s face, but Sen would do anything to please him, even turn her sword on her own mother. She knows the soldiers will soon slaughter her whole family when she sees a terrible a young foreign man who appears outside her window.One of these people is a ghost, and one of these stories is a lie.Something is hiding beneath the house of sword ferns, and Lee and Sen will soon wish they never unburied it.

"I am ready to join the Sisterhood of Viggy after reading The Rotting Room. Time to take my vows, now that I've novitiated on this awe-inspiring novel, and commit myself to a lifelong calling of reading whatever Parr Hampton writes." —Clay McLeod Chapman, author of Wake Up and Open Your EyesSister Rafaela, a newcomer to the cloistered Sisters of Divine Innocence, yearns for redemption from her horrific past. However, her new abbey, bound by a vow of silence and a disturbing burial ritual, hides its own sinister secrets. When a mysterious stranger arrives and dies soon after, her body resists decomposition, sparking fevered claims of sainthood among the nuns… but Rafaela suspects something far darker. As the abbey teeters on the edge of madness, Rafaela and local priest Father Bruno race to uncover whether the Sisters of Divine Innocence are graced by a divine miracle—or consumed by unspeakable evil. "Hampton delivers a masterclass in narrative restraint, yet refuses to pull her punches. By taking its vows alongside The First Omen, Immaculate, and Suspiria, The Rotting Room ascends to horror literature heaven." —Nick Roberts, author of The Exorcist's House and Mean Spirited“Dreadfully atmospheric and alluringly oppressive, The Rotting Room is a testament to the heart of religious horror, Viggy Parr Hampton’s writing irresistibly smooth like gothic butter.” —Mona Kabbani, author of The Color of Blood

A woman must learn to take life by the throat after a night out leads to irrevocable changes in this juicy, thrilling novel from the USA Today bestselling author of Such Sharp Teeth and Black Sheep. Sloane Parker is dreading her birthday. She doesn’t need a reminder she’s getting older, or that she’s feeling indifferent about her own life. Her husband surprises her with a birthday weekend getaway—not with him, but with Sloane’s longtime best friend, troublemaker extraordinaire Naomi. Sloane anticipates a weekend of wine tastings and cozy robes and strategic avoidance of issues she’d rather not confront, like her husband’s repeated infidelity. But when they arrive at their rental cottage, it becomes clear Naomi has something else in mind. She wants Sloane to stop letting things happen to her, for Sloane to really live. So Naomi orchestrates a wild night out with a group of mysterious strangers, only for it to take a horrifying turn that changes Sloane’s and Naomi’s lives literally forever. The friends are forced to come to terms with some pretty eternal consequences in this bloody, seductive novel about how it’s never too late to find satisfaction, even though it might taste different than expected.

A cynical twentysomething must confront her unconventional family’s dark secrets in this fiery, irreverent horror novel from the author of Such Sharp Teeth and Cackle. Nobody has a “normal” family, but Vesper Wright’s is truly...something else. Vesper left home at eighteen and never looked back—mostly because she was told that leaving the staunchly religious community she grew up in meant she couldn’t return. But then an envelope arrives on her doorstep. Inside is an invitation to the wedding of Vesper’s beloved cousin Rosie. It’s to be hosted at the family farm. Have they made an exception to the rule? It wouldn’t be the first time Vesper’s been given special treatment. Is the invite a sweet gesture? An olive branch? A trap? Doesn’t matter. Something inside her insists she go to the wedding. Even if it means returning to the toxic environment she escaped. Even if it means reuniting with her mother, Constance, a former horror film star and forever ice queen. When Vesper’s homecoming exhumes a terrifying secret, she’s forced to reckon with her family’s beliefs and her own crisis of faith in this deliciously sinister novel that explores the way family ties can bind us as we struggle to find our place in the world.