From Chuck Tingle, author of the USA Today bestselling Camp Damascus, comes a new heart-pounding story about what it takes to succeed in a world that wants you dead. Misha is a jaded scriptwriter who has been working in Hollywood for years, and has just been nominated for his first Oscar. But when he's pressured by his producers to kill off a gay character in the upcoming season finale―"for the algorithm"―Misha discovers that it's not that simple. As he is haunted by his past, and past mistakes, Misha must risk everything to find a way to do what's right―before it's too late.

In this queer contemporary YA mystery, a nonbinary teen with autism realizes they must not only solve a 30-year-old mystery but also face the demons lurking in their past in order to live a satisfying life. Sam Sylvester's not overly optimistic about their recent move to the small town of Astoria, Oregon after a traumatic experience in their last home in the rural Midwest. Yet Sam's life seems to be on the upswing after meeting several new friends and a potential love interest in Shep, the pretty neighbor. However, Sam can't seem to let go of what might have been, and is drawn to investigate the death of a teenage boy in 1980s Astoria. Sam's convinced he was murdered--especially since Sam's investigation seems to resurrect some ghosts in the town. Threatening notes and figures hidden in shadows begin to disrupt Sam's life. Yet Sam continues to search for the truth. When Sam discovers that they may be closer to a killer than previously known, Sam has a difficult decision to make. Would they risk their new life for a half-lived one?

Justin “Matts” Matthews is good at a lot of things: Rubik’s Cubes, playing guitar, herding cattle, and most importantly for his career in the NHL, hockey. He’s not good at human interactions or social cues, especially when it comes to women. This deficiency is an annoyance rather than a problem, right up until he meets Sydney Warren. If it’s not love at first sight, it’s sure something close. Sydney Warren, frontwoman for up-and-coming rock band Red Right Hand, is fierce, driven, and she doesn't do relationships. Being an out trans woman in the music industry is more than enough pressure—a romantic entanglement would be added stress she doesn’t need. A romantic entanglement with a professional hockey player who, to all accounts, is only just learning to be an ally is definitely not what she needs. And yet. After a chance encounter, Matts and Sydney become unlikely friends. However, in the stolen moments of their busy schedules––late-night phone calls between NHL games and concert tour dates—they start to question if maybe “friendship” isn't so apt a description for whatever this is between them. But can they overcome the outside pressures from family and media that would rather their relationship end before it has a chance to start?

Winner of a Sydney Taylor Book Award Honor! A heartfelt novel about a neurodivergent thirteen-year-old navigating changing friendships, a school trip, and expanding horizons for fans of Rain Reign and Ivy Aberdeen's Letter to the World. Thirteen-year-old Ellen Katz feels most comfortable when her life is well planned out and people fit neatly into her predefined categories. She attends temple with Abba and Mom every Friday and Saturday. Ellen only gets crushes on girls, never boys, and she knows she can always rely on her best-and-only friend, Laurel, to help navigate social situations at their private Georgia middle school. Laurel has always made Ellen feel like being autistic is no big deal. But lately, Laurel has started making more friends, and cancelling more weekend plans with Ellen than she keeps. A school trip to Barcelona seems like the perfect place for Ellen to get their friendship back on track.   Except it doesn't. Toss in a new nonbinary classmate whose identity has Ellen questioning her very binary way of seeing the world, homesickness, a scavenger hunt-style team project that takes the students through Barcelona to learn about Spanish culture and this trip is anything but what Ellen planned. Making new friends and letting go of old ones is never easy, but Ellen might just find a comfortable new place for herself if she can learn to embrace the fact that life doesn't always stick to a planned itinerary.

Yellowjackets meets Girl, Interrupted when a group of troubled teens in a wilderness therapy program find themselves stranded in a forest full of monsters eager to take their place. Devin Green wakes in the middle of the night to find two men in her bedroom. No stranger to a fight, she calls to her foster parents for help, but it soon becomes clear this is a planned abduction—one everyone but Devin signed up for. She’s shoved in a van and driven deep into the Idaho woods, where she’s dropped off with a cohort of equally confused teens. Finally, two camp counselors inform them that they've all been enrolled in an experimental therapy program. If the campers can learn to change their self-destructive ways—and survive a fifty-days hike through the wilderness—they’ll come out the other side as better versions of themselves. Or so the counselors say. Devin is immediately determined to escape. She’s also determined to ignore Sheridan, the cruel-mouthed, lavender-haired bully who mocks every group exercise. But there’s something strange about these woods—inhuman faces appearing between the trees, visions of people who shouldn't be there flashing in the leaves—and when the campers wake up to find both counselors missing, therapy becomes the least of their problems. Stranded and left to fend for themselves, the teens quickly realize they’ll have to trust each other if they want to survive. But what lies in the woods may not be as dangerous as what the campers are hiding from each other—and if the monsters have their way, no one will leave the woods alive. Atmospheric and sharp, What the Woods Took is a poignant story of transformation that explores the price of becoming someone—or something—new.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena's a cross-genre literary darling, and June didn't even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I. So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree. But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves. With its totally immersive first-person voice, Yellowface takes on questions of diversity, racism, and cultural appropriation not only in the publishing industry but the persistent erasure of Asian-American voices and history by Western white society. R. F. Kuang's novel is timely, razor-sharp, and eminently readable.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena's a cross-genre literary darling, and June didn't even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I. So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree. But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves. With its totally immersive first-person voice, Yellowface takes on questions of diversity, racism, and cultural appropriation not only in the publishing industry but the persistent erasure of Asian-American voices and history by Western white society. R. F. Kuang's novel is timely, razor-sharp, and eminently readable.

"Love Beyond, Body, Space, and Time" is a collection of indigenous science fiction and urban fantasy focusing on LGBT and two-spirit characters. These stories range from a transgender woman trying an experimental transition medication to young lovers separated through decades and meeting far in their own future. These are stories of machines and magic, love, and self-love. Contents: * Letter from the Editor (foreword by Hope Nicholson) * Beyond the Grim Dust of What Was to a Radiant Possibility of What Could Be: Two-Spirit Survivance Stories (essay by Grace L. Dillon) * Returning to Ourselves: Two Spirit Futures and the Now (essay by Niigaan Sinclair) * Aliens (short story by Richard Van Camp) * Legends are Made, Not Born (short story by Cherie Dimaline) * Perfectly You (short story by David A. Robertson) * The Boys Who Became the Hummingbirds (short story by Daniel Heath Justice) * Né Łe (short story by Darcie Little Badger) * Transitions (short story by Gwen Benaway) * Imposter Syndrome (short story by Mari Kurisato) * Valediction at the Star View Motel (short story by Nathan Adler) * Parallax (poem by Cleo Keahna) * Author Biographies

Love After the End is a new young adult anthology edited by Joshua Whitehead (Lambda Literary Award winner, Jonny Appleseed) featuring short stories by Indigenous authors with Two-Spirit & Queer heroes, in utopian and dystopian settings. This is a sequel to the popular anthology, Love Beyond Body Space and Time (2019 AILA Youth Honor Book), and features several of the same authors returning, along with new voices!

From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.As indigenous scientist and author of Braiding Sweetgrass Robin Wall Kimmerer harvests serviceberries alongside the birds, she considers the ethic of reciprocity that lies at the heart of the gift economy. How, she asks, can we learn from indigenous wisdom and the plant world to reimagine what we value most? Our economy is rooted in scarcity, competition, and the hoarding of resources, and we have surrendered our values to a system that actively harms what we love. Meanwhile, the serviceberry’s relationship with the natural world is an embodiment of reciprocity, interconnectedness, and gratitude. The tree distributes its wealth—its abundance of sweet, juicy berries—to meet the needs of its natural community. And this distribution insures its own survival. As Kimmerer explains, “Serviceberries show us another model, one based upon reciprocity, where wealth comes from the quality of your relationships, not from the illusion of self-sufficiency.” As Elizabeth Gilbert writes, Robin Wall Kimmerer is “a great teacher, and her words are a hymn of love to the world.” The Serviceberry is an antidote to the broken relationships and misguided goals of our times, and a reminder that “hoarding won’t save us, all flourishing is mutual.”

Follow a motley crew on an exciting journey through space-and one adventurous young explorer who discovers the meaning of family in the far reaches of the universe-in this light-hearted debut space opera from a rising sci-fi star. Rosemary Harper doesn’t expect much when she joins the crew of the aging Wayfarer. While the patched-up ship has seen better days, it offers her a bed, a chance to explore the far-off corners of the galaxy, and most importantly, some distance from her past. An introspective young woman who learned early to keep to herself, she’s never met anyone remotely like the ship’s diverse crew, including Sissix, the exotic reptilian pilot, chatty engineers Kizzy and Jenks who keep the ship running, and Ashby, their noble captain. Life aboard the Wayfarer is chaotic and crazy—exactly what Rosemary wants. It’s also about to get extremely dangerous when the crew is offered the job of a lifetime. Tunneling wormholes through space to a distant planet is definitely lucrative and will keep them comfortable for years. But risking her life wasn’t part of the plan. In the far reaches of deep space, the tiny Wayfarer crew will confront a host of unexpected mishaps and thrilling adventures that force them to depend on each other. To survive, Rosemary’s got to learn how to rely on this assortment of oddballs—an experience that teaches her about love and trust, and that having a family isn’t necessarily the worst thing in the universe.

After touring the rural areas of Panga, Sibling Dex (a Tea Monk of some renown) and Mosscap (a robot sent on a quest to determine what humanity really needs) turn their attention to the villages and cities of the little moon they call home. They hope to find the answers they seek, while making new friends, learning new concepts, and experiencing the entropic nature of the universe. Becky Chambers's new series continues to ask: in a world where people have what they want, does having more even matter? They're going to need to ask it a lot.

ASIN B08H831J18 moved to the more recent edition Centuries before, robots of Panga gained self-awareness, laid down their tools, wandered, en masse into the wilderness, never to be seen again. They faded into myth and urban legend. Now the life of the tea monk who tells this story is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how. They will need to ask it a lot. Chambers' series asks: in a world where people have what they want, does having more matter?

ASIN B08H831J18 moved to the more recent edition Centuries before, robots of Panga gained self-awareness, laid down their tools, wandered, en masse into the wilderness, never to be seen again. They faded into myth and urban legend. Now the life of the tea monk who tells this story is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how. They will need to ask it a lot. Chambers' series asks: in a world where people have what they want, does having more matter?

In America, demons wear white hoods. In 1915, The Birth of a Nation cast a spell across America, swelling the Klan's ranks and drinking deep from the darkest thoughts of white folk. All across the nation they ride, spreading fear and violence among the vulnerable. They plan to bring Hell to Earth. But even Ku Kluxes can die. Standing in their way is Maryse Boudreaux and her fellow resistance fighters, a foul-mouthed sharpshooter and a Harlem Hellfighter. Armed with blade, bullet, and bomb, they hunt their hunters and send the Klan's demons straight to Hell. But something awful's brewing in Macon, and the war on Hell is about to heat up. Can Maryse stop the Klan before it ends the world?