When the fourth princess of Istalam is due to dedicate herself to a path serving the crown, she makes a choice that shocks everyone, herself most of all: She leaves. In hiding and exiled from power, Miyara finds her place running a tea shop in a struggling community that sits on the edge of a magical disaster zone. But there's more brewing under the surface of this city—hidden magic, and hidden machinations—that threaten all the people who've helped her make her own way. Miyara may not be a princess anymore, but with a teapot in hand she'll risk her newfound freedom to discover a more meaningful kind of power.

Fashion ingenue, magazine editor, kimono designer, femme fatale, prize-winning writer--Uno Chiyo has becomeone of twentieth-century Japan's most accomplished and celebrated women. In this two-part volume, Rebecca L. Copeland offers Western readers a fascinating portrait of Uno's life along with translations of three of her distinctive works of short fiction.Part One depicts Uno's sometimes turbulent passage from obscurity in a small village to national literary prominence. There are the early years under her father's stern turelage; the first scandalous, failed romance which cost her her job as a schoolteacher; her apprenticeship at Enrakuken, the coffee shop of the literary elite whose ranks she laters joined as a resident of the "Magome Literati Village"; her series of passionate and troubled relationships and marriages. Throughout, Dr. Copeland focuses on the evolution of Uno's art and discusses her major works, paying special attention to the effect being female had on Uno's development as a writer. The three stories in Part Two are examples of Uno's work at its finest. "The Puppet Maker" (1942), a much-admired reflection on art and life, describes an encounter with a venerable carver of puppets. "The Sound of the Wind" (1969) is the tale of a wife at the turn of the century who willingly denies her own needs. "This Powder Box" (1966) shows a progressive career woman coming to terms with an old love affair. At once compelling and lyrical, the stories are a masterful interpretation of tradition, of women, and of self-fulfullment. The Sound of the Wind: The Life and Works of Uno Chiyo will engage both specialists and general readers interested in twentieth-century Japan, literature, and women's issues.

Shinta Arakawa wants nothing more than to pass his shin’uchi exam—the test that would make him a top-rank headliner and master storyteller in the traditional Japanese art of rakugo. Akane Osaki, his daughter and biggest fan, spies on him while he practices and learns his routines for herself. When rakugo master Issho Arakawa expels everyone after the exam with no explanation, a fire is lit inside Akane. From that day forth, she has had one goal—to avenge her father and prove his art was worthy of the title of shin’uchi. Akane unintentionally stirs up a scandal when she’s discovered taking informal lessons from her father’s former teacher, Shiguma Arakawa. And she’s about to make even bigger waves because she is about to begin her first steps in climbing the ranks of a rakugo performer from zenza opening act to shin’uchi headliner by exchanging her secret lessons for formal training. But she’ll still have to finish high school and navigate her relationship with Shiguma’s existing apprentices, all while learning that becoming a stellar rakugoka takes much more than just being good at performing!