From the best-selling author of Skinny Dip and Razor Girl, a new novel that captures the Trump era with Hiaasen's inimitable savage humor and wonderful, eccentric characters. A surefire best seller. Carl Hiaasen's Squeeze Me is set among the landed gentry of Palm Beach. A prominent high-society matron--who happens to be a fierce supporter of the President and founding member of the POTUSSIES--has gone missing at a swank gala. When the wealthy dowager Kiki Pew Fitzsimmons is later found dead in a concrete grave, panic and chaos erupt. The President immediately declares that Kiki Pew was the victim of rampaging immigrant hordes. This, as it turns out, is far from the truth. Meanwhile, a bizarre discovery in the middle of the road brings the First Lady's motorcade to a grinding halt (followed by some grinding between the First Lady and a lovestruck Secret Service agent). Enter Angie Armstrong, wildlife wrangler extraordinaire, who arrives at her own conclusions after she is summoned to the posh island to deal with a mysterious and impolite influx of huge, hungry pythons . . . Completely of the moment, full of vim and vigor, and as irreverent as can be, Squeeze Me is pure, unadulterated Hiaasen.

Harlem’s favorite family returns in the third installment in the Vanderbeerkers series! In To the Rescue , the Vanderbeeker kids find themselves racing to save their mother’s baking business from city closure. For the Vanderbeeker kids of Harlem’s 141st Street, spring break couldn’t be off to a better start. Isa’s back from band camp, Oliver’s building his first-ever treehouse in the backyard of the brownstone, and Laney, Jess, and Hyacinth are excited to help their mother when she gets the once in a lifetime chance to star in a cooking magazine. But the Vanderbeekers’ plans go off the rails when an unexpected visit from city officials puts their mother’s bakery in jeopardy. Now they’ll have to band together to save the day before they’re out of business. The  New York Times bestselling Vanderbeekers series is perfect for fans of the Penderwicks. As Booklist commented in a starred review: “Few families in children’s literature are as engaging or amusing as the Vanderbeekers, even in times of turmoil.” The series includes:

A novel of family, Midwestern values, hard work, fate and the secrets of making a world-class beer, from the bestselling author of Kitchens of the Great Midwest Two sisters, one farm. A family is split when their father leaves their shared inheritance entirely to Helen, his younger daughter. Despite baking award-winning pies at the local nursing home, her older sister, Edith, struggles to make what most people would call a living. So she can't help wondering what her life would have been like with even a portion of the farm money her sister kept for herself. With the proceeds from the farm, Helen builds one of the most successful light breweries in the country, and makes their company motto ubiquitous: "Drink lots. It's Blotz." Where Edith has a heart as big as Minnesota, Helen's is as rigid as a steel keg. Yet one day, Helen will find she needs some help herself, and she could find a potential savior close to home. . . if it's not too late. Meanwhile, Edith's granddaughter, Diana, grows up knowing that the real world requires a tougher constitution than her grandmother possesses. She earns a shot at learning the IPA business from the ground up--will that change their fortunes forever, and perhaps reunite her splintered family? Here we meet a cast of lovable, funny, quintessentially American characters eager to make their mark in a world that's often stacked against them. In this deeply affecting family saga, resolution can take generations, but when it finally comes, we're surprised, moved, and delighted.

“Engaging and highly accessible.” —Boston Globe “A vibrant, and essential history of America's unending, enraging and utterly compelling struggle since its founding to live up to its own best ideals… It's both a cause for hope, and a call to arms.”--Jane Mayer, author Dark Money From historian and author of the popular daily newsletter LETTERS FROM AN AMERICAN, a vital narrative that explains how America, once a beacon of democracy, now teeters on the brink of autocracy -- and how we can turn back. In the midst of the impeachment crisis of 2019, Heather Cox Richardson launched a daily Facebook essay providing the historical background of the daily torrent of news. It soon turned into a newsletter and its readership ballooned to more than 2 million dedicated readers who rely on her plainspoken and informed take on the present and past in America. In Democracy Awakening , Richardson crafts a compelling and original narrative, explaining how, over the decades, a small group of wealthy people have made war on American ideals. By weaponizing language and promoting false history they have led us into authoritarianism -- creating a disaffected population and then promising to recreate an imagined past where those people could feel important again. She argues that taking our country back starts by remembering the elements of the nation’s true history that marginalized Americans have always upheld. Their dedication to the principles on which this nation was founded has enabled us to renew and expand our commitment to democracy in the past. Richardson sees this history as a roadmap for the nation’s future. Richardson’s talent is to wrangle our giant, meandering, and confusing news feed into a coherent story that singles out what we should pay attention to, what the precedents are, and what possible paths lie ahead. In her trademark calm prose, she is realistic and optimistic about the future of democracy. Her command of history allows her to pivot effortlessly from the Founders to the abolitionists to Reconstruction to Goldwater to Mitch McConnell, highlighting the political legacies of the New Deal, the lingering fears of socialism, the death of the liberal consensus and birth of “movement conservatism.” Many books tell us what has happened over the last five years. Democracy Awakening explains how we got to this perilous point, what our history really tells us about ourselves, and what the future of democracy can be.

While the North prevailed in the Civil War, ending slavery and giving the country a "new birth of freedom," Heather Cox Richardson argues in this provocative work that democracy's blood-soaked victory was ephemeral. The system that had sustained the defeated South moved westward and there established a foothold. It was a natural fit. Settlers from the East had for decades been pushing into the West, where the seizure of Mexican lands at the end of the Mexican-American War and treatment of Native Americans cemented racial hierarchies. The South and West equally depended on extractive industries-cotton in the former and mining, cattle, and oil in the latter-giving rise a new birth of white male oligarchy, despite the guarantees provided by the 13th, 14th, and 15th Amendments, and the economic opportunities afforded by expansion. To reveal why this happened, How the South Won the Civil War traces the story of the American paradox, the competing claims of equality and subordination woven into the nation's fabric and identity. At the nation's founding, it was the Eastern "yeoman farmer" who galvanized and symbolized the American Revolution. After the Civil War, that mantle was assumed by the Western cowboy, singlehandedly defending his land against barbarians and savages as well as from a rapacious government. New states entered the Union in the late nineteenth century and western and southern leaders found yet more common ground. As resources and people streamed into the West during the New Deal and World War II, the region's influence grew. "Movement Conservatives," led by westerners Barry Goldwater, Richard Nixon, and Ronald Reagan, claimed to embody cowboy individualism and worked with Dixiecrats to embrace the ideology of the Confederacy. Richardson's searing book seizes upon the soul of the country and its ongoing struggle to provide equal opportunity to all. Debunking the myth that the Civil War released the nation from the grip of oligarchy, expunging the sins of the Founding, it reveals how and why the Old South not only survived in the West, but thrived.

A spellbinding story about two girls whose friendship is so intense it not only threatens to destroy them, it changes the trajectory of history. Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood. Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly. Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more. Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.

“Hope is the thing with feathers” starts the poem Frannie is reading in school. Frannie hasn't thought much about hope. There are so many other things to think about. Each day, her friend Samantha seems a bit more “holy.” There is a new boy in class everyone is calling the Jesus Boy. And although the new boy looks like a white kid, he says he's not white. Who is he? During a winter full of surprises, good and bad, Frannie starts seeing a lot of things in a new light—her brother Sean's deafness, her mother's fear, the class bully's anger, her best friend's faith and her own desire for “the thing with feathers.” Jacqueline Woodson once again takes readers on a journey into a young girl's heart and reveals the pain and the joy of learning to look beneath the surface.