After years of seeing her sisters suffer at the hands of an abusive prince, Marra—the shy, convent-raised, third-born daughter—has finally realized that no one is coming to their rescue. No one, except for Marra herself. Seeking help from a powerful gravewitch, Marra is offered the tools to kill a prince—if she can complete three impossible tasks. But, as is the way in tales of princes, witches, and daughters, the impossible is only the beginning. On her quest, Marra is joined by the gravewitch, a reluctant fairy godmother, a strapping former knight, and a chicken possessed by a demon. Together, the five of them intend to be the hand that closes around the throat of the prince and frees Marra's family and their kingdom from its tyrannous ruler at last.

In a city clinging to light during an age of darkness, all healer Ophelia wants is for a Saint to finally claim her. Since being brought to Lumendei as an orphan nearly thirty years ago, she’s worked tirelessly to prove herself worthy of the Mysteries—the sacred, magical power that only the Saints can bestow upon mortals of their choosing. When she’s tasked with caring for an injured prisoner, Ophelia sees the perfect way to prove she’s ready for her Sainting. The prisoner is none other than the Umbra Knight—the most dangerous warrior of Lumendei’s sworn enemy, the Sepulchyre. If she can save the Umbra Knight’s soul by converting her to the Church of the Host, the Saints will surely fight amongst themselves to claim Ophelia. But the disarmingly beautiful and undeniably deadly knight’s soul is in even worse shape than Ophelia feared. In fact, she insists Ophelia’s beloved God is a murderous liar and her adopted city is built on blackened bones. It’s easy to dismiss as blasphemy, at least at first. Until Lumendei’s gilded secrets begin to tumble from their hiding places and Ophelia herself uncovers a conspiracy ... then she’s forced to consider the idea that Nyatrix—otherwise known as the Umbra Knight—might be telling the truth, and that saving the alluring knight’s soul is the least of her concerns. A sapphic high fantasy for fans of The Fall That Saved Us and The Foxglove King, Holy Wrath is a standalone novel about the fierceness of queer love and two women who no longer want equality once they’ve tasted revenge.

In a city clinging to light during an age of darkness, all healer Ophelia wants is for a Saint to finally claim her. Since being brought to Lumendei as an orphan nearly thirty years ago, she’s worked tirelessly to prove herself worthy of the Mysteries—the sacred, magical power that only the Saints can bestow upon mortals of their choosing. When she’s tasked with caring for an injured prisoner, Ophelia sees the perfect way to prove she’s ready for her Sainting. The prisoner is none other than the Umbra Knight—the most dangerous warrior of Lumendei’s sworn enemy, the Sepulchyre. If she can save the Umbra Knight’s soul by converting her to the Church of the Host, the Saints will surely fight amongst themselves to claim Ophelia. But the disarmingly beautiful and undeniably deadly knight’s soul is in even worse shape than Ophelia feared. In fact, she insists Ophelia’s beloved God is a murderous liar and her adopted city is built on blackened bones. It’s easy to dismiss as blasphemy, at least at first. Until Lumendei’s gilded secrets begin to tumble from their hiding places and Ophelia herself uncovers a conspiracy ... then she’s forced to consider the idea that Nyatrix—otherwise known as the Umbra Knight—might be telling the truth, and that saving the alluring knight’s soul is the least of her concerns. A sapphic high fantasy for fans of The Fall That Saved Us and The Foxglove King, Holy Wrath is a standalone novel about the fierceness of queer love and two women who no longer want equality once they’ve tasted revenge.

A magical detective dives into the affairs of Chicago's divine monsters to secure a future with the love of her life. This sapphic period piece will dazzle anyone looking for mystery, intrigue, romance, magic, or all of the above. An exiled auspex who sold her soul to save her brother's life is offered one last job before serving an eternity in hell. When she turns it down, her client sweetens the pot by offering up the one payment she can't resist―the chance to have a future where she grows old with the woman she loves. To succeed, she is given three days to track down the White City Vampire, Chicago's most notorious serial killer. If she fails, only hell and heartbreak await.

A magical detective dives into the affairs of Chicago's divine monsters to secure a future with the love of her life. This sapphic period piece will dazzle anyone looking for mystery, intrigue, romance, magic, or all of the above. An exiled auspex who sold her soul to save her brother's life is offered one last job before serving an eternity in hell. When she turns it down, her client sweetens the pot by offering up the one payment she can't resist―the chance to have a future where she grows old with the woman she loves. To succeed, she is given three days to track down the White City Vampire, Chicago's most notorious serial killer. If she fails, only hell and heartbreak await.

Love is real. Demons are real. Kill the demons. Camp Damascus is the world's most effective gay conversion camp. Nestled in the Montana wilderness, parents send their children from around the world to experience the program's 100% success rate. But, this story isn't about that. This story is about Rose Darling, a God-fearing young lady who can't stop puking up flies. It's about her parents who ignore her visions of an eerie woman with sagging, pale skin who watches from the woods. It's about the desires deep inside Rose that don't seem to make any sense, and her waking nightmares that are beginning to feel more like memories. And maybe, just maybe, it's a little bit about Camp Damascus after all. A chilling and heartfelt supernatural horror about a young woman searching for love and the secrets of a demonic gay conversion camp, perfect for readers of Stephen Graham Jones, Hailey Piper and Lucy A. Snyder.

Clothes are integral to lesbian history. Lesbians, in turn, are integral to the history of fashion. The way that we dress can help us to present who we are to the world, or it can help us to hide ourselves. It can align us with a community or make us stand out from the crowd. For lesbians, fashion can have innumerable meanings - yet "lesbian fashion" is rarely considered, the main association between lesbians and their clothes being of un -fashionability. In Unsuitable , Eleanor Medhurst explores the history of lesbian fashion, a field that has been overwhelmingly ignored within both fashion and queer histories. Unsuitable uncovers the relationships between lesbians and their clothes as well as their fashionable details, from top hats to violet tiaras. It spans centuries and Anne Lister of nineteenth century Yorkshire and "Paris Lesbos" of the 1920s, butch/femme bar culture of the 1950s and lesbian activists in the '80s. It celebrates Black lesbian histories, trans lesbian histories, and histories of gender-nonconformity. The lesbian past is slippery; it has often deliberately been hidden, altered or left unrecorded. This book lights it up and shares it with the world, adorned in all its finery.

Gay & Lesbian Studies, Homosexuality, Women's Studies

A haunting Southern Gothic from an award-winning master of suspense, A House With Good Bones explores the dark, twisted roots lurking just beneath the veneer of a perfect home and family. "Mom seems off." Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone. She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out. But stepping inside, she quickly realizes home isn’t what it used to be. Gone is the warm, cluttered charm her mom is known for; now the walls are painted a sterile white. Her mom jumps at the smallest noises and looks over her shoulder even when she’s the only person in the room. And when Sam steps out back to clear her head, she finds a jar of teeth hidden beneath the magazine-worthy rose bushes, and vultures are circling the garden from above. To find out what’s got her mom so frightened in her own home, Sam will go digging for the truth. But some secrets are better left buried.

A chilling twist on the “cursed film” genre from the bestselling author of The Pallbearers Club and The Cabin at the End of the World. In June 1993, a group of young guerilla filmmakers spent four weeks making Horror Movie, a notorious, disturbing, art-house horror flick. The weird part? Only three of the film’s scenes were ever released to the public, but Horror Movie has nevertheless grown a rabid fanbase. Three decades later, Hollywood is pushing for a big budget reboot. The man who played “The Thin Kid” is the only surviving cast member. He remembers all too well the secrets buried within the original screenplay, the bizarre events of the filming, and the dangerous crossed lines on set that resulted in tragedy. As memories flood back in, the boundaries between reality and film, past and present start to blur. But he’s going to help remake the film, even if it means navigating a world of cynical producers, egomaniacal directors, and surreal fan conventions — demons of the past be damned. But at what cost?  Horror Movie is an obsessive, psychologically chilling, and suspenseful twist on the “cursed film” that breathlessly builds to an unforgettable, mind-bending conclusion.

From New York Times bestselling horror writer Stephen Graham Jones comes a classic slasher story with a twist—perfect for fans of Riley Sager and Grady Hendrix. 1989, Lamesa, Texas. A small west Texas town driven by oil and cotton—and a place where everyone knows everyone else’s business. So it goes for Tolly Driver, a good kid with more potential than application, seventeen, and about to be cursed to kill for revenge. Here Stephen Graham Jones explores the Texas he grew up in, the unfairness of being on the outside, through the slasher horror he lives but from the perspective of the killer, Tolly, writing his own autobiography. Find yourself rooting for a killer in this summer teen movie of a novel gone full blood-curdling tragic.