During one of the most violent battles of the Civil War, three brothers fighting for the Confederate army decide to go AWOL and make their way home, willing to risk execution rather than be killed in a losing war. After several exhausting weeks of rough terrain, the brothers find a miracle deep in the dark woods: a homestead. Living in this remote cabin is a beautiful woman, Sarafina, and her young son, Titus. She takes the soldiers in, feeds them, offers them a place to rest. But the youngest brother is wary—something seems off. As the days pass, he discovers a mysterious creek, a strange underground cavern, and a strong sense that the cabin and the surrounding fertile land are not what they seem. The brothers soon find themselves in a new battle, an escalation of horrors they must somehow fight to survive.

The Bear and the Nightingale meets Weyward in this enchanting, deeply compelling debut about love and power, autonomy and consent. Once upon a time, on the edge between meadow and forest, there was a lonely child with only his older sister for company. In exchange for being left in peace, his sister made him a playmate-Daye, a girl woven from flowers and words. And for the first time, this boy, Rory, had a friend. Rory couldn't be happier, until he learns that Daye is a short-lived creature. At the end of each season, she must be woven back together or fall gruesomely apart. And every time Daye falls apart might be her last. As Rory and Daye grow older and the line between friendship and romance begins to blur, Rory becomes desperate to break this cycle of bloom and decay. But the farther Rory pushes his research and experiments to lengthen Daye's existence, the more Daye begins to wonder just how much control she really has over her own life. As a loose reimagining of the story of Blodeuwedd from Welsh mythology, Honeysuckle is an entrancing, inventive, and unsettling debut.

The field of witchcraft studies is continually over-turning new information and research about traditional witchcraft practices and their meanings. A Deed Without a Name seeks to weave together some of this cutting-edge research with insider information and practical know-how. Utilising her own decades of experience in witchcraft and core-shamanism Lee Morgan pulls together information from trial records, folklore and modern testimonials to deepen our understanding of the ecstatic and visionary substrata of Traditional Witchcraft. Those who identify themselves as 'Traditional' tend to read a lot of scholarly texts on the subject and yet still there remains a vast gulf between this information and knowledgeably applying it in practice; this book aims to close that gap.

The Art of Darkness is a visually rich sourcebook featuring eclectic artworks from throughout history which have been inspired and informed by the morbid, melancholic and macabre.Throughout history, artists have been obsessed with darkness – creating works that haunt and horrify, mesmerise and delight and play on our innermost fears. Gentileschi took revenge with paint in Judith Slaying Holofernes while Bosch depicted fearful visions of Hell that still beguile.Victorian Britain became strangely obsessed with the dead and in Norway Munch explored anxiety and fear in one of the most famous paintings in the world (The Scream, 1893). Today, the Chapman Brothers, Damien Hirst and Louise Bourgeois, as well as many lesser known artists working in the margins, are still drawn to all that is macabre.From Dreams & Nightmares to Matters of Mortality, Depravity & Destruction to Gods & Monsters – this book introduces sometimes disturbing and often beautiful artworks that indulge our greatest fears, uniting us as humans from century to century.  But, while these themes might scare us – can’t they also be heartening and beautiful? Exploring and examining the artworks with thoughtful and evocative text, S. Elizabeth offers insight into each artist’s influences and inspirations, asking what comfort can be found in facing our demons?Why are we tempted by fear and the grotesque? And what does this tell us about the human mind?Of course, sometimes there is no good that can come from the sensibilities of darkness and the sickly shivers and sensations they evoke. These are uncomfortable feelings, and we must sit for a while with these shadows – from the safety of our armchairs.  Artists covered include Pablo Picasso, Georgia O'Keeffe, Francisco de Goya, Leonora Carrington, John Everett Millais, Tracey Emin, Vincent van Gogh, Barbara Hepworth, Paul Cezanne and Salvador Dalí, as well as scores more. With over 200carefully curated artworks from across the centuries, The Art of Darkness examines all that is dark in a bid to haunt and hearten. This book is part of the Art in the Margins series, following up on The Art of the Occult, which investigates representations of the mystical, esoteric and occult in art from across different times and cultures.

The Art of Darkness is a visually rich sourcebook featuring eclectic artworks from throughout history which have been inspired and informed by the morbid, melancholic and macabre.Throughout history, artists have been obsessed with darkness – creating works that haunt and horrify, mesmerise and delight and play on our innermost fears. Gentileschi took revenge with paint in Judith Slaying Holofernes while Bosch depicted fearful visions of Hell that still beguile.Victorian Britain became strangely obsessed with the dead and in Norway Munch explored anxiety and fear in one of the most famous paintings in the world (The Scream, 1893). Today, the Chapman Brothers, Damien Hirst and Louise Bourgeois, as well as many lesser known artists working in the margins, are still drawn to all that is macabre.From Dreams & Nightmares to Matters of Mortality, Depravity & Destruction to Gods & Monsters – this book introduces sometimes disturbing and often beautiful artworks that indulge our greatest fears, uniting us as humans from century to century.  But, while these themes might scare us – can’t they also be heartening and beautiful? Exploring and examining the artworks with thoughtful and evocative text, S. Elizabeth offers insight into each artist’s influences and inspirations, asking what comfort can be found in facing our demons?Why are we tempted by fear and the grotesque? And what does this tell us about the human mind?Of course, sometimes there is no good that can come from the sensibilities of darkness and the sickly shivers and sensations they evoke. These are uncomfortable feelings, and we must sit for a while with these shadows – from the safety of our armchairs.  Artists covered include Pablo Picasso, Georgia O'Keeffe, Francisco de Goya, Leonora Carrington, John Everett Millais, Tracey Emin, Vincent van Gogh, Barbara Hepworth, Paul Cezanne and Salvador Dalí, as well as scores more. With over 200carefully curated artworks from across the centuries, The Art of Darkness examines all that is dark in a bid to haunt and hearten. This book is part of the Art in the Margins series, following up on The Art of the Occult, which investigates representations of the mystical, esoteric and occult in art from across different times and cultures.

Come meet The Liar, The Secret Keeper, The Crybaby, and the rest. Nine children travel with their families to their Grandfather's vacation property, where strange things begin to happen: eyes blink from the bottom up, mushrooms ooze blood, people's faces don't hang right anymore-except they do, once you look more closely. Transformations warp the children's sense of time and place, the very land itself seeming to encroach upon them. As The Liar watches the children succumb one by one to an unknown fate, she must make sense of absent stars in the night sky, vials of amber liquid that taste of milk, a funny little rope tied in knots. She's faced with a choice: join or resist, only the choice is not so simple. Set in The Grandfather's Lake House as he continues to extend his property lines and told in the eerie we of the children, Root Rot explores predatory family dynamics, the boundaries of bodies and home, and how individuals choose to participate in or push back against structures that would harm them.

CG Drews, acclaimed author of Don't Let the Forest In, returns with another deeply unsettling and yet hauntingly beautiful tale of murder and botanical body horror, perfect for fans of Andrew Joseph White and We Have Always Lived in the Castle. Evander has lived like a ghost in the forgotten corners of the Hazelthorn estate ever since he was taken in by his reclusive billionaire guardian, Byron Lennox-Hall, when he was a child. For his safety, Evander has been given three ironclad rules to follow: He can never leave the estate. He can never go into the gardens. And most importantly, he can never again be left alone with Byron's charming, underachieving grandson, Laurie. That last rule has been in place ever since Laurie tried to kill Evander seven years ago, and yet somehow Evander is still obsessed with him. But when Byron suddenly dies, Evander inherits Hazelthorn’s immense gothic mansion and acres of sprawling grounds, along with the entirety of the Lennox-Hall family's vast wealth. There’s just one caveat: He must choose a new guardian from amongst Laurie's scheming, backstabbing relatives to help manage the estate until he turns eighteen. Except Evander's sure his guardian was murdered, and Laurie may be the only one who can help him find the killer before they come for Evander next. Perhaps even more concerning is how the overgrown garden is refusing to stay behind its walls, slipping its vines and spores deeper into the house with each passing day. As the family’s dark secrets unravel alongside the growing horror of their terribly alive, bloodthirsty garden, Evander needs to find out what he’s really inheriting before the garden demands to be fed once more.

Mexican Gothic meets The Lie Tree by way of Oscar Wilde and Mary Shelley in this delightfully witty horror debut. A captivating tale of two Victorian gentlemen hiding their relationship away in a botanical garden who embark on a Frankenstein-style experiment with unexpected consequences. It is an unusual thing, to live in a botanical garden. But Simon and Gregor are an unusual pair of gentlemen. Hidden away in their glass sanctuary from the disapproving tattle of Victorian London, they are free to follow their own interests without interference. For Simon, this means long hours in the dark basement workshop, working his taxidermical art. Gregor's business is exotic plants – lucrative, but harmless enough. Until his latest acquisition, a strange fungus which shows signs of intellect beyond any plant he's seen, inspires him to attempt a masterwork: true intelligent life from plant matter. Driven by the glory he'll earn from the Royal Horticultural Society for such an achievement, Gregor ignores the flaws in his plan: that intelligence cannot be controlled; that plants cannot be reasoned with; and that the only way his plant-beast will flourish is if he uses a recently deceased corpse for the substrate. The experiment – or Chloe, as she is named – outstrips even Gregor's expectations, entangling their strange household. But as Gregor's experiment flourishes, he wilts under the cost of keeping it hidden from jealous eyes. The mycelium grows apace in this sultry greenhouse. But who is cultivating whom? Told with wit and warmth, this is an extraordinary tale of family, fungus and more than a dash of bloody revenge from an exciting new voice in queer horror.

At the edge of the City of the Void, a massive chasm extends miles into the earth, its treacherous terrain overrun with vicious monsters and carnivorous plants. For orphaned best friends Petra and Jade, guiding treasure-seeking tourists down into the Void is the only way to earn enough to pull themselves up out of the slums for good. Petra prefers to play it safe and take jobs only in the Void’s upper levels, where the dangers are better understood, while Jade wants to risk a descent to the deepest and most mysterious Sixth Layer. Because the deeper they go, the better the payout, and the sooner their dreams can become reality. Their friendship is Petra’s whole world, and Jade’s approval means everything—so Petra agrees to do it Jade’s way. When their job goes wrong and Jade is lost in the Void, Petra must plunge deeper than she’s ever dared to save her friend. But she doesn’t know the truth of the Void . . . or what really waits for her in its depths.

In this nuanced queer fantasy set amid the Appalachian Mountains in Virginia, the last witch of the Ridge must choose sides in a clash between industry and nature. After her best friend dies in a coal mine, Benethea “Bennie” Mattox sacrifices her job, her relationship, and her reputation to uncover what’s killing miners on Kire Mountain. When she finds a half-drowned white woman in a dirty mine slough, Bennie takes her in because it’s right—but also because she hopes this odd, magnetic stranger can lead her to the proof she needs. Instead, she brings more questions. The woman called Motheater can’t remember her true name, or how she ended up inside the mountain. She knows only that she’s a witch of Appalachia, bound to tor and holler, possum and snake, with power in her hands and Scripture on her tongue. But the mystery of her fate, her doomed quest to keep industry off Kire Mountain, and the promises she bent and broke have followed her a century and half into the future. And now, the choices Motheater and Bennie make together could change the face of the town itself.

A bracelet. A curse. And golden fishbones to be returned to the sea ...Guangdong, 1940. When Ha Yut Ying narrowly escapes Japanese soldiers by turning invisible, she knows her new-found magic must be kept a secret. But her mother, whose dreams foretell the future, suspects her daughter has changed, and warns her of a curse upon their family. For her protection, she gives her a gold bracelet whose links are shaped like fishbones.​After the war, Ha Yut Ying is sent to live with her father and his second wife, who have become wealthy factory owners in Hong Kong. Her stepmother, jealous of her beauty, forces her to work in the family's shoe factory.But when Yut Ying collides with a boy on a bicycle on her way to work, she loses her bracelet. The boy is Tommy Yeung, scion of a local soymilk tycoon. And their encounter will change both of their destinies forever...

From New York Times bestselling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American Indian experience. Fans of Sylvia Moreno Garcia and Tommy Orange will love this story as it follows the lives of four American Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way. In this “thrilling, literate, scary, [and] immersive” (Stephen King) tale, Jones blends his signature storytelling style with a haunting narrative that masterfully intertwines revenge, cultural identity, and tradition.

"I'm in your blood, and you are in mine…" The Netherlands, 1887. Lucy's twin sister Sarah is unwell. She refuses to eat, mumbles nonsensically, and is increasingly obsessed with a centuries-old corpse recently discovered on her husband's grand estate. The doctor has diagnosed her with temporary insanity caused by a fever of the brain. To protect her twin from a terrible fate in a lunatic asylum, Lucy must unravel the mystery surrounding her sister's condition, but it's clear her twin is hiding something. Then again, Lucy is harboring secrets of her own, too. Then, the worst happens. Sarah's behavior takes a turn for the strange. She becomes angry… and hungry.  Lucy soon comes to suspect that something is trying to possess her beloved sister. Or is it madness? As Sarah changes before her very eyes, Lucy must reckon with the dark, monstrous truth, or risk losing her forever.

"I'm in your blood, and you are in mine…" The Netherlands, 1887. Lucy's twin sister Sarah is unwell. She refuses to eat, mumbles nonsensically, and is increasingly obsessed with a centuries-old corpse recently discovered on her husband's grand estate. The doctor has diagnosed her with temporary insanity caused by a fever of the brain. To protect her twin from a terrible fate in a lunatic asylum, Lucy must unravel the mystery surrounding her sister's condition, but it's clear her twin is hiding something. Then again, Lucy is harboring secrets of her own, too. Then, the worst happens. Sarah's behavior takes a turn for the strange. She becomes angry… and hungry.  Lucy soon comes to suspect that something is trying to possess her beloved sister. Or is it madness? As Sarah changes before her very eyes, Lucy must reckon with the dark, monstrous truth, or risk losing her forever.

The Fall of the House of Usher meets The Death of Jane Lawrence in this gothic historical horror romance about a remote seaside estate, a mysterious illness, and a family legacy that has always demanded something of its daughters. Six years have passed since Aurelia last set foot on Usher Isle, a remote island off the coast of Maine that once felt like a second home. But when a letter arrives from her childhood friend, Madeline Usher—written in the grip of a mysterious illness—Aurelia cannot refuse the plea to return. Upon her arrival, she is drawn once more into the rhythms of the isolated Usher household. But Madeline is not the girl she remembers, her condition worsening in ways no physician can explain. And Roderick—the man she left behind—has been changed by time and grief. It is not long before something feels wrong. The air hangs heavy, the rooms oppressive, and sleep brings vivid, disquieting dreams. At night, she glimpses Madeline wandering the grounds in her nightdress, though by morning no one speaks of it. As Aurelia searches for the cause of her friend’s decline, she becomes increasingly uncertain whether what she’s experiencing is illness, madness, or something more nefarious. And the longer she remains, the more it feels as though the house might not let her leave.

Welcome to the Island of Anchor's Mercy. For generations, Anchor’s Mercy has welcomed visitors from all over the world to revel in the island’s pristine beauty and queer culture. But something is wrong. Very wrong. And Ollie Veltman is going to have to figure it out if he wants to stop his island, and everyone upon it, from drowning within a supernatural, radiant plague rising from the waves. Take a deep breath... Told as a kaleidoscopic drama between past and present, narration and interview, text and pictures, The Dead of Summer is a story within a scavenger hunt for truths so dangerous they will make your skin crawl and your lungs ache for air. Get ready to scream!