He Needed Peace…Solicitor Tom Finchley has spent his life using his devious intellect to solve the problems of others. As for his own problems, they’re nothing that a bit of calculated vengeance can’t remedy. But that’s all over now. He’s finally ready to put the past behind him and settle down to a quiet, uncomplicated life. If only he could find an equally uncomplicated woman.She Wanted Adventure…Former lady’s companion Jenny Holloway has just been given a modest independence. Now, all she wants is a bit of adventure. A chance to see the world and experience life far outside the restrictive limits of Victorian England. If she can discover the fate of the missing Earl of Castleton while she’s at it, so much the better.From the gaslit streets of London to the lush tea gardens of colonial India, Jenny and Tom embark on an epic quest—and an equally epic romance. But even at the farthest edges of the British Empire, the past has a way of catching up with you…

A searing, postapocalyptic novel destined to become Cormac McCarthy’s masterpiece. A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

He Needed Peace…Solicitor Tom Finchley has spent his life using his devious intellect to solve the problems of others. As for his own problems, they’re nothing that a bit of calculated vengeance can’t remedy. But that’s all over now. He’s finally ready to put the past behind him and settle down to a quiet, uncomplicated life. If only he could find an equally uncomplicated woman.She Wanted Adventure…Former lady’s companion Jenny Holloway has just been given a modest independence. Now, all she wants is a bit of adventure. A chance to see the world and experience life far outside the restrictive limits of Victorian England. If she can discover the fate of the missing Earl of Castleton while she’s at it, so much the better.From the gaslit streets of London to the lush tea gardens of colonial India, Jenny and Tom embark on an epic quest—and an equally epic romance. But even at the farthest edges of the British Empire, the past has a way of catching up with you…

A New York Times –bestselling historian charts how and why societies from ancient Greece to the modern era chose to utterly destroy their foes, and warns that similar wars of obliteration are possible in our time War can settle disputes, topple tyrants, and bend the trajectory of civilization—sometimes to the breaking point. From Troy to Hiroshima, moments when war has ended in utter annihilation have reverberated through the centuries, signaling the end of political systems, cultures, and epochs. Though much has changed over the millennia, human nature remains the same. Modern societies are not immune from the horror of a war of extinction.    In The End of Everything , military historian Victor Davis Hanson narrates a series of sieges and sackings that span the age of antiquity to the conquest of the New World to show how societies descend into barbarism and obliteration. In the stories of Thebes, Carthage, Constantinople, and Tenochtitlan, he depicts war’s drama, violence, and folly. Highlighting the naivete that plagued the vanquished and the wrath that justified mass slaughter, Hanson delivers a sobering call to contemporary readers to heed the lessons of obliteration lest we blunder into catastrophe once again. 

Sayo Masuda's story is an extraordinary portrait of rural life in japan and an illuminating contrast to the fictionalised lives of glamorous geishas.At the age of sis Masuda's poverty-stricken family sent her to work as a nursemaid. At the age of twelve, she was indentured to a geisha house. In Autobiography of a Geisha, Masuda chronicles a harsh world in which young women faced the realities of sex for sale and were deprived of their freedom and identity. She also tells of her life after leaving the geisha house, painting a vivid panorama of the grinding poverty of rural life in wartime Japan. Many years later Masuda decides to tell her story. Although she could barely read or write she was determine to tell the truth about life as a geisha and explode the myths surrounding their secret world. Remarkably frank and incredibly moving, this is the record of one woman's survival on the margins of Japanese society.

A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor. On an unnamed island off an unnamed coast, objects are disappearing: first hats, then ribbons, birds, roses--until things become much more serious. Most of the island's inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten. When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past. A surreal, provocative fable about the power of memory and the trauma of loss, The Memory Police is a stunning new work from one of the most exciting contemporary authors writing in any language.

A searing, postapocalyptic novel destined to become Cormac McCarthy’s masterpiece. A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.