An award-winning journalist's deeply reported exploration of how race, identity and political trauma have influenced the rise in far-right sentiment among Latinos, and how this group can shape American politics Democrats have historically assumed they can rely on the Latino vote, but recent elections have called that loyalty into question. Despite his vociferous anti-immigrant rhetoric and disastrous border policies, Trump won a higher percentage of the Latino vote in 2020 than he did in 2016. Journalist Paola Ramos pulls back the curtain on these voters, traveling around the country to uncover what motivates them to vote for and support issues that seem so at odds with their self-interest. From coast to coast, cities to rural towns, Defectors introduces readers to underdog GOP candidates, January 6 insurrectionists, Evangelical pastors, and culture war crusaders as it identifies the influences at the heart of this rightward shift. Through their stories, Ramos shows how tribalism, traditionalism, and political trauma within the Latino community has been weaponized to radicalize and convert voters who, like many of their white counterparts, are fearful of losing their place in American society.

An award-winning journalist's deeply reported exploration of how race, identity and political trauma have influenced the rise in far-right sentiment among Latinos, and how this group can shape American politics Democrats have historically assumed they can rely on the Latino vote, but recent elections have called that loyalty into question. Despite his vociferous anti-immigrant rhetoric and disastrous border policies, Trump won a higher percentage of the Latino vote in 2020 than he did in 2016. Journalist Paola Ramos pulls back the curtain on these voters, traveling around the country to uncover what motivates them to vote for and support issues that seem so at odds with their self-interest. From coast to coast, cities to rural towns, Defectors introduces readers to underdog GOP candidates, January 6 insurrectionists, Evangelical pastors, and culture war crusaders as it identifies the influences at the heart of this rightward shift. Through their stories, Ramos shows how tribalism, traditionalism, and political trauma within the Latino community has been weaponized to radicalize and convert voters who, like many of their white counterparts, are fearful of losing their place in American society.

Literary icon Julia Alvarez returns with an inventive and emotional novel about storytelling itself that will be an instant classic.   Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories , doesn’t want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories—literally. She creates a graveyard for the manuscript drafts and revisions, and the characters whose lives she tried and failed to bring to life and who still haunt her.   Alma wants her characters to rest in peace. But they have other ideas, and the cemetery becomes a mysterious sanctuary for their true narratives. Filomena, a local woman hired as the groundskeeper, becomes a sympathetic listener as Alma’s characters unspool their secret tales. Among them: Bienvenida, the abandoned second wife of dictator Rafael Trujillo, consigned to oblivion by history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States.   The characters defy their author: they talk back to her and talk to one another behind her back, rewriting and revising themselves. The Cemetery of Untold Stories asks: Whose stories get to be told, and whose buried? Finally, Alma finds the meaning she and her characters yearn for in the everlasting vitality of stories.   Readers of Isabel Allende’s Violeta and Barbara Kingsolver’s Demon Copperhead will devour Alvarez’s extraordinary new novel about beauty and authenticity that reminds us the stories of our lives are never truly finished, even at the end.

It’s not a river, it’s this river. A hot, motionless afternoon. Enero and El Negro are fishing with Tilo, their dead friend’s teenage son. After hours of struggling with a hooked stingray, Enero aims his revolver into the water and shoots it. They hang the ray’s enormous corpse from a tree at their campsite and let it go to rot, drawing the attention of some local islanders and igniting a long-simmering fury toward outsiders and their carelessness. It’s only the two sisters―the teenage nieces of one of the locals, Aguirre―with their hair black as cowbird feathers and giving off the scent of green grass, who are curious about the trio and invite them to a dance. But the girls are not quite as they seem. As night approaches and tensions rise, Enero and El Negro return to the charged memories of their friend who years ago drowned in this same river. As uneasy and saturated as a prophetic dream, Not a River is another extraordinary novel by Selva Almada about masculinity, guilt, and irrepressible desire, written in a style that is spare and timeless.

It’s not a river, it’s this river. A hot, motionless afternoon. Enero and El Negro are fishing with Tilo, their dead friend’s teenage son. After hours of struggling with a hooked stingray, Enero aims his revolver into the water and shoots it. They hang the ray’s enormous corpse from a tree at their campsite and let it go to rot, drawing the attention of some local islanders and igniting a long-simmering fury toward outsiders and their carelessness. It’s only the two sisters―the teenage nieces of one of the locals, Aguirre―with their hair black as cowbird feathers and giving off the scent of green grass, who are curious about the trio and invite them to a dance. But the girls are not quite as they seem. As night approaches and tensions rise, Enero and El Negro return to the charged memories of their friend who years ago drowned in this same river. As uneasy and saturated as a prophetic dream, Not a River is another extraordinary novel by Selva Almada about masculinity, guilt, and irrepressible desire, written in a style that is spare and timeless.

How far would you go to bring back someone you love? When Chris's son dies in a tragic car crash, her world is devastated. The walls of grief close in on Chris's life until, one day, a small cut on her finger changes everything. A drop of blood falls from Chris's hand onto her son's roadside memorial and, later that night, Chris thinks she sees his ghost outside her window. Only, is it really her son's ghost, or is it something else—something evil? Soon Chris is playing a dangerous game with forces beyond her control in a bid to see her son, Trey, alive once again.

People move to New York looking for magic and nothing will convince them it isn't there. Charles Thomas Tester hustles to put food on the table, keep the roof over his father's head, from Harlem to Flushing Meadows to Red Hook. He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic, and earns the attention of things best left sleeping. A storm that might swallow the world is building in Brooklyn. Will Black Tom live to see it break?

Memory makes reality. That's what NYC cop Barry Sutton is learning, as he investigates the devastating phenomenon the media has dubbed False Memory Syndrome—a mysterious affliction that drives its victims mad with memories of a life they never lived. That's what neuroscientist Helena Smith believes. It's why she's dedicated her life to creating a technology that will let us preserve our most precious memories. If she succeeds, anyone will be able to re-experience a first kiss, the birth of a child, the final moment with a dying parent. As Barry searches for the truth, he comes face to face with an opponent more terrifying than any disease—a force that attacks not just our minds, but the very fabric of the past. And as its effects begin to unmake the world as we know it, only he and Helena, working together, will stand a chance at defeating it. But how can they make a stand when reality itself is shifting and crumbling all around them? At once a relentless pageturner and an intricate science-fiction puzzlebox about time, identity, and memory, Recursion is a thriller as only Blake Crouch could imagine it—and his most ambitious, mind-boggling, irresistible work to date.

Maurice and the rats have teamed up with a young lad named Keith to implement a clever moneymaking scheme. Upon entering a town, the rats make a general nuisance of themselves -- stealing food and widdling on things -- until the townsfolk become desperate to get rid of them. Then Maurice and Keith appear on the scene and offer to save the day by ridding the town of its infestation for a small fee. It seems like a surefire plan until the group arrives in the town of Bad Blintz and gets hooked up with Malicia, a young girl with a vivid imagination and a knack for finding trouble. When it's discovered that Bad Blintz already has a rat problem -- one that a couple of shifty-eyed rat catchers claim to have under control -- things turn deadly. For lurking beneath the town's streets is an obstacle course of mangling rattraps and noxious poisons. And beyond that is a monster so powerful and ugly, even Malicia couldn't imagine it. As Maurice and the rats battle for their very survival, a number of provocative themes surface: life after death, good versus evil, and the sacrifice of the few for the many.

In the beginning was the Word. And the Word was: "Hey, you!" For Brutha the novice is the Chosen One. He wants peace and justice and brotherly love. He also wants the Inquisition to stop torturing him now, please...

How far would you go to bring back someone you love? When Chris's son dies in a tragic car crash, her world is devastated. The walls of grief close in on Chris's life until, one day, a small cut on her finger changes everything. A drop of blood falls from Chris's hand onto her son's roadside memorial and, later that night, Chris thinks she sees his ghost outside her window. Only, is it really her son's ghost, or is it something else—something evil? Soon Chris is playing a dangerous game with forces beyond her control in a bid to see her son, Trey, alive once again.

Set on the desert planet Arrakis, Dune is the story of the boy Paul Atreides, heir to a noble family tasked with ruling an inhospitable world where the only thing of value is the “spice” melange, a drug capable of extending life and enhancing consciousness. Coveted across the known universe, melange is a prize worth killing for... When House Atreides is betrayed, the destruction of Paul’s family will set the boy on a journey toward a destiny greater than he could ever have imagined. And as he evolves into the mysterious man known as Muad’Dib, he will bring to fruition humankind’s most ancient and unattainable dream.

A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?” Featuring stories by: Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce Young Wolf • Mathilda Zeller Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home. These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

A literary horror debut about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago’s lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family’s decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses—though curbed by his biological and chosen family’s communal care—threaten to destroy this fragile second chance at life. A thought-provoking meditation on grief, acceptance, and the monstrous sides of love and loyalty, Gerardo Sámano Córdova blends bold imagination and evocative prose with deep emotional rigor. Told in four acts that span the globe from Brooklyn to Berlin, Monstrilio offers, with uncanny clarity, a cathartic and precise portrait of being human.

Under the shadow of gray clouds, three children venture into the woods, where they spot the corpse of an old man on a scaffold. Suddenly a wild figure emerges, with long fingernails and tangled hair. It is the Hattak fullih nipi foni, the bone picker, who comes to tear off rotting flesh with his fingernails. Only the Choctaws who adhere to the old ways will speak of him. The frightening bone picker is just one of many entities, scary and mysterious, who lurk behind every page of this spine-tingling collection of Native fiction, written by award-winning Choctaw author Devon A. Mihesuah. Choctaw lore features a large pantheon of deities. These beings created the first people, taught them how to hunt, and warned them of impending danger. Their stories are not meant simply to each entity has a purpose in its behavior and a lesson to share—to those who take heed. As a Choctaw citizen, with deep ties to Indian Territory and Oklahoma, Mihesuah grew up hearing the stories of her ancestors. In the tradition of Native storytelling, she spins tales that move back and forth fluidly across time. The ancient beings, we discover, followed the tribe from their original homelands in Mississippi and are now ever-present influences on tribal consciousness. While some of the horrors told here are “real life” in nature, the art of fiction that Mihesuah employs reveals surprising outcomes or alternative histories. It turns out the things that scare us the most can lead to the answers we are seeking and even ensure our very survival.