From a dazzling new international voice, an audacious, darkly funny novel about a young woman whose carefully crafted office persona threatens to crack when she’s forced to attend her company’s annual retreatOn the surface, Marisa's life looks enviable. She lives in a beautiful apartment in the center of Madrid, she has a hot neighbor who is always around to sleep with her, and she’s quickly risen through the ranks at a successful advertising agency. And yet she’s drowning in a dark hole of existential dread induced by the banality of corporate life. Marisa hates her job and everyone at it. She spends her working hours locked in her office hiding from her coworkers, bingeing YouTube videos, and getting high on tranquilizers. When she has the time, she escapes to her favorite museum where she contemplates the meaning of life while staring at Hieronymus Bosch paintings, or trying to get hit by a car so she can go on disability.But Marisa's dubious success, which is largely built on lies and work she's stolen from other people, is in danger of being exposed when she's forced to go on her company’s team-building retreat. Isolated in the Segovia forests, haunted by the deeply buried memory of a former coworker, and surrounded by psychopathic bosses, overzealous coworkers, flirty retreat staff, and an excess of drugs, Marisa finds herself acting on her wildest impulses and is pushed to the brink of a complete spiral.

From writing style and the use of visuals to formulating your topic and methodology, Dirk Vis shows artists of all stripes how to present research In this user-friendly volume, author Dirk Vis lays out the basics of research for artists, offering a guide to the groundwork that has long been lacking. How to formulate your topic and your argument; how to structure your text rhetorically; how to deploy quotations effectively; how to disseminate and distribute your work in a community: Vis guides readers through all of these questions in a clear and accessible fashion. This book is essential for students of the arts across all disciplines. Amsterdam-based writer Dirk Vis (born 1981) writes fiction, columns, scripts and essays on art and technology. His works of nonfiction and fiction have been published in Dutch: Bestseller (2009), the e-book The reality-essay (2017) and a series of texts in various forms and mediums. Design: Robert Reinartz Editing: Johanna Monk Supported by the Research Centre of the Willem de Kooning Academy, Rotterdam

Your magickal practice has the power to support and guide you through even the darkest of times. We all go through difficult times. We all feel loss and confusion, and we struggle with seeminglyinsurmountable problems. For any witch sitting in the light of a candle flame, at a low place in theirlife, this book shows how magickal practice can be a powerful support.Following on from the hugely successful Rebel Witch, Witch in Darkness offers tons of practical, step-by-step workings to show practitioners how to customise and optimise their craft to use as armourto survive the toughest times you can go through. It offers empathy, encouragement and a hugecollection of ideas ranging from simple mindset shifts to weird, rare workings. The book reminds you that witchcraft has alchemical power. It can help you find joyful sovereignty inloneliness, and it brings you home to yourself when you’re not sure who you are and where you’regoing. This is a manual for getting back on track, magickally and spiritually.

An accessible foray into botany’s origins and how we can transform its futureColonial ambitions spawned imperial attitudes, theories, and practices that remain entrenched within botany and across the life sciences. Banu Subramaniam draws on fields as disparate as queer studies, Indigenous studies, and the biological sciences to explore the labyrinthine history of how colonialism transformed rich and complex plant worlds into biological knowledge. Botany of Empire demonstrates how botany’s foundational theories and practices were shaped and fortified in the aid of colonial rule and its extractive ambitions. We see how colonizers obliterated plant time’s deep history to create a reductionist system that imposed a Latin-based naming system, drew on the imagined sex lives of European elites to explain plant sexuality, and discussed foreign plants like foreign humans. Subramanian then pivots to imagining a more inclusive and capacious field of botany untethered and decentered from its origins in histories of racism, slavery, and colonialism. This vision harnesses the power of feminist and scientific thought to chart a course for more socially just practices of experimental biology.A reckoning and a manifesto, Botany of Empire provides experts and general readers alike with a roadmap for transforming the colonial foundations of plant science.

The house breathes. The house contains bodies and secrets. The house is visited by ghosts, by angels that line the roof like insects, and by saints that burn the bedsheets with their haloes. It was built by a small-time hustler as a means of controlling his wife, and even after so many years, their daughter and her granddaughter can’t leave. They may be witches or they may just be angry, but when the mysterious disappearance of a young boy draws unwanted attention, the two isolated women, already subjects of public scorn, combine forces with the spirits that haunt them in pursuit of something that resembles justice. Layla Martínez’s eerie debut novel Woodworm is class-conscious horror that drags generations of monsters into the sun.