The Jacksonville Rays go international when their Swedish star forward and the team’s physical therapist have to stage a very real fake marriage in this delicious slow burn, spicy MM, workplace hockey romance from viral sensation Emily Rath! My name is Teddy O’Connor, and I just made a terrible mistake. It’s been six years since I was an intern for the Jacksonville Rays NHL team. Six years since I wrapped ice packs on knees and played Mario Kart on chartered planes. And six long years since I first met him. Henrik Karlsson, star forward of the Rays . . . and king of my heart. Oh god, I’ve got to get over this crush! I’m a doctor now, a respected professional. And Henrik doesn’t even know I exist. So you tell me why I’m risking everything to follow this man halfway around the world! After receiving news of his sister’s tragic death, Henrik must fly to Sweden to retrieve his injured, grieving young niece. But with a new hockey season about to start, Henrik can’t possibly care for her alone. In fact, the Swedish government won’t let him. He needs me. They both do. I’d be heartless not to help—right? Well, that’s what I told myself last week as I signed our Swedish marriage license. It’s what I told myself yesterday as I moved into his apartment. And it’s what I’m telling myself now as the Rays PR Director stares us down. They want this marriage to look real. The team’s public image, our jobs, and Henrik’s custody agreement all depend on it. But my problem isn’t that I don’t love my fake husband. God help me, my problem is that I do.

This book is an introduction to reading visual culture. It explains which methods are available to the undergraduate student and shows exactly how to use them. The book begins with a discussion of general themes and recent debates, on the meaning of culture and the function of the visual, that offers a critical inquiry into the relation of visual images to social identities and social relations. Gillian Rose then goes on to investigate in detail the different methods for interpreting visual images. The strengths and weaknesses of each method are discussed in relation to a detailed case study, as well as to the more general issues outlined in the introduction.

A portrait of the artist as a young woman. A novel about not just discovering but inventing oneself. The year is 1995, and email is new. Selin, the daughter of Turkish immigrants, arrives for her freshman year at Harvard. She signs up for classes in subjects she has never heard of, befriends her charismatic and worldly Serbian classmate, Svetlana, and, almost by accident, begins corresponding with Ivan, an older mathematics student from Hungary. Selin may have barely spoken to Ivan, but with each email they exchange, the act of writing seems to take on new and increasingly mysterious meanings. At the end of the school year, Ivan goes to Budapest for the summer, and Selin heads to the Hungarian countryside, to teach English in a program run by one of Ivan's friends. On the way, she spends two weeks visiting Paris with Svetlana. Selin's summer in Europe does not resonate with anything she has previously heard about the typical experiences of American college students, or indeed of any other kinds of people. For Selin, this is a journey further inside herself: a coming to grips with the ineffable and exhilarating confusion of first love, and with the growing consciousness that she is doomed to become a writer.

Working at the local processing plant, Marcos is in the business of slaughtering humans —though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

Working at the local processing plant, Marcos is in the business of slaughtering humans —though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

Autora finaliza a série napolitana que já vendeu mais de 100000 exemplares no Brasil. A história de vida de Lenu e Lina e de todos os personagens do bairro de Nápoles agora caminham da maturidade à velhice. História da menina perdida é o final que o leitor esperava, com a dureza e a força que aprendemos a identificar nas personagens de Ferrante — sem rodeios.

Autora finaliza a série napolitana que já vendeu mais de 100000 exemplares no Brasil. A história de vida de Lenu e Lina e de todos os personagens do bairro de Nápoles agora caminham da maturidade à velhice. História da menina perdida é o final que o leitor esperava, com a dureza e a força que aprendemos a identificar nas personagens de Ferrante — sem rodeios.

Mary is a quiet, middle-aged woman doing her best to blend into the background. Unremarkable. Invisible. Unknown even to herself.But lately, things have been changing inside Mary. Along with the hot flashes and body aches, she can’t look in a mirror without passing out, and the voices in her head have been urging her to do unspeakable things.Fired from her job in New York, she moves back to her hometown, hoping to reconnect with her past and inner self. Instead, visions of terrifying, mutilated specters overwhelm her with increasing regularity and she begins auto-writing strange thoughts and phrases. Mary discovers that these experiences are echoes of an infamous serial killer. Then the killings begin again.Mary’s definitely going to find herself.