A multiverse-hopping outsider discovers a secret that threatens her home world and her fragile place in it--a stunning sci-fi debut that's both a cross-dimensional adventure and a powerful examination of identity, privilege, and belonging. CARA IS DEAD ON THREE HUNDRED AND SEVENTY-FOUR WORLDS. The multiverse business is booming, but there's just one catch: no one can visit a world where their counterpart is still alive. Enter Cara, whose parallel selves happen to be exceptionally good at dying--from diseases, from turf wars, from vendettas they couldn't outrun. But on this earth, Cara's survived. And she's reaping the benefits, thanks to the well-heeled Wiley City scientists who ID'd her as an outlier and plucked her from the dirt. Now she's got a new job collecting offworld data, a path to citizenship, and a near-perfect Wiley City accent. Now she can pretend she's always lived in the city she grew up staring at from the outside, even if she feels like a fraud on either side of its walls. But when one of her eight remaining doppelgangers dies under mysterious circumstances, Cara is plunged into a new world with an old secret. What she discovers will connect her past and future in ways she never could have imagined--and reveal her own role in a plot that endangers not just her world, but the entire multiverse.

Yume Kitasei's The Deep Sky is an enthralling sci fi thriller debut about a mission into deep space that begins with a lethal explosion that leaves the survivors questioning the loyalty of the crew. They left Earth to save humanity. They’ll have to save themselves first. It is the eve of Earth’s environmental collapse. A single ship carries humanity’s last hope: eighty elite graduates of a competitive program, who will give birth to a generation of children in deep space. But halfway to a distant but livable planet, a lethal bomb kills three of the crew and knocks The Phoenix off course. Asuka, the only surviving witness, is an immediate suspect. Asuka already felt like an impostor before the explosion. She was the last picked for the mission, she struggled during training back on Earth, and she was chosen to represent Japan, a country she only partly knows as a half-Japanese girl raised in America. But estranged from her mother back home, The Phoenix is all she has left. With the crew turning on each other, Asuka is determined to find the culprit before they all lose faith in the mission—or worse, the bomber strikes again. --- CW: miscarriage, fertility issues, terrorism, death of a child, racism, gore, strong language

Tade Thompson's Rosewater is the start of an award-winning, cutting edge trilogy set in Nigeria, by one of science fiction's most engaging new voices. Rosewater is a town on the edge. A community formed around the edges of a mysterious alien biodome, its residents comprise the hopeful, the hungry and the helpless—people eager for a glimpse inside the dome or a taste of its rumored healing powers. Kaaro is a government agent with a criminal past. He has seen inside the biodome, and doesn't care to again—but when something begins killing off others like himself, Kaaro must defy his masters to search for an answer, facing his dark history and coming to a realization about a horrifying future.

Odd-mannered, obsessive, withdrawn, Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, as they accuse, she'd be powerful enough to tear down the walls around her until nothing remained of her world, save for stories told around the cookfire. Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human. When the autopsy of Matilda's sovereign reveals a surprising link between his death and her mother's suicide some quarter-century before, Aster retraces her mother's footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she's willing to fight for it.

In Adrian Tchaikovsky's Elder Race, a junior anthropologist on a distant planet must help the locals he has sworn to study to save a planet from an unbeatable foe.Lynesse is the lowly Fourth Daughter of the queen, and always getting in the way.But a demon is terrorizing the land, and now she’s an adult (albeit barely) and although she still gets in the way, she understands that the only way to save her people is to invoke the pact between her family and the Elder sorcerer who has inhabited the local tower for as long as her people have lived here (though none in living memory has approached it).But Elder Nyr isn’t a sorcerer, and he is forbidden to help, for his knowledge of science tells him the threat cannot possibly be a demon…

King Shrewd is dead at the hands of his son Regal. As is Fitz--or so his enemies and friends believe. But with the help of his allies and his beast magic, he emerges from the grave, deeply scarred in body and soul. The kingdom also teeters toward ruin: Regal has plundered and abandoned the capital, while the rightful heir, Prince Verity, is lost to his mad quest--perhaps to death. Only Verity's return--or the heir his princess carries--can save the Six Duchies. But Fitz will not wait. Driven by loss and bitter memories, he undertakes a quest: to kill Regal. The journey casts him into deep waters, as he discovers wild currents of magic within him--currents that will either drown him or make him something more than he was.

Some kisses come at a price. War has begun. Arin is in the thick of it with untrustworthy new allies and the empire as his enemy. Though he has convinced himself that he no longer loves Kestrel, Arin hasn’t forgotten her, or how she became exactly the kind of person he has always despised. She cared more for the empire than she did for the lives of innocent people—and certainly more than she did for him. At least, that’s what he thinks. In the frozen north, Kestrel is a prisoner in a brutal work camp. As she searches desperately for a way to escape, she wishes Arin could know what she sacrificed for him. She wishes she could make the empire pay for what they’ve done to her. But no one gets what they want just by wishing. As the war intensifies, both Kestrel and Arin discover that the world is changing. The East is pitted against the West, and they are caught in between. With so much to lose, can anybody really win?