It’s time for eighteen-year-old James Sveck to begin his freshman year at Brown. Instead, he’s surfing the real estate listings, searching for a sanctuary—a nice farmhouse in Kansas, perhaps. Although James lives in twenty-first-century Manhattan, he’s more at home in the faraway worlds of Eric Rohmer or Anthony Trollope—or his favorite writer, the obscure and tragic Denton Welch. James’s sense of dislocation is exacerbated by his willfully self-absorbed parents, a disdainful sister, his Teutonically cryptic shrink, and an increasingly vague, D-list celebrity grandmother. Compounding matters is James’s growing infatuation with a handsome male colleague at the art gallery his mother owns, where James supposedly works at his summer job but where he actually plots his escape to the prairie.

You’d never guess Lottie Jones had skeletons in her closet.She’s lived in town for decades now. She’s getting older. She lives for the simple pleasures of weekly bingo games at church, and gossiping with her friends about their children’s love lives.But when investigative journalist Plum Dixon shows up on her doorstep asking questions about Lottie’s past, and specifically about her connection to numerous unsolved murders, well, Lottie just can’t have that.But getting away with murder is hard enough when you’re young. And when Lottie receives another annoying knock on the door, she realises this crime might just be the death of her…

Whilst white privilege, unconscious bias and institutional discrimination have become high profile issues, learning disabled people of colour continue to be excluded from the conversation. Responding to this crucial need to investigate the inequalities faced by learning disabled people of colour, Double Discrimination shines a bright light on the consequences of ignoring the combined impact of racism and ableism. From author, editor and award-winning social affairs journalist, Saba Salman, this book introduces the historical context of attitudes towards learning disability and race whilst also featuring people's experiences of multiple marginalisation from childhood to adulthood. Building on these perspectives, chapters showcase organisations and individuals leading the fight against racism and ableism, providing readers with opportunities to tackle limiting systems and support the growing momentum for change. With human experiences at its core, this book reveals the importance of including learning disabled people of colour within the empowerment agenda, forming a powerful call for collective action.

The Modern Craft is an eclectic and radical collection of essays on witchcraft practice and the ethics of magic, which gives that much-needed modern context to timeless wisdom. It offers a fascinating snapshot of contemporary occult practice viewed through an intersectional lens. Essay topics include: - The ethics of decolonization - Meditations on what it means to honour Mother Earth during the Anthropocene - The reclamation of agency for working-class and queer witches through practical spellwork - A gender-fluid perspective on breaking down traditional hierarchies in magical symbolism - A day in the life of a disabled Pagan Irish practitioner - Inspiring and electrifying glimpses from the brink of the contemporary Craft, these essays show how anyone, no matter who they are, can find positivity and the force for change in the subversive unknown. Contributors include: Claire Askew, Lisa Marie Basile, Stella Hervey Birrell, Jane Claire Bradley, Madelyn Burnhope, Lilith Dorsey, AW Earl, Harry Josephine Giles, Simone Kotva, Iona Lee, Briana Pegado, Megan Rudden, Sabrina Scott, Em Still and Alice Tarbuck.

After a rough tumble and maybe-serious head injury, a disillusioned trans poet falls for a charming corporate lawyer in a love story that grapples with the explosive ghosts of relationships past, romantic and familial, from the Lambda Award-nominated author of Bellies, Nicola Dinan “Fell down the stairs and woke up a trad wife.” Max is thirty, a published poet and grossly overpaid legal counsel for a tech company. With a lifetime of dysphoria and fuccbois rattling around in her head, Max is plagued with a deep dissatisfaction during what should be the best years of her life. After taking a spill down the stairs at a New Year’s Eve party, she decides to make some changes. First things first: a stab at good old-fashioned heteronormativity. Max thinks she’s found the answer in Vincent, a corporate lawyer and hobby baker, whose trad friendship group may as well speak a foreign language, and whose Chinese parents never pictured their son dating a trans woman. This uncharted territory may have rough terrain, but Vincent cares for Max in a way she’d long given up on as a foolish fantasy. Yet Vincent is carrying his own baggage from his gap year in Thailand a decade prior: an explosive entanglement with a mysterious, gorgeous traveler. Voice-driven, warm, and poignant, Disappoint Me is an exploration of millennial angst, race, trans panic, and the allure of bourgeois domesticity that asks if we are defined by our worst mistakes.

Too many popular histories seek to establish heroes, pioneers and martyrs but as Huw Lemmey and Ben Miller argue, the past is filled with queer people whose sexualities and dastardly deeds have been overlooked. We all remember Oscar Wilde, but who speaks for Bosie? What about those ‘bad gays’ whose unexemplary lives reveals more than we might expect? Part revisionist history, part historical biography and based on the hugely popular podcast series, Bad Gays subverts the notion of gay icons and queer heroes and asks what we can learn about LGBTQ history, sexuality and identity through its villains and baddies. From the Emperor Hadrian to notorious gangster Ronnie Kray, the authors excavate the buried history of queer lives. This includes fascist thugs, famous artists, austere puritans and debauched bon viveurs, imperialists, G-men and architects. Together these amazing life stories expand and challenge the mainstream assumptions of sexual identity. They show that homosexuality itself was an idea that emerged in the nineteenth century and that its interpretation has been central to major historical moments of conflict from the ruptures of Weimar Republic to red-baiting in Cold War America. Amusing, disturbing and fascinating, Bad Gays puts centre stage the queer villains and evil twinks in history.

This story of Elizabeth Barrett Browning’s cocker spaniel, Flush, enchants right from the opening pages. Although Flush has adventures of his own with bullying dogs, horrid maids, and robbers, he also provides the reader with a glimpse into Browning’s life. Introduction by Trekkie Ritchie.

Ikonomou's stories convey the plight of those worst affected by the Greek economic crisis--laid-off workers, hungry children. In the urban sprawl between Athens and Piraeus, the narratives roam restlessly through the impoverished working-class quarters located off the tourist routes. Everyone is dreaming of escape: to the mountains, to an island or a palatial estate, into a Hans Christian Andersen story world. What are they fleeing? The old woes--gossip, watchful neighbors, the oppression and indifference of the rich--now made infinitely worse. In Ikonomou's concrete streets, the rain is always looming, the politicians' slogans are ignored, and the police remain a violent, threatening presence offstage. Yet even at the edge of destitution, his men and women act for themselves, trying to preserve what little solidarity remains in a deeply atomized society, and in one way or another finding their own voice. There is faith here, deep faith--though little or none in those who habitually ask for it.From the Trade Paperback edition.

If you have ever lived with cats you know how cunning, tender, ferocious, underhanded, ingenious, foolish and completely adorable they can be. The same words can be used to describe the hero of this novel, Sugar. This is the story—a love story of epic dimensions—of Sugar, a cat with a keen wit and a reflective nature, and his human, Madamigella, a writer with a frenetic and impossibly dispersive life.   In this his seventh life, Sugar has countless stories to tell and a remarkable talent for telling them. But his real area of expertise lies in his preternatural ability to domesticate his humans—whatever you do, don’t even suggest that we are the ones who domesticate him and his feline relatives!   With wit and a broad repertoire of cultural references, Sugar recounts his days and nights spent with Madamigella in a novel that fits squarely into the illustrious tradition of feline literature a la T.S. Eliot, Edgar Allan Poe, Baudelaire, Bukowski, and Celine.

"Without Ritsos' eloquence, Greeks would have forgotten how to name all those things that are there before their eyes."—Pantelis Prevelakis This long poem is a nuanced and moving account of the poet's time in exile, in which everyday events hide much that is threatening, oppressive, and spiritually vacuous. Lyrical and idyllic, these re-creations of Greek mythology justify Yannis Ritsos' reputation as one of the most honored in modern Greece. Plagued by tuberculosis, family misfortunes, and persecution for his Communist views, Yannis Ritsos (1909–1990) spent many years in sanatoriums, prisons, and in political exile while producing over one hundred volumes of poems, dramas, and translations.