A queer hijabi Muslim immigrant survives her coming-of-age by drawing strength and hope from stories in the Quran in this daring, provocative, and radically hopeful memoir. When fourteen-year-old Lamya H realizes she has a crush on her teacher--her female teacher--she covers up her attraction, an attraction she can't yet name, by playing up her roles as overachiever and class clown. Born in South Asia, she moved to the Middle East at a young age and has spent years feeling out of place, like her own desires and dreams don't matter, and it's easier to hide in plain sight. To disappear. But one day in Quran class, she reads a passage about Maryam that changes everything: when Maryam learned that she was pregnant, she insisted no man had touched her. Could Maryam, uninterested in men, be . . . like Lamya? From that moment on, Lamya makes sense of her struggles and triumphs by comparing her experiences with some of the most famous stories in the Quran. She juxtaposes her coming out with Musa liberating his people from the pharoah; asks if Allah, who is neither male nor female, might instead be nonbinary; and, drawing on the faith and hope Nuh needed to construct his ark, begins to build a life of her own--ultimately finding that the answer to her lifelong quest for community and belonging lies in owning her identity as a queer, devout Muslim immigrant. This searingly intimate memoir in essays, spanning Lamya's childhood to her arrival in the United States for college through early-adult life in New York City, tells a universal story of courage, trust, and love, celebrating what it means to be a seeker and an architect of one's own life.

The long-awaited essay collection from one of the most influential voices in disability activism that detonates a bomb in our collective understanding of care and illness, showing us that sickness is a fact of life.In the wake of the 2014 Ferguson riots, and sick with a chronic condition that rendered them housebound, Johanna Hedva turned to the page to How do you throw a brick through the window of a bank if you can’t get out of bed? It was not long before this essay, “Sick Woman Theory”, became a seminal work on disability, because in reframing illness as not just a biological experience but a social one, Hedva argues that under capitalism—a system that limits our worth to the productivity of our bodies—we must reach for the revolutionary act of caring for ourselves and others.How to Tell When We Will Die expands upon Hedva’s paradigm-shifting perspective in a series of slyly subversive and razor-sharp essays that range from the theoretical to the personal—from Deborah Levy and Susan Sontag to wrestling, kink, mysticism, death, and the color yellow. Drawing from their experiences with America’s byzantine healthcare system, and considering archetypes they call The Psychotic Woman, The Freak, and The Hag in Charge, Hedva offers a bracing indictment of the politics that exploit sickness—relying on and fueling ableism—to the detriment of us all.With the insight of Anne Boyer’s The Undying and Leslie Jamison’s The Empathy Exams, and the wit of Samantha Irby, Hedva’s debut collection upends our collective understanding of disability. In their radical reimagining of a world where care and pain are symbiotic, and our bodies are allowed to live free and well, Hedva implores us to remember that illness is neither an inconvenience or inevitability, but an enlivening and elemental part of being alive.

From World Fantasy Award-winning author Tasha Suri comes The Isle in the Silver Sea, a heart-shattering standalone romantasy of sapphic longing, medieval folklore and a love that spans the centuries. In an England fuelled by stories, the knight and the witch are fated to fall in love and doom each other over and over, the same tale retold over hundreds of lifetimes. Simran is a witch of the woods. Vina is a knight of the Queen’s court. When the two women begin to fall for each other, how can they surrender to their desires, when to give in is to destroy each other? As they seek a way to break the cycle, a mysterious assassin begins targeting tales like theirs. To survive, the two will need to write a story stronger than the one that fate has given to them. But what tale is stronger than The Knight and the Witch?

A searching, buoyant novel about queer love, mothers and daughters, and making a life in the face of the only loss. Every story is a love story. In a Barcelona redolent with Almodovar vibes, the love is between overlapping and messy attachments between friends, young lovers, mothers and daughters. As Sara’s mother dies, her daughter is in bed with a new obsession. She’s wracked with guilt, but the persistence of need, the demands of the body, refuse to take a dignified pause for the observance of another body leaving this world. If one of the projects of growing up is being defeated by the limits of control we have over ourselves and others, the frustration of trying and failing to be understood, then Sara’s loss, her lovers, and her longterm girlfriend are her passage from 28 and casting about to a little bit older and a little bit more sorted out. If love is “a quagmire than anything else—sometimes sombre, sometimes blinded by light.” X Is Where I Am is one young woman’s fractious, hopeful, attempt to give in to it.

A queer hijabi Muslim immigrant survives her coming-of-age by drawing strength and hope from stories in the Quran in this daring, provocative, and radically hopeful memoir. When fourteen-year-old Lamya H realizes she has a crush on her teacher--her female teacher--she covers up her attraction, an attraction she can't yet name, by playing up her roles as overachiever and class clown. Born in South Asia, she moved to the Middle East at a young age and has spent years feeling out of place, like her own desires and dreams don't matter, and it's easier to hide in plain sight. To disappear. But one day in Quran class, she reads a passage about Maryam that changes everything: when Maryam learned that she was pregnant, she insisted no man had touched her. Could Maryam, uninterested in men, be . . . like Lamya? From that moment on, Lamya makes sense of her struggles and triumphs by comparing her experiences with some of the most famous stories in the Quran. She juxtaposes her coming out with Musa liberating his people from the pharoah; asks if Allah, who is neither male nor female, might instead be nonbinary; and, drawing on the faith and hope Nuh needed to construct his ark, begins to build a life of her own--ultimately finding that the answer to her lifelong quest for community and belonging lies in owning her identity as a queer, devout Muslim immigrant. This searingly intimate memoir in essays, spanning Lamya's childhood to her arrival in the United States for college through early-adult life in New York City, tells a universal story of courage, trust, and love, celebrating what it means to be a seeker and an architect of one's own life.

Twelve stories of ghosts, demons and wild women: of sharp-toothed children and stolen skulls. In this sleep-stealing collection, Enríquez transports the reader to the crime-ridden street of post-dictatorship Buenos Aires, where exhausted fathers conjure up child-killers, and young women, tired of suffering in silence, decide there's nothing left to do but set themselves on fire.

THE LANDMARK MEMOIR OF A GLOBAL MUSIC ICONSinéad O'Connor's voice and trademark shaved head made her famous by the age of twenty-one. Her recording of Prince's Nothing Compares 2 U made her a global icon. She outraged millions when she tore up a photograph of Pope John Paul II on American television.O'Connor was unapologetic and impossible to ignore, calling out hypocrisy wherever she saw it.She has remained that way for three decades.Now, in Rememberings, O'Connor tells her story - the heartache of growing up in a family falling apart; her early forays into the Dublin music scene; her adventures and misadventures in the world of sex, drugs and rock'n'roll; the fulfilment of being a mother; her ongoing spiritual quest - and through it all, her abiding passion for music.Rememberings is intimate, replete with candid anecdotes and full of hard-won insights. It is a unique and remarkable chronicle by a unique and remarkable artist.

NEW YORK TIMES BESTSELLER • Central Park birder Christian Cooper takes us beyond the viral video that shocked a nation and into a world of avian adventures, global excursions, and the unexpected lessons you can learn from a life spent looking up. "Wondrous . . . captivating.”—Ed Yong, Pulitzer Prize–winning author of An Immense World Christian Cooper is a self-described “Blerd” (Black nerd), an avid comics fan and expert birder who devotes every spring to gazing upon the migratory birds that stop to rest in Central Park, just a subway ride away from where he lives in New York City. While in the park one morning in May 2020, Cooper was engaged in the birdwatching ritual that had been a part of his life since he was ten years old when what might have been a routine encounter with a dog walker exploded age-old racial tensions. Cooper’s viral video of the incident would send shock waves through the nation. In Better Living Through Birding , Cooper tells the story of his extraordinary life leading up to the now-infamous incident in Central Park and shows how a life spent looking up at the birds prepared him, in the most uncanny of ways, to be a gay, Black man in America today. From sharpened senses that work just as well at a protest as in a park to what a bird like the Common Grackle can teach us about self-acceptance, Better Living Through Birding exults in the pleasures of a life lived in pursuit of the natural world and invites you to discover them yourself. Equal parts memoir, travelogue, and primer on the art of birding, this is Cooper’s story of learning to claim and defend space for himself and others like him, from his days at Marvel Comics introducing the first gay storylines to vivid and life-changing birding expeditions through Africa, Australia, the Americas, and the Himalayas. Better Living Through Birding recounts Cooper’s journey through the wonderful world of birds and what they can teach us about life, if only we would look and listen.

A searching, buoyant novel about queer love, mothers and daughters, and making a life in the face of the only loss. Every story is a love story. In a Barcelona redolent with Almodovar vibes, the love is between overlapping and messy attachments between friends, young lovers, mothers and daughters. As Sara’s mother dies, her daughter is in bed with a new obsession. She’s wracked with guilt, but the persistence of need, the demands of the body, refuse to take a dignified pause for the observance of another body leaving this world. If one of the projects of growing up is being defeated by the limits of control we have over ourselves and others, the frustration of trying and failing to be understood, then Sara’s loss, her lovers, and her longterm girlfriend are her passage from 28 and casting about to a little bit older and a little bit more sorted out. If love is “a quagmire than anything else—sometimes sombre, sometimes blinded by light.” X Is Where I Am is one young woman’s fractious, hopeful, attempt to give in to it.

“I loved this gorgeous book about blood magic, chosen family and refugees in a hostile city. Naseem Jamnia has created a rich, complex world.”—Charlie Jane Anders, author of All the Birds in the Sky[STARRED REVIEW] “A delight to read. Highly recommended.”—Library JournalIn this intricate debut fantasy introducing a queernormative Persian-inspired world, a nonbinary refugee practitioner of blood magic discovers a strange disease that causes political rifts in their new homeland. Persian-American author Naseem Jamnia has crafted a gripping narrative with a moving, nuanced exploration of immigration, gender, healing, and family. Powerful and fascinating, The Bruising of Qilwa is the newest arrival in the era of fantasy classics such as the Broken Earth Trilogy, The Four Profound Weaves, and Who Fears Death.Firuz-e Jafari is fortunate enough to have immigrated to the Free Democratic City-State of Qilwa, fleeing the slaughter of other traditional Sassanian blood magic practitioners in their homeland. Despite the status of refugees in their new home, Firuz has a good job at a free healing clinic in Qilwa, working with Kofi, a kindly new employer, and mentoring Afsoneh, a troubled orphan refugee with powerful magic.But Firuz and Kofi have discovered a terrible new disease which leaves mysterious bruises on its victims. The illness is spreading quickly through Qilwa, and there are dangerous accusations of ineptly performed blood magic. In order to survive, Firuz must break a deadly cycle of prejudice, untangle sociopolitical constraints, and find a fresh start for their both their blood and found family.

A lavish historical drama reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico. Carlota Moreau: a young woman, growing up in a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of either a genius, or a madman. Montgomery Laughton: a melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his scientific experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers. The hybrids: the fruits of the Doctor’s labor, destined to blindly obey their creator and remain in the shadows. A motley group of part human, part animal monstrosities. All of them living in a perfectly balanced and static world, which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Doctor Moreau’s patron, who will unwittingly begin a dangerous chain reaction. For Moreau keeps secrets, Carlota has questions, and in the sweltering heat of the jungle, passions may ignite. The Daughter of Doctor Moreau is both a dazzling historical novel and a daring science fiction journey.

NEW YORK TIMES BESTSELLER • Central Park birder Christian Cooper takes us beyond the viral video that shocked a nation and into a world of avian adventures, global excursions, and the unexpected lessons you can learn from a life spent looking up. "Wondrous . . . captivating.”—Ed Yong, Pulitzer Prize–winning author of An Immense World Christian Cooper is a self-described “Blerd” (Black nerd), an avid comics fan and expert birder who devotes every spring to gazing upon the migratory birds that stop to rest in Central Park, just a subway ride away from where he lives in New York City. While in the park one morning in May 2020, Cooper was engaged in the birdwatching ritual that had been a part of his life since he was ten years old when what might have been a routine encounter with a dog walker exploded age-old racial tensions. Cooper’s viral video of the incident would send shock waves through the nation. In Better Living Through Birding , Cooper tells the story of his extraordinary life leading up to the now-infamous incident in Central Park and shows how a life spent looking up at the birds prepared him, in the most uncanny of ways, to be a gay, Black man in America today. From sharpened senses that work just as well at a protest as in a park to what a bird like the Common Grackle can teach us about self-acceptance, Better Living Through Birding exults in the pleasures of a life lived in pursuit of the natural world and invites you to discover them yourself. Equal parts memoir, travelogue, and primer on the art of birding, this is Cooper’s story of learning to claim and defend space for himself and others like him, from his days at Marvel Comics introducing the first gay storylines to vivid and life-changing birding expeditions through Africa, Australia, the Americas, and the Himalayas. Better Living Through Birding recounts Cooper’s journey through the wonderful world of birds and what they can teach us about life, if only we would look and listen.