You can find an alternative cover edition for this ISBN here and here. When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby; a young woman discovers strange puncture marks on her neck; and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival. In Dracula, Bram Stoker created one of the great masterpieces of the horror genre, brilliantly evoking a nightmare world of vampires and vampire hunters and also illuminating the dark corners of Victorian sexuality and desire. This Norton Critical Edition includes a rich selection of background and source materials in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included. Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer. A Chronology and a Selected Bibliography are included.

Begin your journey into Middle-earth. The inspiration for the upcoming original series on Prime Video, The Lord of the Rings: The Rings of Power. The Return of the King is the third part of J.R.R. Tolkien’s epic adventure The Lord of the Rings. One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them. The Dark Lord has risen, and as he unleashes hordes of Orcs to conquer all Middle-earth, Frodo and Sam struggle deep into his realm in Mordor. To defeat Sauron, the One Ring must be destroyed in the fires of Mount Doom. But the way is impossibly hard, and Frodo is weakening. The Ring corrupts all who bear it and Frodo’s time is running out. Will Sam and Frodo succeed, or will the Dark Lord rule Middle-earth once more?

Begin your journey into Middle-earth. The inspiration for the upcoming original series on Prime Video, The Lord of the Rings: The Rings of Power. The Return of the King is the third part of J.R.R. Tolkien’s epic adventure The Lord of the Rings. One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them. The Dark Lord has risen, and as he unleashes hordes of Orcs to conquer all Middle-earth, Frodo and Sam struggle deep into his realm in Mordor. To defeat Sauron, the One Ring must be destroyed in the fires of Mount Doom. But the way is impossibly hard, and Frodo is weakening. The Ring corrupts all who bear it and Frodo’s time is running out. Will Sam and Frodo succeed, or will the Dark Lord rule Middle-earth once more?

When the scientist Victor Frankenstein attempts to create life in his laboratory, he sets in motion tragic forces beyond his control and faces losing everything he loves. No reader in the grip of Mary Shelley’s novel, with its mythic-minded hero and its highly sympathetic monster who reads Goethe and longs to be at peace with himself, can fail to notice how much more excellent the original is than all the countless adaptations, imitations, and homages which have followed in its ample wake. In her first novel, written at the instigation of Lord Byron and published in 1818 (and revised in 1831), the teenaged Shelley managed to produce English Romanticism’s finest prose fiction. This edition reproduces her original 1818 text.

Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.