Cartoonist Zoe Thorogood records 6 months of her own life as it falls apart in a desperate attempt to put it back together again in the only way she knows how. IT’S LONELY AT THE CENTRE OF THE EARTH is an intimate and metanarrative look into the life of a selfish artist who must create for her own survival.

From “one of Russia’s smartest and best-sourced young journalists” (The New York Times) comes a gripping and urgent exploration of why the Soviet Union’s collapse was incomplete and the Cold War was never over—revealing the resurgence of imperialism in Russia and its current implications for the war in Ukraine.Russian-born journalist Mikhail Zygar was ten years old when the Soviet Union collapsed. Now, after nearly ten years of research, he offers a timely and compelling new approach on Russian history—one that rewrites everything we thought we knew about the fall of the Soviet Union—and argues that its ending is yet to come. Starting with the historic launch of the first human into space in April 1961, Zygar unravels a dramatic story of resistance, resilience, and resurgence that led to the Soviet Union’s dissolution—and the echoes of its legacy today. Zygar conducted several hundred exclusive interviews with key figures, including Soviet President Mikhail Gorbachev, first presidents of the independent post-Soviet republics, the last first secretaries of these republics, and leaders of independence movements within them, as well as Western politicians and diplomats who were witnesses to and participants in those events. He dives into the struggles and triumphs of figures like Andrei Sakharov, Alexander Solzhenitsyn, and Vladimir Vysotsky, whose defiance of totalitarianism is both inspiring and deeply relevant. Zygar explains how the “victory” over the Soviet Empire may have been short-lived, as today’s Russian regime maintains its imperial ambitions. A must-read for anyone looking to understand the origins of modern Russian fascism, The Dark Side of the Earth explores how imperial and nationalist ideas developed during the Soviet era and eventually gave rise to the current Putinist ideology. Zygar’s work is uniquely powerful—fueled by his personal ties to the Soviet era, access to historical archives, and interviews that crack open hidden truths, including several with individuals who had never before spoken on the record. More than a history lesson, The Dark Side of the Earth is a call to action and a testament to the enduring fight for truth and freedom. Zygar urges us to confront the narratives we’ve accepted and rethink how we face oppression today. Bold, brilliant, and deeply human, this is a story that demands to be heard.

From the award-winning master of sci-fi Adrian Tchaikovsky, Children of Strife is the unmissable follow-up space opera to the highly acclaimed Children of Time, Children of Ruin and Children of Memory.In this epic adventure, we visit a far-future after earth fell, where ark ships had hunted for a new home. They sought lost worlds terraformed in earth’s forgotten past. We follow a ship crewed by maverick humans, spiders and a spectacularly punchy mantis shrimp captain as they rediscover one such world, and an ark.Then human crewmate Alis wakes to discover that she, her captain and the ship’s intelligence are the only ones left on their ship. But what happened to those who left to explore the ark . . . and the world below?Children of Strife is the extraordinary next volume set in the Children of Time universe, featuring epic adventure, first contact and the nature of intelligence among the stars.***Praise for Adrian Tchaikovsky‘Tchaikovsky is writing at the very peak of his powers' - New Scientist‘No one has an an imagination like Adrian Tchaikovsky’ – Jim Al-Khalili, presenter of BBC Radio 4's The Life Scientific‘Tchaikovsky is the break-out star of contemporary British SF’ – The GuardianChildren of Time won the Arthur C. Clarke Award for Best Science Fiction Novel w/c 24 August 2016

A transformational, transformative story about videogames, three queer friends, and the code(s) they learn to survive, from the winner of the Lambda Literary Award for Trans Fiction It is 1998; Lilith, Sash, and Abraxa are teenagers, and they are making Saga of the Sorceress, a game that will change everything, if only for the three of them. 18 years later, Saga of the Sorceress still exists only on the scattered drives of its creators. Lilith might be the first trans woman to ever work as an Assistant Loan Underwriter at Dollarwise Investments in Brooklyn. Sash is in Brooklyn as well, working as a research assistant and part-time webcam dominatrix. Neither knows that the other is there, or that Abraxa, the third member of Invocation LLC, is just across the Hudson River, sleeping on the floor of a friend’s grandparents’ Jersey City home. They have never met in person, and have been out of touch for years, but none have forgotten the sorceress, or her quest, still far from finished. This new book by Lambda Literary Fellow Jeanne Thornton, one of trans America’s brightest literary stars, queers our notion of nostalgia as it expertly blends literature with technology.

The first in-depth analysis of the black feminist movement, Living for the Revolution fills in a crucial but overlooked chapter in African American, women’s, and social movement history. Through original oral history interviews with key activists and analysis of previously unexamined organizational records, Kimberly Springer traces the emergence, life, and decline of several black feminist organizations: the Third World Women’s Alliance, Black Women Organized for Action, the National Black Feminist Organization, the National Alliance of Black Feminists, and the Combahee River Collective. The first of these to form was founded in 1968; all five were defunct by 1980. Springer demonstrates that these organizations led the way in articulating an activist vision formed by the intersections of race, gender, class, and sexuality. The organizations that Springer examines were the first to explicitly use feminist theory to further the work of previous black women’s organizations. As she describes, they emerged in response to marginalization in the civil rights and women’s movements, stereotyping in popular culture, and misrepresentation in public policy. Springer compares the organizations’ ideologies, goals, activities, memberships, leadership styles, finances, and communication strategies. Reflecting on the conflicts, lack of resources, and burnout that led to the demise of these groups, she considers the future of black feminist organizing, particularly at the national level. Living for the Revolution is an essential reference: it provides the history of a movement that influenced black feminist theory and civil rights activism for decades to come.

As cultural heritage institutions across the nation grapple with the realization that their collecting histories have captured an incomplete picture of history, curators and archivists like Dorothy Berry have been drawn into complicated conversations. The House Archives Built and Other Thoughts on Black Archival Possibilities brings together years of those conversations from their origins in conference halls, webinars, and reading rooms to open them up to the public. The labor and theory that upholds archives has been obscured, but our understandings of history and ourselves rest on those invisible foundations. This book clarifies those foundations while offering new possibilities for imagining archival futures in and outside of institutional holdings.

As cultural heritage institutions across the nation grapple with the realization that their collecting histories have captured an incomplete picture of history, curators and archivists like Dorothy Berry have been drawn into complicated conversations. The House Archives Built and Other Thoughts on Black Archival Possibilities brings together years of those conversations from their origins in conference halls, webinars, and reading rooms to open them up to the public. The labor and theory that upholds archives has been obscured, but our understandings of history and ourselves rest on those invisible foundations. This book clarifies those foundations while offering new possibilities for imagining archival futures in and outside of institutional holdings.