Jennifer Egan’s spellbinding interlocking narratives circle the lives of Bennie Salazar, an aging former punk rocker and record executive, and Sasha, the passionate, troubled young woman he employs. Although Bennie and Sasha never discover each other’s pasts, the reader does, in intimate detail, along with the secret lives of a host of other characters whose paths intersect with theirs, over many years, in locales as varied as New York, San Francisco, Naples, and Kenya. We first meet Sasha in her mid-thirties, on her therapist’s couch in New York City, confronting her long-standing compulsion to steal. Later, we learn the genesis of her turmoil when we see her as the child of a violent marriage, then as a runaway living in Naples, then as a college student trying to avert the suicidal impulses of her best friend. We plunge into the hidden yearnings and disappointments of her uncle, an art historian stuck in a dead marriage, who travels to Naples to extract Sasha from the city’s demimonde and experiences an epiphany of his own while staring at a sculpture of Orpheus and Eurydice in the Museo Nazionale. We meet Bennie Salazar at the melancholy nadir of his adult life—divorced, struggling to connect with his nine-year-old son, listening to a washed-up band in the basement of a suburban house—and then revisit him in 1979, at the height of his youth, shy and tender, reveling in San Francisco’s punk scene as he discovers his ardor for rock and roll and his gift for spotting talent. We learn what became of his high school gang—who thrived and who faltered—and we encounter Lou Kline, Bennie’s catastrophically careless mentor, along with the lovers and children left behind in the wake of Lou’s far-flung sexual conquests and meteoric rise and fall. A Visit from the Goon Squad is a book about the interplay of time and music, about survival, about the stirrings and transformations set inexorably in motion by even the most passing conjunction of our fates. In a breathtaking array of styles and tones ranging from tragedy to satire to PowerPoint, Egan captures the undertow of self-destruction that we all must either master or succumb to; the basic human hunger for redemption; and the universal tendency to reach for both—and escape the merciless progress of time—in the transporting realms of art and music. Sly, startling, exhilarating work from one of our boldest writers.

13 SCARY STORIES. 13 AUTHORS OF COLOR. 13 TIMES WE SURVIVED THE FIRST KILL. The White Guy Dies Firs t is a powerful and entertaining collection for YA readers featuring thirteen scary stories in which the white guy dies first. Edited by Terry J. Benton-Walker, including stories from bestselling and critically acclaimed Adiba Jaigirdar, Alexis Henderson, Chloe Gong, Faridah Àbíké-Íyímídé, H. E. Edgmon, Kalynn Bayron, Karen Strong, Kendare Blake, Lamar Giles, Mark Oshiro, Naseem Jamnia, Tiffany D. Jackson, and Terry J. Benton-Walker.

An insanely competitive housing market. A desperate buyer on the edge. In Marisa Kashino’s darkly hilarious debut novel, Best Offer Wins, the white picket fence becomes the ultimate symbol of success—and obsession. How far would you go for the house of your dreams? Eighteen months and 11 lost bidding wars into house-hunting in the overheated Washington, DC suburbs, 37-year-old publicist Margo Miyake gets a tip about the perfect house, in the perfect neighborhood, slated to come up for sale in one month. Desperate to escape the cramped apartment she shares with her husband Ian—and in turn, get their marriage, plan to have a baby, and whole life back on track—Margo becomes obsessed with buying the house before it’s publicly listed and the masses descend (with unbeatable, all-cash offers in hand). A little stalking? Harmless. A bit of trespassing? Necessary. As Margo infiltrates the homeowners’ lives, her tactics grow increasingly unhinged—but just when she thinks she’s won them over, she hits a snag in her plan. Undeterred, Margo will prove again and again that there’s no boundary she won’t cross to seize the dream life she’s been chasing. The most unsettling part? You’ll root for her, even as you gasp in disbelief. Dark, biting, and laugh-out-loud funny, Best Offer Wins is a propulsive debut and a razor-sharp exploration of class, ambition, and the modern housing crisis.

“She fought a lonely and almost single-handed fight, with the single-mindedness of a crusader, long before men or women of any race entered the arena; and the measure of success she achieved goes far beyond the credit she has been given in the history of the country.”—Alfreda M. Duster   Ida B. Wells is an American icon of truth telling. Born to slaves, she was a pioneer of investigative journalism, a crusader against lynching, and a tireless advocate for suffrage, both for women and for African Americans. She co-founded the NAACP, started the Alpha Suffrage Club in Chicago, and was a leader in the early civil rights movement, working alongside W. E. B. Du Bois, Madam C. J. Walker, Mary Church Terrell, Frederick Douglass, and Susan B. Anthony.   This engaging memoir, originally published 1970, relates Wells’s private life as a mother as well as her public activities as a teacher, lecturer, and journalist in her fight for equality and justice. This updated edition includes a new foreword by Eve L. Ewing, new images, and a new afterword by Ida B. Wells’s great-granddaughter, Michelle Duster.

From Colm Tóibín, “one of the world’s best living literary writers” (The Boston Globe), comes a brilliant collection of eleven short stories, many never-before-published, set across Ireland, Spain, and America—about the complexities of family, longing, loss, and love.Celebrated as “his generation’s most gifted writer of love’s complicated, contradictory power” (Los Angeles Times), Colm Tóibín is a master of short fiction as well as the novel, able to summon an extraordinary intensity of emotion in a brief tale. The eleven stories transport readers across continents and eras. In “The Journey to Galway,” a mother who has learned of the death of her son, a fighter pilot in WWII, travels to Galway to inform his wife and their three now fatherless children. “Sleep,” originally published in The New Yorker, explores the rift between two lovers as one of them cannot reckon with his grief and fear after the death of his brother. Death, again, is a central character in the title story, “The News from Dublin,” as Maurice Webster travels to Dublin to try to save his younger brother who is dying of tuberculosis. Maurice must petition the health minister for access to a new experimental drug, and this is the only hope. Tóibín’s stories are rich with the complexities of family dynamics, the haunting pull of the past, and the quiet revelations that define our lives. His characters, whether navigating the aftermath of war, or forbidden love, or the desires of a girl in Catalan, or the quiet struggles mundane life, are rendered with illuminating, unforgettable empathy and insight. The News from Dublin is an exquisite introduction to Tóibín’s short fiction for new readers who may have discovered Tóibín with the publication of Long Island, and a glorious new collection for longtime fans of this “achingly beautiful writer…with infinite compassion” (The Miami Herald).

Sun Ra (1914–93) was one of the most wildly prolific and unfailingly eccentric figures in the history of music. Renowned for extravagant performances in which his Arkestra appeared in neo-Egyptian garb, the keyboardist and bandleader also espoused an interstellar cosmology that claimed the planet Saturn as his true home. In Sun Ra’s Chicago, William Sites brings this visionary musician back to earth—specifically to the city’s South Side, where from 1946 to 1961 he lived and relaunched his career. The postwar South Side was a hotbed of unorthodox religious and cultural activism: Afrocentric philosophies flourished, storefront prophets sold “dream-book bibles,” and Elijah Muhammad was building the Nation of Islam. It was also an unruly musical crossroads where the man then known as Sonny Blount drew from an array of intellectual and musical sources—from radical nationalism, revisionist Christianity, and science fiction to jazz, blues, Latin dance music, and pop exotica—to construct a philosophy and performance style that imagined a new identity and future for African Americans. Sun Ra’s Chicago shows that late twentieth-century Afrofuturism emerged from a deep, utopian engagement with the city—and that by excavating the postwar black experience of Sun Ra’s South Side milieu, we can come to see the possibilities of urban life in new ways.

This timely and gorgeously illustrated companion book to a Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures A History of Black Futures explores the evolving and exhilarating concept of Afrofuturism, a lens used to imagine a more empowering future for the Black community through music, art, and speculative fiction. Sumptuous, beautifully designed spreads feature 100 gorgeous illustrations of objects and images that reflect Black identity, agency, creativity, and hope, T’Challa’s suit from Black Panther, Octavia Butler’s typewriter, Uhura’s outfit from Star Trek, Sun Ra’s space harp, costumes from Broadway’s The Wiz, handwritten lyrics by Jimi Hendrix, and Janelle Monae’s ArchAndroid dress.Chapters include essays from a diverse group of scholars who reflect on themes such as legacy, alienation, and activism, with profiles on influential people and   Foreword & Introduction: Provides background on Afrofuturism Chapter 1 - Space is the Place: Reflects on space and its defining connection to Afrofuturism and its African cultural legacy Chapter 2 - Speculative Worlds: Explores short stories, Black speculative fiction and sci-fi, comics, and Black superheroes as bastions of Afrofuturist expressionChapter 3 - Visualizing Afrofuturism: Analyzes the vast visual culture of AfrofuturismChapter 4 - Musical Futures: Explores Afrofuturism and musicAfterwordAfrofuturism offers a framework of radical potential to envision Black liberation and alternatives to oppressive structures like white supremacy. Afrofuturism comes at a time of increasing visibility for the concept, both in scholarship and in pop culture, and is a compelling ode to the revolutionary power of Black imagination.CONTRIBUTORS: Reynaldo Anderson, Tiffany E. Barber, Herb Boyd, Ariana Curtis,Eve L. Ewing, Tuliza Fleming, Nona Hendryx, N. K. Jemisin, JohnJennings, Steven Lewis, Mark Anthony Neal, Alondra Nelson, DeNichols, Elaine Nichols, William S. Pretzer, Vernon Reid, MatthewShindell, Kevin M. Strait, Angela Tate, Michelle Wilkinson, Ytasha L.Womack, Alisha B. Wormsley, and Kevin Young

An insanely competitive housing market. A desperate buyer on the edge. In Marisa Kashino’s darkly hilarious debut novel, Best Offer Wins, the white picket fence becomes the ultimate symbol of success—and obsession. How far would you go for the house of your dreams? Eighteen months and 11 lost bidding wars into house-hunting in the overheated Washington, DC suburbs, 37-year-old publicist Margo Miyake gets a tip about the perfect house, in the perfect neighborhood, slated to come up for sale in one month. Desperate to escape the cramped apartment she shares with her husband Ian—and in turn, get their marriage, plan to have a baby, and whole life back on track—Margo becomes obsessed with buying the house before it’s publicly listed and the masses descend (with unbeatable, all-cash offers in hand). A little stalking? Harmless. A bit of trespassing? Necessary. As Margo infiltrates the homeowners’ lives, her tactics grow increasingly unhinged—but just when she thinks she’s won them over, she hits a snag in her plan. Undeterred, Margo will prove again and again that there’s no boundary she won’t cross to seize the dream life she’s been chasing. The most unsettling part? You’ll root for her, even as you gasp in disbelief. Dark, biting, and laugh-out-loud funny, Best Offer Wins is a propulsive debut and a razor-sharp exploration of class, ambition, and the modern housing crisis.

Welcome to Blood Island, where the struggle for survival against the bloodthirsty undead is captured on camera for entertainment.'Melissa Welliver is redefining dystopia for a whole new generation. To the Death is a riotous, bloodthirsty triumph and her best work yet.' - Cynthia MurphyWhen Bloodwatch, the shadowy organisation behind the ever-watchful cameras, descends upon the island to shoot a new high-stakes reality show, Astrid finds herself thrust into the spotlight. The prize at stake? A coveted ticket off the island. Paired with Luke, a risk-taking outsider harbouring secrets of his own, Astrid discovers the perilous costs of winning the adoration of a legion of fans.Caught in a deadly game where the undead and other contestants close in, Astrid must navigate her developing feelings for Luke and the treacherous terrain of reality TV, where there can be only one winner.Escaping the past is impossible when the present threatens to devour you.A heartstopping dystopia, perfect for fans of The Last of Us and The Hunger Games.

"Celebrate the hot dog in all its salty, snappy glory with 50 classic, original, and outrageous recipes irresistibly packaged in a hot dog-shaped cookbook. Fire up the grill with the ultimate hot dog cookbook! This delightful ode to the frankfurter includes 50 recipes ranging from American regional classics (like NYC and Chicago dogs) to international favorites (Argentinian choripan and Icelandic pylsa) to zany and complex original creations (Hot Dog Banh Mi, anyone?). Packed with charming illustrations, fun hot dog lore and history, and helpful cooking tips throughout, the book comes in an irresistible die-cut, bun-shaped cover-the perfect gift for the hot dog obsessive"-- Provided by publisher.