A teen graphic novel memoir about a Korean-born, non-English-speaking girl who is abruptly transplanted from Seoul to Huntsville, Alabama, and struggles with extreme culture shock and isolation, until she discovers her passion for comic arts. For as long as she can remember, it’s been Robin and her mom against the world. Growing up in the 1990s as the only child of a single mother in Seoul, Korea, wasn’t always easy, but it has bonded them fiercely together. So when a vacation to visit friends in Huntsville, Alabama, unexpectedly becomes a permanent relocation—following her mother’s announcement that she’s getting married—Robin is devastated. Overnight, her life changes. She is dropped into a new school where she doesn’t understand the language and struggles to keep up. She is completely cut off from her friends at home and has no access to her beloved comics. At home, she doesn’t fit in with her new stepfamily. And worst of all, she is furious with the one person she is closest to—her mother. Then one day Robin’s mother enrolls her in a local comic drawing class, which opens the window to a future Robin could never have imagined.

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Back in print for the first time in decades. A classic in US labor history. On May 1, 1886, Albert and Lucy Parsons led upwards of 80,000 striking workers and their supporters through the streets of Chicago. Across the country workers were advocating for the eight-hour day. On May 3, police killed two striking workers on the west side of Chicago. In response, a rally was called for May 4, 1886, at Haymarket Square in Chicago. There a bomb was thrown, eventually killing seven policeman and wounding dozens of others. Eight anarchists were four were hanged, two had their sentences commuted, one served six years, and one died by suicide in his cell. Accused and convicted of conspiracy, the state of Illinois couldn't prove any of them threw the bomb, so they instead tried to kill the anarchist movement. This miscarriage of justice ignited labor movements across the United States and around the world. Collected here are the voices of the accused from their sentencing in the fall of 1886.  For decades after Albert was hanged, Lucy Parsons carried on her husband's legacy through writing, public speaking, and publishing The Famous Speeches of the Eight Chicago Anarchists. The chilling and defiant words of the accused—six of whom were not even at Haymarket Square the night of the bombing—are gripping still, these many years later. "If you think that you can crush out these ideas that are gaining ground more and more every day, if you think you can crush them out by sending us to the gallows; if you would once more have people suffer the penalty of death because they have dared to tell the truth—and I defy you to show us where we have told a lie—I say, if death is the penalty for proclaiming the truth, then I will proudly and defiantly pay the costly price! Call your hangman!" —August Spies "For such a government as this I can feel no respect, and will combat them, despite their power, despite their police, despite their spies. I hate and combat, not the individual capitalist, but the system that gives him those privileges. My greatest wish is that workingmen may recognize who are their friends and who are their enemies. As to my conviction, brought about as it was, through capitalistic influence, I have not one word to say." —George Engel "I will ask you to hang me, too; for I think it is more honorable to die suddenly than to be killed by inches. I have a family and children; and if they know their father is dead, they will bury him. They can go to the grave, and kneel down by the side of it; but they can't go to the penitentiary and see their father, who was convicted for a crime that he hasn't had anything to do with. That is all I have got to say. Your honor, I am sorry I am not to be hung with the rest of the men." —Oscar Neebe Speeches from August Spies, Michael Schwab, Oscar Neebe, Adolph Fischer, Louis Lingg, George Engel, Samuel Fielden, Albert Parsons are accompanied by a preface and introduction from Lucy Parsons, foreword by labor historian David R. Roediger, and a public speech from 1901 commemorating the Haymarket anarchists by poet and writer Voltairine de Cleyre. 

Published in 1936, Absalom, Absalom! is considered by many to be William Faulkner's masterpiece. Although the novel's complex and fragmented structure poses considerable difficulty to readers, the book's literary merits place it squarely in the ranks of America's finest novels. The story concerns Thomas Sutpen, a poor man who finds wealth and then marries into a respectable family. His ambition and extreme need for control bring about his ruin and the ruin of his family. Sutpen's story is told by several narrators, allowing the reader to observe variations in the saga as it is recounted by different speakers. This unusual technique spotlights one of the novel's central questions: To what extent can people know the truth about the past?

In minute-by-minute detail, Patricia Smith tracks Hurricane Katrina as it transforms into a full-blown mistress of destruction. From August 23, 2005, the day Tropical Depression Twelve developed, through August 28 when it became a Category Five storm with its “scarlet glare fixed on the trembling crescent,” to the heartbreaking aftermath, these poems evoke the horror that unfolded in New Orleans as America watched it on television. Assuming the voices of flailing politicians, the dying, their survivors, and the voice of the hurricane itself, Smith follows the woefully inadequate relief effort and stands witness to families held captive on rooftops and in the Superdome. She gives voice to the thirty-four nursing home residents who drowned in St. Bernard Parish and recalls the day after their deaths when George W. Bush accompanied country singer Mark Willis on guitar: The cowboy grins through the terrible din,***And in the Ninth, a choking woman wailsLook like this country done left us for dead. An unforgettable reminder that poetry can still be “news that stays news,” Blood Dazzler is a necessary step toward national healing. Patricia Smith is the author of four previous collections of poetry, including Teahouse of the Almighty, winner of the Hurston/Wright Legacy Award and the Paterson Poetry Prize. A record-setting, national poetry slam champion, she was featured in the film Slamnation, on the HBO series Def Poetry Jam, and is a frequent contributor to Harriet, the Poetry Foundation’s blog.

Jebel Rum's biggest weakness...is weakness. As the son of Um Wadi's executioner, he's expected to try out for his father's job - except that he's too skinny to wield the heavy axe. A laughing stock in his home town, Jebel embarks on a perilous quest to the lair of a mysterious god. It is a dark, brutal, terrifying journey. But to Jebel Rum, the risk is worth it...to retrieve his honour...to wield unimaginable power...and to become...The Thin Executioner.

'To have discovered the black tulip, to have seen it for a moment... then to lose it, to lose it forever!' Cornelius von Baerle, a respectable tulip-grower, lives only to cultivate the elusive black tulip and win a magnificent prize for its creation. But after his powerful godfather is assassinated, the unwitting Cornelius becomes caught up in deadly political intrigue and is falsely accused of high treason by a bitter rival. Condemned to life imprisonment, his only comfort is Rosa, the jailer's beautiful daughter, and together they concoct a plan to grow the black tulip in secret. Dumas' last major historical novel is a tale of romantic love, jealousy and obsession, interweaving historical events surrounding the brutal murders of two Dutch statesman in 1672 with the phenomenon of tulipomania that gripped seventeenth-century Holland.

An alternate cover edition can be found here. Combines Issues #1-4. Nicholas, the illegitimate son of a retired fencing champion, is a scrappy fencing wunderkind, and dreams of getting the chance and the training to actually compete. After getting accepted to the prodigious Kings Row private school, Nicholas is thrust into a cut-throat world, and finds himself facing not only his golden-boy half-brother, but the unbeatable, mysterious Seiji Katayama... Through clashes, rivalries, and romance between teammates, Nicholas and the boys of Kings Row will discover there’s much more to fencing than just foils and lunges. From acclaimed writer C.S. Pacat (The Captive Prince) and fan-favorite artist Johanna the Mad.

Marco never wanted to be an Animorph. He never wanted the ability to change into any animal he touches. He just wants to chill. Whatever happens, happens. Jake, Rachel, Cassie, and Tobias know why Marco feels the way he does. He's worried about his dad—the only family Marco has left. And if anything happens to him, his father will be all alone. But something is about to change Marco's mind. It seems the Yeerks have a little surprise waiting for him. And it's definitely not nice. Now Marco has a reason to fight...

Four brave siblings were searching for a home – and found a life of adventure! Join the Boxcar Children as they investigate the mystery of Blue Bay in this illustrated chapter book series beloved by generations of readers. The Boxcar Children are on a trip with Grandfather to a beautiful island in the South Seas! The island is supposed to be deserted, but as the Aldens explore, they start to find signs that suggest they are not alone. Is there a castaway living somewhere on the island? What started as a single story about the Alden Children has delighted readers for generations and sold more than 80 million books worldwide. Featuring timeless adventures, mystery, and suspense, The Boxcar Children® series continues to inspire children to learn, question, imagine, and grow.

True love is at stake in this charming, debut romantic comedy. Cassie Greenberg loves being an artist, but it’s a tough way to make a living. On the brink of eviction, she’s desperate when she finds a too-good-to-be-true apartment in a beautiful Chicago neighborhood. Cassie knows there has to be a catch—only someone with a secret to hide would rent out a room for that price. Of course, her new roommate Frederick J. Fitzwilliam is far from normal. He sleeps all day, is out at night on business, and talks like he walked out of a regency romance novel. He also leaves Cassie heart-melting notes around the apartment, cares about her art, and asks about her day. And he doesn’t look half bad shirtless, on the rare occasions they’re both home and awake. But when Cassie finds bags of blood in the fridge that definitely weren’t there earlier, Frederick has to come clean... Cassie’s sexy new roommate is a vampire. And he has a proposition for her.