Now that all the others have run out of air, it's my turn to do a little story-making. In Homer's account in The Odyssey, Penelope—wife of Odysseus and cousin of the beautiful Helen of Troy—is portrayed as the quintessential faithful wife, her story a salutary lesson through the ages. Left alone for twenty years when Odysseus goes off to fight in the Trojan War after the abduction of Helen, Penelope manages, in the face of scandalous rumors, to maintain the kingdom of Ithaca, bring up her wayward son, and keep over a hundred suitors at bay, simultaneously. When Odysseus finally comes home after enduring hardships, overcoming monsters, and sleeping with goddesses, he kills her suitors and—curiously—twelve of her maids. In a splendid contemporary twist to the ancient story, Margaret Atwood has chosen to give the telling of it to Penelope and to her twelve hanged maids, asking: "What led to the hanging of the maids, and what was Penelope really up to?" In Atwood's dazzling, playful retelling, the story becomes as wise and compassionate as it is haunting, and as wildly entertaining as it is disturbing. With wit and verve, drawing on the story-telling and poetic talent for which she herself is renowned, she gives Penelope new life and reality—and sets out to provide an answer to an ancient mystery.

The third novel in the Ice Planet Barbarians series, an international publishing phenomenon—now in a special print edition with bonus materials and an exclusive epilogue! Kira plans on remaining single on this alien planet—she doesn’t want a mate anyway. At least, that’s what she tells herself. But when Aehako comes along, everything changes. . . . As one of the humans stranded on the ice planet, I should be happy that I have a new home. Human women are treasured here, and one alien in particular has made it clear that he’s interested in me. It’s hard to push away the sexy, flirtatious Aehako when I long to grab him by his horns and insist he take me to his furs. But I’ve got a terrible secret—a few of them, actually. I’m convinced that Aehako can never love me if he knows the full truth. More worryingly, the aliens who abducted me are back, and thanks to the translator in my ear, they can find me. My presence here endangers everyone . . . but can I give up my new life and the man I desire more than anything? And will he even want me if he knows my secrets?

A shimmering, joyful new novel about a pair of opposites with the wrong thing in common. Daphne always loved the way her fiancé Peter told their story. How they met (on a blustery day), fell in love (over an errant hat), and moved back to his lakeside hometown to begin their life together. He really was good at telling it…right up until the moment he realized he was actually in love with his childhood best friend Petra. Which is how Daphne begins her new story: Stranded in beautiful Waning Bay, Michigan, without friends or family but with a dream job as a children’s librarian (that barely pays the bills), and proposing to be roommates with the only person who could possibly understand her predicament: Petra’s ex, Miles Nowak. Scruffy and chaotic—with a penchant for taking solace in the sounds of heart break love ballads—Miles is exactly the opposite of practical, buttoned up Daphne, whose coworkers know so little about her they have a running bet that she’s either FBI or in witness protection. The roommates mainly avoid one another, until one day, while drowning their sorrows, they form a tenuous friendship and a plan. If said plan also involves posting deliberately misleading photos of their summer adventures together, well, who could blame them? But it’s all just for show, of course, because there’s no way Daphne would actually start her new chapter by falling in love with her ex-fiancé’s new fiancée’s ex…right?

A shimmering, joyful new novel about a pair of opposites with the wrong thing in common. Daphne always loved the way her fiancé Peter told their story. How they met (on a blustery day), fell in love (over an errant hat), and moved back to his lakeside hometown to begin their life together. He really was good at telling it…right up until the moment he realized he was actually in love with his childhood best friend Petra. Which is how Daphne begins her new story: Stranded in beautiful Waning Bay, Michigan, without friends or family but with a dream job as a children’s librarian (that barely pays the bills), and proposing to be roommates with the only person who could possibly understand her predicament: Petra’s ex, Miles Nowak. Scruffy and chaotic—with a penchant for taking solace in the sounds of heart break love ballads—Miles is exactly the opposite of practical, buttoned up Daphne, whose coworkers know so little about her they have a running bet that she’s either FBI or in witness protection. The roommates mainly avoid one another, until one day, while drowning their sorrows, they form a tenuous friendship and a plan. If said plan also involves posting deliberately misleading photos of their summer adventures together, well, who could blame them? But it’s all just for show, of course, because there’s no way Daphne would actually start her new chapter by falling in love with her ex-fiancé’s new fiancée’s ex…right?

It’s a Friday night in a campus bar in Berkeley, fall of 2000, and Percy Marks is pontificating about music again. Hall and Oates is on the jukebox, and Percy—who has no talent for music, just lots of opinions about it—can’t stop herself from overanalyzing the song, indulging what she knows to be her most annoying habit. But something is different tonight. The guy beside her at the bar, fellow student Joe Morrow, is a songwriter. And he could listen to Percy talk all night. Joe asks Percy for feedback on one of his songs—and the results kick off a partnership that will span years, ignite new passions in them both, and crush their egos again and again. Is their collaboration worth its cost? Or is it holding Percy back from finding her own voice? Moving from Brooklyn bars to San Francisco dance floors, Deep Cuts examines the nature of talent, obsession, belonging, and above all, our need to be heard.

The second novel in the Ice Planet Barbarians series, the international publishing phenomenon--now in a special print edition with bonus materials and an exclusive epilogue! Liz Cramer swears she'll find a way off of this alien planet she's stuck on--then she meets Raahosh, the surliest and stubbornest alien, who won't leave her alone, and she just might be okay with that... Twelve humans are left stranded on a wintry alien planet. I'm one of them. Yay, me. In order to survive, we have to take on a symbiont that wants to rewire our bodies to live in this brutal place. I like to call it a "cootie." And my cootie's a jerk, because it also thinks I'm the mate to the biggest, grumpiest alien of the group. Raahosh believes the cootie's right, so he steals me away from the group, determined to make me fall for him--or else. He has no idea who he's up against. And if I didn't want his insufferable self so much (thanks, cootie), I'd let him know exactly what I'm thinking. As it is, I'm doing my best to fight this instant attraction. Just because the symbiont thinks we're supposed to be together doesn't mean I have to go along with it. And if we fool around a little, it's merely biology. It doesn't mean I'm in love--or that I'm destined to be his.

The second novel in the Ice Planet Barbarians series, the international publishing phenomenon--now in a special print edition with bonus materials and an exclusive epilogue! Liz Cramer swears she'll find a way off of this alien planet she's stuck on--then she meets Raahosh, the surliest and stubbornest alien, who won't leave her alone, and she just might be okay with that... Twelve humans are left stranded on a wintry alien planet. I'm one of them. Yay, me. In order to survive, we have to take on a symbiont that wants to rewire our bodies to live in this brutal place. I like to call it a "cootie." And my cootie's a jerk, because it also thinks I'm the mate to the biggest, grumpiest alien of the group. Raahosh believes the cootie's right, so he steals me away from the group, determined to make me fall for him--or else. He has no idea who he's up against. And if I didn't want his insufferable self so much (thanks, cootie), I'd let him know exactly what I'm thinking. As it is, I'm doing my best to fight this instant attraction. Just because the symbiont thinks we're supposed to be together doesn't mean I have to go along with it. And if we fool around a little, it's merely biology. It doesn't mean I'm in love--or that I'm destined to be his.

It’s a Friday night in a campus bar in Berkeley, fall of 2000, and Percy Marks is pontificating about music again. Hall and Oates is on the jukebox, and Percy—who has no talent for music, just lots of opinions about it—can’t stop herself from overanalyzing the song, indulging what she knows to be her most annoying habit. But something is different tonight. The guy beside her at the bar, fellow student Joe Morrow, is a songwriter. And he could listen to Percy talk all night. Joe asks Percy for feedback on one of his songs—and the results kick off a partnership that will span years, ignite new passions in them both, and crush their egos again and again. Is their collaboration worth its cost? Or is it holding Percy back from finding her own voice? Moving from Brooklyn bars to San Francisco dance floors, Deep Cuts examines the nature of talent, obsession, belonging, and above all, our need to be heard.

You'd think being abducted by aliens would be the worst thing that could happen to me. And you'd be wrong. Because now, the aliens are having ship trouble, and they've left their cargo of human women—including me—on an ice planet. And the only native inhabitant I've met? He's big, horned, blue, and really, really has a thing for me...