Michael Paterson makes the point that the Victorians were not so different from 'they had a fixation with new technology, were guilty of gross materialism, yet this was balanced... by a willingness to give charitable aid'. This readable history looks at everyday life – the food, fashion, transport, religion, work and leisure of ordinary Britons – from the 1830s to the end of the century.

From New York Times bestselling author of The Perfect Marriage and You Shouldn’t Have Come Here comes a chilling family thriller about the (sometimes literal) skeletons in the closet. After their mother passes, three estranged siblings reunite to sort out her estate. Beth, the oldest, never left home. She stayed with her mom, caring for her until the very end. Nicole, the middle child, has been kept at arm’s length due to her ongoing battle with a serious drug addiction. Michael, the youngest, lives out of state and hasn’t been back to their small Wisconsin town since their father ran out on them seven years before. While going through their parent’s belongings, the siblings stumble upon a collection of home videos and decide to revisit those happier memories. However, the nostalgia is cut short when one of the VHS tapes reveals a night back in 1999 that none of them have any recollection of. On screen, their father appears covered in blood. What follows is a dead body and a pact between their parents to get rid of it, before the video abruptly ends. Beth, Nicole, and Michael must now decide whether to leave the past in the past or uncover the dark secret their mother took to her grave.

Newlyweds Charles and Kate Sheridan host an auto exhibition at Kate's ancestral home, attended by Europe's foremost investors and inventors. But competition, speed and money--more explosive than gasoline--are deadly for one auto builder! Now amateur sleuths must unravel the mystery before the carnage spreads.

Shailee Thompson’s HOW TO KILL A GUY IN TEN DATES, a horror romance in which a woman gets caught in the middle of a killing spree at a speed dating event and must find a way to use her encyclopedic knowledge of the horror genre to make it as a real-life final girl.

There’s nothing like the undead to bring the living together in an action-packed and apocalyptically romantic genre-shattering novel by a New York Times bestselling author. Casey Pearson grew up with a doomsday-prepping father. At eighteen, tired of living an unconventional life, she left home, vowing never to return. More than a decade later, a mysterious viral outbreak changes everything, including the people it infects, turning them into zombielike creatures. It’s the end of the world, and no one saw it coming—well, except for Casey’s father. With no place left to run and danger lurking around every corner, Casey is forced to return home. Upon arrival, she’s surprised to find that her dad has hunkered down with a group of survivors, including her archnemesis, Blake Morrison, the high school bully who made Casey’s teenage years a living hell. While struggling to live on the compound, face outside threats, and survive alongside her handsome enemy, Casey will learn that although the world has ended, hers is just beginning.

From New York Times bestselling author of The Perfect Marriage and You Shouldn’t Have Come Here comes a chilling family thriller about the (sometimes literal) skeletons in the closet. After their mother passes, three estranged siblings reunite to sort out her estate. Beth, the oldest, never left home. She stayed with her mom, caring for her until the very end. Nicole, the middle child, has been kept at arm’s length due to her ongoing battle with a serious drug addiction. Michael, the youngest, lives out of state and hasn’t been back to their small Wisconsin town since their father ran out on them seven years before. While going through their parent’s belongings, the siblings stumble upon a collection of home videos and decide to revisit those happier memories. However, the nostalgia is cut short when one of the VHS tapes reveals a night back in 1999 that none of them have any recollection of. On screen, their father appears covered in blood. What follows is a dead body and a pact between their parents to get rid of it, before the video abruptly ends. Beth, Nicole, and Michael must now decide whether to leave the past in the past or uncover the dark secret their mother took to her grave.

The only one of Sinclair Lewis's later novels to match the power of Main Street, Babbitt, and Arrowsmith, It Can't Happen Here is a cautionary tale about the fragility of democracy, an alarming, eerily timeless look at how fascism could take hold in America. Written during the Great Depression when America was largely oblivious to Hitler's aggression, it juxtaposes sharp political satire with the chillingly realistic rise of a President who becomes a dictator to "save the nation." Now finally back in print, It Can't Happen Here remains uniquely important, a shockingly prescient novel that's as fresh and contemporary as today's news.

No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinised and studied, perhaps almost as narrowly as a man with a microscope might scrutinise the transient creatures that swarm and multiply in a drop of water. With infinite complacency men went to and fro over this globe about their little affairs, serene in their assurance of their empire over matter. It is possible that the infusoria under the microscope do the same. No one gave a thought to the older worlds of space as sources of human danger, or thought of them only to dismiss the idea of life upon them as impossible or improbable. It is curious to recall some of the mental habits of those departed days. At most terrestrial men fancied there might be other men upon Mars, perhaps inferior to themselves and ready to welcome a missionary enterprise. Yet across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us. And early in the twentieth century came the great disillusionment.

Newlyweds Charles and Kate Sheridan host an auto exhibition at Kate's ancestral home, attended by Europe's foremost investors and inventors. But competition, speed and money--more explosive than gasoline--are deadly for one auto builder! Now amateur sleuths must unravel the mystery before the carnage spreads.

Sir Charles Sheridan is many things—an amateur scientist, a renowned photographer, and a skilled detective. And due to Victorian customs, he will soon become a baron—rendering him unable to marry Kate Ardleigh, an American writer of the popular, yet frowned-upon “penny-dreadfuls.” Even as the customs of the time keep them apart, a good murder case always seems to bring them together… The Countess of Warwick, known affectionately as “Daisy,” is the subject of endless rumors about her “unladylike” ways and temperament. But what happens during a weekend party at her Easton estate is uglier than any rumor. First, a stableboy is killed. Then a nobleman is murdered outside Daisy’s well-known trysting spot. A murderer is on the grounds—and on the loose. Seeking to avoid scandal, the Prince of Wales orders Sir Charles to solve the case. Together, he and Miss Ardleigh find that even the highest levels of society are no refuge from the lowest of deeds … “Robin Paige” is the pen name for the crime-writing team of Susan Wittig Albert and Bill Albert. Kate Ardleigh and Charles Sheridan #3

This bold narrative written by the drummer and lyricist for the band Rush shows how Peart tried to stay alive by staying on the move after the loss of his 19-year-old daughter and his wife. 20 photos. 15 maps.

Working at the local processing plant, Marcos is in the business of slaughtering humans —though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.