Aldous Huxley's profoundly important classic of world literature, Brave New World is a searching vision of an unequal, technologically-advanced future where humans are genetically bred, socially indoctrinated, and pharmaceutically anesthetized to passively uphold an authoritarian ruling order–all at the cost of our freedom, full humanity, and perhaps also our souls. “A genius [who] who spent his life decrying the onward march of the Machine” (The New Yorker), Huxley was a man of incomparable talents: equally an artist, a spiritual seeker, and one of history’s keenest observers of human nature and civilization. Brave New World, his masterpiece, has enthralled and terrified millions of readers, and retains its urgent relevance to this day as both a warning to be heeded as we head into tomorrow and as thought-provoking, satisfying work of literature. Written in the shadow of the rise of fascism during the 1930s, Brave New Worldd likewise speaks to a 21st-century world dominated by mass-entertainment, technology, medicine and pharmaceuticals, the arts of persuasion, and the hidden influence of elites. "Aldous Huxley is the greatest 20th century writer in English." —Chicago Tribune

Aldous Huxley's profoundly important classic of world literature, Brave New World is a searching vision of an unequal, technologically-advanced future where humans are genetically bred, socially indoctrinated, and pharmaceutically anesthetized to passively uphold an authoritarian ruling order–all at the cost of our freedom, full humanity, and perhaps also our souls. “A genius [who] who spent his life decrying the onward march of the Machine” (The New Yorker), Huxley was a man of incomparable talents: equally an artist, a spiritual seeker, and one of history’s keenest observers of human nature and civilization. Brave New World, his masterpiece, has enthralled and terrified millions of readers, and retains its urgent relevance to this day as both a warning to be heeded as we head into tomorrow and as thought-provoking, satisfying work of literature. Written in the shadow of the rise of fascism during the 1930s, Brave New Worldd likewise speaks to a 21st-century world dominated by mass-entertainment, technology, medicine and pharmaceuticals, the arts of persuasion, and the hidden influence of elites. "Aldous Huxley is the greatest 20th century writer in English." —Chicago Tribune

The Inner Temple, 1901: a warren of shaded courtyards and ancient buildings that has formed the heart of legal London for hundreds of years. A place where tradition is everything, the police enter only by consent, and murder is only to be found in the case archives. Until now… At precisely two minutes to seven every morning, Gabriel Ward KC steps out of his rooms in the Inner Temple, presses his oak front door three times to ensure it is locked, and walks to his office to begin his day. Except for today. Today, the dead body of the Lord Chief Justice of England, immaculately clad in evening dress except for his bare feet, is lying on his doorstep – with one of the silver Temple carving knives sticking out of his chest. As rumour and gossip fly round the chambers and the press set up camp outside the gates, an internal investigation is ordered by the head of the Temple, who coerces a very unwilling Gabriel into taking charge. Paired with the eager young Constable Wright, he must draw on every bit of his legal training to solve the case – but not before he discovers that there are more surprising, and sometimes sinister, secrets hiding behind those heavy oak doors than he'd ever imagined. The first in a brand-new series introducing a wonderfully eccentric sleuth, perfect for fans of S.J. Bennett and Richard Coles.

The Inner Temple, 1901: a warren of shaded courtyards and ancient buildings that has formed the heart of legal London for hundreds of years. A place where tradition is everything, the police enter only by consent, and murder is only to be found in the case archives. Until now… At precisely two minutes to seven every morning, Gabriel Ward KC steps out of his rooms in the Inner Temple, presses his oak front door three times to ensure it is locked, and walks to his office to begin his day. Except for today. Today, the dead body of the Lord Chief Justice of England, immaculately clad in evening dress except for his bare feet, is lying on his doorstep – with one of the silver Temple carving knives sticking out of his chest. As rumour and gossip fly round the chambers and the press set up camp outside the gates, an internal investigation is ordered by the head of the Temple, who coerces a very unwilling Gabriel into taking charge. Paired with the eager young Constable Wright, he must draw on every bit of his legal training to solve the case – but not before he discovers that there are more surprising, and sometimes sinister, secrets hiding behind those heavy oak doors than he'd ever imagined. The first in a brand-new series introducing a wonderfully eccentric sleuth, perfect for fans of S.J. Bennett and Richard Coles.

Before the nightmare, Yeong-hye and her husband lived an ordinary life. But when splintering, blood-soaked images start haunting her thoughts, Yeong-hye decides to purge her mind and renounce eating meat. In a country where societal mores are strictly obeyed, Yeong-hye's decision to embrace a more “plant-like” existence is a shocking act of subversion. And as her passive rebellion manifests in ever more extreme and frightening forms, scandal, abuse, and estrangement begin to send Yeong-hye spiraling deep into the spaces of her fantasy. In a complete metamorphosis of both mind and body, her now dangerous endeavor will take Yeong-hye—impossibly, ecstatically, tragically—far from her once-known self altogether.