A queer, gothic horror romance set in a necromancy-tinged London, sure to entrance fans of The Death of Jane Lawrence and Mexican Gothic. London, December 1849­ Irene Shallcross Haley has dedicated her life to necromancy, a forbidden, reviled art that is passed along through sentient grimoires bound in human skin. With her undead husband St. John—a marriage of kindred spirits and platonic convenience—she has been protecting the knowledge of generations of witches that came before her. Like any magic, it has come at a cost: her reputation, her relationship with her sister, and her soul. But when Irene’s love, Agnes, is hanged for witchcraft, Irene refuses to let Agnes be one more thing that is taken from her. A true resurrection has not been achieved in two thousand years, but Irene is determined. With the help of St. John, Irene bangs on the doors of the Halls of the Dead, demanding the third part of their triumverate back…or did she? Because the Agnes that awakens comes with both a hunger for raw flesh and a malignant ghost tied to her soul. Necromancy is the art of saying no—no, I won't let you go; no, I won't let you be destroyed—and Irene’s work is not yet done. She must find a way to bring Agnes back to her true self, she must navigate her feelings for her resurrected lover as well as St. John, and she must do all of this without catching the attention of Sir Silas Underhill, the man who sentenced Agnes to death. Death is not the end of love. But Irene may realize it can actually be the beginning. 

You are not a hero.You don't get your True Love.This is the part where you lose everything.This is the part where you rewrite your story.After losing everything in service to the Evil Queen, and driven to the edge of sanity by a cruel narrator who won't let him die, Hansel must bring himself to do the impossible: forge his own destiny or give up on his Happily Ever After.For fans of T. Kingfisher's THORNHEDGE and Tamsyn Muir's HARROW THE NINTH, comes a story crafted by S. M. Hallow. Twining together a dark fairy tale retelling with mental health and disability representation plus queer normative world-building splashed with a cozy horror game vibe, HOW TO SURVIVE THIS FAIRYTALE is rewriting Happily Ever Afters.

You are not a hero.You don't get your True Love.This is the part where you lose everything.This is the part where you rewrite your story.After losing everything in service to the Evil Queen, and driven to the edge of sanity by a cruel narrator who won't let him die, Hansel must bring himself to do the impossible: forge his own destiny or give up on his Happily Ever After.For fans of T. Kingfisher's THORNHEDGE and Tamsyn Muir's HARROW THE NINTH, comes a story crafted by S. M. Hallow. Twining together a dark fairy tale retelling with mental health and disability representation plus queer normative world-building splashed with a cozy horror game vibe, HOW TO SURVIVE THIS FAIRYTALE is rewriting Happily Ever Afters.

Plagued by a war between magic and technology, Atlanta has never been so deadly. Good thing Kate Daniels is on the job. Kate Daniels may have quit the Order of Merciful Aid, but she’s still knee-deep in paranormal problems. Or she would be if she could get someone to hire her. Starting her own business has been more challenging than she thought it would be—now that the Order is disparaging her good name, and many potential clients are afraid of getting on the bad side of the Beast Lord, who just happens to be Kate’s mate. So when Atlanta’s premier Master of the Dead calls to ask for help with a vampire on the loose, Kate leaps at the chance of some paying work. Turns out this is not an isolated incident, and Kate needs to get to the bottom of it—fast, or the city and everyone dear to her might pay the ultimate price . . .

“ Downton Abbey meets Gangs of New York …a gem of a novel to be inhaled in one gulp” (Kate Quinn, New York Times bestselling author) about a devoted maid whose secretive world is about to be ripped apart at the seams—a lush and evocative debut set in 19th-century New York that’s perfect for fans of Sarah Waters’s Fingersmith and Emma Donoghue’s Slammerkin . By day, Mary Ballard is dutiful lady’s maid to Charlotte Walden, a wealthy and accomplished belle of New York City high society. But Charlotte would never trust Mary again if she knew the truth about her devoted servant’s past. On her nights off, Mary sheds her persona as prim and proper lady’s maid to reveal her true self—Irish exile Maire O’Farren. She finds release from her frustration in New York’s gritty underworld—in the arms of a prostitute and as drinking companion to a decidedly motley crew consisting of members of a dangerous secret society. Meanwhile, Charlotte has a secret of her own—she’s having an affair with a stable groom, unaware that her lover is actually Mary’s own brother. When the truth of both women’s double lives begins to unravel, Mary is left to face the consequences. Forced to choose between loyalty to her brother and loyalty to Charlotte, between society’s respect and true freedom, Mary finally learns that her fate lies in her hands alone. A captivating historical fiction of 19th century upstairs/downstairs New York City, The Parting Glass examines sexuality, race, and social class in ways that feel startlingly familiar and timely. A perfectly paced, romantically charged “story of the sumptuous world of the privileged and the precarious, difficult environs of the immigrant working poor is highlighted by vibrant characters and a well-paced plot, which will pull readers into the tangled tale” ( Publishers Weekly ).

1943, San Francisco. In a city overrun by corruption, sticking to the shadows is the safest option, especially for patrons of gay bars like Whiskers, Duke’s, and the Hot Spot. But when city officials have a personal score to settle, even the shadows are dangerous. Join Detective Molly Malone on her first queer noir adventure as she faces deadly stakes that threaten her friends and family.

From the acclaimed author of Chef's Kiss and A Gentleman's Gentleman comes a riotous Regency romp, featuring a charming and unforgettable bigender lead.It is a truth universally acknowledged that a single noblewoman who has lost her fortune (no thanks to her father’s terrible business dealings) must be in need (not want) of a husband.It’s the end of the 1820 London season, King George III is dead, and there are no suitable suitors in sight. Beautiful, cunning, formerly wealthy Verbena Montrose must devise a new plan to secure a position for herself and save her odious family from abject poverty. Fortunately, what she lacks in a dowry, she makes up for in the currency of gossip. When she hears an alarming rumor about her very dear, very queer friend Etienne that could put him at risk of ruin (or worse), she comes to his aid with a proposal—for a marriage of convenience, that is. But when Verbena discovers that a mysterious poet by the name of Flora Witcombe has been gaining popularity and publishing poems that hint she is onto their scheme, Verbena has no choice but to pretend to be a poet herself to confront her in a local salon. And—unexpectedly—be charmed by her.Flora agrees to rectify the issue she’s caused, not least of all because she’s terrified by and smitten with Verbena in equal measure. After all, she holds a secret of her she is also William Forsyth, a struggling fiction writer and fifth son of a minor noble family. And if circumstances don’t allow Flora to woo Verbena, perhaps William will. Faced with two suitors and a fiancé, Verbena, who has always had to know everything about everyone to survive in society, may need to learn more about herself to discover whether true happiness actually lies outside of society’s constraints.

Award-winning author Malinda Lo returns to the Bay Area with another masterful coming-of-queer-age story, this time set against the backdrop of the first major Supreme Court decisions legalizing gay marriage. And almost sixty years after the end of Last Night at the Telegraph Club, Lo's new novel also offers a glimpse into Lily and Kath's lives since 1955. Aria Tang West was looking forward to a summer on Martha's Vineyard with her best friends—one last round of sand and sun before college. But after a graduation party goes wrong, Aria's parents exile her to California to stay with her grandmother, artist Joan West. Aria expects boredom, but what she finds is Steph Nichols, her grandmother's gardener. Soon, Aria is second-guessing who she is and what she wants to be, and a summer that once seemed lost becomes unforgettable—for Aria, her family, and the working-class queer community Steph introduces her to. It's the kind of summer that changes a life forever.

Mr. Darcy got his happily ever after in Pride and Prejudice, and now it’s his sister’s turn in this swoony queer romance, perfect for fans of Bridgerton. Georgiana Darcy has only ever kissed one girl before, and the resulting blackmail almost ruined her reputation. Since then, she’s carefully calibrated her life to be as quiet as possible, focusing on books and music. She certainly isn’t planning on falling in love with another girl. But then she meets Kitty Bennet, and everything is thrown off kilter. After a moonlit kiss shifts their newfound friendship into something more, Georgiana follows Kitty to the Bennets’ home. The visit proves ill-timed when she encounters the one man who knows her secret and threatened her with it before. Terrified of testing the limits of her family’s love and of putting Kitty in danger, Georgiana doesn’t know if there’s any chance of a happy ending. Every etiquette guide she’s ever read makes it clear that if she wants to protect her family name, Georgiana must pretend her heart follows society’s accepted rhythm. Unless, with a little help from those who understand how it feels, she can compose the future she and Kitty both deserve.