Lo único peor que no tener empleo es tenerlo. Una novela afilada y salvaje sobre lo que queda de nosotros fuera de la oficina. El descontento es la historia de Marisa, una mujer en la treintena que vive anestesiada mediante orfidales y vídeos de Youtube para soportar las rutinas y pesares de su día a día en una agencia de publicidad. Tan solo acude a la oficina para ahorrar dinero en aire acondicionado durante el sofocante agosto madrileño. Marisa odia el trabajo. Sin embargo, no puede dejarlo: le gustan demasiado las cosas bonitas. La semana previa a un team building organizado por su empresa, la ansiedad de Marisa se dispara; compartir un fin de semana entero con sus compañeros de oficina le resulta insoportable, y el recuerdo enterrado de una tragedia ocurrida en la oficina tiempo atrás vuelve para atormentarla. A medida que pasan los días, su máscara social, tan cuidada y pulida a lo largo de los años, se irá resquebrajando hasta hacerlo volar todo por los aires. Esta es una novela sobre las crisis vividas por cualquier persona que trabaja. Sobre la soledad, la necesidad de vínculos y conexiones y de encontrar la chispa para no tirarse delante de un autobús un lunes por la mañana.

Robert Neville is the last living man on Earth... but he is not alone. Every other man, woman and child on the planet has become a vampire, and they are hungry for Neville's blood. By day he is the hunter, stalking the undead through the ruins of civilisation. By night, he barricades himself in his home and prays for the dawn. How long can one man survive like this?

"Using the techniques of both the fabulist and the polemicist, Parsipur continues her protest against traditional Persian gender relations in this charming, powerful novella." —Publishers Weekly This modern literary masterpiece follows the interwoven destinies of five women—including a wealthy middle-aged housewife, a prostitute, and a schoolteacher—as they arrive by different paths to live together in an abundant garden on the outskirts of Tehran. Drawing on elements of Islamic mysticism and recent Iranian history, this unforgettable novel depicts women escaping the narrow confines of family and society, and imagines their future living in a world without men.

Fleeing a nameless war, an unknown soldier emerges from deep within the Mediterranean scrubland, dirty and exhausted. A chance meeting forces him to rethink his journey, and the price he puts on a life. On 11 September 2001, aboard a small cruise ship on the River Havel near Berlin, a conference of scientists pays homage to the late East German mathematician Paul Heudeber, a Buchenwald survivor and steadfast antifascist who remained loyal to his side of the Berlin Wall despite the collapse of the Communist utopia, unaware that a new era of violence is about to descend. Out of the tension between these narratives, everything that is at stake in times of conflict – in love as in politics – comes to commitment and betrayal, loyalty and lucidity, hope and survival. Superbly translated by Charlotte Mandell, this latest work from Mathias Enard vividly lays bare the devastations of war on the most intimate aspects of our lives.

Winner of the 1921 Pulitzer Prize, The Age of Innocence is Edith Wharton’s masterful portrait of desire and betrayal during the sumptuous Golden Age of Old New York, a time when society people “dreaded scandal more than disease.” This is Newland Archer’s world as he prepares to marry the beautiful but conventional May Welland. But when the mysterious Countess Ellen Olenska returns to New York after a disastrous marriage, Archer falls deeply in love with her. Torn between duty and passion, Archer struggles to make a decision that will either courageously define his life—or mercilessly destroy it.

"Using the techniques of both the fabulist and the polemicist, Parsipur continues her protest against traditional Persian gender relations in this charming, powerful novella." —Publishers Weekly This modern literary masterpiece follows the interwoven destinies of five women—including a wealthy middle-aged housewife, a prostitute, and a schoolteacher—as they arrive by different paths to live together in an abundant garden on the outskirts of Tehran. Drawing on elements of Islamic mysticism and recent Iranian history, this unforgettable novel depicts women escaping the narrow confines of family and society, and imagines their future living in a world without men.

A haunting, virtuosic debut novel about two young men who fall in love during a time of war. It's 1914, and World War I is ceaselessly churning through thousands of young men on both sides of the fight. The violence of the front feels far away to Henry Gaunt, Sidney Ellwood and the rest of their classmates, safely ensconced in their idyllic boarding school in the English countryside. News of the heroic deaths of their friends only makes the war more exciting. Gaunt, half German, is busy fighting his own private battle--an all-consuming infatuation with his best friend, the glamorous, charming Ellwood--without a clue that Ellwood is pining for him in return. When Gaunt's family asks him to enlist to forestall the anti-German sentiment they face, Gaunt does so immediately, relieved to escape his overwhelming feelings for Ellwood. To Gaunt's horror, Ellwood rushes to join him at the front, and the rest of their classmates soon follow. Now death surrounds them in all its grim reality, often inches away, and no one knows who will be next. An epic tale of both the devastating tragedies of war and the forbidden romance that blooms in its grip, In Memoriam is a breathtaking debut.

Amélie Nothomb en plena un elogio de la lectura nada trivial, nada previsible y, sobre todo, nada inocente. Ange tiene diecinueve años, vive en Bruselas y estudia filología. Para ganarse algún dinero, decide comenzar a impartir clases particulares de literatura a un adolescente de dieciséis años llamado Pie. Según su despótico padre, el chico es disléxico y tiene problemas de comprensión lectora. Sin embargo, el problema real parece ser que odia los libros tanto como a sus padres. Lo que a él le apasiona son las matemáticas y, por encima de todo, los zepelines. Ange le va proporcionando lecturas a su alumno, mientras el padre espía clandestinamente las sesiones. De entrada, los libros propuestos no generan más que rechazo en Pie. Pero poco a poco Rojo y negro, La Ilíada, La Odisea, La Princesa de Clèves, El diablo en el cuerpo, La metamorfosis, El idiota… empiezan a surtir efecto y despiertan preguntas e inquietudes. Y poco a poco, la relación entre la joven maestra y su más joven discípulo se estrecha hasta que el vínculo entre ambos se transforma. La literatura ejerce una fuerza, como el gas que permite que los pesados zepelines se eleven y floten livianos en el cielo. Aunque la misma energía que posibilita esta elevación resulta ser altamente explosiva y peligrosa... La novela número veintinueve de Amélie Nothomb es una suerte de elogio a la lectura, pero nada trivial, nada previsible y sobre todo nada inocente.

alternate cover can be found here Sumire is in love with a woman seventeen years her senior. But whereas Miu is glamorous and successful, Sumire is an aspiring writer who dresses in an oversized second-hand coat and heavy boots like a character in a Kerouac novel. Sumire spends hours on the phone talking to her best friend K about the big questions in life: what is sexual desire, and should she ever tell Miu how she feels for her? Meanwhile K wonders whether he should confess his own unrequited love for Sumire. Then, a desperate Miu calls from a small Greek island: Sumire has mysteriously vanished...

A debut linked story collection of gritty, streetwise, and wickedly funny fiction from Mexico. Life’s a bitch. That’s why you gotta rattle her cage, even if she’s foaming at the mouth. In the linked stories of Reservoir Bitches, thirteen Mexican women prod the bitch that is Life as they fight, sew, skirt, cheat, cry, and lie their way through their tangled circumstances. From the all-powerful daughter of a cartel boss to the victim of transfemicide, from a houseful of spinster seamstresses to a socialite who supports her politician husband by faking Indigenous roots, these women spit on their own reduction and invent new ways to survive, telling their stories in bold, unapologetic voices. At once social critique and black comedy, Reservoir Bitches is a raucous debut from one of Mexico’s most thrilling new writers.

A debut linked story collection of gritty, streetwise, and wickedly funny fiction from Mexico. Life’s a bitch. That’s why you gotta rattle her cage, even if she’s foaming at the mouth. In the linked stories of Reservoir Bitches, thirteen Mexican women prod the bitch that is Life as they fight, sew, skirt, cheat, cry, and lie their way through their tangled circumstances. From the all-powerful daughter of a cartel boss to the victim of transfemicide, from a houseful of spinster seamstresses to a socialite who supports her politician husband by faking Indigenous roots, these women spit on their own reduction and invent new ways to survive, telling their stories in bold, unapologetic voices. At once social critique and black comedy, Reservoir Bitches is a raucous debut from one of Mexico’s most thrilling new writers.

Narrada desde una singular y desgarradora voz en primera persona, La mala costumbre recorre la adolescencia de una niña atrapada en un cuerpo que no sabe habitar, que intenta comprenderse a sí misma y al mundo en el que vive, desde su infancia en una familia de clase obrera en el barrio de San Blas, arrasado por la heroína en los años ochenta, hasta las noches clandestinas en el centro de Madrid de los noventa. Como en una versión bastarda del viaje del héroe, yonquis, divas pop y ángeles caídos la acompañan en un viaje vital en el que, al final, serán otras mujeres quienes le ayuden a superar la violencia que encuentra a cada paso. La mala costumbre es una novela cruda y feroz, pero también poética y conmovedora, en la que los extremos se tocan para mostrarnos por qué el resentimiento y la rabia contra el sistema son completamente válidos para sobrevivir en una sociedad que no acepta a los que son diferentes.