Linus Baker is a by-the-book case worker in the Department in Charge of Magical Youth. He's tasked with determining whether six dangerous magical children are likely to bring about the end of the world. Arthur Parnassus is the master of the orphanage. He would do anything to keep the children safe, even if it means the world will burn. And his secrets will come to light. The House in the Cerulean Sea is an enchanting love story, masterfully told, about the profound experience of discovering an unlikely family in an unexpected place—and realizing that family is yours.

Never before has the world seen such a princess. Nor have her own subjects, for that matter. Mia's royal introduction to Genovia has mixed results: while her fashion sense is widely applauded, her position on the installation of public parking meters is met with resistance. But the politics of bureaucracy are nothing next to Mia's real troubles. Between canceled dates with her long—sought—after royal consort, a second semester of the dreaded Algebra, more princess lessons from Grandmère as a result of the Genovian parking—meter thing, and the inability to stop gnawing on her fingernails, isn't there anything Mia is good at besides inheriting an unwanted royal title?

From the author of the international bestseller Life of Pi, a brilliant retelling of the Trojan War from two commoners: an ancient soldier and a modern scholar. Homer’s Iliad and Odyssey were not the only ancient tales of the Trojan War. In Son of Nobody, Yann Martel composes a new the Psoad, an epic in free verse that follows a goatherd’s son, Psoas of Midea, who leaves his wife and family to fight at Troy. Psoas meets his doom and the poem of his life is lost—until a Canadian academic studying at Oxford, Harlow Donne, discovers its relics thirty centuries later. As Harlow assembles and comments on the fragments in footnotes, he retrieves memories of his wife and daughter and grapples with questions of ambition, family, and responsibility in both the ancient and modern worlds. Son of Nobody upends the regal perspective of traditional epics and shows that “the past is never done with, that always there are parallels and returns and repetitions, always the song continues.” Readers of Madeline Miller’s The Song of Achilles and Emily Wilson’s The Iliad will revel in this breathtaking feat of the imagination.

One body. Five suspects. Total darkness. A tense, claustrophobic historical mystery set almost entirely underground at the onset of the Great Depression about the discovery of a 150-foot waterfall in the middle of a mountain, the unthinkable crime that happens in its caves, and a woman who’s never felt more alive.    In 1928, a Chattanooga man disappears down a hole in the ground and discovers a 150-foot waterfall in the middle of a mountain that he names after his Ruby Falls. Within months, visitors can buy tickets to see the falls for themselves. Ada Smith has been sneaking into the caves at night, entranced by the natural wonders around her and the freedom granted by this new underground world. But it’s tough timing for a natural wonder. As the country flounders in the Great Depression, a shrewd public relations ploy seems like the only way to save Ruby Falls. A famous mind reader and mystic agrees to launch himself into the Ruby Falls caverns where he will attempt to locate a hidden hatpin using only his psychic abilities. He'll be joined by five his manager, his wife, a guide, a Chattanooga businessman, and a reporter from the Chicago Times. But they’re not alone in the caverns. Ada and another guide, Quinton, have been asked to follow the mind reader’s party at a distance, staying out of sight. They are a safety net, in case of a broken leg or busted flashlights. One of them will be dead before the end of the day. Faced with a corpse and the stark reality that one of the people in her midst is a killer, Ada needs to get everyone—the murderer and the innocents—back aboveground before their light runs out. Ruby Falls is both a unique twist on the locked-room mystery and an exploration of loss and what it means to start over. It’s a heart-racing story of survival and a testament to the threads that bind strangers together. Set against the true story of the discovery of Ruby Falls, the novel also draws on the memoirs of Katie Stabler, a female guide at Wind Caves in South Dakota.

Linus Baker is a by-the-book case worker in the Department in Charge of Magical Youth. He's tasked with determining whether six dangerous magical children are likely to bring about the end of the world. Arthur Parnassus is the master of the orphanage. He would do anything to keep the children safe, even if it means the world will burn. And his secrets will come to light. The House in the Cerulean Sea is an enchanting love story, masterfully told, about the profound experience of discovering an unlikely family in an unexpected place—and realizing that family is yours.

A twisty thriller about a young woman trying to solve her own murder. In seven days Jet Mason will be dead. Jet is the daughter of one of the wealthiest families in Woodstock, Vermont. Twenty-seven years old, she’s still waiting for her life to begin. I’ll do it later, she always says. She has time. Until Halloween night, when Jet is violently attacked by an unseen intruder. She suffers a catastrophic head injury. The doctor is certain that within a week, the injury will trigger a deadly aneurysm. Jet has never thought of herself as having enemies. But now she looks at everyone in a new light: her family, her former best friend turned sister-in-law, her ex-boyfriend. She has at most seven days, and as her condition deteriorates she has only her childhood friend Billy for help. But nevertheless, she’s absolutely determined to finally finish something: Jet is going to solve her own murder.

Linus Baker is a by-the-book case worker in the Department in Charge of Magical Youth. He's tasked with determining whether six dangerous magical children are likely to bring about the end of the world. Arthur Parnassus is the master of the orphanage. He would do anything to keep the children safe, even if it means the world will burn. And his secrets will come to light. The House in the Cerulean Sea is an enchanting love story, masterfully told, about the profound experience of discovering an unlikely family in an unexpected place—and realizing that family is yours.

Could you survive on your own in the wild, with every one out to make sure you don't live to see the morning? In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and one girl between the ages of twelve and eighteen to participate in the annual Hunger Games, a fight to the death on live TV. Sixteen-year-old Katniss Everdeen, who lives alone with her mother and younger sister, regards it as a death sentence when she steps forward to take her sister's place in the Games. But Katniss has been close to dead before—and survival, for her, is second nature. Without really meaning to, she becomes a contender. But if she is to win, she will have to start making choices that weight survival against humanity and life against love.

Alice, a novelist, meets Felix, who works in a warehouse, and asks him if he’d like to travel to Rome with her. In Dublin, her best friend, Eileen, is getting over a break-up and slips back into flirting with Simon, a man she has known since childhood. Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get together, they break apart. They have sex, they worry about sex, they worry about their friendships and the world they live in. Are they standing in the last lighted room before the darkness, bearing witness to something? Will they find a way to believe in a beautiful world?

Two writers compete for the chance to tell the larger-than-life story of a woman with more than a couple of plot twists up her sleeve in this dazzling and sweeping new novel from Emily Henry. Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.