From New York Times bestselling author J.T. Ellison comes a twisted psychological thriller about the bonds of family and the disconnect between memory and the truth. Come here. Come closer. Halley James knows her marriage is over. But she’s not prepared for the rest of her life to fall apart too. No one can hear you. No one can help you. She just lost her job at the forensics lab. Her dad needs emergency surgery. But the biggest blow comes back home in Marchburg, Virginia, where she discovers her mother didn’t actually die in a car crash. Her mom was murdered—and her father lied about it all these years. I have nothing to hide from you. Are you hiding something from me? Since she was six years old, it’s been Halley and her dad. Now, she doesn’t know what to believe. Desperate for the truth, Halley chases down a lead in Brockville, Tennessee. But all there is not as it seems. Brockville’s utopian charm hides a chilling darkness. And Halley’s search for answers threatens to expose an unspeakable reality.

A traditional American woman, a beautiful wife and mother who sells her pioneer lifestyle of raw milk and farm-fresh eggs to her millions of social media followers, suddenly awakens cold, filthy, and terrified in the brutal reality of 1805—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the Republican equivalent of a Kennedy? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a brutal reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Secrets. Lies. Murder. Let the festivities begin... It’s the opening night of The Manor, and no expense, small or large, has been spared. The infinity pool sparkles; crystal pouches for guests’ healing have been placed in the Seaside Cottages and Woodland Hutches; the “Manor Mule” cocktail (grapefruit, ginger, vodka, and a dash of CBD oil) is being poured with a heavy hand. Everyone is wearing linen. But under the burning midsummer sun, darkness stirs. Old friends and enemies circulate among the guests. Just outside the Manor’s immaculately kept grounds, an ancient forest bristles with secrets. And the Sunday morning of opening weekend, the local police are called. Something’s not right with the guests. There’s been a fire. A body’s been discovered. THE FOUNDER * THE HUSBAND * THE MYSTERY GUEST * THE KITCHEN HELP It all began with a secret, fifteen years ago. Now the past has crashed the party. And it’ll end in murder at… The Midnight Feast.

From New York Times bestselling author J.T. Ellison comes a twisted psychological thriller about the bonds of family and the disconnect between memory and the truth. Come here. Come closer. Halley James knows her marriage is over. But she’s not prepared for the rest of her life to fall apart too. No one can hear you. No one can help you. She just lost her job at the forensics lab. Her dad needs emergency surgery. But the biggest blow comes back home in Marchburg, Virginia, where she discovers her mother didn’t actually die in a car crash. Her mom was murdered—and her father lied about it all these years. I have nothing to hide from you. Are you hiding something from me? Since she was six years old, it’s been Halley and her dad. Now, she doesn’t know what to believe. Desperate for the truth, Halley chases down a lead in Brockville, Tennessee. But all there is not as it seems. Brockville’s utopian charm hides a chilling darkness. And Halley’s search for answers threatens to expose an unspeakable reality.

A magnificent new novel from the bestselling, award-winning author of An American Marriage—Tayari Jones has written an unforgettable novel that sparkles with wit and intelligence and deep feeling about two lifelong friends whose worlds converge after many years apart in the face of a devastating tragedyVernice and Annie, two motherless daughters raised in Honeysuckle, Louisiana, have been best friends and neighbors since earliest childhood, but are fated to live starkly different lives. Raised by a fierce aunt determined to give her a stable home in the wake of her mother’s death, Vernice leaves Atlanta at eighteen for Spelman College, where she joins a sisterhood of powerfully connected Black women and marries into an affluent family. Annie, abandoned by her dissolute mother as a child, and fixated on the idea of finding her and filling the bottomless hole left by her absence, sets off on a journey that will take her into a world of peril and adversity, as well as love and adventure, and culminate in a battle for her life.A novel about mothers and daughters, about friendship and sisterhood, and the complexities of being a woman in the American South, Kin is an exuberant, emotionally rich, unforgettable work from one of the brightest and most irresistible voices in contemporary fiction.

Alice, a novelist, meets Felix, who works in a warehouse, and asks him if he’d like to travel to Rome with her. In Dublin, her best friend, Eileen, is getting over a break-up and slips back into flirting with Simon, a man she has known since childhood. Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get together, they break apart. They have sex, they worry about sex, they worry about their friendships and the world they live in. Are they standing in the last lighted room before the darkness, bearing witness to something? Will they find a way to believe in a beautiful world?

Linus Baker is a by-the-book case worker in the Department in Charge of Magical Youth. He's tasked with determining whether six dangerous magical children are likely to bring about the end of the world. Arthur Parnassus is the master of the orphanage. He would do anything to keep the children safe, even if it means the world will burn. And his secrets will come to light. The House in the Cerulean Sea is an enchanting love story, masterfully told, about the profound experience of discovering an unlikely family in an unexpected place—and realizing that family is yours.

Never before has the world seen such a princess. Nor have her own subjects, for that matter. Mia's royal introduction to Genovia has mixed results: while her fashion sense is widely applauded, her position on the installation of public parking meters is met with resistance. But the politics of bureaucracy are nothing next to Mia's real troubles. Between canceled dates with her long—sought—after royal consort, a second semester of the dreaded Algebra, more princess lessons from Grandmère as a result of the Genovian parking—meter thing, and the inability to stop gnawing on her fingernails, isn't there anything Mia is good at besides inheriting an unwanted royal title?

From the author of the international bestseller Life of Pi, a brilliant retelling of the Trojan War from two commoners: an ancient soldier and a modern scholar. Homer’s Iliad and Odyssey were not the only ancient tales of the Trojan War. In Son of Nobody, Yann Martel composes a new the Psoad, an epic in free verse that follows a goatherd’s son, Psoas of Midea, who leaves his wife and family to fight at Troy. Psoas meets his doom and the poem of his life is lost—until a Canadian academic studying at Oxford, Harlow Donne, discovers its relics thirty centuries later. As Harlow assembles and comments on the fragments in footnotes, he retrieves memories of his wife and daughter and grapples with questions of ambition, family, and responsibility in both the ancient and modern worlds. Son of Nobody upends the regal perspective of traditional epics and shows that “the past is never done with, that always there are parallels and returns and repetitions, always the song continues.” Readers of Madeline Miller’s The Song of Achilles and Emily Wilson’s The Iliad will revel in this breathtaking feat of the imagination.