It has Hikaru’s face. It has Hikaru’s voice. It even has Hikaru’s memories. But whatever came down from the mountains six months ago isn’t Yoshiki’s best friend. Whatever it is, it’s dangerous. Carrying on at school and hanging out as if nothing has changed―as if Hikaru isn’t gone―would be crazy...but when it looks so very like Hikaru...and acts so very like Hikaru...

A devastating love story. A bewitching twist on history. A blood-drenched hunt for purpose, power, and redemption. In 1785, Professor Sebastian Grave receives the news he fears most: the terrible Beast of Gévaudan has returned, and the French countryside runs red in its wake. Sebastian knows the Beast. A monster-slayer with centuries of experience, he joined the hunt for the creature twenty years ago and watched it slaughter its way through a long and bloody winter. Even with the help of his indwelling demon, Sarmodel – who takes payment in living hearts – it nearly cost him his life to bring the monster down. Now, two decades later, Sebastian has been recalled to the hunt by Antoine Avenel d’Ocerne, an estranged lover who shares a dark history with the Beast and a terrible secret with Sebastian. Drawn by both the chance to finish the Beast for good and the promise of a reconciliation with Antoine, Sebastian cannot refuse. But Gévaudan is not as he remembers it, and Sebastian’s unfinished business is everywhere he looks. Years of misery have driven the people to desperation, and France teeters on the edge of revolution. Sebastian’s arcane activities – not to mention his demonic counterpart – have also attracted the inquisitorial eye of the French clergy. And the Beast is poised to close his jaws around them all and plunge the continent into war. Debut author Cameron Sullivan tears the heart out of history with this darkly entertaining retelling of the hunt for the Beast of Gévaudan. Lifting the veil on the hidden world behind our own, it reimagines the story of Europe, from Imperial Rome to Saint Jehanne d’Arc, the madness of Gilles de Rais and the first flickers of the French Revolution.

Emily Austin, the bestselling “queen of darkly quirky, endearingly flawed heroines” (Sarah Haywood, author of The Cactus), returns with a luminous new novel following a librarian who comes back to work after a mental breakdown only to confront book-banning crusaders in an empowering story of grief, love, and the power of libraries. Darcy’s life turned out better than she could have ever imagined. She is a librarian at the local branch, while her wife Joy runs a book binding service. Between the two of them, there is no more room on their shelves with their ample book collections, various knickknacks and bobbles, and dried bouquets. Rounding out their ideal life is two cats and a sun-soaked house by the lake. But when Darcy receives the news that her ex-boyfriend, Ben, has passed away, she spirals into a pit of guilt and regret, resulting in a mental breakdown and medical leave from the library. When she returns to work, she is met by unrest in her community, and protests surrounding intellectual freedom, resulting in a call for book bans and a second look at the branch’s upcoming DEI programs. Through the support of her community, colleagues, and the personal growth that results from examining her previous relationships, Darcy comes into her own agency and the truest version of herself. Is This a Cry for Help? not only offers a moving portrait of queer life after coming of age but also powerfully explores questions about sexuality, community, and the importance of libraries.

“A wonderful storyteller with a vibrant voice.”—New York Times  From the author of the cult classic Treasure Island!!!, a delightfully unhinged comedy following a woman as she attempts to exorcise the spirit of a dead corgi from her nephew and renegotiate the borders of her previously rational world  Rose Cutler defines herself by her exacting standards. As an anti-racist, Jewish secular feminist eco-warrior, she is convinced she knows the right way to do everything, including parent her six-year-old nephew Nathan. When Rose offers to look after him while his parents visit Mexico for a week, her brother and sister-in-law reluctantly agree, provided she understands the rules—routine, bedtime, homework—and doesn’t overstep. But when Rose’s Newfoundland attacks and kills a corgi at the park, Nathan starts acting barking, overeating, talking to himself. Rose mistakes this behavior as repressed grief over the corgi’s death, but Nathan insists he isn’t grieving, and the dog isn’t dead. Her soul leaped into his body, and now she’s living inside him. Now Rose must banish the corgi from her nephew before the week ends and his parents return to collect their child.   With the ferocious absurdity of Rachel Yoder’s Nightbitch and the dark, brazen humor of Melissa Broder’s Death Valley, The Hitch is a tantalizingly bizarre novel about loneliness, bad boundaries, and the ill-fated strategy of micromanaging everything and everyone around you. 

A teen social media star learns he can’t control everything in this delicious, queer graphic novel adaptation that relocates Jane Austen’s Emma to a modern-day high school in Queens, New York. Evan Horowitz has it beauty, brains, and a not-so-secret flair for matchmaking! An Insta influencer with a talent for makeup and a taste for romance, he’s no stranger to playing cupid for those hopelessly clueless in finding love. So when shy transfer student Natalia shuffles into school one day, Evan can’t help but get his hands messy! With so many matches to choose from, it’s not long before he sets a plan in motion for Natalia—much against the better judgement of his level-headed best friend, Davi. But he takes things too far, creating a web of drama that spirals out of his control. Can Evan learn to put the people closest to him before his misguided ambition? Or will he lose them and his own chance at romance, too? 

An atmospheric coming-of-age story about a young man's transformative year on his family’s struggling Icelandic cattle farm as he falls in love, discovers the purpose he’s been missing, and seeks to connect with his stoic father, who remains haunted by a tragic past. Growing up on his family’s cattle farm in western Iceland, young Orri has gained an appreciation for the beauty found in everyday things: the cavorting of a newborn calf, the return of birdsong after a long winter, the steadfast love of a good (or tolerably good) farm dog. But the outer world still beckons, so Orri leaves his no-nonsense Lithuanian Jewish mother and his taciturn father, Pabbi, to attend university in Reykjavík. Pabbi is no stranger to cycles of life and death, growth and destruction. He is pursued by the memory of a volcanic eruption and its aftermath, and so many years of hardscrabble farming have left their mark. Jaded, and no longer able to find joy in his way of life, Pabbi falls into a depression soon after Orri goes away to school. Orri, feeling adrift and aimless at the end of his first semester, comes home. For the first time, Pabbi allows Orri to help him run the farm. Despite their conflicting attitudes, Orri and Pabbi must learn to work together. Meanwhile, Orri meets a kindred spirit on the internet: Mihan, a part-time student. Over time—and countless texts and phone calls—their connection deepens. By year’s end, Orri must decide whether he wants to—or should—return to university, and what a future with Mihan would hold, if she’ll have him. With his signature blend of humor and tenderness, Nathaniel Ian Miller’s Red Dog Farm is about the bonds forged and tested between family, friends, and lovers—and the act of building a home, together.

The survivor of a brutal academy must exhume her own past in the first book in a new series from the international bestselling author of the Library Trilogy and the Broken Empire series.Set a thief to catch a thief. Set a monster to punish monsters. The Academy of Kindness exists to create agents of retribution, cast in the image of the Furies—known as the kindly ones—against whom even the gods hesitate to stand. Each year a hundred girls are sold to the Academy. Ten years later only three will emerge. The Academy’s halls run with blood. The few that survive its decade-long nightmare have been forged on the sands of the Wound Garden. They have learned ancient secrets amid the necrotic fumes of the Bone Garden. They leave its gates as avatars of vengeance, bound to uphold the oldest of laws. Only the most desperate would sell their child to the Kindnesses. But Rue … she sold herself. And now, a lifetime later, a long and bloody lifetime later, just as she has discovered peace, war has been brought to an old woman’s doorstep. That was a mistake.

An unforgettable and heartwarming book-club debut following a trans high school teacher from a small town in South Dakota who befriends the only other trans woman she knows: one of her students.Erica Skyberg is thirty-five years old, recently divorced—and trans. Not that she's told anyone yet. Mitchell, South Dakota, isn't exactly bursting with other trans women. Instead, she keeps to herself, teaching by day and directing community theater by night. That is, until Abigail Hawkes enters her orbit. Abigail is seventeen, Mitchell High’s resident political dissident and Only Trans Girl. It’s a role she plays faultlessly, albeit a little reluctantly. She's also annoyed by the idea of spending her senior year secretly guiding her English teacher through her transition. But Abigail remembers the uncertainty—and loneliness—that comes with it. Besides, Erica isn’t the only one struggling to shed the weight of others’ expectations. As their unlikely friendship evolves under the increasing scrutiny of their community, both women—and those closest to them—will come to realize that sometimes there is nothing more radical than letting the world see who you really are. Detransition Baby meets Fleishman is in Trouble in this remarkable debut novel from an incisive contemporary voice. A story about the awkwardness of growing up and the greatest love story of all, that between us and our friends, Woodworking is a tonic for the moment and a celebration of womanhood in all its multifaceted joy.

Something darker than the devil stalks the North Carolina woods in Wolf Worm, a new gothic masterpiece from New York Times bestselling author T. Kingfisher. The year is 1899 and Sonia Wilson is a scientific illustrator without work, prospects, or hope. When the reclusive Dr. Halder offers her a position illustrating his vast collection of insects, Sonia jumps at the chance to move to his North Carolina manor house and put her talents to use. But soon enough she finds that there are darker things at work than the Carolina woods. What happened to her predecessor, Halder’s wife? Why are animals acting so strangely, and what is behind the peculiar local whispers about “blood thiefs?” With the aid of the housekeeper and a local healer, Sonia discovers that Halder’s entomological studies have taken him down a dark road full of parasitic maggots that burrow into human flesh, and that his monstrous experiments may grow to encompass his newest illustrator as well.