Margaret Atwood meets Buffy in these funny, warm, and furious stories of women at their breaking points, from Hellenic times to today. Cassandra may have seen the future, but it doesn't mean she's resigned to telling the Trojans everything she knows. In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers. Gwen E. Kirby experiments with found structures--a Yelp review, a WikiHow article--which her fierce, irreverent narrators push against, showing how creativity within an enclosed space undermines and deconstructs the constraints themselves. When these women tell the stories of their triumphs as well as their pain, they emerge as funny, angry, loud, horny, lonely, strong protagonists who refuse be secondary characters a moment longer. From "The Best and Only Whore of Cym Hyfryd, 1886" to the "Midwestern Girl [who] is Tired of Appearing in Your Short Stories," Kirby is playing and laughing with the women who have come before her and they are telling her, we have always been this way. You just had to know where to look.

The contestants of a reality television dating show compete for love—and their lives—in this pulse-pounding and viciously funny fiction debut from the GLAAD Award-winning author of Real Queer America. When the final four women in competition for an aloof, if somewhat sleazy, bachelor's heart arrive on a mysterious island in the Pacific Northwest, they mentally prepare themselves for another week of extreme sleep deprivation, invasive interviews, and of course, the salacious drama that viewers nationwide tune in to eagerly devour. Each woman came on 'The Catch' for her own reasons—brand sponsorships, followers, and yes, even love—and they've all got their eyes steadfastly trained on their respective prizes. Enter Patricia, a temperamental, but woefully misunderstood local, living alone in the dark, verdant woods and desperate to forge a connection of her own. As the contestants perform for the cameras that surround them, Patricia watches from her place in the shadows, a queer specter haunting the bombastic display of heterosexuality before her. But when the cast and crew at last make her acquaintance atop the island's tallest and most desolate peak, they soon realize that if they're to have any hope of making it to the next Elimination Event, they'll first have to survive the night. A whirlwind romp careening toward a last-girl-standing conclusion and a scathing indictment of contemporary American media culture, Patricia Wants to Cuddle is also a love story: between star-crossed lesbians who rise above their intolerant town, a deeply ambivalent woman and her budding self-actualization, and a chosen family of misfit islanders forging community against all odds.

She spent two years in a time loop. Now she’s ready to solve a murder. And maybe grab a bagel. The Seven-Year Slip meets Vera Wong’s Unsolicited Advice for Murderers in this wholly original time loop mystery. For the past two years, Amie Teller has been stuck in a time loop. Each day, she wakes up and it’s September 17th. Same day, same weather, same people, same conversations. Until, one day, it’s September 18th, and Amie is free. Before she can celebrate, Amie learns her neighbor was murdered the day before—the day Amie has lived hundreds of times. Amie knows she has to help; nobody knows yesterday like she does. But acclimating to her new non-repeating life proves to be more difficult than expected. How does one resume their life after a time loop, anyway? Assisted by an ex-girlfriend who wants to make their friendship work, and a grumpy neighbor who spends his days building Rube Goldberg machines, Amie sets out to track down who killed (and killed and killed and killed) Savannah Harlow. Readers who love time loop novels, amateur sleuth mysteries, and original takes on classic tropes will love Out of the Loop.

A suffocating and sharp narrative horror novel for fans of Victor LaValle and The Reformatory, I’ll Watch Your Baby is a haunting reimagining of Linda Taylor -known as the original Welfare Queen - pursued, scrutinized, celebrated and vilified, and the impact her image has had for generations. 1974. Lottie Turner is already infamous. Running a wheel of schemes and scams, she’s willing to work for what she wants in…creative ways. But no business is more lucrative than desperate families looking to adopt a child—and there’s only one way to procure children quickly. And the only way to take what’s owed you is to cross the line no one else is willing to cross. 1994. Bless has finally found the family she deserved. After suffocating slowly with lackluster parents and a non-starter past, she’s found the friends that means everything to her. That she’d live and die for. As they make their way across the country, one smash and grab at a time, Bless is used to acting fast and thinking on her feet. But someone is playing a long game. Someone has unfinished business. Soon Bless is trapped in a web of horrors past and present, where the only escape hatch is a path only she can walk, if she finds the courage to take it.

An insanely competitive housing market. A desperate buyer on the edge. In Marisa Kashino’s darkly hilarious debut novel, Best Offer Wins, the white picket fence becomes the ultimate symbol of success—and obsession. How far would you go for the house of your dreams? Eighteen months and 11 lost bidding wars into house-hunting in the overheated Washington, DC suburbs, 37-year-old publicist Margo Miyake gets a tip about the perfect house, in the perfect neighborhood, slated to come up for sale in one month. Desperate to escape the cramped apartment she shares with her husband Ian—and in turn, get their marriage, plan to have a baby, and whole life back on track—Margo becomes obsessed with buying the house before it’s publicly listed and the masses descend (with unbeatable, all-cash offers in hand). A little stalking? Harmless. A bit of trespassing? Necessary. As Margo infiltrates the homeowners’ lives, her tactics grow increasingly unhinged—but just when she thinks she’s won them over, she hits a snag in her plan. Undeterred, Margo will prove again and again that there’s no boundary she won’t cross to seize the dream life she’s been chasing. The most unsettling part? You’ll root for her, even as you gasp in disbelief. Dark, biting, and laugh-out-loud funny, Best Offer Wins is a propulsive debut and a razor-sharp exploration of class, ambition, and the modern housing crisis.

Meet Vanessa Cordero. A cynic with a colorful past. You see, in college, Vanessa devised a profitable side gig: For a reasonable fee, she’d date your latest crush...and make his life miserable. Too clingy? Check. Jealous? Check. A mother's worst nightmare? Check, check, check. By the time Vanessa was done with him, your guy would be ready for...YOU. Meet Jason Torres. A certified commitment-phobe. Jason doesn't plan on getting married anytime soon (if ever), much to his mother’s dismay. What he needs is a temporary girlfriend. A totally inappropriate girlfriend. Someone his mother will hate. So she'll abandon her hopes of getting Jason to the altar—for a while at least. Enter Lisa, Vanessa's younger sister. She's got her eye on Jason and convinces Vanessa to come out of retirement for one last starter ex engagement. The rules are simple: no touching, no fooling around, and definitely no falling in love. But nothing's going according to plan. Because Vanessa can't ditch Jason no matter how hard she tries. And the longer these two are around each other, the more neither of them wants to be apart.

A smart, tender, vivacious romantic comedy about mistaken identities, the line between love and sex, and the way one night—and one person—can change your life forever. When it comes to love, Farzan Alavi is a disaster. After his most recent heartbreak, he’s drowning his sorrows at Kansas City’s newest wine bar. Only instead of being crowded between strangers, he’s escorted to a VIP table for one. There, the hot sommelier does more than treat him to the meal of his life. The way he flirts with Farzan ignites instant sparks. There’s just one problem: David Curtis thinks Farzan is Frank Allen, Kansas City’s most influential food critic. The truth only comes out after the two spend an unforgettably hot night together. Good news—both think the mix-up is hilarious. Bad news—David is studying to become a master sommelier and has no interest in a relationship. Neither expects their paths to cross again . . . until Farzan inherits his family’s bistro and needs David’s restaurant knowledge. The two agree to an exchange: David will answer Farzan’s questions, and Farzan will help David study for his test. Only business turns to pleasure when neither can ignore the attraction still sizzling between them. But with David set on moving after his test, and Farzan committed to his family’s restaurant, how can their relationship last past the expiration date?

A deeply-reported examination of why "doing what you love" is a recipe for exploitation, creating a new tyranny of work in which we cheerily acquiesce to doing jobs that take over our lives. You're told that if you "do what you love, you'll never work a day in your life." Whether it's working for "exposure" and "experience," or enduring poor treatment in the name of "being part of the family," all employees are pushed to make sacrifices for the privilege of being able to do what we love.In Work Won't Love You Back, Sarah Jaffe, a preeminent voice on labor, inequality, and social movements, examines this "labor of love" myth -- the idea that certain work is not really work, and therefore should be done out of passion instead of pay. Told through the lives and experiences of workers in various industries -- from the unpaid intern, to the overworked nurse, to the nonprofit worker and even the professional athlete -- Jaffe reveals how all of us have been tricked into buying into a new tyranny of work. As Jaffe argues, understanding the trap of the labor of love will empower us to work less and demand what our work is worth. And once freed from those binds, we can finally figure out what actually gives us joy, pleasure, and satisfaction.