The quest for perfection is exhausting and unrelenting. We spend too much precious time and energy managing perception and creating carefully edited versions of ourselves to show to the world. As hard as we try, we can't seem to turn off the tapes that fill our heads with messages like, Never good enough! and What will people think? Why? What fuels this unattainable need to look like we always have it all together? At first glance, we might think its because we admire perfection, but that's not the case. We are actually the most attracted to people we consider to be authentic and down-to-earth. We love people who are real; we're drawn to those who both embrace their imperfections and radiate self-acceptance. There is a constant barrage of social expectations that teach us that being imperfect is synonymous with being inadequate. Everywhere we turn, there are messages that tell us who, what, and how were supposed to be. So, we learn to hide our struggles and protect ourselves from shame, judgment, criticism, and blame by seeking safety in pretending and perfection. Based on seven years of ground-breaking research and hundreds of interviews, I Thought It Was Just Me shines a long-overdue light on an important truth: Our imperfections are what connect us to each other and to our humanity. Our vulnerabilities are not weaknesses; they are powerful reminders to keep our hearts and minds open to the reality that we're all in this together. As Dr. Brown writes, "We need our lives back. It's time to reclaim the gifts of imperfection - the courage to be real, the compassion we need to love ourselves and others, and the connection that gives true purpose and meaning to life. These are the gifts that bring love, laughter, gratitude, empathy and joy into our lives."

A soaring, propulsive, and unforgettably poignant novel about two zookeepers at the last zoo in the world, in the vein of Téa Obreht and Charlotte McConaghyCamille has always preferred animals to people. The wild has nearly disappeared, but as a zookeeper at the last zoo in the world, on Alcatraz Island, she spends her days caring for playful chimpanzees, gentle tree frogs, and a restless jaguar. Outside, resistance groups and brutal cartels fight to shape the world’s future, but Camille is safe within her routines. That is, until a new zookeeper, Sailor, arrives from Paris. From their first meeting, Camille is drawn to Sailor, who seems to see something in Camille that no one has before. They bond over their shared passions and dream up ways to improve their lives. When Sailor whispers the story of an idyllic, secret sanctuary where wild animals roam free, Camille begins to imagine a new kind of life with Sailor by her side. Sailor knows all too well the dangers beyond Alcatraz, but she increasingly chafes at the zoo’s rigid rules. She hatches a reckless plan to smuggle one of the most prized animals off the island to freedom, and invites Camille to join her. The consequences if they fail would be catastrophic, and Sailor’s contacts at the sanctuary go dark just as the threats from the cartels grow more extreme. Camille must decide if she’s ready to risk everything for the promise of a better world. Propulsive and fiercely hopeful, with a heart-stopping final twist, The Island of Last Things is an elegy for a disappearing world and a gorgeous vision for the future.

From Giller Prize and O. Henry Award winner Souvankham Thammavongsa comes a revelatory novel about loneliness, love, labor, and class, an intimate and sharply written book following a nail salon owner as she toils away for the privileged clients who don't even know her true name.“IliveinaworldofSusans.Igotnametagsforeveryonewhoworksatthisnailsalon,andoneveryoneisprintedthename "Susan." Ning is a retired boxer, but to the customers who visit her nail salon, she is just another worker named Susan. On this summer's day, much like any other, the Susans buff and clip and polish and tweeze. They listen and smile and nod. But beneath this superficial veneer, Ning is a woman of rigorous intellect and profound complexity. A woman enthralled by the intricacy and rhythms of her work, but also haunted by memories of paths not taken and opportunities lost. A woman navigating the complex power dynamics among her fellow Susans, whose greatest fears and desires lie just behind the gossip they exchange. As the day's work grinds on, the friction between Ning's two identities—as anonymous manicurist and brilliant observer of her own circumstances—will gather electric and crackling force, and at last demand a reckoning with the way the world of privilege looks at a woman like Ning. Told over a single day with razor-sharp precision and wit, Pick a Color confirms Souvankham Thammavongsa's place as literature's premier chronicler of the immigrant experience, in its myriad, complex, and slyly subversive forms.

The world we knew is gone. How many hours are in a day when you don't spend half of them watching television? When is the last time any of us really worked to get something we wanted? How long has it been since any of us really needed something that we wanted? The world of commerce and frivolous necessity has been replaced by a world of survival and responsibility. An epidemic of apocalyptic proportions has swept the globe, causing the dead to rise and feed on the living. In a matter of months society has crumbled: no government, no grocery stores, no mail delivery, no cable TV. In a world ruled by the dead, the survivors are forced to finally start living. Rick Grimes finds himself one of the few survivors in this terrifying future. A couple months ago he was a small town cop who had never fired a shot and only ever saw one dead body. Separated from his family, he must now sort through all the death and confusion to try and find his wife and son. Edition MSRP: $9⁹⁹ US (ISBN 978-1-58240-672-5) Printed in USA

"What if love isn't something you remember, but something you choose?" After a cycling accident leaves Jamie with no memory of the last three years, he wakes up in a London hospital to find a man faithfully waiting at his bedside. A man he vaguely remembers from a night out at a pub. A man who, according to his mother, is his fiancé. As Jamie struggles to piece together a life built on forgotten memories, Caleb is left holding the future they planned together and wondering whether love can survive when only one person remembers it. Drawn together by a connection neither of them can ignore, Jamie and Caleb must navigate grief, hope, heartbreak, and a chemistry that feels just as undeniable as it did the first time they fell in love. Told through both the past and present, The Way Home is an emotional MM romance about memory, healing, found family, and discovering that home is not an address, but the people who stay by your side when life falls apart.

'The ultimate Camp statement: it's good because it's awful.' These two classic essays were the first works of criticism to break down the boundaries between 'high' and 'low' culture, and made Susan Sontag a literary sensation. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Stevie Smith; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outerspace.

It has a dark past--one in which a number of humans were killed. A past that caused it to christen itself “Murderbot." But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks. Alternate cover of ISBN 9781250186928. Another cover edition can be found here

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

High in the Accursed Mountains, in a village ruled by the ancient laws of the Kanun, Bekja escapes an arranged marriage by becoming a sworn virgin, renouncing her womanhood to live as a man. Her decision sets off a brutal chain of events, destroying her family and separating her from the one she loves the most. Years later, as Bekija – now Matija – tells their story to a visiting journalist, long-buried truths come to light, along with the realisation of all that might have been.

A BBC must-read book of 2026—”Sharp, dark and humorous, it’s a real nail-biter.” Go gay. Go sad. Go dark. A washed-up author will stop at nothing to claw her way back to relevancy—even if it means appropriating a young gay man’s tragic story. Mallory Maddox is buried under seven years of writer’s block. With her status as a literary sensation fizzling, she’ll do anything she can to resurrect her career. Inspiration needs to strike—and fast. Enter Leo. He’s a struggling addict sleeping under bridges and trading sex for survival. He’s vulnerable. He’s enigmatic. He’s exactly what Mallory has been looking for. Mallory needs Leo if she wants another bestseller. The world needs Leo’s story right now, and Mallory believes she deserves to tell it. Really, it’s her story—she’s the one who wrote it, after all. But as secrets threaten to unravel more than just her career, Mallory must decide how far she will go to pen the perfect story. A razor-sharp satirical thriller, Fruit Fly will appeal to fans of R. F. Kuang’s Yellowface and Yomi Adegoke’s The List.

Rediscover the joy of creating – with kid-inspired insights from the bestselling author of Steal Like an ArtistFeeling burnt out, distracted, and out of fresh ideas? In every creative person's life, there are times when you lose the energy, joy, and freedom you had when you were first starting out. From the recent art school graduate to the retiree searching for their creative third act, we all need help returning to the excitement, the sense of discovery, and the raw creativity of a child at play. Don't Call It Art is a creative liberation handbook for looking at the world with fresh eyes, unlearning what you've learned, and making new leaps in your life and work.Since his breakout New York Times bestseller Steal Like an Artist, Austin Kleon has been one of the world's leading teachers of creativity. His books have sold nearly two million copies and translated into 30 languages. Now, in his most encouraging and inspiring book yet, Kleon shares ten rejuvenating lessons he learned from being a studio assistant to the artists closest to his his two young sons. Kleon discovered that nurturing his kids taught him how to create the conditions under which his own – and everyone's creativity – can thrive.Don't Call It Art offers inspiring advice for readers looking to free their creative spirit Permission to be badBelieve in magicThrow out the instructionsShow and tellThink outside your headIllustrated in Kleon's signature style of illustrations, quotes, stories and examples, Don't Call It Art is a blast of creative energy that will give you permission to play, make a mess, and venture beyond your imagination – and ultimately, to feel the unbridled joy of creating in your own unique way.

In reality, Hiro Protagonist delivers pizza for Uncle Enzo's CosoNostra Pizza Inc., but in the Metaverse he's a warrior prince. Plunging headlong into the enigma of a new computer virus that's striking down hackers everywhere, he races along the neon-lit streets on a search-and-destroy mission for the shadowy virtual villain threatening to bring about infocalypse. Snow Crash is a mind-altering romp through a future America so bizarre, so outrageous… you'll recognize it immediately.

From Laila Lalami—the Pulitzer Prize and National Book Award finalist and a “maestra of literary fiction” (NPR)—comes a riveting and utterly original novel about one woman’s fight for freedom, set in a near future where even dreams are under surveillance.Sara has just landed at LAX, returning home from a conference abroad, when agents from the Risk Assessment Administration pull her aside and inform her that she will soon commit a crime. Using data from her dreams, the RAA’s algorithm has determined that she is at imminent risk of harming the person she loves most, her husband. For his safety, she must be kept under observation for twenty-one days.The agents transfer Sara to a retention center, where she is held with other dreamers, all of them women trying to prove their innocence from different crimes. With every deviation from the strict and ever-shifting rules of the facility, their stay is extended. Months pass and Sara seems no closer to release. Then one day, a new resident arrives, disrupting the order of the facility and leading Sara on a collision course with the very companies that have deprived her of her freedom.Eerie, urgent, and ceaselessly clear-eyed, The Dream Hotel artfully explores the seductive nature of technology, which puts us in shackles even as it makes our lives easier. Lalami asks how much of ourselves must remain private if we are to remain free, and whether even the most invasive forms of surveillance can ever capture who we really are.