Koschei the Deathless is to Russian folklore what devils or wicked witches are to European culture: a menacing, evil figure; the villain of countless stories which have been passed on through story and text for generations. But Koschei has never before been seen through the eyes of Catherynne Valente, whose modernized and transformed take on the legend brings the action to modern times, spanning many of the great developments of Russian history in the twentieth century. Deathless, however, is no dry, historical tome: it lights up like fire as the young Marya Morevna transforms from a clever child of the revolution, to Koschei’s beautiful bride, to his eventual undoing. Along the way there are Stalinist house elves, magical quests, secrecy and bureaucracy, and games of lust and power. All told, Deathless is a collision of magical history and actual history, of revolution and mythology, of love and death, which will bring Russian myth back to life in a stunning new incarnation.

Set in Regency England, The Gentleman and His Vowsmith by Rebecca Ide is a queer historical fantasy of magic, murder, high heat and humour. Lord Nicholas Monterris, the last remaining heir of a crumbling ducal house, must marry to save his family from complete decline. His father chooses Lady Leaf Serral, eldest daughter of his greatest rival, at which point Nic is sure it can’t get any worse. Until he learns the head negotiator is to be Dashiell sa Vare, an old flame he has neither forgiven nor forgotten, a man their rigid class structure forbids him to love. Locked in the mouldering grandeur of Monterris Court (a house more haunting manifestation of dynastic ambition and ancestral guilt than home), the first dead body is troubling. The second, a warning that someone doesn’t want the contract to go ahead. But while Nic and his wife-to-be team up to banter their way through a secret murder investigation, it’s Dashiell he can’t stop thinking about. What would be worse? To love and have to let go, or to wholly deny the yearning of one’s heart forever? Perfect for fans of Freya Marske and Alexis Hall, The Gentleman and His Vowsmith by Rebecca Ide is the perfect blend of gothic and romantic – including a locked room murder mystery, forbidden love and otherworldly automatons.

Koschei the Deathless is to Russian folklore what devils or wicked witches are to European culture: a menacing, evil figure; the villain of countless stories which have been passed on through story and text for generations. But Koschei has never before been seen through the eyes of Catherynne Valente, whose modernized and transformed take on the legend brings the action to modern times, spanning many of the great developments of Russian history in the twentieth century. Deathless, however, is no dry, historical tome: it lights up like fire as the young Marya Morevna transforms from a clever child of the revolution, to Koschei’s beautiful bride, to his eventual undoing. Along the way there are Stalinist house elves, magical quests, secrecy and bureaucracy, and games of lust and power. All told, Deathless is a collision of magical history and actual history, of revolution and mythology, of love and death, which will bring Russian myth back to life in a stunning new incarnation.

Nahri has never believed in magic. Certainly, she has power; on the streets of 18th century Cairo, she’s a con woman of unsurpassed talent. But she knows better than anyone that the trade she uses to get by—palm readings, zars, healings—are all tricks, sleights of hand, learned skills; a means to the delightful end of swindling Ottoman nobles. But when Nahri accidentally summons an equally sly, darkly mysterious djinn warrior to her side during one of her cons, she’s forced to accept that the magical world she thought only existed in childhood stories is real. For the warrior tells her a new tale: across hot, windswept sands teeming with creatures of fire, and rivers where the mythical marid sleep; past ruins of once-magnificent human metropolises, and mountains where the circling hawks are not what they seem, lies Daevabad, the legendary city of brass, a city to which Nahri is irrevocably bound. In that city, behind gilded brass walls laced with enchantments, behind the six gates of the six djinn tribes, old resentments are simmering. And when Nahri decides to enter this world, she learns that true power is fierce and brutal. That magic cannot shield her from the dangerous web of court politics. That even the cleverest of schemes can have deadly consequences. After all, there is a reason they say be careful what you wish for...

Shannon Chakraborty, the bestselling author of The City of Brass, spins a new trilogy of magic and mayhem on the high seas in this tale of pirates and sorcerers, forbidden artifacts and ancient mysteries, in one woman’s determined quest to seize a final chance at glory—and write her own legend. Amina al-Sirafi should be content. After a storied and scandalous career as one of the Indian Ocean’s most notorious pirates, she’s survived backstabbing rogues, vengeful merchant princes, several husbands, and one actual demon to retire peacefully with her family to a life of piety, motherhood, and absolutely nothing that hints of the supernatural. But when she’s tracked down by the obscenely wealthy mother of a former crewman, she’s offered a job no bandit could refuse: retrieve her comrade’s kidnapped daughter for a kingly sum. The chance to have one last adventure with her crew, do right by an old friend, and win a fortune that will secure her family’s future forever? It seems like such an obvious choice that it must be God’s will. Yet the deeper Amina dives, the more it becomes alarmingly clear there’s more to this job, and the girl’s disappearance, than she was led to believe. For there’s always risk in wanting to become a legend, to seize one last chance at glory, to savor just a bit more power…and the price might be your very soul.

“Our Dragon doesn’t eat the girls he takes, no matter what stories they tell outside our valley. We hear them sometimes, from travelers passing through. They talk as though we were doing human sacrifice, and he were a real dragon. Of course that’s not true: he may be a wizard and immortal, but he’s still a man, and our fathers would band together and kill him if he wanted to eat one of us every ten years. He protects us against the Wood, and we’re grateful, but not that grateful.” Agnieszka loves her valley home, her quiet village, the forests and the bright shining river. But the corrupted Wood stands on the border, full of malevolent power, and its shadow lies over her life. Her people rely on the cold, driven wizard known only as the Dragon to keep its powers at bay. But he demands a terrible price for his help: one young woman handed over to serve him for ten years, a fate almost as terrible as falling to the Wood. The next choosing is fast approaching, and Agnieszka is afraid. She knows—everyone knows—that the Dragon will take Kasia: beautiful, graceful, brave Kasia, all the things Agnieszka isn’t, and her dearest friend in the world. And there is no way to save her. But Agnieszka fears the wrong things. For when the Dragon comes, it is not Kasia he will choose.

A traditional American woman, a “tradwife” influencer, suddenly awakens in the brutal reality of 1855—where she must unravel whether this living nightmare is an elaborate hoax, a twisted reality show, or something far more sinister in this sensational debut novel. My name was Natalie Heller Mills, and I was perfect at being alive. Natalie lives a traditional lifestyle. Her charming farmhouse is rustic, her husband a handsome cowboy, her six children each more delightful than the last. So what if there are nannies and producers behind the scenes, her kitchen hiding industrial-grade fridges and ovens, her husband the heir to a political dynasty? What Natalie’s followers—all 8 million of them—don’t know won’t hurt them. And The Angry Women? The privileged, Ivy League, coastal elite haters who call her an antifeminist iconoclast? They’re sick with jealousy. Because Natalie isn’t simply living the good life, she’s living the ideal—and just so happens to be building an empire from it. Until one morning she wakes up in a life that isn’t hers. Her home, her husband, her children—they’re all familiar, but something’s off. Her kitchen is warmed by a sputtering fire rather than electricity, her children are dirty and strange, and her soft-handed husband is suddenly a competent farmer. Just yesterday Natalie was curating photos of homemade jam for her Instagram, and now she’s expected to haul firewood and handwash clothes until her fingers bleed. Has she become the unwitting star of a ruthless reality show? Could it really be time travel? Is she being tested by God? By Satan? When Natalie suffers a brutal injury in the woods, she realizes two things: This is not her beautiful life, and she must escape by any means possible. A gripping, electrifying novel that is as darkly funny as it is frightening, Yesteryear is a gimlet-eyed look at tradition, fame, faith, and the grand performance of womanhood.

Set in Regency England, The Gentleman and His Vowsmith by Rebecca Ide is a queer historical fantasy of magic, murder, high heat and humour. Lord Nicholas Monterris, the last remaining heir of a crumbling ducal house, must marry to save his family from complete decline. His father chooses Lady Leaf Serral, eldest daughter of his greatest rival, at which point Nic is sure it can’t get any worse. Until he learns the head negotiator is to be Dashiell sa Vare, an old flame he has neither forgiven nor forgotten, a man their rigid class structure forbids him to love. Locked in the mouldering grandeur of Monterris Court (a house more haunting manifestation of dynastic ambition and ancestral guilt than home), the first dead body is troubling. The second, a warning that someone doesn’t want the contract to go ahead. But while Nic and his wife-to-be team up to banter their way through a secret murder investigation, it’s Dashiell he can’t stop thinking about. What would be worse? To love and have to let go, or to wholly deny the yearning of one’s heart forever? Perfect for fans of Freya Marske and Alexis Hall, The Gentleman and His Vowsmith by Rebecca Ide is the perfect blend of gothic and romantic – including a locked room murder mystery, forbidden love and otherworldly automatons.

From the internationally best-selling author of You Should Have Left, Measuring the World, and F, a transfixing retelling of the German myth of Tyll Ulenspiegel: a story about the devastation of war and a beguiling artist's decision never to die Daniel Kehlmann masterfully weaves the fates of many historical figures into this enchanting work of magical realism and adventure. This account of the seventeenth-century vagabond performer and trickster Tyll Ulenspiegel begins when he's a scrawny boy growing up in a quiet village. When his father, a miller with a secret interest in alchemy and magic, is found out by the church, Tyll is forced to flee with the baker's daughter, Nele. They find safety and companionship with a traveling performer, who teaches Tyll his trade. And so begins a journey of discovery and performance for Tyll, as he travels through a continent devastated by the Thirty Years' War and encounters along the way a hangman, a fraudulent Jesuit scholar, and the exiled King Frederick and Queen Elizabeth of Bohemia. Tyll displays Kehlmann's remarkable narrative gifts and confirms the power of art in the face of the senseless brutality of history.

From the internationally best-selling author of You Should Have Left, Measuring the World, and F, a transfixing retelling of the German myth of Tyll Ulenspiegel: a story about the devastation of war and a beguiling artist's decision never to die Daniel Kehlmann masterfully weaves the fates of many historical figures into this enchanting work of magical realism and adventure. This account of the seventeenth-century vagabond performer and trickster Tyll Ulenspiegel begins when he's a scrawny boy growing up in a quiet village. When his father, a miller with a secret interest in alchemy and magic, is found out by the church, Tyll is forced to flee with the baker's daughter, Nele. They find safety and companionship with a traveling performer, who teaches Tyll his trade. And so begins a journey of discovery and performance for Tyll, as he travels through a continent devastated by the Thirty Years' War and encounters along the way a hangman, a fraudulent Jesuit scholar, and the exiled King Frederick and Queen Elizabeth of Bohemia. Tyll displays Kehlmann's remarkable narrative gifts and confirms the power of art in the face of the senseless brutality of history.

In this groundbreaking work of science, history, and archaeology, Charles C. Mann radically alters our understanding of the Americas before the arrival of Columbus in 1492. Contrary to what so many Americans learn in school, the pre-Columbian Indians were not sparsely settled in a pristine wilderness; rather, there were huge numbers of Indians who actively molded and influenced the land around them. The astonishing Aztec capital of Tenochtitlan had running water and immaculately clean streets, and was larger than any contemporary European city. Mexican cultures created corn in a specialized breeding process that it has been called man’s first feat of genetic engineering. Indeed, Indians were not living lightly on the land but were landscaping and manipulating their world in ways that we are only now beginning to understand. Challenging and surprising, this a transformative new look at a rich and fascinating world we only thought we knew.

Set in Regency England, The Gentleman and His Vowsmith by Rebecca Ide is a queer historical fantasy of magic, murder, high heat and humour. Lord Nicholas Monterris, the last remaining heir of a crumbling ducal house, must marry to save his family from complete decline. His father chooses Lady Leaf Serral, eldest daughter of his greatest rival, at which point Nic is sure it can’t get any worse. Until he learns the head negotiator is to be Dashiell sa Vare, an old flame he has neither forgiven nor forgotten, a man their rigid class structure forbids him to love. Locked in the mouldering grandeur of Monterris Court (a house more haunting manifestation of dynastic ambition and ancestral guilt than home), the first dead body is troubling. The second, a warning that someone doesn’t want the contract to go ahead. But while Nic and his wife-to-be team up to banter their way through a secret murder investigation, it’s Dashiell he can’t stop thinking about. What would be worse? To love and have to let go, or to wholly deny the yearning of one’s heart forever? Perfect for fans of Freya Marske and Alexis Hall, The Gentleman and His Vowsmith by Rebecca Ide is the perfect blend of gothic and romantic – including a locked room murder mystery, forbidden love and otherworldly automatons.

Set in Regency England, The Gentleman and His Vowsmith by Rebecca Ide is a queer historical fantasy of magic, murder, high heat and humour. Lord Nicholas Monterris, the last remaining heir of a crumbling ducal house, must marry to save his family from complete decline. His father chooses Lady Leaf Serral, eldest daughter of his greatest rival, at which point Nic is sure it can’t get any worse. Until he learns the head negotiator is to be Dashiell sa Vare, an old flame he has neither forgiven nor forgotten, a man their rigid class structure forbids him to love. Locked in the mouldering grandeur of Monterris Court (a house more haunting manifestation of dynastic ambition and ancestral guilt than home), the first dead body is troubling. The second, a warning that someone doesn’t want the contract to go ahead. But while Nic and his wife-to-be team up to banter their way through a secret murder investigation, it’s Dashiell he can’t stop thinking about. What would be worse? To love and have to let go, or to wholly deny the yearning of one’s heart forever? Perfect for fans of Freya Marske and Alexis Hall, The Gentleman and His Vowsmith by Rebecca Ide is the perfect blend of gothic and romantic – including a locked room murder mystery, forbidden love and otherworldly automatons.

In this groundbreaking work of science, history, and archaeology, Charles C. Mann radically alters our understanding of the Americas before the arrival of Columbus in 1492. Contrary to what so many Americans learn in school, the pre-Columbian Indians were not sparsely settled in a pristine wilderness; rather, there were huge numbers of Indians who actively molded and influenced the land around them. The astonishing Aztec capital of Tenochtitlan had running water and immaculately clean streets, and was larger than any contemporary European city. Mexican cultures created corn in a specialized breeding process that it has been called man’s first feat of genetic engineering. Indeed, Indians were not living lightly on the land but were landscaping and manipulating their world in ways that we are only now beginning to understand. Challenging and surprising, this a transformative new look at a rich and fascinating world we only thought we knew.

From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behavior of those who come in to browse, and of those who pass on the street outside. She remains hopeful that a customer will soon choose her, but when the possibility emerges that her circumstances may change forever, Klara is warned not to invest too much in the promises of humans. In Klara and the Sun, Kazuo Ishiguro looks at our rapidly changing modern world through the eyes of an unforgettable narrator to explore a fundamental question: what does it mean to love?