When Korede's dinner is interrupted one night by a distress call from her sister, Ayoola, she knows what's expected of her: bleach, rubber gloves, nerves of steel and a strong stomach. This'll be the third boyfriend Ayoola's dispatched in, quote, self-defence and the third mess that her lethal little sibling has left Korede to clear away. She should probably go to the police for the good of the menfolk of Nigeria, but she loves her sister and, as they say, family always comes first. Until, that is, Ayoola starts dating the doctor where Korede works as a nurse. Korede's long been in love with him, and isn't prepared to see him wind up with a knife in his back: but to save one would mean sacrificing the other... My Sister, the Serial Killer is a blackly comic novel about how blood is thicker - and more difficult to get out of the carpet - than water...

It was a cloudless summer day in the year nineteen hundred. Everyone at Appleyard College for Young Ladies agreed it was just right for a picnic at Hanging Rock. After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared. They never returned. Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

Excerpt from Wieland or the Transformation Genius and knowledge command respect; but superior genius and profound knowledge, combined with exalted moral purity, cannot fail to excite unmingled admiration. The reputation of an author in whom these qualities are united may be circumscribed during life; but its rise and extension after death prove that his claims to distinction are well founded. It is no less the duty than the pleasure of friendship to fortify and sustain these claims. The impartiality of criticism cannot but confirm the anticipations of affection. Charles Brockden Brown was the highly-gifted descendant of ancestors originally English, who came over to this country with the wise and benevolent Penn, and landed from the same ship on the banks of the Delaware. Their principles, moral, religious, and political, coincided with those of their pious and illustrious leader. He derived the additional name of Brockden from his uncle Charles Brockden, so respectfully mentioned by Franklin in his life, who, to avoid the vengeance of conspirators, whose secret conversations he had accidentally overheard, fled to America and settled in Pennsylvania, where his industry and abilities finally raised him to an important office, which he filled with distinguished reputation.

One might not expect a woman of Edith Wharton's literary stature to be a believer of ghost stories, much less be frightened by them, but as she admits in her postscript to this spine-tingling collection, "...till I was twenty-seven or -eight, I could not sleep in the room with a book containing a ghost story." Once her fear was overcome, however, she took to writing tales of the supernatural for publication in the magazines of the day. These eleven finely wrought pieces showcase her mastery of the traditional New England ghost story and her fascination with spirits, hauntings, and other supernatural phenomena. Called "flawlessly eerie" by Ms. magazine, this collection includes "Pomegranate Seed," "The Eyes," "All Souls'," "The Looking Glass," and "The Triumph of Night."

Published in 1936, Absalom, Absalom! is considered by many to be William Faulkner's masterpiece. Although the novel's complex and fragmented structure poses considerable difficulty to readers, the book's literary merits place it squarely in the ranks of America's finest novels. The story concerns Thomas Sutpen, a poor man who finds wealth and then marries into a respectable family. His ambition and extreme need for control bring about his ruin and the ruin of his family. Sutpen's story is told by several narrators, allowing the reader to observe variations in the saga as it is recounted by different speakers. This unusual technique spotlights one of the novel's central questions: To what extent can people know the truth about the past? (from bookrags.com)

A sumptuous, gothic-infused story about a marriage that is unraveled by dark secrets, a friendship cursed to end in tragedy, and the danger of believing in fairy tales—the breathtaking adult debut from New York Times bestselling author Roshani Chokshi. Once upon a time, a man who believed in fairy tales married a beautiful, mysterious woman named Indigo Maxwell-Casteñada. He was a scholar of myths. She was heiress to a fortune. They exchanged gifts and stories and believed they would live happily ever after—and in exchange for her love, Indigo extracted a promise: that her bridegroom would never pry into her past. But when Indigo learns that her estranged aunt is dying and the couple is forced to return to her childhood home, the House of Dreams, the bridegroom will soon find himself unable to resist. For within the crumbling manor’s extravagant rooms and musty halls, there lurks the shadow of another girl: Azure, Indigo’s dearest childhood friend who suddenly disappeared. As the house slowly reveals his wife’s secrets, the bridegroom will be forced to choose between reality and fantasy, even if doing so threatens to destroy their marriage . . . or their lives. Combining the lush, haunting atmosphere of Mexican Gothic with the dreamy enchantment of The Invisible Life of Addie LaRue, The Last Tale of the Flower Bride is a spellbinding and darkly romantic page-turner about love and lies, secrets and betrayal, and the stories we tell ourselves to survive.

This is an alternate cover edition for ISBN 9780307588371 Who are you? What have we done to each other? These are the questions Nick Dunne finds himself asking on the morning of his fifth wedding anniversary when his wife Amy suddenly disappears. The police suspect Nick. Amy's friends reveal that she was afraid of him, that she kept secrets from him. He swears it isn't true. A police examination of his computer shows strange searches. He says they weren't made by him. And then there are the persistent calls on his mobile phone. So what did happen to Nick's beautiful wife?

The 1619 Project: A New Origin Story offers a revealing vision of the American past and present. In late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country’s original sin, but it is more than that: It is the source of so much that still defines the United States. The 1619 Project: A New Origin Story builds on The New York Times Magazine’s award-winning “1619 Project,” which reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This book substantially expands on the original "1619 Project, "weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself. This legacy can be seen in the way we tell stories, the way we teach our children, and the way we remember. Together, the elements of the book reveal a new origin story for the United States, one that helps explain not only the persistence of anti-Black racism and inequality in American life today, but also the roots of what makes the country unique. The book also features an elaboration of the original project’s Pulitzer Prize–winning lead essay by Nikole Hannah-Jones on how the struggles of Black Americans have expanded democracy for all Americans, as well as two original pieces from Hannah-Jones, one of which makes a case for reparative solutions to this legacy of injustice.

A chance meeting on a train to Tokyo sends two girls named Nana on a collision course with destiny! Nana "Hachi" Komatsu hopes that moving to Tokyo will help her make a clean start and leave her capricious love life behind her. Nana Osaki, who arrives in the city at the same time, has plans to score big in the world of rock'n'roll. Although these two young women come from different backgrounds, they quickly become best friends in a whirlwind world of sex, music, fashion, gossip and all-night parties! Things are slowly coming together for Nana Osaki. The guitarist and drummer from her old band have joined her in Tokyo and she's finally found a ripping new bass player to replace Ren Honjo. The Black Stones are back and they're ready to kick some ass. Nana Komatsu, however, can't shake her old nemesis, the Demon Lord. She's stuck in a dead-end job and there's trouble brewing with her boyfriend, Shoji. He's been working late and hasn't exactly been the most attentive lover. Poor Nana. Life in Tokyo is turning out to be a total bummer.

The guardians in sailor suits return in this definitive edition of the greatest magical girl manga of all time! Features all-new cover illustrations by creator Naoko Takeuchi, a glittering holographic coating, an extra-large size, premium paper, French flaps, and a newly-revised translation! Teenager Usagi is not the best athlete, she's never gotten good grades, and, well, she's a bit of a crybaby. But when she meets a talking cat, she begins a journey that will teach her she has a well of great strength just beneath the surface and the heart to inspire and stand up for her friends as Sailor Moon! Experience the Sailor Moon manga as never before in these extra-long editions (about 300 pages each).

Acclaimed author Rumiko Takahashi’s classic romantic comedy about finding your path in life.  Yusaku Godai didn’t get accepted into college on the first try, so he’s studying to retake the entrance exams. But living in a dilapidated building full of eccentric and noisy tenants is making it hard for him to achieve his goals. Now that a beautiful woman has moved in to become the new resident manager, Godai is driven to distraction! A year has passed since Kyoko Otonashi became the resident manager of Maison Ikkoku. Yusaku Godai, now a college student, gathers his courage and asks Kyoko out on a date! But the meddling tenants have other ideas about how the two will spend their evening...