‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground. Jacqueline Harpman was born in Etterbeek, Belgium, in 1929, and fled to Casablanca with her family during WWII. Informed by her background as a psychoanalyst and her youth in exile, I Who Have Never Known Men is a haunting, heartbreaking post-apocalyptic novel of female friendship and intimacy, and the lengths people will go to maintain their humanity in the face of devastation. Back in print for the first time since 1997, Harpman’s modern classic is an important addition to the growing canon of feminist speculative literature.

Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman. The book describes an isolated society comprised entirely of Aryan women who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order, free of war, conflict and domination. It first appeared as a serial in Perkin's monthly magazine Forerunner.

The year is 2033. The world has been reduced to rubble. Humanity is nearly extinct. The half-destroyed cities have become uninhabitable through radiation. Beyond their boundaries, they say, lie endless burned-out deserts and the remains of splintered forests. Survivors still remember the past greatness of humankind. But the last remains of civilisation have already become a distant memory, the stuff of myth and legend. More than 20 years have passed since the last plane took off from the earth. Rusted railways lead into emptiness. The ether is void and the airwaves echo to a soulless howling where previously the frequencies were full of news from Tokyo, New York, Buenos Aires. Man has handed over stewardship of the earth to new life-forms. Mutated by radiation, they are better adapted to the new world. Man's time is over. A few score thousand survivors live on, not knowing whether they are the only ones left on earth. They live in the Moscow Metro - the biggest air-raid shelter ever built. It is humanity's last refuge. Stations have become mini-statelets, their people uniting around ideas, religions, water-filters - or the simple need to repulse an enemy incursion. It is a world without a tomorrow, with no room for dreams, plans, hopes. Feelings have given way to instinct - the most important of which is survival. Survival at any price. VDNKh is the northernmost inhabited station on its line. It was one of the Metro's best stations and still remains secure. But now a new and terrible threat has appeared. Artyom, a young man living in VDNKh, is given the task of penetrating to the heart of the Metro, to the legendary Polis, to alert everyone to the awful danger and to get help. He holds the future of his native station in his hands, the whole Metro - and maybe the whole of humanity.

After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemí’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind.

Chromophobia - a fear of corruption or contamination through colour - has lurked within Western culture since ancient times. This is apparent in the many attempts to purge colour from art, literature and architecture, either by making it the property of some "foreign" body - the oriental, the feminine, the infantile the vulgar or the pathological - or by relegating it to the realm of the superficial, the inessential or the cosmetic, which in many cases amounts to the same thing. In Chromophobia, David Batchelor analyzes the history of, and motivations behind, chromophobia, from its beginnings through examples of nineteenth-century literature, twentieth-century architecture and film, to Pop art, minimalism and the art and architecture of the present day. Batchelor suggests how colour fits, or fails to fit, into the cultural imagination of the West, exploring such diverse themes as Melville's "great white whale," Le Corbusier's "journey to the East," Huxley's experiments with mescaline. Dorothy's travels in the Land of Oz and the implication of modern artists' experiments with industrial paints and materials.

The bestselling author and Duke University professor discovers the true magic of it appears when we least expect it—and even if we don’t feel happy, we can be joyful, anyway.Life aches. Joy is the cure.After surviving a stage-four cancer diagnosis, Kate Bowler knew she was supposed to be grateful. Alive. Blessed. But she still ached—for more connection, more surprise, less resentment on an ordinary day.So she went looking for joy. Not the toxic positivity kind. Not a 5-step plan. But the type that sneaks in unexpectedly, seemingly out of nowhere. A lemur sunbathing. A belly laugh at a funeral. A dive into the Atlantic with a shark wrangler.In Joyful, Anyway, Bowler takes us on a hilarious and tender journey through big questions and small delights. With wry wit and deep honesty, she explores how joy can surprise us even in the middle of pain, boredom, and longing.This is not a book about fixing your life. It is about how we can all find more—feel more—by making room for small extraordinary moments. For anyone who has ever felt stuck, who is achy for meaning, who feels undone by loss, who feels that joy is just out of reach, who wants, simply, to have more fun, Joyful Anyway is a delicious, insightful tour through the questions that sit in the deepest part of our souls. It proves that for every time we Is this it? Joy will there is more.

Jorge Luis Borges declared The Invention of Morel a masterpiece of plotting, comparable to The Turn of The Screw and Journey to the Center of the Earth. Set on a mysterious island, Bioy’s novella is a story of suspense and exploration, as well as a wonderfully unlikely romance, in which every detail is at once crystal clear and deeply mysterious. Inspired by Bioy Casares’s fascination with the movie star Louise Brooks, The Invention of Morel has gone on to live a secret life of its own. Greatly admired by Julio Cortázar, Gabriel García Márquez, and Octavio Paz, the novella helped to usher in Latin American fiction’s now famous postwar boom. As the model for Alain Resnais and Alain Robbe-Grillet’s Last Year at Marienbad, it also changed the history of film.

Introduced by Jeff VanderMeer, welcome to a luxury hotel at the end of the world in this post-apocalyptic 1967 dystopia ... The day we came up from the shelters four people were found dead on the steps of the hotel. Welcome to Termush: a luxury coastal resort like no other. All the wealthy guests are survivors: preppers who reserved rooms long before the Disaster. Inside, they embrace exclusive radiation shelters, ambient music and lavish provisions; outside, radioactive dust falls on the sculpture park, security men step over dead birds, and a reconnaissance party embarks. Despite weathering a nuclear apocalypse, their problems are only just beginning. Soon, the Management begins censoring news; disruptive guests are sedated; initial generosity towards Strangers ceases as fears of contamination and limited resources grow. But as the numbers - and desperation - of external survivors increase, they must decide what it means to forge a new moral code at the end (or beginning?) of the world ...

All Tom's friends really are superheroes. There's the Ear, the Spooner, the Impossible Man. Tom even married a superhero, the Perfectionist. But at their wedding, the Perfectionist was hypnotized (by ex-boyfriend Hypno, of course) to believe that Tom is invisible. Nothing he does can make her see him. Six months later, she's sure that Tom has abandoned her. So she's moving to Vancouver. She'll use her superpower to make Vancouver perfect and leave all the heartbreak in Toronto. With no idea Tom's beside her, she boards an airplane in Toronto. Tom has until the wheels touch the ground in Vancouver to convince her he's visible, or he loses her forever.

‘For a very long time, the days went by, each just like the day before, then I began to think, and everything changed’ Deep underground, thirty-nine women live imprisoned in a cage. Watched over by guards, the women have no memory of how they got there, no notion of time, and only vague recollection of their lives before. As the burn of electric light merges day into night and numberless years pass, a young girl - the fortieth prisoner - sits alone and outcast in the corner. Soon she will show herself to be the key to the others' escape and survival in the strange world that awaits them above ground. Jacqueline Harpman was born in Etterbeek, Belgium, in 1929, and fled to Casablanca with her family during WWII. Informed by her background as a psychoanalyst and her youth in exile, I Who Have Never Known Men is a haunting, heartbreaking post-apocalyptic novel of female friendship and intimacy, and the lengths people will go to maintain their humanity in the face of devastation. Back in print for the first time since 1997, Harpman’s modern classic is an important addition to the growing canon of feminist speculative literature.

An ordinary family man, geologist, and Mormon, Soren Johansson has always believed he’ll be reunited with his loved ones after death in an eternal hereafter. Then, he dies. Soren wakes to find himself cast by a God he has never heard of into a Hell whose dimensions he can barely grasp: a vast library he can only escape from by finding the book that contains the story of his life. In this haunting existential novella, author, philosopher, and ecologist Steven L. Peck explores a subversive vision of eternity, taking the reader on a journey through the afterlife of a world where everything everyone believed in turns out to be wrong.

The Primal Wound is a seminal work which revolutionizes the way we think about adoption. It describes and clarifies the effects of separating babies from their birth mothers as a primal loss which affects the relationships of the adopted person throughout life.. It is a book about pre-and perinatal psychology, attachment, bonding, and loss. It gives adoptees, whose pain has long been unacknowledged or misunderstood, validation for their feelings, as well as explanations for their behavior. It lists the coping mechanisms which adoptees use to be able to attach and live in a family to whom they are not related and with whom they have no genetic cues. It will contribute to the healing of all members of the adoption triad and will bring understanding and encouragement to anyone who has ever felt abandoned..

A young woman must shake off a family curse and the widely held belief that she is the reincarnation of her dead cousin in this wickedly funny, brilliantly perceptive novel about love, female rivalry, and superstition from the author of the smash hit My Sister, the Serial Killer (“A bombshell of a book... Sharp, explosive, hilarious'--New York Times) When Ebun gives birth to her daughter, Eniiyi, on the day they bury her cousin Monife, there is no denying the startling resemblance between the child and the dead woman. So begins the belief, fostered and fanned by the entire family, that Eniiyi is the actual reincarnation of Monife, fated to follow in her footsteps in all ways, including that tragic end. There is also the matter of the family curse: “No man will call your house his home. And if they try, they will not have peace...” which has been handed down from generation to generation, breaking hearts and causing three generations of abandoned Falodun women to live under the same roof. When Eniiyi falls in love with the handsome boy she saves from drowning, she can no longer run from her family’s history. As several women in her family have done before, she ill-advisedly seeks answers in older, darker spiritual corners of Lagos, demanding solutions. Is she destined to live out the habitual story of love and heartbreak? Or can she break the pattern once and for all, not only avoiding the spiral that led Monife to her lonely death, but liberating herself from all the family secrets and unspoken traumas that have dogged her steps since before she could remember? Cursed Daughters is a brilliant cocktail of modernity and superstition, vibrant humor and hard-won wisdom, romantic love and familial obligation. With it’s unforgettable cast of characters, it asks us what it means to be given a second chance and how to live both wisely and well with what we’ve been given.

In this suspenseful and darkly funny debut novel, a sophisticated French woman spends her life obsessing over her perfect husband--but can their marriage survive her passionate love? At forty years old, she has an enviable life: a successful career, stunning looks, a beautiful house in the suburbs, two healthy children, and most importantly, an ideal husband. After fifteen years together, she is still besotted with him. But she's never quite sure that her passion is reciprocated. After all, would a truly infatuated man ever let go of his wife's hand when they're sitting on the couch together? Determined to keep their relationship perfect, she meticulously prepares for every encounter they have, always taking care to make her actions seem effortless. She watches him attentively, charting every mistake and punishing him accordingly to help him improve. And she tests him--setting traps to make sure that he still loves her just as much as he did when they first met. Until one day she realizes she may have gone too far . . . The winner of France's First Novel Prize in 2021, My Husband builds on the premise of hits like Gone Girl and Fates and Furies--how well can you really know your spouse?--and adds the tension and creepy obsession of You. The result is an irresistible read--compelling, tense, and engaging, infused with sly subversive humor, and told in an utterly original voice that makes it unforgettable. Translated from the French by Emma Ramadan

A female apothecary secretly dispenses poisons to liberate women from the men who have wronged them - setting three lives across centuries on a dangerous collision course. Rule #1: The poison must never be used to harm another woman. Rule #2: The names of the murderer and her victim must be recorded in the apothecary’s register. One cold February evening in 1791, at the back of a dark London alley in a hidden apothecary shop, Nella awaits her newest customer. Once a respected healer, Nella now uses her knowledge for a darker purpose - selling well-disguised poisons to desperate women who would kill to be free of the men in their lives. But when her new patron turns out to be a precocious twelve-year-old named Eliza Fanning, an unexpected friendship sets in motion a string of events that jeopardizes Nella’s world and threatens to expose the many women whose names are written in her register. In present-day London, aspiring historian Caroline Parcewell spends her tenth wedding anniversary alone, reeling from the discovery of her husband’s infidelity. When she finds an old apothecary vial near the river Thames, she can’t resist investigating, only to realize she’s found a link to the unsolved “apothecary murders” that haunted London over two centuries ago. As she deepens her search, Caroline’s life collides with Nella’s and Eliza’s in a stunning twist of fate - and not everyone will survive.

How did Joe Goldberg become Joe Goldberg? What led to his first love . . . first obsession . . . first kill? Find out in the highly anticipated prequel to New York Times bestselling author Caroline Kepnes’s hit You series, which inspired the blockbuster Netflix show. Joe Goldberg is ready for his life to start. He’s seventeen years old, working in Mr. Mooney’s bookshop, falling in love with every girl on the subway all while wondering who will be the one. He knows what he needs: A woman who will force him to get his GED, go to night school, and make something of himself. But who would ever fall in love with him? Then he spots it: MISSED CONNECTION, NYC Bookstore Babe. Someone is looking for Joe. And that someone is Vail Gunderson, a production assistant with a passion for rom-coms. The only catch: she’s twenty-four, which means that Joe has no choice but to lie about his age…and, naturally, nearly everything else in his life. Joe thinks he’s found true love, but when Vail needs more convincing that Joe is her happily ever after, he’s determined to convince her…no matter what it takes… With her incisive and darkly comedic prose, Caroline Kepnes captures Joe poised on the edge of manhood, entering the vicious, dog-eat-dog New York dating scene for the very first time, and buffeted by forces that will determine what kind of man he will become—and how he will write his own twisted love story.