A debut high-stakes fantasy romance trilogy set against a once-in-a-generation duel to the death between rival witches and dragon riders as they battle to control the source of all magic in their kingdoms. Perfect for fans of Fourth Wing, Throne of Glass, and Quicksilver. You duel or you die. Astrid has always known she is destined to die. She is the last Nachstern witch and heir to the Queendom of Arturea, cursed by a centuries-old covenant to duel the heir to the Kingdom of Vatra for the source of all magic: the Heart. And now Astrid’s time is up. She is heading into enemy territory to face Prince Zryan, the most powerful dragon rider in eons, with only her familiar, her potions, and her wits to aid her. She is going to die, and any chance her queendom has of curing the Blight that’s ravaging the lands and killing her people will die with her. Meanwhile, deep in dragon country, Skylar and her travelling troupe arrive in Vatra’s capital, ready to profit off the legions of spectators swarming to the city ahead of the duel. She despises the royals and all they stand for, especially as the King’s guard murdered her mother. But when her best friend disappears, suspected to have been taken in the conscription, her search takes her closer to the royals than she ever could have imagined. As the duel looms over the kingdom, Skylar and Astrid’s fates intertwine. They must battle a growing rebellion, their inner demons, and ultimately, those they love most, to determine if together they will save—or doom—their world.

Twenty-five-year-old Venetia Lanyon's beauty is rivaled only by her sensibility. Intelligent and independent, her future seems safe and predictable. Lovely Venetia despairs of ever meeting the handsome hero of her romantic dreams but is nearly resigned to spinsterhood, thanks to the enormous amount of responsibility she inherited with a Yorkshire estate and an invalid but precocious brother, Aubrey. She lives in comfortable seclusion in rural Yorkshire, she has never been further than Harrogate, nor enjoyed the lackluster attentions of any but her two wearisomely persistent suitors. She can not accept to marry the respectable but dull Edward Yardley - she will only marry for love. Then her long-absent neighbor, thirty-eight-year-old Lord Jasper Damerel, returns home to Yorkshire. In one extraordinary encounter, she meets the infamous neighbor, who she knows only by reputation - a gamester, a shocking rake, and a man of sadly unsteady character - and before she knows better, she finds friendship with a libertine whose way of life has scandalised the North Riding for years. Lord Damerel finds Venetia to be the most truly engaging and wittily perverse female he has encountered in all his life and determined to woo and win her, he pursues her with a passionate abandon that is soon the talk of the ton. And after her encounter with the dashing, dangerous rake, Venetia's well-ordered life is turned upside down, and she embarks upon a courtship with him that scandalises and horrifies the whole community. But Venetia has no intention of losing her heart to the rakish lord until she is sure that beneath his swashbuckling ways and shocking manners lies a tender heart belonging to her. And Lord Damerel would marry her in a heartbeat if he did not think it would ruin her. Then she discovers a shocking family secret that changes everything ... It was therefore particularly provoking to find that occasion, Lord Damerel could make up his mind to be idiotically noble....

A selection of Maupassant's brilliant, glittering stories set in the Parisian beau monde and Normandy countryside. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Guy de Maupassant (1850-1893). Maupassant's works available in Penguin Classics are A Parisian Affair and Other Stories, Bel-Ami and Pierre and Jean.

Twenty-five-year-old Venetia Lanyon's beauty is rivaled only by her sensibility. Intelligent and independent, her future seems safe and predictable. Lovely Venetia despairs of ever meeting the handsome hero of her romantic dreams but is nearly resigned to spinsterhood, thanks to the enormous amount of responsibility she inherited with a Yorkshire estate and an invalid but precocious brother, Aubrey. She lives in comfortable seclusion in rural Yorkshire, she has never been further than Harrogate, nor enjoyed the lackluster attentions of any but her two wearisomely persistent suitors. She can not accept to marry the respectable but dull Edward Yardley - she will only marry for love. Then her long-absent neighbor, thirty-eight-year-old Lord Jasper Damerel, returns home to Yorkshire. In one extraordinary encounter, she meets the infamous neighbor, who she knows only by reputation - a gamester, a shocking rake, and a man of sadly unsteady character - and before she knows better, she finds friendship with a libertine whose way of life has scandalised the North Riding for years. Lord Damerel finds Venetia to be the most truly engaging and wittily perverse female he has encountered in all his life and determined to woo and win her, he pursues her with a passionate abandon that is soon the talk of the ton. And after her encounter with the dashing, dangerous rake, Venetia's well-ordered life is turned upside down, and she embarks upon a courtship with him that scandalises and horrifies the whole community. But Venetia has no intention of losing her heart to the rakish lord until she is sure that beneath his swashbuckling ways and shocking manners lies a tender heart belonging to her. And Lord Damerel would marry her in a heartbeat if he did not think it would ruin her. Then she discovers a shocking family secret that changes everything ... It was therefore particularly provoking to find that occasion, Lord Damerel could make up his mind to be idiotically noble....

A Hollywood millionaire with a terror of death, whose personal physician happens to be working on a theory of longevity - these are the elements of Aldous Huxley's caustic and entertaining satire on man's desire to live indefinitely. With his customary wit and intellectual sophistication, Huxley pursues his characters in their quest for the eternal, finishing on a note of horror. Written soon after Huxley left England and settled in California, the novel is his examination of American culture, particularly what he saw as its narcissism, superficiality and obsession with youth. It also raises pertinent philosophical and social issues.

A new translation of one of the most notorious novels of all time Published just years before the French Revolution, Laclos's great novel of moral and emotional depravity is a disturbing and ultimately damning portrayal of a decadent society. Aristocrats and ex-lovers Marquise de Merteuil and Vicomte de Valmont embark on a sophisticated game of seduction and manipulation to bring amusement to their jaded lives. While Merteuil challenges Valmont to seduce an innocent convent girl, he is also occupied with the conquest of a virtuous married woman. Eventually their human pawns respond, and the consequences prove to be more serious—and deadly—than the players could have ever predicted. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A Hollywood millionaire with a terror of death, whose personal physician happens to be working on a theory of longevity - these are the elements of Aldous Huxley's caustic and entertaining satire on man's desire to live indefinitely. With his customary wit and intellectual sophistication, Huxley pursues his characters in their quest for the eternal, finishing on a note of horror. Written soon after Huxley left England and settled in California, the novel is his examination of American culture, particularly what he saw as its narcissism, superficiality and obsession with youth. It also raises pertinent philosophical and social issues.

That The Illustrated Man has remained in print since being published in 1951 is fair testimony to the universal appeal of Ray Bradbury's work. Only his second collection (the first was Dark Carnival, later reworked into The October Country), it is a marvelous, if mostly dark, quilt of science fiction, fantasy, and horror. In an ingenious framework to open and close the book, Bradbury presents himself as a nameless narrator who meets the Illustrated Man--a wanderer whose entire body is a living canvas of exotic tattoos. What's even more remarkable, and increasingly disturbing, is that the illustrations are themselves magically alive, and each proceeds to unfold its own story, such as "The Veldt," wherein rowdy children take a game of virtual reality way over the edge. Or "Kaleidoscope," a heartbreaking portrait of stranded astronauts about to reenter our atmosphere--without the benefit of a spaceship. Or "Zero Hour," in which invading aliens have discovered a most logical ally--our own children. Even though most were written in the 1940s and 1950s, these 18 classic stories will be just as chillingly effective 50 years from now. --Stanley Wiater Contents: · Prologue: The Illustrated Man · ss * · The Veldt [“The World the Children Made”] · ss The Saturday Evening Post Sep 23 ’50 · Kaleidoscope · ss Thrilling Wonder Stories Oct ’49 · The Other Foot · ss New Story Magazine Mar ’51 · The Highway [as by Leonard Spalding] · ss Copy Spr ’50 · The Man · ss Thrilling Wonder Stories Feb ’49 · The Long Rain [“Death-by-Rain”] · ss Planet Stories Sum ’50 · The Rocket Man · ss Maclean’s Mar 1 ’51 · The Fire Balloons [“‘In This Sign...’”] · ss Imagination Apr ’51 · The Last Night of the World · ss Esquire Feb ’51 · The Exiles [“The Mad Wizards of Mars”] · ss Maclean’s Sep 15 ’49; F&SF Win ’50 · No Particular Night or Morning · ss * · The Fox and the Forest [“To the Future”] · ss Colliers May 13 ’50 · The Visitor · ss Startling Stories Nov ’48 · The Concrete Mixer · ss Thrilling Wonder Stories Apr ’49 · Marionettes, Inc. [Marionettes, Inc.] · ss Startling Stories Mar ’49 · The City [“Purpose”] · ss Startling Stories Jul ’50 · Zero Hour · ss Planet Stories Fll ’47 · The Rocket [“Outcast of the Stars”] · ss Super Science Stories Mar ’50 · Epilogue · aw *

That The Illustrated Man has remained in print since being published in 1951 is fair testimony to the universal appeal of Ray Bradbury's work. Only his second collection (the first was Dark Carnival, later reworked into The October Country), it is a marvelous, if mostly dark, quilt of science fiction, fantasy, and horror. In an ingenious framework to open and close the book, Bradbury presents himself as a nameless narrator who meets the Illustrated Man--a wanderer whose entire body is a living canvas of exotic tattoos. What's even more remarkable, and increasingly disturbing, is that the illustrations are themselves magically alive, and each proceeds to unfold its own story, such as "The Veldt," wherein rowdy children take a game of virtual reality way over the edge. Or "Kaleidoscope," a heartbreaking portrait of stranded astronauts about to reenter our atmosphere--without the benefit of a spaceship. Or "Zero Hour," in which invading aliens have discovered a most logical ally--our own children. Even though most were written in the 1940s and 1950s, these 18 classic stories will be just as chillingly effective 50 years from now. --Stanley Wiater Contents: · Prologue: The Illustrated Man · ss * · The Veldt [“The World the Children Made”] · ss The Saturday Evening Post Sep 23 ’50 · Kaleidoscope · ss Thrilling Wonder Stories Oct ’49 · The Other Foot · ss New Story Magazine Mar ’51 · The Highway [as by Leonard Spalding] · ss Copy Spr ’50 · The Man · ss Thrilling Wonder Stories Feb ’49 · The Long Rain [“Death-by-Rain”] · ss Planet Stories Sum ’50 · The Rocket Man · ss Maclean’s Mar 1 ’51 · The Fire Balloons [“‘In This Sign...’”] · ss Imagination Apr ’51 · The Last Night of the World · ss Esquire Feb ’51 · The Exiles [“The Mad Wizards of Mars”] · ss Maclean’s Sep 15 ’49; F&SF Win ’50 · No Particular Night or Morning · ss * · The Fox and the Forest [“To the Future”] · ss Colliers May 13 ’50 · The Visitor · ss Startling Stories Nov ’48 · The Concrete Mixer · ss Thrilling Wonder Stories Apr ’49 · Marionettes, Inc. [Marionettes, Inc.] · ss Startling Stories Mar ’49 · The City [“Purpose”] · ss Startling Stories Jul ’50 · Zero Hour · ss Planet Stories Fll ’47 · The Rocket [“Outcast of the Stars”] · ss Super Science Stories Mar ’50 · Epilogue · aw *

To Arabella Tallant, the eldest daughter of a penniless country clergyman, the invitation to stay with her London godmother was like the key to heaven, for in addition to living in the glamorous city, Arabella might even find a suitable husband there. Armed with beauty, virtue and a benevolent godmother, the impetuous but impoverished Arabella embarked on her first London season with her mother's wish in mind: snare a rich husband. On her way to London Arabella's carriage breaks down outside the hunting lodge of the wealthy and socially prominent Robert Beaumaris, fate cast her in his path. Arabella's only fault is impetuosity, and her pride stung when she overhears a remark of her path of arrogant host, who accused her of being another petty female after his wealth, the proud, headstrong ingenue made a most startling claim -- she was an heiress! A pretense that deeply amuses the jaded Beau. To counter her white lie, Beaumaris launches her into high society and thereby subjects her to all kinds of amorous fortune hunters in London and other embarrassments. Suddenly Arabella found herself the talk of the ton and pursued by some of the most eligible young men of the day. But only one caught Arabella's fancy: Beaumaris, the handsome and dedicated bachelor. She should know better than to allow herself to be provoked by nonpareil Beau. But would her deceitful charade destroy her one chance for true love...? Beaumaris, however, although a most artful matrimonial dodger, badly underestimated his seemingly naive adversary... When compassionate Arabella rescues such unfortunate creatures as a mistreated chimney sweep and a mixed-breed mongrel, she foists them upon Beaumaris, who finds he rather enjoys the role of rescuer and is soon given the opportunity to prove his worth in the person of Bertram Tallant, the also impetuous young brother of Arabella....

That The Illustrated Man has remained in print since being published in 1951 is fair testimony to the universal appeal of Ray Bradbury's work. Only his second collection (the first was Dark Carnival, later reworked into The October Country), it is a marvelous, if mostly dark, quilt of science fiction, fantasy, and horror. In an ingenious framework to open and close the book, Bradbury presents himself as a nameless narrator who meets the Illustrated Man--a wanderer whose entire body is a living canvas of exotic tattoos. What's even more remarkable, and increasingly disturbing, is that the illustrations are themselves magically alive, and each proceeds to unfold its own story, such as "The Veldt," wherein rowdy children take a game of virtual reality way over the edge. Or "Kaleidoscope," a heartbreaking portrait of stranded astronauts about to reenter our atmosphere--without the benefit of a spaceship. Or "Zero Hour," in which invading aliens have discovered a most logical ally--our own children. Even though most were written in the 1940s and 1950s, these 18 classic stories will be just as chillingly effective 50 years from now. --Stanley Wiater Contents: · Prologue: The Illustrated Man · ss * · The Veldt [“The World the Children Made”] · ss The Saturday Evening Post Sep 23 ’50 · Kaleidoscope · ss Thrilling Wonder Stories Oct ’49 · The Other Foot · ss New Story Magazine Mar ’51 · The Highway [as by Leonard Spalding] · ss Copy Spr ’50 · The Man · ss Thrilling Wonder Stories Feb ’49 · The Long Rain [“Death-by-Rain”] · ss Planet Stories Sum ’50 · The Rocket Man · ss Maclean’s Mar 1 ’51 · The Fire Balloons [“‘In This Sign...’”] · ss Imagination Apr ’51 · The Last Night of the World · ss Esquire Feb ’51 · The Exiles [“The Mad Wizards of Mars”] · ss Maclean’s Sep 15 ’49; F&SF Win ’50 · No Particular Night or Morning · ss * · The Fox and the Forest [“To the Future”] · ss Colliers May 13 ’50 · The Visitor · ss Startling Stories Nov ’48 · The Concrete Mixer · ss Thrilling Wonder Stories Apr ’49 · Marionettes, Inc. [Marionettes, Inc.] · ss Startling Stories Mar ’49 · The City [“Purpose”] · ss Startling Stories Jul ’50 · Zero Hour · ss Planet Stories Fll ’47 · The Rocket [“Outcast of the Stars”] · ss Super Science Stories Mar ’50 · Epilogue · aw *