Following the "propulsive and mesmerizing" (New York Times Book Review) Things We Lost in the Fire comes a new collection of singularly unsettling stories, by an Argentine author who has earned comparisons to Shirley Jackson and Jorge Luis Borges. Mariana Enriquez has been critically lauded for her unconventional and sociopolitical stories of the macabre: populated by unruly teenagers, crooked witches, homeless ghosts, and hungry women, they walk the uneasy line between urban realism and horror. The stories in her next collection are as terrifying as they are socially conscious, and press into being the unspoken -- fetish, illness, the female body, the darkness of human history -- with unsettling urgency. A woman is sexually obsessed with the human heart; a lost, rotting baby crawls out of a backyard and into a bedroom; a pair of teenage girls can't let go of their idol; an entire neighborhood is cursed to death by a question of morality they fail to answer correctly. Written against the backdrop of contemporary Argentina, and with resounding tenderness towards those in pain, in fear, and in limbo, this new collection from one of Argentina's most exciting writers finds Enriquez at her most sophisticated, and most chilling.

In this heartrending spin on the zombie mythos, a brilliant scientist desperately searches for a cure after a devastating epidemic while also hiding a monumental secret—her undead husband. Having always preferred the company of microbes, British scientist Kesta Shelley has spent her life peering through a microscope rather than cultivating personal relationships. That changed when Kesta met Tim—her cheerleader, her best friend, her absolute everything. So when he was one of the last people in London to be infected with a perplexing virus that left the city ravaged, Kesta went into triage mode. Although the government rounded up and disposed of all the infected, Kesta is able to keep her husband (un)alive—and hidden—with resources from the hospital where she works. She spends her days reviewing biopsy slides and her evenings caring for him, but he’s clearly declining. The sedatives aren’t working like they used to, and his violent outbursts are becoming more frequent. As Kesta races against the clock, her colleagues start noticing changes in her behavior and appearance. Her care for Tim has spiraled into absolute obsession. Whispers circulate that a top-secret lab is working on a cure, and Kesta clings to the possibility of being recruited, but can she save her husband before he is discovered?

For Lewis and Wren, their first year of marriage is also their last. A few weeks after their wedding, Lewis receives a rare diagnosis: He will retain most of his consciousness, memories, and intellect, but his physical body will gradually turn into a great white shark. As Lewis develops the features and impulses of one of the most predatory creatures in the ocean, his complicated artist’s heart struggles to make peace with his unfulfilled dreams. At first, Wren internally resists her husband’s fate. Is there a way for them to be together after Lewis changes? Then, a glimpse of Lewis’s developing carnivorous nature activates long-repressed memories for Wren, whose story vacillates between her childhood living on a houseboat in Oklahoma, her time with her college ex-girlfriend, and her unusual friendship with a woman pregnant with twin birds.

Powerfully inventive and atmospheric, a modern gothic story of nine young women sent to work at a remote Alpine hotel and what happens when one of them goes missing With toiletries, hairbands, and notebooks in her bag, and at her mother's instruction, nineteen-year-old Rafa leaves her parents' home and the seaside town she grew up in. Out the train window, she sees the lit-up mountains and perfect trees--and the Olympic Hotel waiting for her perched above the small village of Strega. There, she and eight other young women receive the stiff black uniforms of seasonal workers and move into their shared dorm. But while they toil constantly to perform their role and prepare the hotel for guests, none arrive. Instead, they contort themselves daily to the expectations of their strict, matronly bosses without clear purpose and, in their spare moments, escape to the herb garden, confide in each other, and quickly find solace together. Finally, the hotel is filled with people for a wild and raucous party, only for one of the women to disappear. What follows are deeper revelations about the myths we teach young women, what we raise them to expect from the world, and whether a gentler, more beautiful life is possible.

Edinburgh, Scotland: a moody city of labyrinthine alleyways, oppressive fog, and buried history—the ultimate destination for someone with something to hide. Perfect for Clare, then, who arrives utterly alone and yearning to reinvent herself. And what better place to conceal the secrets of her past than at the university in the heart of the fabled, cobblestoned Old Town? When Clare meets Tabitha, a charismatic, beautiful, and intimidatingly rich girl from her art history class, she knows she’s destined to become friends with her and her exclusive circle: raffish Samuel, shrewd Ava, and pragmatic Imogen. She is immediately drawn into their libertine world of sophisticated dinner parties and summers in France. The new life she always envisioned for herself has seemingly begun. But as Clare starts to realize just what her friends are capable of, it’s already too late—because they’ve taken the plunge. They’re so close to attaining everything they want, and there’s no going back. Reimagining the classic themes of obsession and ambition with an original and sinister edge, The Things We Do to Our Friends is a seductive thriller about the toxic battle between those who have and those who covet, between the desire to truly belong and the danger of being truly known.

Food critic Dorothy Daniels loves what she does. Discerning, meticulous, and very, very smart, Dorothy's clear mastery of the culinary arts make it likely that she could, on any given night, whip up a more inspired dish than any one of the chefs she writes about. Dorothy loves sex as much as she loves food, and while she has struggled to find a long-term partner that can keep up with her, she makes the best of her single life, frequently traveling from Manhattan to Italy for a taste of both. But there is something within Dorothy that's different from everyone else, and having suppressed it long enough, she starts to embrace what makes Dorothy uniquely, terrifyingly herself. Recounting her life from a seemingly idyllic farm-to-table childhood, the heights of her career, to the moment she plunges an ice pick into a man's neck on Fire Island, Dorothy Daniels show us what happens when a woman finally embraces her superiority. A satire of early foodieism, a critique of how gender is defined, and a showcase of virtuoso storytelling, Chelsea G. Summers' A Certain Hunger introduces us to the food world's most charming psychopath and an exciting new voice in fiction.

When her long lost cousin comes back to town just in time for the holidays, Lila Macapagal knows that big trouble can't be far behind in this new mystery by Mia P. Manansala, author of Arsenic and Adobo. It's Christmastime in Shady Palms, but things are far from jolly for Lila Macapagal. Sure, her new business, The Brew-ha Cafe, is looking to turn a profit in its first year. And yes, she's taken the first step in a new romance with her good friend, Jae Park. But her cousin Ronnie is back in town after ghosting the family fifteen years ago, claiming that his recent purchase of a local winery shows that he's back on his feet and ready to give back to the Shady Palms community. Tita Rosie is thrilled with the return of her prodigal son, but Lila knows that wherever Ronnie goes, trouble follows. She's soon proven right when Ronnie is accused of murder, and secrets and rumors surrounding her shady cousin and those involved with the winery start piling up. Now Lila has to put away years of resentment and distrust to prove her cousin's innocence. He may be a jerk, but he's still family. And there's no way her flesh and blood could actually be a murderer...right?

This collection of stories is about women and their experiences in society, about bodies and the bodily, mapping the skin and bones of its characters through their experiences of isolation, obsession and love. Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea side towns are invaded and transformed by the physical, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants. Blending the mythic and the fantastic, the collection considers characters in motion – turning away, turning back or simply turning into something new. From the winner of The White Review Short Story Prize 2018, salt slow is an extraordinary collection of short stories that are sure to dazzle and shock.

Sookie Stackhouse is a cocktail waitress in Bon Temps, Louisiana. She has only a few close friends, because not everyone appreciates Sookie’s gift: she can read minds. That’s not exactly every man’s idea of date bait – unless they’re undead; vampires and the like can be tough to read. And that’s just the kind of guy Sookie’s been looking for. Maybe that’s why, when she comes across a naked vampire, she doesn’t just drive on by. He hasn’t got a clue who he is, but Sookie has: Eric looks just as scary and sexy—and dead—as ever. But now he has amnesia, he’s sweet, vulnerable, and in need of Sookie’s help—because whoever took his memory now wants his life.

In this richly atmospheric, dark academia debut novel, a young woman with a secretive past will risk everything—including her life—to fit in. Belles never tell… It’s 1951 at the secluded Bellerton College, and Deena Williams is an outsider doing her best to blend in with her wealthy and perfectly groomed peers. Infamous for its strict rules as much as its prestige, attending Bellerton could give Deena the comfortable life she’s always dreamed of. She quickly forms an alliance with the five other freshmen on her floor, and soon they are singled out by the president’s wife as the most promising girls of their class, who anoints The Belles. They walk the college’s halls in menacing unison, matching velvet ribbons in their hair. But no sisterhood comes without secrets, and the Belles are no exception. Playing cruel pranks on their dormitory housemother and embarking on boundary-shattering night games, the Belles test the limits of the campus rules. But as Deena begins to piece together the sinister history of Bellerton, her own past threatens to come to light, forcing her to make a dangerous choice. A chilling and seductive coming-of-age story, The Belles is an excavation of the dark side of girlhood, the intricacies of privilege, and the unbridled desire to belong at any cost.

Things between cocktail waitress Sookie and her vampire boyfriend Bill seem to be going excellently (apart from the small matter of him being undead) until he leaves town for a while. A long while. Bill's sinister boss Eric has an idea of where to find him, whisking her off to Jackson, Mississippi to mingle with the under-underworld at Club Dead. When she finally catches up with the errant vampire, he is in big trouble and caught in an act of serious betrayal. This raises serious doubts as to whether she should save him or start sharpening a few stakes of her own ..

Things between cocktail waitress Sookie and her vampire boyfriend Bill seem to be going excellently (apart from the small matter of him being undead) until he leaves town for a while. A long while. Bill's sinister boss Eric has an idea of where to find him, whisking her off to Jackson, Mississippi to mingle with the under-underworld at Club Dead. When she finally catches up with the errant vampire, he is in big trouble and caught in an act of serious betrayal. This raises serious doubts as to whether she should save him or start sharpening a few stakes of her own ..

Maddie died. Piper refused to accept it.One blood ritual later and Maddie is back—undead, starving and nothing close to resembling human. Despite her deceased girlfriend reeking of rotting flesh, Piper decides she’ll do anything to keep her zombie lie to suspicious neighbors, outwit a nosy cop, and make sure the apartment complex’s missing-person flyers don’t point to their kitchen. As scraps of the old Maddie surface, so do the hunger pangs. The body count begins to pile up, and Piper has to decide what she's willing to do to keep her girlfriend fed. Part sapphic dark romance, part black-comedy horror, Something’s Wrong With Maddie is a gore-slick tale of grief, obsession, and devotion with sharp splatterpunk bite, body-horror set pieces, and a love story that refuses to die—even when it really should.

'Feverish, devouring and provocative' LUCY ROSE, author of The LambLove can really eat you upAvni is done with the meaningless carousel of tame sex. Tender women repel her. Clumsy men disgust her. She wants to make her flesh electric; to fill the chasm inside her created by her mundane job, her ex who died in a bizarre tragedy, and her sick aunt, whose diseased brain is swallowing memories. Then there’s the sour fruit, the bad meat that she craves. She longs for something to make her feel full. Something beyond all the pointless sex and depravity. When she is sucked into the orbit of a couple who seem as unstitched as she is, Avni thinks she may have found what she is looking for. But each time she fulfils her darkest needs her appetite grows, and she begins to spiral into obsession. There's that bone-deep ache again. Is it love? Or a different kind of hunger? Uncompromising, unique and compulsively readable, SOUR FRUIT is the fearless debut of a major new talent.

From the award-winning author of Our Wives Under the Sea, a speculative reimagining of King Lear, centering three sisters navigating queer love and loss in a drowning world It’s been raining for a long time now, so long that the land has reshaped itself and arcane rituals and religions are creeping back into practice. Sisters Isla, Irene, and Agnes have not spoken in some time when their father dies. An architect as cruel as he was revered, his death offers an opportunity for the sisters to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until their fragile bond is shattered by a revelation in his will. More estranged than ever, the sisters’ lives spin out of control: Irene’s relationship is straining at the seams; Isla’s ex-wife keeps calling; and cynical Agnes is falling in love for the first time. But something even more sinister might be unfolding, something related to their mother’s long-ago disappearance and the strangers who have always seemed unusually interested in the sisters’ lives. Soon, it becomes clear that the sisters have been chosen for a very particular purpose, one with shattering implications for their family and their imperiled world.

This collection of stories is about women and their experiences in society, about bodies and the bodily, mapping the skin and bones of its characters through their experiences of isolation, obsession and love. Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea side towns are invaded and transformed by the physical, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants. Blending the mythic and the fantastic, the collection considers characters in motion – turning away, turning back or simply turning into something new. From the winner of The White Review Short Story Prize 2018, salt slow is an extraordinary collection of short stories that are sure to dazzle and shock.

Cocktail waitress Sookie Stackhouse is having a streak of bad luck. First her co-worker is killed, and no one seems to care. Then she comes face to-face with a beastly creature that gives her a painful and poisonous lashing. Enter the vampires, who graciously suck the poison from her veins (like they didn't enjoy it). The point is: they saved her life. So when one of the bloodsuckers asks for a favor, she obliges - and soon Sookie's in Dallas, using her telepathic skills to search for a missing vampire. She's supposed to interview certain humans involved, but she makes one condition: the vampires must promise to behave and let the humans go unharmed. But that's easier said than done, and all it takes is one delicious blonde and one small mistake for things to turn deadly....

The greatest love is the one you never expected to find Daisy is fed up with being unlucky in love, and after several weddings she has done the flowers for end in divorce, her beloved flower shop has gained a reputation of being cursed, thanks to Mayor Kelly and his infamous visions. Dream Harbor newcomer, Elliot, has been adjusting to town life following his own relationship turmoil. And until now he’s avoided the flower shop at all costs. If the mayor is correct, he doesn’t need any more bad luck in his life. But with his family coming to visit, Elliot finds himself reluctantly in front of Daisy’s store in need of some flowers. As the petals blossom in the sunlight, Daisy and Elliot might find that love comes when you’re least expecting it… The Daisy Chain Flower Shop is a cozy romantic mystery with a fake relationship dynamic, a small-town setting and a HEA guaranteed.