Maid Marian’s life is over. Her cowardly father has betrothed her to the most reviled man in the land: the Sheriff of Nottingham. Devastated, she’s sent on the quickest path to meet her husband, through the fae-infested Sherwood Forest. But everything changes when her carriage is attacked by the most feared fae of all: the Merry Men, followers of the infamous Robin Hood. Kidnapped and waiting on the Sheriff’s rescue, Marian finds herself surrounded by the magical creatures she’s been raised to fear. But the more time she spends in their presence, Marian realises that not everything she’s been taught by her family is true. And Marian can’t help but find herself drawn to her captor – the sinfully handsome Robin, who stands between her and returning to life amongst the humans. As the Sheriff's men close in on Marian's location, she will soon be faced with the ultimate choice: the family she’s always known, or the love she can choose for herself… A breathtaking debut romantasy novel for lovers of Robin Hood, The Knight and the Moth and Heavenly Bodies.

Can they stop hating each other long enough to fall in love? A commitment-phobe and a hopeless romantic clash over and over again—until heartbreak and unexpected chemistry bring them together in this clever enemies-to-friends-to-lovers debut romance. When Ari and Josh first meet, the wrong kind of sparks fly. They hate each other. Instantly. A free-spirited, struggling comedian who likes to keep things casual, Ari sublets, takes gigs, and she never sleeps over after hooking up. Born-and-bred Manhattanite Josh has ambitious plans: Take the culinary world by storm, find The One, and make her breakfast in his spotless kitchen. They have absolutely nothing in common . . . except that they happen to be sleeping with the same woman. Ari and Josh never expect their paths to cross again. But years later, as they're both reeling from ego-bruising breakups, a chance encounter leads to a surprising connection: friendship. Turns out, spending time with your former nemesis is fun when you're too sad to hate each other--and too sad for hate sex. As friends-without-benefits, they find comfort in late-night Netflix binges, swiping through each other's online dating profiles, and bickering across boroughs. It's better than romance. Until one night, the unspoken boundaries of their platonic relationship begin to blur. . . . With sharp observations and sizzling chemistry, You, Again explores the dynamics of co-ed friendship in this sparkling romantic comedy of modern love in all its forms.

When a child goes missing in Edinburgh's darkest streets, young Ropa investigates. She'll need to call on Zimbabwean magic as well as her Scottish pragmatism to hunt down clues. But as shadows lengthen, will the hunter become the hunted? When ghosts talk, she will listen... Ropa dropped out of school to become a ghostalker. Now she speaks to Edinburgh's dead, carrying messages to the living. A girl's gotta earn a living, and it seems harmless enough. Until, that is, the dead whisper that someone's bewitching children--leaving them husks, empty of joy and life. It's on Ropa's patch, so she feels honor-bound to investigate. But what she learns will change her world. She'll dice with death (not part of her life plan...), discovering an occult library and a taste for hidden magic. She'll also experience dark times. For Edinburgh hides a wealth of secrets, and Ropa's gonna hunt them all down.

Everyone’s favorite fifteen-year-old ghostalker, Ropa, arrives at the worldwide Society of Skeptical Enquirers’ biennial conference just in time to be tied into a mystery—a locked room mystery, if an entire creepy haunted castle on lockdown counts. One of the magical attendees has stolen a valuable magical scroll. Caught between Qozmos, the high wizard of Ethiopian magic; the larger-than-life Lord Sashvindu Samarasinghe; England’s Sorcerer Royal; and Scotland’s own Edmund MacLeod, it’s up to Ropa (and Jomo and Priya) to sort through the dangerous secret politics and alliances to figure out what really happened. But she has a special tool—the many ghosts tied to the ancient, powerful castle. Edinburgh Nights series: Library of the Dead Our Lady of Mysterious Ailments The Mystery at Dunvegan Castle

Encanto meets Hocus Pocus in this perfect witchy romcom. An absolute must-read if you love Erin Sterling’s The Ex Hex and Lana Harper’s Payback’s a Witch! It’s just a bunch of hocus pocus… Essie Winterscale lives in a huge and ever-changing house in the village of Good Winter, in deepest, darkest Essex. She lives with various witches of various ages, one of whom is still a bit salty about being hanged in the 1700s, one who keeps accidentally casting fertility spells, and one who knits things that create the future. All Essie ever wanted was to have a normal life but in the end she found herself drawn back to Beldam House because she just can’t stop her witchiness (although the ability to instantly chill wine is pretty awesome, even she has to admit). Into this coven of chaos stumbles gorgeous, clueless Josh, their new landlord – and he’s just discovered his tenants haven’t paid rent since the 1700s! As Josh is drawn further into the lives of the inhabitants of Beldam House, Essie is determined to keep him at broomstick’s length. That is, until a family secret, lying hidden for centuries, puts Josh firmly under her spell…

Two people. Ten chances. One unforgettable love story. Laurie is pretty sure love at first sight doesn't exist anywhere but the movies. But then, through a misted-up bus window one snowy December day, she sees a man who she knows instantly is the one. Their eyes meet, there's a moment of pure magic... and then her bus drives away. Certain they're fated to find each other again, Laurie spends a year scanning every bus stop and cafe in London for him. But she doesn't find him, not when it matters anyway. Instead they "reunite" at a Christmas party, when her best friend Sarah giddily introduces her new boyfriend to Laurie. It's Jack, the man from the bus. It would be. What follows for Laurie, Sarah and Jack is ten years of friendship, heartbreak, missed opportunities, roads not taken, and destinies reconsidered. One Day in December is a joyous, heartwarming and immensely moving love story to escape into and a reminder that fate takes inexplicable turns along the route to happiness.

From one of the world’s most expert art critics, the incredible true story—part art history and part mystery—of a Velázquez portrait that went missing and the obsessed nineteenth-century bookseller determined to prove he had found it. When John Snare, a nineteenth-century provincial bookseller, traveled to a liquidation auction, he stumbled on a vivid portrait of King Charles I that defied any explanation. The Charles of the painting was young—too young to be king—and yet also too young to be painted by the Flemish painter to which the work was attributed. Snare had found something incredible—but what? His research brought him to Diego Velazquez, whose long-lost portrait of Prince Charles has eluded art experts for generations. Velázquez (1599–1660) was the official painter of the Madrid court, during the time the Spanish Empire teetered on the edge of collapse. When Prince Charles of England—a man wealthy enough to help turn Spain’s fortunes—ventured to the court to propose a marriage with a Spanish princess, he allowed just a few hours to sit for his portrait. Snare believed only Velázquez could have met this challenge. But in making his theory public, Snare was ostracized, victim to aristocrats and critics who accused him of fraud, and forced to choose, like Velázquez himself, between art and family. A thrilling investigation into the complex meaning of authenticity and the unshakable determination that drives both artists and collectors of their work, The Vanishing Velázquez travels from extravagant Spanish courts in the 1700s to the gritty courtrooms and auction houses of nineteenth-century London and New York. But it is above all a tale of mystery and detection, of tragic mishaps and mistaken identities, of class, politics, snobbery, crime, and almost farcical accident. It is a magnificently crafted page-turner, a testimony to how and why great works of art can affect us to the point of obsession.

Hans Ulrich Obrist curated his first exhibit in his kitchen when he was twenty-three years old. Since then he has staged more than 250 shows internationally, many of them among the most influential exhibits of our age. Ways of Curating is a compendium of the insights Obrist has gained from his years of extraordinary work in the art world. It skips between centuries and continents, flitting from meetings with the artists who have inspired him (including Gerhard Richter, Louise Bourgeois, and Gilbert and George) to biographies of influential figures such as Diaghilev and Walter Hopps. It describes some of the greatest exhibitions in history, as well as some of the greatest exhibitions never realized. It traces the evolution of the collections from Athanasius Kircher's 17th-century Wunderkammer to modern museums, and points the way for projects yet to come. Hans Ulrich Obrist has rescued the word "curate" from wine stores and playlists to remind us of the power inherent in looking at art―and at the world―in a new way.