From the acclaimed author of How to Be Eaten, a fresh take on the campus novel that follows an adjunct professor gigging her way through academia’s poor job market when she crosses paths with her old PhD adviser whose new novel might be about her—for readers of Worry, Vladimir, and Less.Meet Sam, an adjunct professor at a public university in Baltimore who takes a last-minute gig at the private liberal arts college down the road. Overworked and underpaid, her life is a blur of back-to-back classes, side hustles, and job applications as she attempts to claw her way toward a full-time position. But her already precarious existence is thrown into disarray when she runs into her former grad school adviser, Dr. Tom Sternberg, on campus. Tom and Sam have a complicated history, the lasting impact of which has haunted her academic career, and it’s the last thing she wants to think about as she navigates academic politics, institutional hurdles, and romantic entanglements with men and women that further complicate a sexuality not even she can define. Then she learns that Tom left his old job for undisclosed reasons—and his long-awaited second novel is about a professor’s reckoning with his checkered past. As whispers spread that Sam is the inspiration behind a central character, she fights to regain control of the story while questioning everything she thought she knew about her future—and herself. With biting humor and a keen eye for detail, Maria Adelmann offers a fresh twist on a tangled #MeToo story and turns Sam’s downward spiral into a searing critique of class and the hollow promises of the American dream. A hilarious yet sobering look at how hustle culture has come to define modern academia, The Adjunct Who really controls the narratives of success, identity, and power?

A hilarious and heartfelt rom-com about having it all, slowing down to see the big picture, and finding out that the person you least expect could be your perfect fit. Josephine Davis has spent her entire twenties building Revenant: a fashion brand headquartered in downtown Austin. When her biggest investor orders Josie to hire a consultant, the last person she expects to be working with is Will Grant—the twin brother of Josie’s ex best friend. Sure, Will and Josie may have shared one mistake of a kiss during senior spring break nine years ago, but they’ve never been friends. She remembers him as moody; he always thought of her as shallow. Romance isn’t on the table for either of them until they blink, and realize there’s a reason they can’t stay away from each other. But there’s Will’s sister to consider—whom Josie hasn’t spoken with since their falling out—not to mention, Will and Josie live seventeen hundred miles apart. And it’s not like she has time for a boyfriend anyway when she’s an overworked CEO. As Josie’s burnout looms while she falls deeper and harder for Will, she contends with the fact that eventually, she’ll have to make a choice: stay alone to be productive, or slow down to be in love.

A sparkling adversaries-to-lovers romcom set at a magazine publisher in Manhattan. When Casey and Alex are forced into proximity, they soon realize falling for each other is just as much of a risk and as it is a reward.Casey Maitland has always preferred the reliability of numbers, despite growing up the daughter of two artistic souls. Now a twenty-four-year-old finance expert working in Manhattan, Casey wonders if the project manager opening at her company – magazine powerhouse LC Publications – is a sign from the universe to pursue a career with a little more sparkle. That is, until she’s passed over for the job in favor of the board chairman’s son.Alex Harrison is handsome, Harvard-educated, and enigmatic. Everybody loves him – except for Casey. But when the two are thrown on the same project, they both have something to prove. For Casey, it’s getting tapped for a transfer to the London office and fulfilling her dreams of travelling. For Alex, it’s successfully launching a brand that will impress his distant father.As work meetings turn into after hours, Casey and Alex are drawn to each other again and again, but neither can avoid the messy secrets and corporate intrigue threatening to tear them apart. What they discover about their workplace might change everything – including the dreams each of them is chasing.

A groundbreaking global history of gender nonconformity   Today’s narratives about trans people tend to feature individuals with stable gender identities that fit neatly into the categories of male or female. Those stories, while important, fail to account for the complex realities of many trans people’s lives.     Before We Were Trans  illuminates the stories of people across the globe, from antiquity to the present, whose experiences of gender have defied binary categories. Blending historical analysis with sharp cultural criticism, trans historian and activist Kit Heyam offers a new, radically inclusive trans history, chronicling expressions of trans experience that are often overlooked, like gender-nonconforming fashion and wartime stage performance. Before We Were Trans  transports us from Renaissance Venice to seventeenth-century  Angola, from Edo Japan to early America, and looks to the past to uncover new horizons for possible trans futures.  

A young mortician goes behind the scenes, unafraid of the gruesome (and fascinating) details of her curious profession. Most people want to avoid thinking about death, but Caitlin Doughty—a twenty-something with a degree in medieval history and a flair for the macabre—took a job at a crematory, turning morbid curiosity into her life’s work. Thrown into a profession of gallows humor and vivid characters (both living and very dead), Doughty learned to navigate the secretive culture of those who care for the deceased. Smoke Gets in Your Eyes tells an unusual coming-of-age story full of bizarre encounters and unforgettable scenes. Caring for dead bodies of every color, shape, and affliction, Doughty soon becomes an intrepid explorer in the world of the dead. She describes how she swept ashes from the machines (and sometimes onto her clothes) and reveals the strange history of cremation and undertaking, marveling at bizarre and wonderful funeral practices from different cultures. Her eye-opening, candid, and often hilarious story is like going on a journey with your bravest friend to the cemetery at midnight. She demystifies death, leading us behind the black curtain of her unique profession. And she answers questions you didn’t know you had: Can you catch a disease from a corpse? How many dead bodies can you fit in a Dodge van? What exactly does a flaming skull look like? Honest and heartfelt, self-deprecating and ironic, Doughty's engaging style makes this otherwise taboo topic both approachable and engrossing. Now a licensed mortician with an alternative funeral practice, Doughty argues that our fear of dying warps our culture and society, and she calls for better ways of dealing with death (and our dead).