From the award-winning author of The Twisted Ones comes a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher." When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruravia. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

McKinsey & Company is the most prestigious consulting company in the world, earning billions of dollars in fees from major corporations and governments who turn to it to maximize their profits and enhance efficiency. McKinsey’s vaunted statement of values asserts that its role is to make the world a better place, and its reputation for excellence and discretion attracts top talent from universities around the world. But what does it actually do? In When McKinsey Comes to Town, two prizewinning investigative journalists have written a portrait of the company sharply at odds with its public image. Often McKinsey’s advice boils down to major cost-cutting, including layoffs and maintenance reductions, to drive up short-term profits, thereby boosting a company’s stock price and the wealth of its executives who hire it, at the expense of workers and safety measures. McKinsey collects millions of dollars advising government agencies that also regulate McKinsey’s corporate clients. And the firm frequently advises competitors in the same industries, but denies that this presents any conflict of interest. In one telling example, McKinsey advised a Chinese engineering company allied with the communist government which constructed artificial islands, now used as staging grounds for the Chinese Navy—while at the same time taking tens of millions of dollars from the Pentagon, whose chief aim is to counter Chinese aggression. Shielded by NDAs, McKinsey has escaped public scrutiny despite its role in advising tobacco and vaping companies, purveyors of opioids, repressive governments, and oil companies. McKinsey helped insurance companies’ boost their profits by making it incredibly difficult for accident victims to get payments; worked its U.S. government contacts to let Wall Street firms evade scrutiny; enabled corruption in developing countries such as South Africa; undermined health-care programs in states across the country. And much more. Bogdanich and Forsythe have penetrated the veil of secrecy surrounding McKinsey by conducting hundreds of interviews, obtaining tens of thousands of revelatory documents, and following rule #1 of investigative Follow the money. When McKinsey Comes to Town is a landmark work of investigative reporting that amounts to a devastating portrait of a firm whose work has often made the world more unequal, more corrupt, and more dangerous.

An incendiary, deeply reported exposé of Johnson & Johnson, one of America’s oldest and most trusted pharmaceutical companies—from award-winning investigative journalist Gardiner Harris One day in 2004, Gardiner Harris, early for a flight, sat down at an airport bar and started talking to the woman on the bar stool beside him. She was a drug sales rep for Johnson & Johnson, and her horrific story about unethical sales practices and the devastating impact they’d had on her family fundamentally changed the nature of how Harris covered the company—and the entire pharmaceutical industry—for The New York Times. His subsequent investigations and ongoing research since that conversation led to new federal laws and ultimately to No More Tears, a blistering exposé of a trusted American institution and the largest healthcare conglomerate in the world. Harris takes us light years away from the company’s image as the child-friendly “baby company” as he uncovers reams of evidence showing decades of deceitful and dangerous corporate practices that have threatened the lives of millions. He covers multiple disasters: lies and cover-ups regarding baby powder’s link to cancer; the surprising dangers of Tylenol; a criminal campaign to sell dangerous anti-psychotics to children; a popular drug for cancer patients that increases the risk of tumor growth. Deceptive marketing efforts that accelerated opioid addictions rival even those of the Sacklers and Purdue Pharma. All told, Johnson & Johnson's products have helped cause drug crises that have contributed to the deaths of as many as two million people and counting. Filled with shocking, infuriating, but utterly necessary revelations, No More Tears is a landmark work of investigative journalism that lays bare the deeply rooted corruption behind the image of babies bathing with a smile.

The highly anticipated portrait of three generations of the Sackler family, by the prize-winning, bestselling author of Say Nothing. The Sackler name adorns the walls of many storied institutions: Harvard, the Metropolitan Museum of Art, Oxford, the Louvre. They are one of the richest families in the world, known for their lavish donations to the arts and sciences. The source of the family fortune was vague, however, until it emerged that the Sacklers were responsible for making and marketing OxyContin, a blockbuster painkiller that was a catalyst for the opioid crisis. Empire of Pain is a masterpiece of narrative reporting and writing, exhaustively documented and ferociously compelling.

Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Fifty years after its initial publication at the height of the Vietnam War, Vonnegut's portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties.

From bestselling, National Book Award-winning author Elizabeth Acevedo comes her first novel for adults, the story of one Dominican-American family told through the voices of its women as they await a gathering that will forever change their lives. Flor has a gift: she can predict, to the day, when someone will die. So when she decides she wants a living wake--a party to bring her family and community together to celebrate the long life she's led--her sisters are surprised. Has Flor forseen her own death, or someone else's? Does she have other motives? She refuses to tell her sisters, Matilde, Pastora, and Camila. But Flor isn't the only person with secrets. Matilde has tried for decades to cover the extent of her husband's infidelity, but she must now confront the true state of her marriage. Pastora is typically the most reserved sister, but Flor's wake motivates this driven woman to solve her sibling's problems. Camila is the youngest sibling, and often the forgotten one, but she's decided she no longer wants to be taken for granted. And the next generation, cousins Ona and Yadi, face tumult of their own: Yadi is reuniting with her first love, who was imprisoned when they were both still kids; Ona is married for years and attempting to conceive. Ona must decide whether it's worth it to keep trying--to have a child, and the anthropology research that's begun to feel lackluster. Spanning the three days prior to the wake, Family Lore traces the lives of each of the Marte women, weaving together past and present, Santo Domingo and New York City. Told with Elizabeth Acevedo's inimitable and incandescent voice, this is an indelible portrait of sisters and cousins, aunts and nieces--one family's journey through their history, helping them better navigate all that is to come.

“A tale about sisterhood, a novel of ideas, a chronicle of our collective follies, a requiem for our agonizing species, The Alternatives unfolds in a prose full of gorgeous surprises and glows with intelligence, compassion, and beauty.”  —Hernan Diaz From the writer Anthony Doerr calls “a massive talent,” the story of four brilliant Irish sisters, orphaned in childhood, who scramble to reconnect when the oldest disappears into the Irish countryside The Flattery sisters were plunged prematurely into adulthood when their parents died in tragic circumstances. Now in their thirties—all single, all with PhDs—they are each attempting to do meaningful work in a rapidly foundering world. The four lead disparate, distanced lives, from classrooms in Connecticut to ritzy catering gigs in London’s Notting Hill, until one day their oldest sister, a geologist haunted by a terrible awareness of the earth’s future, abruptly vanishes from her work and home. Together for the first time in years, the Flatterys descend on the Irish countryside in search of a sister who doesn’t want to be found. Sheltered in a derelict bungalow, they reach into their common past, confronting both old wounds and a desperately uncertain future. Warm, fiercely witty, and unexpectedly hopeful, The Alternatives is an unforgettable portrait of a family perched on our collective precipice, told by one of Ireland’s most gifted storytellers.

A starry-eyed romantic, a cynical writer, and (the ashes of) an elderly woman take the road trip of a lifetime that just might upend everything they believe about true love. Millicent Watts-Cohen is on a mission. When she promised her elderly best friend that she’d reunite her with the woman she fell in love with nearly eighty years ago, she never imagined that would mean traveling from D.C. to Key West with three tablespoons of Mrs. Nash’s remains in her backpack. But Millie’s determined to give her friend a symbolic happily-ever-after, before it’s (really) too late—and hopefully reassure herself of love’s lasting power in the process. She just didn’t expect to have a living travel companion. After a computer glitch grounds flights, Millie is forced to catch a ride with Hollis Hollenbeck, an also-stranded acquaintance from her ex’s MFA program. Hollis certainly does not believe in happily-ever-afters—symbolic or otherwise—and makes it quite clear that he can’t fathom Millie’s plan ending well for anyone. But as they contend with peculiar bed-and-breakfasts, unusual small-town festivals, and deer with a death wish, Millie begins to suspect that her reluctant travel partner might enjoy her company more than he lets on. Because for someone who supposedly doesn’t share her views on romance, Hollis sure is becoming invested in the success of their journey. And the closer they get to their destination, the more Millie has to admit that maybe this trip isn’t just about Mrs. Nash’s love story after all—maybe it’s also about her own.

Two video game creators go head-to-head in this delightful, queer enemies-to-lovers workplace romance debut. Cat Li cares about two things: video games and swoony romances. The former means there hasn't been much of the latter in her (real) life, but when she lands her dream job writing the love storylines for Compass Hollow—the next big thing in games—she knows it’s all been worth it. Then she meets her boss: the infamous Andi Zhang, who’s not only an arrogant hater of happily-ever-afters determined to keep Cat from doing her job but also impossibly, annoyingly hot. As Compass Hollow’s narrative director, Andi couldn’t care less about love—in-game or out. After getting doxxed by internet trolls three years ago, Andi’s been trying to prove to the gaming world that they’re a serious gamedev. Their plan includes writing the best game possible, with zero lovey-dovey stuff. That is, until the man funding the game’s development insists Andi add romance in order to make the story “more appealing to female gamers.” Forced to give Cat a chance, Andi begrudgingly realizes there’s more to Cat than romantic idealism and, okay, a cute smile. But admitting that would mean giving up the single-player life that has kept their heart safe for years. And when Cat uncovers a behind-the-scenes plan to destroy Andi’s career, the two will have to put their differences aside and find a way to work together before it’s game over.

For fans of Grey’s Anatomy and Seven Days in June, this dazzling debut novel by Shirlene Obuobi explores that time in your life when you must decide what you want, how to get it, & who you are, all while navigating love, friendship, and the realization that the path you’re traveling is going to be a bumpy ride. Ghanaian-American Angela Appiah has checked off all the boxes for the “Perfect Immigrant Daughter.” - Enroll in an elite medical school - Snag a suitable lawyer/doctor/engineer boyfriend - Surround self with a gaggle of successful and/or loyal friends But then it quickly all falls apart: her boyfriend dumps her, she bombs the most important exam of her medical career, and her best friend pulls away. And her parents, whose approval seems to hinge on how closely she follows the path they chose, are a lot less proud of their daughter. It’s a quarter life crisis of epic proportions. Angie, who has always faced her problems by working “twice as hard to get half as far,” is at a loss. Suddenly, she begins to question everything: her career choice, her friendships, even why she's attracted to men who don't love her as much as she loves them. And just when things couldn’t get more complicated, enter Ricky Gutierrez— brilliant, thoughtful, sexy, and most importantly, seems to see Angie for who she is instead of what she can represent. Unfortunately, he’s also got “wasteman” practically tattooed across his forehead, and Angie’s done chasing mirages of men. Or so she thinks. For someone who’s always been in control, Angie realizes that there’s one thing she can’t plan on: matters of her heart.

From the award-winning author of The Twisted Ones comes a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher." When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruravia. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

A poignant, heartfelt new novel by the award-nominated author of Together Tea—extolled by the Wall Street Journal as a “moving tale of lost love” and by Shelf Awareness as “a powerful, heartbreaking story”—explores loss, reconciliation, and the quirks of fate. Roya, a dreamy, idealistic teenager living amid the political upheaval of 1953 Tehran, finds a literary oasis in kindly Mr. Fakhri’s neighborhood stationery shop, stocked with books and pens and bottles of jewel-colored ink. Then Mr. Fakhri, with a keen instinct for a budding romance, introduces Roya to his other favorite customer—handsome Bahman, who has a burning passion for justice and a love for Rumi’s poetry—and she loses her heart at once. Their romance blossoms, and the little stationery shop remains their favorite place in all of Tehran. A few short months later, on the eve of their marriage, Roya agrees to meet Bahman at the town square when violence erupts—a result of the coup d’etat that forever changes their country’s future. In the chaos, Bahman never shows. For weeks, Roya tries desperately to contact him, but her efforts are fruitless. With a sorrowful heart, she moves on—to college in California, to another man, to a life in New England—until, more than sixty years later, an accident of fate leads her back to Bahman and offers her a chance to ask him the questions that have haunted her for more than half a century: Why did you leave? Where did you go? How is it that you were able to forget me?

An activist priest provides sanctuary for an encampment of unhoused people in her churchyard We think, maybe, that homelessness is some kind of stable state, like being housed except without housing. Without really considering it, most people imagine that people who are homeless live in, if not one place, at least in one condition, that their days are in some way predictable. But homelessness is, more than anything else, a life of constant displacement. The housing crisis plaguing major urban centres has sent countless people into the streets. In spring 2022, some of them found their way to the yard beside the Anglican church in Toronto’s Kensington Market, where Maggie Helwig is the priest. They pitched tents, formed an encampment, and settled in. Known as an outspoken social justice activist, Helwig has spent the last three years getting to know the residents and fighting tooth and nail to allow them to stay, battling various authorities that want to clear the yard and prefer to keep the results of the housing crisis out of sight and out of mind. Encampment tells the story of Helwig’s lifelong activism as preparation for her fight to keep her churchyard open to people needing a home. More importantly, it introduces us to the Artist, to Jeff, and to their lives, their challenges, their humanity. It confronts our society’s callousness in allowing so many to go unhoused, and it demands, by bringing their stories to the fore, that we begin to respond with compassion and grace.